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  • - Hi, I'm Victor M. Sweeney, licensed mortician.

  • We're here at Korsmo Funeral Service.

  • Come on in.

  • [classical music]

  • We've been given unprecedented access

  • to the whole funeral home.

  • We're gonna go into the prep room

  • where we embalm and prepare bodies.

  • Normally, if a person from the outside,

  • like yourself wanted to go into the prep room,

  • they wouldn't be allowed.

  • We've been given special access today

  • from the Department of Health.

  • And we're going to look at caskets,

  • urns, that kind of stuff.

  • We're gonna get to see the funeral chapel,

  • and then we'll also get to take a tour of the hearse.

  • See how that works.

  • With us today is Shawn.

  • - Victor.

  • - Thanks for having me here.

  • I really appreciate it. - Thanks for being here.

  • Death can be kind of scary.

  • There's a lot of things about our field that are unknown.

  • I'm excited for you

  • to bring those answers to everyone today.

  • - First, we're gonna go inside the prep room.

  • Why don't you come with me,

  • and I'll show you what we do.

  • [classical music]

  • So here we are in the prep room,

  • the room where we do all the embalming.

  • Embalming is meant to sanitize and preserve bodies,

  • as well as provide some level of restoration.

  • So, for instance, if someone is grievously injured,

  • we can kind of work to reconstruct them

  • in addition to making sure that their body holds up

  • for maybe the week that we have

  • in between the time when they die

  • and the time when we have the funeral.

  • In this funeral home, the prep room is off of the garage.

  • I don't want to be bringing cots

  • with bodies on them up or downstairs

  • or through the whole funeral home to get them here,

  • because then we can go right from the van

  • to the room where the magic happens.

  • [bouncy music]

  • We've taken our dummy Mike from the back of the van

  • and now we are ready for the embalming.

  • Every time you prepare a body, you kind of start from zero.

  • So you're going to do inventory,

  • you're gonna look them over, you're gonna make sure

  • that you know everything about their condition

  • and then adjust your embalming processes accordingly.

  • In a normal situation, I'm covered from head to toe

  • with personal protective equipment,

  • and that's mainly to keep me safe

  • when I'm dealing with blood and pathogens.

  • I'm also dealing with embalming fluids,

  • so these are things

  • that keep bodies preserved and sanitized.

  • And a lot of these contain aldehydes.

  • These are actually toxic chemicals.

  • Every prep room is going to have ventilation,

  • it's going to have formaldehyde level monitoring.

  • All these things are in place to keep me safe

  • and to make sure that we don't infect our public spaces

  • with what we have to do here in private.

  • [gentle music]

  • One of the first steps of embalming is setting the features.

  • So making the face into a natural expression.

  • These are called eye caps.

  • Sometimes when people die, their eyes are open,

  • and we can position the eyelids and have them stay that way.

  • We use this device called a needle injector

  • that actually punches these sharp brads

  • into the upper and lower jaw, kind of keep it in place

  • so they'll stay that way.

  • The next part of embalming after we set those features

  • is we're going to do what's called arterial embalming.

  • So we're gonna gain access to the arteries,

  • and then that's how we're going

  • to use our embalming machine to pump fluids in.

  • [bouncy music]

  • So there are three different kinds of fluids

  • that embalmers use when preparing a body.

  • The first, arterial solutions, are going to be fixatives.

  • So they're going to sanitize the body,

  • they're gonna preserve it,

  • and they're going to fix it into place.

  • Other fluids are what we call co-injection,

  • or accessory fluids.

  • Co-injections might add fluid to tissue,

  • they might draw fluid out, they'll add color.

  • Sometimes maybe a rosiness is helpful.

  • And then we have other fluids that are really good

  • at preventing certain types of decomposition.

  • Probably the most common place for a funeral director

  • to gain access to an artery is right up here in the neck,

  • and that is called the carotid artery.

  • Let's say you choose not to raise the carotid artery,

  • you can actually embalm a whole body

  • right here from the leg.

  • So the femoral artery is one

  • of the largest arteries that we have access to.

  • If you push fluid up, you can open the corresponding vein,

  • and then the blood will drain out.

