Well, then you've managed to come to the right place, my friend.

那麼，我的朋友，你來對地方了。

You see, for the last 10 years or so, I've been editing photos on a consistent basis, and in this video right here, I want to share with you 10 editing secrets that you might not know about, that the professionals use all the time.

在過去 10 年左右的時間裡，我一直堅持編輯照片，在這段視頻中，我想與你分享 10 個你可能不知道的編輯祕訣，這些祕訣是專業人士一直在使用的。

And by the way, the last one, oh, it's an absolute game changer.

順便說一下，最後一個，哦，它絕對能改變遊戲規則。

Alright, so the first step is this, my friends.

好了，第一步就是這樣，我的朋友們。

Let's say we are working with a moody photo, like you can see right here, and we want to make it a little bit more moody and bring out that fog and mootiness that is so beautiful when you're working with photos like this.

比方說，我們正在處理一張充滿情調的照片，就像你在這裡看到的那樣，我們想讓它更有情調一些，帶出霧氣和朦朧感，在處理這樣的照片時，霧氣和朦朧感是如此美麗。

Now, what I would do, I would first think, okay, the mood is coming in here or the mood, the fog is coming in here, and I want to enhance that.

現在，我要做的是，我首先會想，好吧，情緒正在這裡或情緒、霧氣正在這裡襲來，我想加強這一點。

So I click mask, I go plus, and we add a linear gradient filter, and I drag it down something like this here.

是以，我點擊蒙版，轉到加號，然後添加一個線性漸變濾鏡，然後像這樣拖動它。

Now, it's up to you how much you want to take it over the subject, but in my case, we can do it something, something like this here.

現在，你可以自行決定在主題上做多大的改動，但就我而言，我們可以這樣做，就像這樣。

Alright, now what I would like to do is if I go down here, I add, take down the Dehaze, it makes this misty effect, but can't do too much because that was like a little bit too obvious, but we take it down ever so slightly, then down with the Clarity to soften it up.

好了，現在我想做的是，如果我在這裡向下添加，取下 "去霧化 "效果，它就會產生這種虛無縹緲的效果，但不能做得太多，因為這好像有點太明顯了，不過我們可以稍微取下一點，然後再用 "清晰度 "將其柔化。

You can even take down the texture, and then the cool thing that you can also do is with the Tone Curve, we can actually take up the black so the blacks aren't as black, and this makes it a little bit gray and adds this fade to it.

你甚至可以去掉紋理，然後你還可以用色調曲線來做一件很酷的事情，我們可以去掉黑色，這樣黑色就不那麼黑了，這樣就會變得有點灰暗，還能增加淡化效果。

And look, if I take it all the way up, you can see what happens.

你看，如果我把它一直升上去，你就知道會發生什麼了。

This is obviously too much, but adding a slight fade to this is something that I really, really, really much enjoy.

這顯然太誇張了，但在此基礎上稍加淡化，我真的、真的、真的非常喜歡。

And then, in my opinion, it's just playing with these three until I find a like balance that I think looks absolutely sick.

然後，在我看來，就是在這三者之間尋找平衡，直到我找到一個我認為看起來絕對噁心的平衡點。

Now, number two is something that I absolutely love to do, and that's this.

現在，第二件事是我非常喜歡做的，那就是這個。

So, I'm working with this photo, and it's absolutely like perfect to do it here because we are backlit.

所以，我正在處理這張照片，在這裡做絕對是完美的，因為我們是背光的。

And what I would do now is that I would create a mask like this, and we create a linear gradient just like so.

現在我要做的是創建一個這樣的蒙版，然後像這樣創建一個線性漸變。

Alright, so I'm covering the entire photo.

好了，我把整張照片都拍下來了。

Okay, this is good for the sake of the tutorial.

好吧，為了教程起見，這樣也不錯。

Then, what I would like to do is to drag down the Clarity, and I'm softening the entire photo, softening the highlights down with the texture a little bit, down with the Dehaze just ever so slightly.

