I wear these everywhere, it was inspired by Grace jones, obviously with the hood, that hair on my head is a full wig that I had sound in my head that I never took off ever.

我到處都戴著這些東西，它的靈感來自於格蕾絲-瓊斯，很明顯，我頭上的頭髮是一頂完整的假髮，我的腦袋裡有聲音，我從來沒有拿下來過。

I wore probably one of three different outfits for about five years straight because that's what I could afford at the time and I wanted people always to recognize me, so this was my initial iconic look, you can tell from the way that I'm standing there, that I already felt like a star before anything came out and I would say to anybody that's young and watching that, you know, if you believe in yourself, you don't need other people to tell you, you're great to know that you're an artist on the inside already.

我大概連續五年穿著三種不同的服裝之一，因為那是我當時能負擔得起的，我希望人們總是能認出我，所以這是我最初的標誌性造型，你可以從我站在那裡的方式看出，在任何東西出來之前，我已經覺得自己是個明星，我想對任何年輕的人說，你知道，如果你相信自己，你不需要其他人告訴你，你很偉大，知道你內心已經是一個藝術家。

Mhm So this was for the much Music Awards, This was designed by tom Talman Studios, but I want to be very specific the jewelry that I'm wearing on this is what we called the fire bra, I wanted it to shoot fire from my breasts but we decided it was safer to shoot sparks.

這是為多音樂獎設計的，這是由湯姆-塔爾曼工作室設計的，但我想非常具體地說，我在這上面戴的珠寶就是我們所說的防火胸罩，我想讓它從我的胸部射出火焰，但我們決定還是射出火花更安全。

So essentially what would happen is I had a remote control in my hand that once I pressed it, it triggered this fire brought to go off.

是以，基本上會發生的情況是，我手中有一個遙控器，一旦我按下它，它就會觸發這個火的爆炸。

And what would happen was a piece of steel would rub against uh was essentially like a flint and it would spin very fast and the sparks would shoot off of me.

會發生的情況是，一塊鋼會與基本上像火石一樣的東西摩擦，它將非常快地旋轉，火花會從我身上射出。

And I used to joke and say I need my jewelry and then they would bring my fire brought.

我曾經開玩笑說，我需要我的珠寶，然後他們就會把我的火帶來。

And those are pleaser boots that we had studied.

而那些是我們研究過的討好者靴子。

I've won the same stripper heels, my entire career, their tried and true and they're worth it.

我贏得了同樣的脫衣舞高跟鞋，我的整個職業生涯，他們久經考驗，他們是值得的。

Yeah.

是的。

Oh, I love this one.

哦，我喜歡這個人。

This is Atsuko kudo.

這是敦子的工藤。

This is when I was in England and I was meeting the queen and I wanted to dress like a queen uh in a british fashion.

這是我在英國的時候，我正在會見女王，我想穿得像個女王，呃，是英國的時尚。

And I also wanted to do it in my way, but we thought that we would give this look of a queen a modern twist by making it in latex.

我也想用我的方式來做，但我們認為，我們將通過用乳膠製作，給這種女王的外觀帶來現代的變化。

And at the time, Atsuko kudo was the only designers that I could think of, that we're actually um tailoring latex in this way.

當時，Atsuko kudo是我能想到的唯一設計師，我們實際上嗯以這種方式裁剪乳膠。

It's very difficult to tailor latex.

裁剪乳膠是非常困難的。

Well, this was a wonderful evening.

嗯，這是一個美妙的夜晚。

This was my first ever Grammy Awards.

這是我第一次獲得格萊美獎。

And Armani wanted to dress me and I was actually very excited to be dressed by Armani because I knew that everything would be tailored perfectly and it would also be high fashion.

阿瑪尼想給我穿衣服，實際上我對由阿瑪尼穿衣服感到非常興奮，因為我知道所有的東西都會被完美地剪裁，而且也會是高級時裝。

So, this piece fit me absolutely perfect.

是以，這件作品絕對適合我。

What's also very funny is that these shoes were stolen backstage after the show.

非常有趣的是，這些鞋子在演出結束後在後臺被偷走了。

I think we found them later on E bay somewhere and we, we found out how to get them back.

