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  • the following has been paraphrased from the illusion of life by frank thomas and Ollie johnston squash and stretch.

    以下內容摘自弗蘭克-托馬斯和奧利-約翰斯頓的《生命的幻覺》,是壁球和伸展運動。

  • This action gives the illusion of weight and volume to a character as it moves, anticipation prepares the audience for a major action.

    這個動作在人物移動時給人以重量和體積的錯覺,預期為觀眾準備了一個重要的動作。

  • The character is about to perform.

    該人物即將進行表演。

  • Each major action is preceded with specific moves that anticipate for the audience what is about to happen staging?

    每一個主要的動作之前都有具體的動作,為觀眾預示著即將發生的事情的上演?

  • It's the presentation of an idea so that it is clear straight ahead and pose to pose.

    它是對一個想法的呈現,使它在前方和姿勢上都很清晰。

  • Post opposes charted with key drawings done at intervals throughout the scene.

    崗位對立圖,在整個場景中每隔一段時間就做一次關鍵的畫。

  • Straight ahead.

    一直往前走。

  • Animation starts at the first drawing and works drawing to drawing to the end of the scene, follow through and overlapping when the main body of the character stops, all other parts continue to catch up to the main mass.

    動畫從第一張圖開始,逐張圖進行,直到場景結束,當角色的主體停止時,所有其他部分繼續追趕主品質,進行跟蹤和重疊。

  • Nothing stops all at once, slow in and slow out as the action starts, we have more drawings near the starting pose, one or two in the middle and more drawings near the next post fewer drawings make the action faster and more drawings make the action slower, marks all actions.

    沒有什麼是一下子停止的,在動作開始時慢進慢出,我們在開始的姿勢附近有更多的圖畫,中間有一兩張,在下一個職位附近有更多的圖畫更少的圖畫使動作更快,更多的圖畫使動作更慢,標記所有動作。

  • With few exceptions follow an arc or slightly circular path, arcs give animation a more natural action and better flow.

    除了少數例外,都是遵循弧線或略帶圓形的路徑,弧線使動畫有更自然的動作和更好的流動性。

  • Secondary action.

    次要行動。

  • It's an additional action in the scene used as a supplement of the main one in order to reinforce it and add more dimension, timing more drawings between poses slow and smooth the action, fewer drawings make the action faster and CRISPR timing maintains the appearance of an object abiding by the laws of physics exaggeration remain true to reality, just presenting it in a wild or more extreme form, solid drawings.

    這是場景中的一個額外的動作,作為主要動作的補充,以加強它並增加更多的維度,在姿勢之間計時更多的圖紙,使動作緩慢和平滑,更少的圖紙使動作更快,CRISPR計時保持一個物體的外觀遵守物理規律的誇張保持真實,只是在一個野生或更極端的形式,固體圖紙呈現出來。

  • It means taking into account forms in three dimensional space, giving them volume and weight appeal.

    它意味著考慮到三維空間的形式,賦予它們體積和重量的吸引力。

  • It's a quality of charm, able to please the viewer's eyes.

    這是一種魅力的品質,能夠取悅觀眾的眼睛。

  • It's the charisma of the action.

    這是行動的魅力所在。

the following has been paraphrased from the illusion of life by frank thomas and Ollie johnston squash and stretch.

以下內容摘自弗蘭克-托馬斯和奧利-約翰斯頓的《生命的幻覺》,是壁球和伸展運動。

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