然後，我想做的是拖低清晰度，柔化整張照片，用紋理稍微柔化一下高光部分，再用去霧化稍微柔化一下。

And then, I would even take up the Exposure just a tiny, tiny bit, up with the Whites a tiny, tiny bit, and down with the Highlights just a little bit.

然後，我甚至會把 "曝光 "部分放大一點點，把 "白色 "部分放大一點點，把 "亮點 "部分縮小一點點。

Now, what I've done now is that I've softened the entire photo, and my aim is to create this dreamy glow effect, also known as the Orton effect.

現在，我所做的是柔化整張照片，目的是創造出這種夢幻般的光暈效果，也稱為奧頓效果。

Now, it's not perfect here because the true Orton effect only affects the Highlight, and it's this beautiful, filmic, dreamy glow that I personally am a huge fan of.

現在，這裡的效果並不完美，因為真正的奧頓效果隻影響到高光部分，而我個人非常喜歡這種美麗、電影般的夢幻光彩。

Now, to be able to get it to just the Highlights, what we need to do then is to do a little, you know, magic to the mask.

現在，為了把它變成亮點，我們需要做的就是給面具施點魔法。

So, I click the mask right here, or you can right-click the mask, and then you go to Intersect with Luminance Range.

所以，我點擊這裡的蒙版，或者你也可以右鍵點擊蒙版，然後轉到與亮度範圍相交。

Click that.

點擊。

Now, basically, what you're doing now is that you can take away so the mask is just affecting the Highlights.

基本上，你現在要做的就是把面具拿掉，這樣面具就會影響亮點。

So, by dragging up here, and if you click Show the Luminance Range, you can see that now the mask is just areas.

拖動到這裡，點擊 "顯示亮度範圍"，就能看到遮罩的區域了。

You see?

看到了嗎？

So, this is absolutely so cool.

所以，這絕對太酷了。

And then you can also take this, and you can fade it out.

然後，你還可以把它淡化掉。

So, if it's all the way here, it's like a hard stop, but here it's gradual, because less and less, so it fades out.

所以，如果它一直停在這裡，就像是硬生生地停了下來，但在這裡，它是漸進的，因為越來越少，所以漸漸消失了。

And this makes the, like, effect that we just made, this, like, soft, dreamy glow effect, just affecting the Highlights, and then gradually to the Shadows, really mimicking this dreamy glow effect, and I absolutely love this.

這樣就產生了我們剛才所做的效果，這種柔和夢幻的光暈效果，先影響高光部分，然後逐漸過渡到陰影部分，真正模仿了這種夢幻般的光暈效果，我非常喜歡這種效果。

Now, number three is a fairly new slider that I think is such a lightroom and all the magic that we can do here, and it's this.

現在，第三個滑塊是一個相當新的滑塊，我認為它是我們可以在這裡實現的lightroom 和所有魔法的源泉，它就是這個。

So, in the Tone Curves, I'll just create a little, like, S-curve like this.

是以，在 "色調曲線 "中，我將創建一個小小的 S 曲線，就像這樣。

We can go down with the Shadows, then we can take up the Highlights, making a big contrast.

我們可以先用陰影，然後再用高光，形成鮮明的對比。

Now, usually, when you do this, you will see that you get a lot of contrast, but also the colors, like, you get a lot of punch in the colors, and they become really saturated, especially the orange colors that you can see right here.

通常情況下，當你這樣做時，你會發現對比度提高了，而且顏色也豐富了，色彩變得非常飽和，尤其是你在這裡可以看到的橙色。

So, the new slider that I'm talking about is down here, and this is the Refine Saturation.

我所說的新滑塊就在下面，這是 "細化飽和度"。

So, basically, you can now play with the saturation as well, in combination with the Tone Curve.

是以，基本上你現在也可以結合色調曲線來調整飽和度了。

So, if you drag it all the way down, you can see that the photo isn't as saturated.

是以，如果把它一直往下拖，就會發現照片的飽和度降低了。

So, the contrast that you're making with Tone Curve isn't affecting the saturation as much, which I think is a beautiful addition, because now we have just more control when it comes to making our beautiful masterpieces that we're trying to do.