我想我們後來在E灣的某個地方發現了它們，我們，我們發現瞭如何把它們找回來。

I just wanted to give a very specific shout out also to Frederica spirits who designed this hair.

我只是想非常具體地對設計這款髮型的Frederica spirits喊一聲。

He was the one who for the first time put um this idea of creating this piss yellow hair color as a way of uh celebrating pop art in motion.

他是第一次把創造這種黃色頭髮顏色的想法作為一種慶祝波普藝術的運動方式的人。

So if you think about Liechtenstein for example, the way blondes were represented was with yellow hair and this was a very special night.

是以，如果你想想列支敦士登的情況，金髮女郎的代表方式是黃髮，這是一個非常特別的夜晚。

I had just won a grammy before this happened my first grammy.

在這件事發生之前，我剛剛贏得了一個格萊美獎，我的第一個格萊美獎。

I went right before I wore this.

我在穿這個之前就去了。

Okay, well here's me and Beyonce.

好吧，這是我和碧昂絲。

This was created by house of gaga and perry Meek Me and Beyonce Really in this video, we wanted there to be a balance between fashion and camp.

這是由House of Gaga and Perry Meek Me和Beyonce創作的 真的在這個視頻中，我們希望在時尚和營地之間有一個平衡。

So we wanted to do a play on the american flag and a play on capitalism.

所以我們想做一個關於美國國旗的遊戲和關於資本主義的遊戲。

The inspiration for the Americana vibe was that the song, telephone was about being inundated with phone calls.

美式氛圍的靈感來自於那首歌，電話是關於被電話淹沒的。

I was playing around when I wrote that song with this idea that we were as a society becoming more and more obsessed with interacting with each other uh in a way that was less real.

當我寫這首歌的時候，我在玩這個想法，我們作為一個社會，越來越痴迷於彼此之間的互動，呃，以一種不太真實的方式。

And that led me to this uh the ingesting of capitalism in a way that's not healthy for us.

這使我想到了這個......以一種對我們不健康的方式攝取資本主義。

So it's a commentary on american culture.

所以這是對美國文化的一種評論。

So the meat dress, it's actually val garland's idea.

是以，肉裝，實際上是瓦爾-加蘭的主意。

Val garland, the makeup artist and her and I worked together for a long time and she shared a story with me where she had gone to a party wearing sausages and I thought this was quite funny and I said, well, that's a great way to make sure that everybody leaves you alone at a party.

Val garland，化妝師，她和我一起工作了很長時間，她和我分享了一個故事，她穿著香腸去參加一個聚會，我覺得這很有趣，我說，嗯，這是一個很好的方法，可以確保在聚會上每個人都不打擾你。

I was speaking with my artistic friends about if we wanted to make any statements while we were at the MTV video music awards and we did want to make a statement because at the time, uh, they were trying to repeal, don't ask, don't tell.

我和我的藝術朋友們談到，當我們在MTV視頻音樂獎時，我們是否想發表任何聲明，我們確實想發表聲明，因為當時，呃，他們正試圖廢除，不要問，不要說。

But we decided to do the meat dress because I thought to myself, if you were willing to die for your country, what does it matter how you identify?

但我們決定做肉裝，因為我想，如果你願意為你的國家犧牲，你的身份有什麼關係呢？

This was ultimately designed by frank Fernandez, but it was the brainchild of House of gaga.

這最終是由Frank Fernandez設計的，但它是House of gaga的創意。

And we were backstage with Brandon Maxwell who was working as one of my stylists at the time.

我們在後臺與布蘭登-麥克斯韋一起工作，他當時是我的一個造型師。

He was vegan also and still helping to sell all of these last bits of meat to me and making my meat hat and my meat purse, which was held by share.

他也是素食主義者，仍然幫助把這些最後的肉塊全部賣給我，併為我做了肉帽和肉包，這是按份量拿的。

It smelled like me.

它聞起來像我。

It was thrilling to where there's a corset under this.

驚心動魄的是，這下面還有一件緊身衣。

But the course, it was a sewn into the meat.

但是課程，它是一個縫在肉裡的。

So this is actually a garment.

