While modern people often view  sadness as an undesirable emotion,  

雖然現代人經常將悲傷視為一種不良情緒，但

during the Renaissance era  (14th-17th centuries) in Europe,  

在歐洲文藝復興時期（14-17 世紀），

a form of sadness known as melancholy was seen  in a more nuanced and often positive light.

一種被稱為憂鬱的悲傷形式被以更微妙且通常積極的角度看待。

This state,known as Renaissance melancholy  , closely tied to intellectual and artistic  

這種狀態被稱為文藝復興時期的憂鬱，與知識和藝術

inclinations, was popularized through  the art and literary works of the period.

傾向密切相關，並透過該時期的藝術和文學作品而流行。

Melancholy, influenced by the ancient  humoral theory which attributed it to  

憂鬱受到古代體液理論的影響，將其歸因於

an excess of black bile, was romanticized as  a reflection of deep thought and sensitivity.

過多的黑膽汁，被浪漫化為深刻思想和敏感性的反映。

Notable figures like Albrecht Dürer,  

像阿爾布雷希特·丟勒這樣的著名人物，

through works like his engraving "Melencolia  I," played a significant role in elevating  

透過他的版畫《Melencolia I》等作品，在提升憂鬱的地位方面發揮了重要作用

the status of melancholy, portraying it  as a dignified and contemplative state.

，將其描繪成一種莊嚴和沈思的狀態。

This glorified perception of melancholy was  intertwined with the era's profound intellectual  

這種對憂鬱的美化感知與那個時代深刻的知識和藝術覺醒交織在一起

and artistic awakenings, making sadness an  elegant aspect of the Renaissance cultural milieu.

，使悲傷成為文藝復興文化環境的優雅面向。