是以，使用 "色調曲線 "產生的對比度不會對飽和度造成太大影響，我認為這是一個很好的補充，因為現在我們在製作精美的傑作時有了更多的控制權。

So, number four is something that speeds up my work process tremendously, and that is this here.

所以，第四件事能極大地加快我的工作進程，那就是這裡。

So, I'm working with this photo, and I click Mask, I click Plus, and Sky.

是以，我正在處理這張照片，然後單擊 "蒙版"，再單擊 "加號 "和 "天空"。

Now, this is not the tip, although this, like, AI Sky Mask, it's pretty sick, because it also speeds up my workflow.

現在，這還不是最重要的，雖然這個 AI Sky Mask（人工智能天空遮罩）很不錯，但它也加快了我的工作流程。

But, what I want to do is that I want to select the entire foreground.

但是，我想做的是選擇整個前景。

Usually, in the past, I would just do a brush and paint it here, but what I can do with the Sky Mask is just to simply right-click it, and then go Invert, and we have a pretty beautiful mask that is affecting our entire foreground, and now we can and do our all-out changes, like this here.

通常情況下，我會用畫筆在這裡塗抹，但使用天空遮罩後，我只需右鍵單擊它，然後轉為反轉，我們就有了一個影響整個前景的漂亮遮罩，現在我們就可以像這樣進行全面修改了。

It's too much, but you get what I'm, you know, saying.

太誇張了，但你明白我的意思。

So, number five also has to do with the Sky Mask, but it's about making it a lot better.

是以，第五項也與 "天空面具 "有關，但它是為了讓 "天空面具 "變得更好。

So, here, for instance, when you click Plus and click the Sky Mask, Lightroom creates a perfect mask around your sky.

例如，在這裡點擊 "加號 "並點擊 "天空遮罩"，Lightroom 就會在天空周圍創建一個完美的遮罩。

However, it makes really harsh edges, which can kind of be a little bit, what do you say, it's not really like maybe the reality would be.

不過，它的邊緣非常粗糙，可能會讓人覺得有點，怎麼說呢，和現實可能不太一樣。

If you do the changes right now, you can see that there's a hard edge here.

如果你現在進行修改，就會發現這裡有一個硬邊。

So, what I would like to do is that, with the Sky Mask, I right-click, I go Intersect, Width, and then Linear Gradient, and then I just do a gradient from the top down to the bottom, like this.

所以，我想做的是，在天空濛板上單擊右鍵，選擇相交、寬度和線性漸變，然後像這樣從上到下漸變。

So, it makes a little bit softer and a smoother transition from the foreground, and usually I'm photographing mountains, so it's not as harsh of a transition here to the Sky Mask, which is something that I personally like a whole lot.

是以，從前景到天空濛版的過渡會更柔和、更平滑一些，通常我拍攝的都是山巒，所以這裡到天空濛版的過渡不會那麼生硬，這也是我個人非常喜歡的一點。

Now, tip number six is honestly like something that is almost too good to share, and when I learned this technique, it took my editing skills like instantly, I'm not even kidding, to new heights, and I'm going to show you it in a second.

當我學會這個技巧後，我的剪輯技巧瞬間就提升到了新的高度，我不是在開玩笑，馬上就給你演示一下。

First, I just want to show you guys that I recently made a brand new preset pack.

首先，我想告訴你們，我最近製作了一個全新的預設包。

This is like over 28 different presets that I use to edit all of my photos and all of the things that you see me post on social media.

這裡面有 28 種不同的預設，我用它們來編輯我所有的照片，以及你在社交媒體上看到我發佈的所有內容。

Now, personally, I think this is pretty smart how I've organized it.

現在，我個人認為，我這樣安排非常明智。

I have the Creative Presets, which are more of these stylized presets that are aimed to do like this, not maybe one click wonder, I don't really believe presets are to use that, but more stylized look, and then I have the Foundational Presets, which I personally use more to set a base tone, and then I can work out of it.

