EVERYBODY.

每個人。

HE IS AN EMMY AND PEABODY AWARD-WINNING DIRECTOR WHO HAS

他是艾美獎和皮博迪獎的獲獎導演。

BEEN MAKING DOCUMENTARY FILMS THAT YOU KNOW AND LOVE FOR OVER

在過去的幾年裡，我們一直在製作您所熟悉和喜愛的紀錄片。

40 YEARS.

40年。

HIS LATEST IS A THREE-PART SERIES ON ERNEST HEMINGWAY.

他的最新作品是關於ERNEST HEMINGWAY的三部曲系列。

PLEASE WELCOME BACK TO "A LATE SHOW," KEN BURNS!

歡迎回到 "深夜秀"，肯-伯恩斯！

KEN, IT'S GOOD TO SEE YOU.

肯，很高興見到你。

>> IT'S GREAT TO SEE YOU, STEPHEN.

>> 很高興見到你，史蒂芬。

THANKS FOR HAVING ME.

謝謝你邀請我。

>> Stephen: I WANT TO GET INTO THIS HEMINGWAY THREE-PART

>> 史蒂芬：我想進入這個HEMINGWAY三部曲。

DOCUMENTARY.

文件：

I HAVE SEEN THE FIRST FOUR HOURS SO FAR, AND IT'S INCREDIBLY

我已經看了前四小時，到目前為止，它是令人難以置信的。

MOVING AND BEAUTIFUL AND REMINDS YOU OF WHAT A GIANT THE MAN IS

動人而美麗，讓你聯想到這個男人是多麼的巨人

ON PAGE AND IN HIS OWN MIND, IN MANY WAYS.

在頁面上，在他自己的心中，以多種方式。

>> YES.

>> 是。

>> Stephen: I'VE BEEN FASCINATED WITH HEMINGWAY FOR

>> 史蒂芬: 我已經和HEMINGWAY迷上了。

YEARS.

年。

AS A MATTER OF FACT, ON THE OLD SHOW, I TRIED TO GET TO THE

事實上，在老節目中，我曾試圖去找尋我的目標。

HEART OF HIM RIGHT HERE.

他的心就在這裡。

I DON'T KNOW IF YOU'RE FAMILIAR WITH THIS PORTRAIT OF ME.

我不知道你是否熟悉這幅我的畫像。

PAPA COLBERT RIGHT THERE.

科爾伯特爸爸就在那裡。

THIS IS, OF COURSE, THIS IS SORT OF THE MYTHOLOGIZED HEMINGWAY.

這是，當然，這是某種程度上的 神話化的恆河沙數。

>> YES.

>> 是。

>> Stephen: HOW-- HOW DO YOU-- HOW DO YOU GET PAST THE

>> 如何... 你... 你如何度過這個難關？

MYTHOLOGIZED VERSION OF HIM OF THE MAN'S MAN, BIG-GAME HUNTER,

他的神話化版本的人的人，大獵手。

SPORTSMAN, WARRIOR, LOVER?

運動家，戰士，夫妻？

AND WHEN YOU GET THROUGH TO IT, IS THAT GUY STILL REALLY IN

當你完成後，那個人還在嗎？

THERE?

在那裡？

>> YEAH, IT'S GOOD.

>> 是的，這是很好的。

I MEAN, HE WAS ALL OF THOSE THINGS, AND IN OUR FILM, I

我的意思是，他是所有這些東西， 而在我們的電影，我。

CODIRECT WITH LYNN NOVICK, HE WAS A DEEP SEA FISHERMAN, HE WAS

他是一個深海漁夫，他是一個深海漁夫，他是一個深海漁夫。

A BIG-GAME HUNTER.

一個大獵手。

HE LIKED TO BRAWL AND DRINK, AND HE LOVED NATURE.

他喜歡咆哮和喝酒，他喜歡自然。

HE WAS A GREAT OUTDOORSMAN, AND YET, WHEN HE BECAME THE MOST

他是一個偉大的戶外運動家，但是，當他成為最偉大的戶外運動家的時候

FAMOUS WRITER SINCE MARK TWINE IN THE 19th CENTURY,

19世紀馬克-特林以來的著名作家。

ARGUABLY THE GREATEST WRITER OF THE 20th CENTURY IN AMERICA,

堪稱20世紀美國最偉大的作家。

HE HELPED ESTABLISH THIS UNBELIEVABLE PERSONA OF THAT

他幫助建立了這個令人難以置信的人的那個。

MACHO GUY, AND HE'S NOT.