所以這實際上是一件衣服。

They didn't just drape meat over me and uhh cross their fingers.

他們不只是把肉披在我身上，呃，用手指劃過。

This was the McQueen dress from his last collection that I wore.

這是我穿的他最後一個系列中的麥奎因裙子。

And we recreated the feathers.

我們還重新制作了羽毛。

But I am wearing the armadillo heels from Plato's Atlantis, which was the crescendo before we unfortunately lost him.

但我穿著柏拉圖《亞特蘭蒂斯》中的犰狳高跟鞋，這是我們不幸失去他之前的高潮。

I've always been inspired by alexander McQueen.

我一直受到Alexander McQueen的啟發。

I think he's potentially the greatest designer of all time.

我認為他有可能是有史以來最偉大的設計師。

This dress in particular, It does actually represent a lot of what I love about him, which is that, you know, this is a bosch print.

特別是這件衣服，它實際上代表了我喜歡他的很多東西，那就是，你知道，這是一個波西的印花。

And if you know anything about bosch art, uh, there's sort of these, this violence and these tiny little odd things that are happening that too many are grotesque and ugly and wrong.

如果你對波士藝術有所瞭解，呃，有一些，這種暴力和這些微小的奇怪的事情正在發生，有太多的怪誕、醜陋和錯誤。

And somehow he found beauty in these things and that was a piece of him and he celebrated women and he celebrated all types of women.

不知何故，他在這些事情中發現了美，那是他的一部分，他讚美女性，他讚美所有類型的女性。

Okay, so this next piece we would call this an outfit.

好吧，那麼接下來的這塊，我們會把它稱為一個裝備。

Everybody calls it the egg.

大家都叫它雞蛋。

But it's actually a vessel that was designed by Hussein Shalane.

但它實際上是一艘由侯賽因-沙蘭設計的船隻。

The outfits that are worn by uh, the models and dancers that are around me.

呃，我身邊的模特和舞者所穿的服裝。

That was created by house of gaga.

那是由House of Gaga創造的。

I was very particular about the way the fashion looked for this performance in so much as the night before the performance.

我對這次演出的時裝造型非常講究，以至於在演出前一天晚上。

I said the fashions wrong, we don't have it.

我說時尚錯了，我們沒有。

We need it to be latex.

我們需要它是乳膠的。

We need nude latex.

我們需要裸體乳膠。

And if you know anything about looking for latex years ago was very difficult to find latex in any other place other than a sex shop or where we found this late tax was a bus company had latex that they were using to cover the seats of their busses and we found the latex and we asked if we could buy it from them.

如果你瞭解多年前尋找乳膠的情況，就很難在任何其他地方找到乳膠，除了性用品商店，或者我們發現這個晚期稅收的地方，是一家巴士公司有乳膠，他們用來覆蓋他們的巴士座位，我們發現了乳膠，我們問我們是否可以從他們那裡購買。

So everybody's fashion that's made here was made from the fabric of seats four of us.

是以，在這裡製作的每個人的時裝都是由我們四個人的座位組成的。

I was in the egg for three days to be honest at award shows, especially during this time, I didn't like to talk to people.

說實話，在頒獎典禮上，我在蛋裡呆了三天，特別是在這段時間，我不喜歡和人說話。

I always felt that it threw me off of my performance.

我總覺得這讓我的表現大打折扣。

So this in a lot of ways, is really representative of my devotion to my craft and that I really wanted to be with myself.

所以這在很多方面，真的代表了我對我的手藝的奉獻，我真的想和自己在一起。

Okay, so this is joe calderon, This is an alter ego that I made and I wanted to be subversive and this was my way of creating a different type of statement for myself at this time I was actually going through a breakup.

好吧，這就是喬-卡爾德隆，這是我做的另一個自我，我想成為顛覆者，這是我為自己創造不同類型聲明的方式，此時我實際上正在經歷一場分手。

So I actually created this character that was my boyfriend.

所以我實際上創造了這個角色，是我的男朋友。

I inhabited this character joe Calderone.

我居住在這個人物喬-卡爾德隆身上。

So it was representative of relationship representative of my father as well.