  • And arteries are interesting

  • because they're very rubbery.

  • Think like a tube rubber band.

  • And so when we put high pressure into them

  • with the embalming machine, they're able to withstand that.

  • The fluid just goes right into the body.

  • [gentle music]

  • So this tank here is the embalming machine,

  • and this tube goes right down the artery,

  • and then is gonna shoot fluid in at a high pressure

  • in order to circulate that fluid through

  • while pushing out the blood

  • that's been pulling in the venous system.

  • So this will actually simulate something of a heartbeat.

  • So if you have large clots

  • that are stuck in a venous system,

  • you can pulse the fluid through at a high pressure

  • and push those clots out of the body,

  • and that'll create better distribution for our fluid

  • and better preservation in that final procedure.

  • [piano music]

  • This one is called a tissue spreader.

  • So let's say you have someone with a little extra weight,

  • and you need to get into, let's say,

  • the meat of their leg to gain access to their artery.

  • This guy, you can put in like this,

  • and it spreads out all that fat.

  • Any number of handy scissors,

  • a curve is nice sometimes, especially as you're cutting

  • through arteries or maybe other tissue.

  • This is called an aneurysm hook

  • because it's used for separating tissue

  • and hooking the arteries and pulling them out

  • where you have access to them.

  • This is called a grooved director.

  • I can hold this, put it into the artery,

  • and then this hard surface in the bottom

  • is gonna open up the artery

  • so I can slide my other tools right in.

  • An angular forceps.

  • This you can actually use to pull out clots.

  • This guy is called a drain tube.

  • Typically, this end here is going to be hooked up

  • to another tube that we run down the table,

  • and then this end is going to go inside the artery.

  • One thing that's great about a drain tube is

  • that we can actually control how much blood leaves the body.

  • If we're having drainage issues, you can stop it.

  • Pressure is building in the body,

  • and then all of a sudden you'll pull the end,

  • and whoop, it'll come pouring out the bottom.

  • So you want to create that pressure

  • because sometimes you need a little extra

  • to get into the extremities,

  • like into the toes or the fingers, something like that.

  • Cavity embalming is the second part

  • of preparing a body in which we want

  • to puncture all the hollow organs

  • and then drain out all the goo and nastiness

  • that wants to live in there.

  • So the tool we're going

  • to use to do that is called the trocar.

  • The trocar is a great, big steel spear.

  • This tip is going to puncture the organ,

  • and then this part is actually hooked up to a vacuum,

  • so it's going to [Victor slurps]

  • suck all that goo right down the drain.

  • And then the holes that we make

  • will actually provide access points for introducing

  • what we call cavity fluid.

  • So embalming fluid that's made to kill all the bacteria

  • and solidify those hollow organs

  • so we don't have any issues down the road.

  • This is a trocar as well.

  • It's slightly different in that it doesn't suck fluid out,

  • but puts fluid back in.

  • So, in this case, we'd take a bottle of cavity fluid,

  • we would actually twist it in

  • and attach it to the top of the trocar.

  • And then right through that same hole we made before,

  • we'd go back in,

  • all the while gravity is actually drawing the fluid down

  • and inserting that from the end of the tip

  • back into all the holes we made,

  • into the heart, into the lungs.

  • And then you'll go around back down into the abdomen.

  • This is really the lower part is

  • where all the bacteria like to hang out.

  • And that my friends, is how you embalm a body.

  • When I embalmed my first body,

  • it is kind of scary, kind of unnerving,

  • because it's one of those things you have

  • to do right the first time and you only get one chance.

  • So if you screw up and maybe pressure is too high

  • and the face starts to swell and you don't see that,

  • you've caused a problem with grandma or grandpa

  • that you can't really fix.

  • So attention to detail is everything.

  • [gentle music]

  • Welcome to the selection room.

  • If you have a loved one that passes away,

  • odds are good you'll end up in a room just like this

  • to select your funeral merchandise.

  • When a family chooses cremation,

  • the family might want to select an urn,

  • and these range all over the place.

  • There are simple urns

  • that maybe start at $100 or less.

  • There are really fancy, maybe cast bronze ones,

  • that are hundreds and hundreds of dollars.

