So, what made you finally wear an honest-to-God costume? This scene happens at the midpoint of the film, where Deadpool and Wolverine, this unlikely duo, are on this quest, and they come across an incongruous diner in the middle of this void landscape.

是什麼讓你最終穿上了神裝？這一幕發生在影片的中段，死侍和金剛狼這對不可能的組合正在進行探險，他們在一片虛無的景象中遇到了一家不協調的餐廳。

And it's really the first meaty dialogue scene between the two.

這也是兩人之間第一場有血有肉的對話。

This has always been one of Ryan's and my favorite scenes from the moment we wrote it because it puts two iconic antiheroes in this incredibly generic trope of the Americana road movie.

這一直是瑞安和我最喜歡的場景之一，因為從我們寫劇本的那一刻起，它就把兩個標誌性的反英雄人物放在了美國公路電影這個令人難以置信的普通套路中。

So, the mismatch of these visuals, two superheroes sitting in a booth in a fifties diner, that was a thrill. Want to talk about what's haunting you, or should we wait for a third act flashback? Uh, go fuck yourself. As the scene evolves, what we reveal here, in something of a monologue, in my world, you're, um, you're well regarded.

兩個超級英雄坐在五十年代餐廳的包廂裡，這種錯位的視覺效果令人激動。想談談你的心結嗎？ 還是等第三幕的倒敘？ 去你媽的隨著場景的發展 我們在這裡用獨白的方式揭示了什麼 在我的世界裡 你 呃 你很有聲望

Is, he's a fan.

是，他是我的粉絲。

He is somewhat reverential, and in fact, envious of the mythic status of the Wolverine.

他對 "金剛狼 "的神話地位有些崇敬，事實上也有些羨慕。

It's a quieter scene than we're used to.

這是一個比我們習慣的更安靜的場景。

It's a longer, dramatic monologue than I think Wade Wilson has ever done.

這是一段比韋德-威爾遜（Wade Wilson）還長的戲劇性獨白。

When my girlfriend left, man, I just- You had a girlfriend? Yeah.

當我女朋友離開的時候 我就 你有女朋友了？有啊

Vanessa.

凡妮莎

When we met, she was a dancer.

我們相識時，她是一名舞蹈演員。

We had a whole life. And it was a joy for Ryan and I to write because this film is as funny, I hope, as people expect, but we were really aspiring to make it genuinely warm-hearted and meatier on a character-rooted emotional basis than maybe people expect out of a Deadpool movie.

我們有一個完整的人生。瑞安和我都很高興能寫這部電影，因為我希望這部電影和人們期待的一樣有趣，但我們真的很想讓它真正溫暖人心，在人物情感的基礎上比人們期待的《死侍》電影更有血有肉。

And I think the emotionality of the film may very well prove to be its most subversive element.

我認為，影片的情感性很可能被證明是其最具顛覆性的元素。