所以這也是代表我父親的關係代表。

But everything about this was just meant to be kind of a jersey boy grazer.

但是關於這個的一切只是為了成為一種球衣男孩的掠奪者。

I'm always fully in character when I, when I've been joe, it's a feeling and I wanted him to be dirty and I rehearsed a lot with the boys and I have little lifts in my shoes to keep me a little bit taller because I'm short.

當我，當我扮演喬的時候，我總是完全進入角色，這是一種感覺，我希望他是骯髒的，我和男孩們排練了很多，我的鞋裡有小升降機，讓我保持一點高度，因為我很矮。

Okay, this is one of my favorite photo shoots that nick and I ever did Nick Knight and I for this outfit, we had this idea of shooting me inside of what was essentially meant to be um placenta fluid.

好吧，這是我最喜歡的照片之一，尼克和我為這套衣服拍攝的照片，我們有這樣的想法，在本質上意味著嗯胎盤液裡面拍攝我。

We created this artistic goo and the goo artist was Bart Hess and I am wearing high heels in it.

我們創造了這種藝術粘液，粘液藝術家是巴特-赫斯，我在裡面穿著高跟鞋。

I can see they look like Givenchy, McQueen.

我可以看到他們看起來像紀梵希、麥奎因。

Givenchy and I have this huge hat on that I believe is that Stephen jones hat.

紀梵希和我戴著這頂巨大的帽子，我相信這就是斯蒂芬-瓊斯的帽子。

But this goo that you see on me, it started out sort of in one way and then as I performed for nick for several hours, the goose started to take many different forms.

但是你在我身上看到的這種粘液，一開始是以一種方式出現的，然後當我為尼克表演了幾個小時後，鵝開始採取許多不同的形式。

This is a garment, but this is a moving garment.

這是一件衣服，但這是一件移動的衣服。

Now, this is the american music awards and I wanted to do something fun and exciting and whimsical.

現在，這是美國音樂獎，我想做一些有趣的、令人興奮的和異想天開的事情。

And I thought, why not come to the american music awards as the actual ad for my versace campaign with donatella.

我想，為什麼不在美國音樂獎上為我和多納泰拉的VERSACE廣告做實際的廣告。

So I wanted to arrive as this, you know, italian goddess that she had turned me into for the campaign if we'd like to include my accessories.

所以我想以這個，你知道的，她把我變成的意大利女神的身份來參加活動，如果我們想包括我的配件。

For example, my purse this evening was a mechanical horse.

例如，今天晚上我的錢包是一匹機械馬。

We decided to wear the horse as a way to get onto the red carpet, but we wanted it to be exciting.

我們決定穿上馬，作為走上紅地毯的一種方式，但我們希望它是令人興奮的。

So we painted her white.

所以我們把她刷成了白色。

But guess what?

但你猜怎麼著？

The horse is made out of Chanel purses so that horses my purse.

這匹馬是用香奈兒的錢包做的，所以那匹馬是我的錢包。

Okay, so this next look, I wore this in London.

好吧，那麼接下來的這個造型，我是在倫敦穿的。

I believe I was leaving the Langham Hotel and it was during the promotion from my album Artpop, which was heavily scrutinized album, but I believed in putting art in the front and the whole record was about how art can mean anything to you.

我相信我當時正離開朗廷酒店，那是在我的專輯《Artpop》的宣傳期間，那是一張受到嚴格審查的專輯，但我相信把藝術放在前面，整張唱片是關於藝術如何對你意味著什麼。

So, I often did my own takes on other artists as well as uh, iconography throughout history.

是以，我經常對其他藝術家以及歷史上的圖標進行自己的創作。

So, of course, I visited Picasso.

是以，當然，我參觀了畢加索。

I still have those ruffle socks to this day that they're about to 99 I'm wearing this jacket.

我到現在還穿著那雙荷葉邊的襪子，他們即將99我穿著這件夾克。

Uh, it's really actually a sweatshirt from Dog in Tokyo Dog is a really, really dope store in the Harajuku area.