我有 "創意預設"，這些預設更偏向於風格化，目的是像這樣，而不是 "一鍵驚奇"，我不太相信預設是用來做這個的，但更偏向於風格化的外觀，然後我還有 "基礎預設"，我個人更偏向於用它來設定一個基調，然後我就可以用它來工作了。

For instance, here, I just click a base tone for the winter photos, and I mean, a few clicks later, the photo looks pretty nice, and then I also have some seasonal presets that I use for autumn photos, summer photos, and winter photos, a few portrait photos, because sometimes I take, you know, portraits as well, and then I also have overlays, which are something that I absolutely love.

例如，在這裡，我只需為冬季照片點擊一個基本色調，我的意思是，點擊幾下後，照片看起來就非常漂亮了，然後我還有一些季節預設，用於拍攝秋季照片、夏季照片和冬季照片，還有一些人像照片，因為有時我也會拍攝人像照片，然後我還有疊加效果，這是我非常喜歡的東西。

If I want to have a dreamy glow effect, I basically just click the dreamy glow, and we get that, like I showed you in the beginning.

如果我想要夢幻般的光彩效果，基本上只需點擊夢幻般的光彩，就能得到了，就像我一開始給你演示的那樣。

And just to show you, for this photo here, I just click Golden Dream, and we get a beautiful base tone, and I usually don't like to mess with my white balance in the preset, because photos, you know, are different how the white balance is based on the lighting condition that you find yourself in, but afterwards, I would just add this up a little bit, and then maybe take up the shadows ever so slightly, and boom, I mean, this looks pretty good, and this didn't take a whole lot of time.

我通常不喜歡在預設中亂用白平衡，因為照片的白平衡會根據你所處的光線條件而有所不同，但之後，我只需把它加一點，然後再把陰影稍微調亮一點，這樣就可以了，我的意思是，這樣看起來很不錯，而且不需要花很多時間。

And personally, I use presets to ensure, like, a base tone and same tones to my photos, and then to speed up my workflow tremendously.

就我個人而言，我使用預設來確保照片的基調和色調相同，然後大大加快工作流程。

This has taken me, like, years to create.

這可是我花了好幾年才創作出來的。

It's my first preset pack that I release in many, many years, and I'm extremely, like, happy with it.

這是我很多很多年來發布的第一個預設包，我對它非常滿意。

So, in the description, you can find a link which should take you to this pack.

是以，在描述中，您可以找到一個鏈接，該鏈接會帶您進入這個套裝軟體。

If you buy it, you not only get, like, some sick-looking preset that I use, but also you support me at the same time.

如果你買了它，你不僅能得到我用過的一些看起來很噁心的預設，還能同時支持我。

So, I really much appreciate it.

所以，我真的非常感激。

Now, my friends, let's go to tip number six.

現在，朋友們，讓我們來看看第六條建議。

Number six, when I'm working with the photo, like you see here, what I like to do is to click the mask, I click plus, and I go to a gradient filter, and then I'm... a lot of mask on this photo, as you can see.

第六，當我在處理照片時，就像你在這裡看到的，我喜歡做的是點擊蒙版，點擊加號，然後轉到漸變濾鏡，然後我......在這張照片上做了很多蒙版，你可以看到。

I like mask a whole lot.

我非常喜歡面具。

That is not a secret.

這不是祕密。

No secret, okay?

沒有祕密，好嗎？

But I make a mask like this, and my aim is to put it just on the sunset itself.

但我做了一個這樣的面具，我的目的只是把它戴在日落本身上。

And this is great when I'm shooting into the sun in a beautiful, like, in a sunset environment.

當我在美麗的日落環境中對著太陽拍攝時，這個功能就非常有用。

So, what I'm doing, really, I feather it out quite a lot.

所以，我所做的，真的，我把它羽化了很多。

You can see here what I'm doing.

你可以在這裡看到我在做什麼。

I'm feathering this out like this, and then we have this mask that is, like, kind of just here.

我把這個羽化成這樣，然後我們有一個面具，就在這裡。

We can feather it out all the way.

我們可以一直把它羽化。

What I'm doing now is that I want to enhance the sunlight and make it prettier.

我現在要做的是，我想增強陽光的效果，讓它變得更漂亮。

And how I do that is that I go down here, and first, what I can do is to do a temperature slider to take it up.