  • Or some families just opt to use the container

  • that comes from the crematory, just a simple plastic urn.

  • Any one of those is perfectly suitable

  • for what a family wants to do.

  • So one thing that can kind of be confusing

  • and is often used interchangeably is the difference

  • between a casket and a coffin.

  • In other parts of the world, like in the UK, for instance,

  • they have what are called coffins.

  • So these are what we might call anthropoid shapes.

  • So they're narrow at the top where the head is,

  • they widen out at the shoulders,

  • then they come back in again towards the feet,

  • whereas caskets are uniformly rectangular.

  • In the United States, we use almost exclusively caskets.

  • Caskets vary as widely as you can possibly imagine.

  • We have very simple cardboard cloth covered caskets

  • that might be more suitable

  • for a simple burial or maybe cremation.

  • And then we have high-end caskets made from hardwoods

  • like mahogany or cherry, or even bronze caskets.

  • Variety is really the spice of death here.

  • [serene music]

  • Here we are in the funeral chapel.

  • We've taken our dummy Mike,

  • and now we are ready for his family

  • to come and say their final goodbyes.

  • This opening here is called a cap,

  • and this is an example of what we call a half couch casket.

  • So you're only going to see from about the midsection up.

  • You should note every person in the casket

  • is wearing pants, but not always shoes.

  • When we go to close a casket,

  • oftentimes, I have the deceased family around me.

  • There's a locking mechanism under here,

  • and we're just going to simply pull that up.

  • We'll open the latches here at the bottom.

  • And then with the family, we'd all grab hold,

  • we'd slowly lower the lid, and then we say goodbye.

  • As the last step, I'll have you come with me

  • as we load the casket into the hearse,

  • and we'll make our way to the cemetery.

  • Come on.

  • [gentle music]

  • Oh, this is such a cool one.

  • Oh, look at the lights on the inside.

  • You have a great hearse, Shawn.

  • - [Shawn] Hey, thanks.

  • [gentle music]

  • - So the vehicle behind me, some call it a hearse,

  • some call it a coach, but in any case,

  • it gets the deceased from point A to point B.

  • There's some special things about a hearse.

  • The first thing you should know is

  • that every single one is custom built.

  • So there's not a single company

  • that makes hearses right off the line.

  • Every one is made with a normal car,

  • cut in half, extended, and totally rebuilt.

  • You do not need a special license

  • or anything to drive a hearse being built

  • on Lincolns and Cadillacs, usually.

  • They have nice big engines,

  • and they go well over 100 miles an hour if needed.

  • On the backend, they normally have a vinyl top,

  • at least in the States.

  • That swooshy design on the back is called a landau bar.

  • It's kind of the quintessential mark of a hearse.

  • It's a remnant from when they used to be coaches,

  • So horse-drawn carriages, and the top would pull back.

  • Today, we don't have convertible hearses,

  • but it's a nice mark.

  • When you see one, you know exactly what it is.

  • So one thing you'll notice about a hearse

  • is that the door opens really wide.

  • So when you have six casket bearers,

  • you can get nice and close

  • before you put the casket on the rollers.

  • And the rollers go all the way inside,

  • so it's a nice smooth roll into the hearse.

  • When you get the casket in place,

  • you're gonna take this stopper, put it just like this,

  • and keep the casket so it doesn't go flying out of the back.

  • When I load a hearse, I always go head first.

  • The reason being,

  • when you tilt the casket a little bit to get it in,

  • then their feet are down,

  • and if they slide, they slide towards their feet.

  • Whereas if you flipped it around the other way,

  • they'd be going head first and it's awfully heavy.

  • So always the heavy head end first and the feet will follow.

  • Well, why don't we try loading it up with our friend Mike?

  • We've taken him from point A.

  • Now, let's go to point Z,

  • and Shawn is gonna help me here.

  • [serene music]

  • [classical music]

  • I so appreciate you coming with me

  • on this trip today through the funeral home.

  • I hope you've learned some things,

  • and that maybe you feel a little bit more comfortable

  • as you come with me on my life with the dead.

- Hi, I'm Victor M. Sweeney, licensed mortician.

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