町人，他不是。

IT IS MUCH MORE COMPLICATED.

它要複雜得多。

IN THE LETTERS, YOU CAN HEAR VULNERABILITY.

在信件中，你可以聽到脆弱的聲音。

YOU CAN HEAR ANGER.

你可以聽到憤怒的聲音。

YOU CAN HEAR CONFUSION.

你可以聽到混亂的聲音。

YOU CAN HEAR A KIND OF ANXIETY ABOUT THINGS.

你可以聽到一種焦慮的事情。

AND IF YOU LOOK AT HIS WRITING, HE IS OFTEN PARROTING THE VERY

如果你看看他的文章，他常常是在鸚鵡學舌。

PERSON THAT HE IS, WHETHER IT'S FRANCIS McCULL MER, IN THE

不管他是誰，不管他是弗蘭西斯-麥卡勒-梅爾，還是他是誰

"SHORT HAPPY LIFE FRANCIS McCULLMER," HE IS OFTEN MAKING

"短暫的幸福生活FRANCIS McCULLMER"，他經常在做。

FUN OF AND REOEALING IN STARTLING WAYS BOORISH BEHAVIOR

樂趣和重新評估以驚人的方式BOORISH行為

ON THE PART OF MEN.

在男人方面：

IT'S IMPOSSIBLE TO DISMISS ERNEST HEMINGWAY, BECAUSE THE

不可能解僱厄尼斯特-亨明威，因為... ...

BODY OF WRITING IS SO GREAT.

文體是如此的偉大。

HIS LIFE, HIS BIOGRAPHY IS THE SAME THING HE SAID IT SHOULD

他的生活，他的傳記就是他所說的那樣。

BE-- AN ICEBERG, SEVEN-TENTHS BELOW THE SURFACE, ONE-EIGHTH

是 -- 一顆冰山，在地表以下七分之一，八分之一的位置。

ABOVE.

上圖：

THAT'S THE WAY HIS WRITING IS.

這就是他的寫作方式。

WHEN YOU READ IT IS, THERE IS SO MUCH UNSPOKEN.

當你讀到它的時候，有很多未被發現的東西。

IT IS SO STRIPPED BARE THAT YOU ARE INVITED INTO MYSTERIES AND

它是如此的赤裸裸，你被邀請到神祕和。

QUESTIONS AND UNDERTONE AND COMPLEXITY.

問題和語調及複雜性：

IT'S THE SAME WITH HIS PRIVATE LIFE.

他的私生活也是如此。

>> Stephen: WE FORGET THAT HEMINGWAY, BECAUSE WE THINK OF

>> 斯蒂芬：我們忘記了那個 "亨明路"，因為我們想到的是 "我"。

HIS WRITING AS SO SPARE, WE THINK OF IT AS BEING SIMPLE.

他的文字是如此的灑脫，我們認為它是簡單的。

AND WE FORGET HE WAS A MODERNIST WHO CHANGED THE WAY PEOPLE WROTE

而我們卻忘了他是一個改變了人們寫作方式的現代主義者。

IN THE 20th CENTURY, AS TOBIAS WOLF SAYS, HEMINGWAY, WHETHER

在20世紀，正如托比亞斯-沃爾夫所說的，海明威，不管是

YOU LIKE IT OR NOT, HEMINGWAY REARRANGED ALL THE FURNITURE.

不管你喜不喜歡，海明威把所有的傢俱都換了。

WE'RE LIVING IN HIS LIVING ROOM OF MODERN AMERICAN LITERATURE

我們正生活在他的現代美國文學客廳裡。

RIGHT NOW.

現在。

WHAT IS IT ABOUT HIS WRITING THAT PUTS HIM IN THE SAME

他的寫作是什麼讓他陷入了同樣的困境？

TRANSFORMATIVE CLASS AS SOMEONE LIE JAMES JOYCE AND E.E.

TRANSFORMATIVE CLASSAS SOMEONE LIE JAMES JOYCE AND E．

CUMMINGS.

卡明斯：

>> JOYCE AND CUMMINGS AND FAULKNER, THEY'RE MODERNISTS IN

>> JOYCE、CUMMINGS和FULKNER，他們都是現代人。

THE SENSE AND THEY'RE VERY COMPLICATED, DIFFICULT TO READ.

感覺和他們非常複雜，難以閱讀。

BUT HEMINGWAY WENT IN THE OTHER DIRECTION AND WAS THE SAME

但海明威走的是另一個方向，也是一樣的。

THING.