我的做法是，從這裡向下滑動，首先，我可以做一個溫度滑塊，把溫度調高。

So, this just basically makes, to the orange, we get the little bit more orange tones to the sunset.

這樣一來，橘色基本上就變成了夕陽的橘色調。

All right?

行嗎？

Then, what I would like to do is I go down here and drag the dehaze slider just down ever so slightly.

然後，我想做的是在這裡向下拖動去霧滑塊，稍微向下一點。

What that does is just makes the... it makes the sunset become a little bit softer and a little bit mist to it, which I think is really, really pretty.

這樣做的目的只是讓......讓夕陽變得柔和一點，有點霧濛濛的感覺，我覺得這真的非常非常漂亮。

But too much, and it obviously looks whack.

但如果太多，顯然會顯得不倫不類。

So, it's all about these subtle movements here.

是以，這裡的一切都與這些微妙的動作有關。

So, we don't do it ever so slightly.

所以，我們不會做得那麼輕微。

Down with the clarity, too, to make it bloom a little bit.

也要降低透明度，讓它綻放一點光彩。

But what I tend to do when you do this is that you lose a little bit of the oomph and colors.

但這樣做的結果是，你會失去一點活力和色彩。

So, to reintroduce that, I usually take up the contrast just a little bit, and then it's just a balance of playing with the temperature slider, and maybe you can play with the saturation if that is something that you desire.

是以，為了重現這種效果，我通常會將對比度稍微調高一點，然後在溫度滑塊上進行平衡，如果你希望達到飽和度，也可以在飽和度上做文章。

All right.

好的

So, tip number seven.

所以，第七條建議。

I think it's seven.

我想是七個。

We are.

我們是

I hope so.

但願如此。

Last time I did a video like this, I made a total mistake there somewhere, and I got some comments.

上一次我做這樣的視頻時，在某個地方犯了一個大錯，結果收到了一些評論。

So, if you want to roast me, you can do that.

所以，如果你想烤我，你可以這麼做。

But I think we're on tip number seven.

不過，我想我們已經到了第七個提示了。

And that is a little technique I use to make my photos more three-dimensional.

這是我用來讓照片更加立體的一個小技巧。

And what I mean by that is it's perfect when you have a subject like this.

我的意思是，當你有這樣一個主題時，它是完美的。

So, let's say I want to make this photo more three-dimensional, because that is pretty sick.

比方說，我想讓這張照片更有立體感，因為這太變態了。

So, I go up to mask, and I click plus, and then I go to select background.

是以，我轉到遮罩，點擊加號，然後選擇背景。

And what this does, it just selects the entire background that leaves out the subject.

這樣做的目的是選取整個背景，而不選取主體。

Now, what I would like to do then is to click on it, right click, go intersect mask, and then linear gradient.

現在，我想做的是點擊它，點擊右鍵，轉到相交蒙版，然後轉到線性漸變。

And then we can just drag it up like this.

然後我們就可以像這樣拖動它。

Now, this is so cool, because it just leaves out the, and we press H to see the here, because it just leaves out the subject, while we can like take it over it like this.

現在，這樣做很酷，因為它只是省略了主題，我們按 H 鍵就能看到這裡，因為它只是省略了主題，而我們可以像這樣把它拿過來。

Now, in a perfect world, the mask wouldn't be affecting the foreground here.

現在，在一個完美的世界裡，遮罩不會影響前景。

I would probably go click the plus and then paint on there.

我可能會點擊加號，然後在上面塗漆。

But for the sake of the tutorial, we're going to pretend that it's just the bird that is not affected, okay?

不過，為了教程的順利進行，我們要假裝只有鳥兒不受影響，好嗎？

So, what I would do now with the foreground, I would like take down the exposure like this, take it down something like this here to darken it somewhere, something like this here, I think it's pretty cool.

所以，我現在要做的是，把前景的曝光度降下來，就像這樣，把某個地方的曝光度降下來，就像這樣，我覺得這樣做很酷。

And then on the, we do another plus, click background.

