Will you show me your work? It was really, really important to the look of the film to shoot on 16mm. It dictated how long our takes could be, but I knew it was super important to the look of the film in order to try and make, when it ultimately got transferred to digital, to give it a kind of a softness and a depth and a richness of colour, which Ed Larkin, who I've worked with several times now, he's such a genius cinematographer. It just meant that you had to be really all focused because you couldn't let the thing run long. The times I've worked with Todd
能給我看看你的作品嗎?用 16 毫米膠片拍攝對影片的外觀非常非常重要。這決定了我們可以拍攝多長時間,但我知道這對影片的外觀非常重要,這樣才能在最終轉為數字格式時,賦予影片一種柔和、深邃和豐富的色彩,我曾多次與艾德-拉金合作,他是一位天才攝影師。這就意味著你必須全神貫注,因為你不能讓畫面拖得太長。我與託德