事情。

THERE WAS SO MUCH MEANING IN WHAT HE SAID.

他說的話有很多含義。

THE SPARENESS OF THE WORDS, THE REPETITION.

詞的稀少性，重複性。

HIS MOTHER HAD INSISTED ON HIM LEARNING MUSIC, AND PARTICULARLY

他的母親堅持讓他學習音樂，特別是

BAWK, AND THE REPETITION AND COUNTER-POINT, THE COUNTER-POINT

BAWK，以及重複和反擊，反擊。

AND REPETITION IN HIM IS ABOUT THE RHYTHMIC SPEAKING OF MUSIC.

而他的重複是關於音樂的韻律說話。

AND HE MADE HIS PROAZ A KIND OF MUSIC THAT ALMOST ANYBODY COULD

他做了他的普羅茲 一種音樂，幾乎任何人都可以。

READ.

閱讀：

AND IT OPENS UP LAYERS OF MEANING, JUST LIKE HIS OWN

它打開了一層層的意義，就像他自己的一樣。

PERSONAL LIFE.

個人生活：

I MEAN, THIS IS A MACHO GUY WHO IS CURIOUS ABOUT GENDER REVERSAL

我是說，這是個關心性別反轉的機械人。

ROLES AND IDENTITY.

角色和身份：

IT'S FASCINATING, YOU KNOW.

你知道的，這很有趣。

HE HAS HIS WIVES, ALL FOUR OF THEM, CUT THEIR HAIR SHORT.

他有他的妻子，他們四個都把頭髮剪短了。

HE WILL GROW HIS LONG.

他將長長的。

YOU BE THE GUY.

你是那個傢伙。

I'LL BE THE GIRL.

我將是那個女孩。

IT IS, YOU KNOW, THE EXACT OPPOSITE OF WHAT WE INHERIT.

你知道，這和我們所繼承的東西完全相反。

AND YOU BEGIN TO REALIZE THAT THAT SUPERFICIAL AND

你開始意識到，那超強的和...

CONVENTIONAL WISDOM DOESN'T DO HIM OR US ANY GOOD.

習慣性的智慧對他和我們都沒有好處。

THE LITERATURE IS THERE AND IS SPECTACULAR AND WILL ENDURE

文學是存在的，是壯觀的，並將持續。

BECAUSE HE SEEMED TO UNDERSTAND-- HE WAS AN ENORMOUS

因為他似乎明白... 他是一個巨大的。

NOTICER OF THINGS, WHETHER IT WAS NATURE, THE AFFAIRS OF HUMAN

注意到的東西，不管它是自然，人類的事務，

BEINGS-- PARTICULARLY HOW MEN AND WOMEN GET ALONG OR DON'T.

生命--特別是男人和女人如何相處或不相處。

AND OF COURSE WAR.

當然還有戰爭。

HE'S WRITTEN SO BEAUTIFULLY AND POWERFULLY ABOUT IT STRIPPING

他寫的很好，很有力量，很有條理。

AWAY ALL THE BARNICLES OF SENTIMENTALITY THAT ALWAYS

拋開所有的情懷倉庫，一直以來

ENCRUST WARS AFTER WE'RE DONE, AS IF WE CAN'T-- WE CAN'T

恩科斯特戰爭結束後，如果我們不能... ...我們不能

REMEMBER THE HORROR, SO WE HAVE TO TURN IT INTO THIS TRICKLY

記得恐怖，所以我們要把它變成這個狡猾的。

KIND OF EVENT.

種類的事件。

WHEN,SH, IT ISN'T.

當，SH，它不是。

AND SOME OF HIS STATEMENTS IN "A FAREWELL TO ARMS" OR IN "FOR

和他在 "告別武器 "或 "為人民服務 "中的一些言論。

WHOM THE BELL TOLLS" ARE STUNNING IN THEIR EVOCATION OF

鐘聲響起的地方》在對 "鐘聲響起的地方 "的呼喚中令人驚歎。

WHAT IT'S LIKE TO BE IN WAR AND WHAT WAR IS.

什麼是喜歡在戰爭中，什麼是戰爭。

>> Stephen: KEN, WE HAVE TO TAKE A QUICK BREAK, BUT STICK

>> KEN，我們要休息一下，但要堅持下去。

AROUND, EVERYBODY.

周圍的人，每個人。

WE'LL BE RIGHT BACK WITH MORE DOCUMENTARIAN KEN BURNS.

我們馬上回來，更多的記錄員肯-伯恩斯。