然後，我們再做一個加號，點擊背景。

And this time, we click right click, we do go intersect with mask, linear gradient, but we take it from the top, all the way down like this.

這一次，我們點擊右鍵，選擇與遮罩相交、線性漸變，但要像這樣從上往下。

And from the top, I would like to brighten it up.

從頂部開始，我想讓它更明亮。

So, usually I do a little bit of exposure, but I'm a big fan of using the Dehigh slider.

所以，我通常會做一點曝光，但我非常喜歡使用 Dehigh 滑塊。

This is if we do it like really intensely, but we take it down like this, down with the clarity a little bit, and then maybe down up with the white tiny bit, we can take down the highlights just to compensate for that.

如果我們做得非常強烈，但我們可以像這樣降低清晰度，然後將白色調高一點點，我們可以降低高光部分，以彌補這一點。

And there are multiple times where I personally find myself using this technique because it's just such a simple way to, again, make the photos more three-dimensional and give that pop factor, that you know, oomph that we're all looking for.

我個人多次發現自己在使用這種技術，因為這種簡單的方法可以讓照片更加立體，給人一種流行的感覺，也就是我們一直在尋找的 "活力"。

Now, number eight is a really cool technique that I find myself using from time to time.

現在，第八項是一項很酷的技術，我發現自己時常會用到它。

So, this is maybe not the best photo to show it in, but I want to do it anyway.

是以，這張照片可能不是展示它的最佳照片，但我還是想這麼做。

So, stick with me, okay?

所以，跟著我，好嗎？

So, here, let's say that I want to change color of just this shoe here, and we can see it yellow.

是以，假設我想改變這隻鞋的顏色，我們可以看到它是黃色的。

Now, the problem, if we want to do that in Lightroom, is that if you want to change the yellow hue, and we take it down, it's going to change the yellow hue everywhere.

現在，如果我們想在 Lightroom 中這樣做，問題在於，如果你想改變黃色色調，而我們把它去掉了，它就會改變所有地方的黃色色調。

And that's why usually it's better to go to Photoshop, unless you know what I'm about to show you right now.

這就是為什麼通常最好使用 Photoshop，除非你知道我現在要向你展示的東西。

So, what you can do is to click mask once again, yes, I love mask, and then we can create a mask around this here.

所以，你可以再次點擊蒙版，是的，我喜歡蒙版，然後我們可以在這裡創建一個蒙版。

So, I click brush, I make sure to have the auto mask on, and then we just brush this right here.

所以，我點擊 "刷"，確保自動蒙版打開，然後在這裡刷一下。

I would probably refine this and make this better, but for the sake of this tutorial, my friends, you don't want to sit there all night long with me, although we're having a good time, me and you.

我可能會把它改進得更好，但為了這個教程，我的朋友們，你們不會想整晚坐在那裡陪我的，儘管我們玩得很開心，我和你們。

Then, we just leave it as this right now.

那現在就這樣吧。

Now, what I would do then to change this, is that there are two things that you can play with.

現在，我要做的就是改變這種狀況，有兩件事你可以做。

You can either play with the hue right here.

您可以在這裡隨意調整色調。

So, here, you're changing the hue all together, or if you click this point color, click this pen, click on it, and now you are just changing the hue of the yellow on the mask, which is pretty damn cool, because you don't only change the hue, you can also change the saturation.

在這裡，你可以一併改變色調，或者點擊這個點顏色，點擊這支筆，點擊它，現在你就可以改變遮罩上黃色的色調，這非常酷，因為你不僅可以改變色調，還可以改變飽和度。

So, move to the side, change the hue, move it down, change the saturation, and here you also can change the luminance.

向旁邊移動，改變色調，向下移動，改變飽和度，這裡還可以改變亮度。

So, it's just like using a HSL slider, but on a localized place.

是以，這就像使用 HSL 滑塊一樣，只不過是在局部位置。

And this you can do anywhere that you want, my friend.

我的朋友，你可以在任何你想去的地方做到這一點。

The, you know, the world or the Lightroom is your oyster.

你知道，世界或 Lightroom 就是你的 "牡蠣"。

All right, tip number nine is so cool.