呃，這其實是一件來自Dog in Tokyo的運動衫，Dog是原宿地區一家非常、非常棒的商店。

And then, uh, Frederick s paris did my hair and we were obsessed with this sort of odd combination of black and blonde at the same time, Tara Savella was brilliant.

然後，呃，Frederick s paris給我做了頭髮，我們同時迷上了這種黑色和金色的奇怪組合，Tara Savella很出色。

My makeup artists, we used a technique in Harajuku makeup as a way to create an in my eyes by creating the pupil on the eyelid.

我的化妝師，我們使用了原宿化妝中的一種技術，通過在眼皮上創造瞳孔來創造我的眼睛。

And often I'll do this with fashion depending on what it is.

而我經常會根據時尚的內容來做這個事情。

I'll hold my face in a particular way in order to get the expression across that I find interesting.

我會以一種特殊的方式握住我的臉，以獲得我認為有趣的表情。

So in order to look like a Picasso, I sort of have this sort of fractured look on my face and I have one eye closed to reveal the other.

是以，為了看起來像個畢加索，我的臉上有一種斷裂的表情，我閉著一隻眼睛，露出另一隻眼睛。

I.

I.

I don't think there's much, that's, that's more punk than this look uh represents a very dark time in my life, but often the darkest times in my life, you'll see the most joyful outfits.

我不認為有什麼比這個造型更朋克的，呃，代表了我生命中一個非常黑暗的時期，但往往在我生命中最黑暗的時期，你會看到最歡樂的服裝。

This was created by dan Henderson and vex clothing.

這是由丹-亨德森和vex服裝公司創造的。

So this is inflatable, was very lightweight, if this was made in any other way would be quite heavy, but I was able to just run about the stage and this and this is absolute club, kid culture clothing, which was something that we really wanted to celebrate at the Artpop ball because it was all about celebrating art, celebrating music, but also celebrating the way that those things come together underground.

所以這是充氣的，非常輕，如果這是以其他方式製作的，就會相當重，但我能夠在舞臺上跑來跑去，這是絕對的俱樂部，兒童文化服裝，這是我們在Artpop舞會上真正想要慶祝的東西，因為它是關於慶祝藝術，慶祝音樂，但也慶祝這些東西在地下聚集的方式。

This piece in particular was created on an airplane.

特別是這幅作品是在飛機上創作的。

We were flying to Greece and so much of Artpop was inspired by greek sculptures.

我們當時正飛往希臘，Artpop的許多靈感來自希臘的雕塑。

When I landed in Greece, I wanted to land as the venus.

當我在希臘登陸時，我想作為金星登陸。

Uh so we created this on an airplane.

呃，所以我們在飛機上創造了這個。

So I'm wearing stripper shoes, I'm wearing two metal seashells that we just had and then I've got a song underneath and I believe that this is some sort of beach situation that I had with me because I was excited to get some sun in Greece.

所以我穿著脫衣舞鞋，我穿著我們剛剛的兩個金屬貝殼，然後我下面有一首歌，我相信這是我帶著的某種海灘情況，因為我很興奮能在希臘得到一些陽光。

This was a performance art piece.

這是一個行為藝術作品。

So when we got off the plane, me and my entire group of dancers, we walked out to my song venus and I was wearing this outfit, don't rest on the plane.

是以，當我們下飛機時，我和我的整個舞蹈團，我們走出我的歌曲金星，我穿著這身衣服，不要在飛機上休息。

Mhm.

嗯。

So this was created by Jack Irving.

所以這是由傑克-歐文創造的。

This is all made of Mylar and I actually was wearing a ventilation system that was pumping air into the spikes, but I didn't let the spikes reveal themselves until I was standing in front of the paparazzi.

這都是由Mylar製成的，實際上我穿了一個通風系統，把空氣抽到釘子裡，但直到我站在狗仔隊面前，才讓釘子露出來。

So when I got out of the car it just looked like a Mylar cape.

是以，當我下車時，它只是看起來像一個麥拉披風。

And then in the middle of the street, I pressed a button and I inflated the entire piece.

然後在街道中間，我按下一個按鈕，我把整個作品充氣了。

I was very interested in inflatable fashion at this point, this was just simply to freak out the paparazzi.

