字幕列表 影片播放 列印英文字幕 well I know his films, his films ... and I loved them because I found here rarely ... French cinema in films like this ... I loved the fact that a simple story he does something shocking ... I found its rich movies I loved the family scenes where everyone eats ... modesty that embodied men ... I loved the fact that it does justice to women in his films, music, trance scenes ... I liked a lot ... I was a fan of him ... I can say that I knew his films ... and that's all ... I was quite fascinated by the realism of his films It was something quite childish ... It has a look of a child ... very attentive ... very very receptive ... I remember that ... Pretty sweet ... I also think it is someone who can be tortured ... I think he has a passion that can be overwhelming , but it can also be unsettling sometimes ... There is also a duty of truth in his films ... He loves filming loan because he loves skin ... You understand that you can not betray the camera when it is so close to you for so long And Kéchichen method is to take a lot of freedom in time ... You can run an hour and a half a scene ... This is a free game too , He tries to feed you ... with many conversations ... with this freedom there ... There's something spiritual that comes as a bit of him and his conversations and complexity ... At the same time it is challenging because it is hard when someone puts you to the test and destabilizes you pushing you too far and making you take as many risks You give and you receive it , but it's true that this is what is sometimes destabilizing Yes , of course, that obviously raises questions and suddenly you have to work with Abdellatif , forget everything you've learned ... This is someone who works a lot on time and a lot of improvisation as ... So we must constantly renew itself , tap into his imagination ... After this is his method and I have nothing to say ... It is only my opinion and it's subjective It is true that I found her extremely difficult methods ... and of course excessive ... This is what I said ... I will not repeat myself ... But it was difficult and it was at the same time ... it was ... the deal if you want .. This film , I wanted to do ... I clung to do ... because there are times we feel that now ... Abdellatif that ... you can eject ...... and you really want it ... I think to make a movie with Abdellatif must go ... This is a film that is rich ... here tells a lot of things ... a passion ... a meeting , the birth of a sense here says learning to life in the social differences which can be faced ... here tells desire ... it tells of the passion and all those movements that are disturbing ... how you take everything into account a meeting with someone that can upset ... and then there is a rhythm too, with scenes during which all their interest and subtlety ... There 's poetry and transmission There 's love , it tells the daily end ... something that everyone can relate to , but in short it is really a story Love where you forget that they are two women ... It's just a love story ... I remember that I said that I was a little afraid of these scenes , I was afraid that it's a bit pornographic ... Except that at one point it was take it or leave it ... They had to do and that was it ! But I found when even some fun with them ... I wanted to confront me here ... and even if it can be a bit shocking is here is also for me , I still want to go ... Here , test this ...
A2 初級 美國腔 採訪:Léa Seydoux & Adèle Exarchopoulos (Fr) (Sp) (En) (De) (Por) (Entrevue : Léa Seydoux & Adèle Exarchopoulos (Fr) (Sp) (En) (De) (Por)) 53 1 Tseng Hsiao Yu 發佈於 2021 年 01 月 14 日 更多分享 分享 收藏 回報 影片單字