這時我對充氣式時裝非常感興趣，這只是單純為了嚇唬狗仔隊。

This is a beautiful, beautiful dress.

這是一件美麗、漂亮的衣服。

Me in my Brandon Maxwell felt like a princess in it and I felt like a little girl.

穿著布蘭登-麥克斯韋的我覺得自己是個公主，我覺得自己是個小姑娘。

It was a very simple, beautifully made black dress and I won my first Oscar in that dress.

那是一件非常簡單、製作精美的黑色禮服，我穿著那件禮服贏得了我的第一個奧斯卡獎。

I remember I also had to be in charge of taking care of that.

我記得我還得負責打理這些事情。

Tiffany's diamond, that Audrey Hepburn.

蒂芙尼的鑽石，那個奧黛麗-赫本。

Warren, No one had worn it since she wore it for breakfast at Tiffany's.

沃倫，自從她在蒂凡尼的早餐會上穿上它之後，沒有人再穿它。

So, I was the first person to wear it.

是以，我是第一個穿它的人。

And I remember I left the Oscars to go to a party and I left security behind and everybody's mad at me.

我記得我離開奧斯卡去參加一個聚會，我把保全留在後面，大家都對我很生氣。

Sorry, sorry, Tiffany's, I love you.

對不起，對不起，蒂芙尼的，我愛你。

And you got your diamond back.

而你也拿回了你的鑽石。

This is also Brandon Maxwell.

這也是布蘭登-麥克斯韋。

Brandon dressed me for the met gala when the theme was camp by means of the definition by Susan Sontag.

布蘭登為會議晚會為我打扮，當時的主題是通過蘇珊-桑塔格的定義的營地。

I found this to be very fun this was an entire performance that we prepared for the carpet.

我發現這非常有趣，這是我們為地毯準備的整個表演。

I remember calling and asking her for 15 to 20 minutes to be on the red carpet.

我記得我打電話給她，要求她在15到20分鐘內出現在紅地毯上。

And she was very kind to give us that time.

她非常友好地給了我們這個時間。

You know, one of the things that I love about reading Susan Sontag's thoughts on camp was that things become camp over time.

你知道，我喜歡讀蘇珊-桑塔格關於營地的想法，其中一件事是，隨著時間的推移，事情會變成營地。

So what we did with this, that what Brandon I thought was really a genius to do was he took us all the way sort of back to the Lower East side by the end of me, revealing all of these looks and it was just me and fishnets with a sequined bra and panty, which is the way that I used to perform.

是以，我們這樣做，布蘭登我認為真的是一個天才的做法是，他把我們所有的方式排序回到下東區的我，揭示了所有這些外觀，這只是我和魚網與亮片胸罩和內褲，這是我過去的表演方式。

I used to call it pop burlesque, meaning our version of camp was the Old Me.

我曾經稱它為流行歌舞劇，意思是我們的營地版本是老我。

I mean, I think this is in some ways uh, so indicative of the earlier things that we looked at.

我的意思是，我認為這在某種程度上是呃，所以表明了我們所看的早期事情。

If I if I could just for a moment switch back to hear.

如果我，如果我可以暫時切換回聽覺。

To me, this really looks like an elevated modern progression of where I used to be.

對我來說，這看起來真的是我過去的地方的一個提升的現代進步。

And this is my album cover.

而這是我的專輯封面。

Sissy Leo Cosio Martinez is the designer.

西塞-里奧-科西奧-馬丁內斯是設計師。

Another designer on this garment is gasoline glamour and Gary faded the fingers and the hands.

這個服裝的另一個設計師是汽油的魅力和加里褪去了手指和手。

This was a creation of a glove actually that had articulation.

這其實是一個有關節的手套的創作。

So, as I move my fingers, there was extended fingers that had joints that moved like an alien and I couldn't have possibly walked in these shoes.

是以，當我移動我的手指時，有延長的手指，其關節像外星人一樣移動，我不可能穿著這雙鞋行走。

One of them on the left side here.

其中一個在左邊這裡。

This was about a nine inch knife, a real knife.

這大約是一把九英寸的刀，一把真正的刀。