第1部--《祕密花園》有聲讀物，弗朗西斯-霍奇森-伯內特著 (第01-10章) (Part 1 - The Secret Garden Audiobook by Frances Hodgson Burnett (Chs 01-10))

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CHAPTER I THERE IS NO ONE LEFT
When Mary Lennox was sent to Misselthwaite Manor to live with her uncle everybody said
she was the most disagreeable-looking child ever seen.
It was true, too.
She had a little thin face and a little thin body, thin light hair and a sour
expression.
Her hair was yellow, and her face was yellow because she had been born in India
and had always been ill in one way or another.
Her father had held a position under the English Government and had always been busy
and ill himself, and her mother had been a great beauty who cared only to go to
parties and amuse herself with gay people.
She had not wanted a little girl at all, and when Mary was born she handed her over
to the care of an Ayah, who was made to understand that if she wished to please the
Mem Sahib she must keep the child out of sight as much as possible.
So when she was a sickly, fretful, ugly little baby she was kept out of the way,
and when she became a sickly, fretful, toddling thing she was kept out of the way
also.
She never remembered seeing familiarly anything but the dark faces of her Ayah and
the other native servants, and as they always obeyed her and gave her her own way
in everything, because the Mem Sahib would
be angry if she was disturbed by her crying, by the time she was six years old
she was as tyrannical and selfish a little pig as ever lived.
The young English governess who came to teach her to read and write disliked her so
much that she gave up her place in three months, and when other governesses came to
try to fill it they always went away in a shorter time than the first one.
So if Mary had not chosen to really want to know how to read books she would never have
learned her letters at all.
One frightfully hot morning, when she was about nine years old, she awakened feeling
very cross, and she became crosser still when she saw that the servant who stood by
her bedside was not her Ayah.
"Why did you come?" she said to the strange woman.
"I will not let you stay. Send my Ayah to me."
The woman looked frightened, but she only stammered that the Ayah could not come and
when Mary threw herself into a passion and beat and kicked her, she looked only more
frightened and repeated that it was not
possible for the Ayah to come to Missie Sahib.
There was something mysterious in the air that morning.
Nothing was done in its regular order and several of the native servants seemed
missing, while those whom Mary saw slunk or hurried about with ashy and scared faces.
But no one would tell her anything and her Ayah did not come.
She was actually left alone as the morning went on, and at last she wandered out into
the garden and began to play by herself under a tree near the veranda.
She pretended that she was making a flower- bed, and she stuck big scarlet hibiscus
blossoms into little heaps of earth, all the time growing more and more angry and
muttering to herself the things she would
say and the names she would call Saidie when she returned.
"Pig! Pig! Daughter of Pigs!" she said, because to call a native a pig is the worst
insult of all.
She was grinding her teeth and saying this over and over again when she heard her
mother come out on the veranda with some one.
She was with a fair young man and they stood talking together in low strange
voices. Mary knew the fair young man who looked
like a boy.
She had heard that he was a very young officer who had just come from England.
The child stared at him, but she stared most at her mother.
She always did this when she had a chance to see her, because the Mem Sahib--Mary
used to call her that oftener than anything else--was such a tall, slim, pretty person
and wore such lovely clothes.
Her hair was like curly silk and she had a delicate little nose which seemed to be
disdaining things, and she had large laughing eyes.
All her clothes were thin and floating, and Mary said they were "full of lace."
They looked fuller of lace than ever this morning, but her eyes were not laughing at
all.
They were large and scared and lifted imploringly to the fair boy officer's face.
"Is it so very bad? Oh, is it?"
Mary heard her say.
"Awfully," the young man answered in a trembling voice.
"Awfully, Mrs. Lennox. You ought to have gone to the hills two
weeks ago."
The Mem Sahib wrung her hands. "Oh, I know I ought!" she cried.
"I only stayed to go to that silly dinner party.
What a fool I was!"
At that very moment such a loud sound of wailing broke out from the servants'
quarters that she clutched the young man's arm, and Mary stood shivering from head to
foot.
The wailing grew wilder and wilder. "What is it?
What is it?" Mrs. Lennox gasped.
"Some one has died," answered the boy officer.
"You did not say it had broken out among your servants."
"I did not know!" the Mem Sahib cried.
"Come with me! Come with me!" and she turned and ran into
the house.
After that, appalling things happened, and the mysteriousness of the morning was
explained to Mary.
The cholera had broken out in its most fatal form and people were dying like
flies.
The Ayah had been taken ill in the night, and it was because she had just died that
the servants had wailed in the huts.
Before the next day three other servants were dead and others had run away in
terror. There was panic on every side, and dying
people in all the bungalows.
During the confusion and bewilderment of the second day Mary hid herself in the
nursery and was forgotten by everyone.
Nobody thought of her, nobody wanted her, and strange things happened of which she
knew nothing. Mary alternately cried and slept through
the hours.
She only knew that people were ill and that she heard mysterious and frightening
sounds.
Once she crept into the dining-room and found it empty, though a partly finished
meal was on the table and chairs and plates looked as if they had been hastily pushed
back when the diners rose suddenly for some reason.
The child ate some fruit and biscuits, and being thirsty she drank a glass of wine
which stood nearly filled.
It was sweet, and she did not know how strong it was.
Very soon it made her intensely drowsy, and she went back to her nursery and shut
herself in again, frightened by cries she heard in the huts and by the hurrying sound
of feet.
The wine made her so sleepy that she could scarcely keep her eyes open and she lay
down on her bed and knew nothing more for a long time.
Many things happened during the hours in which she slept so heavily, but she was not
disturbed by the wails and the sound of things being carried in and out of the
bungalow.
When she awakened she lay and stared at the wall.
The house was perfectly still. She had never known it to be so silent
before.
She heard neither voices nor footsteps, and wondered if everybody had got well of the
cholera and all the trouble was over. She wondered also who would take care of
her now her Ayah was dead.
There would be a new Ayah, and perhaps she would know some new stories.
Mary had been rather tired of the old ones. She did not cry because her nurse had died.
She was not an affectionate child and had never cared much for any one.
The noise and hurrying about and wailing over the cholera had frightened her, and
she had been angry because no one seemed to remember that she was alive.
Everyone was too panic-stricken to think of a little girl no one was fond of.
When people had the cholera it seemed that they remembered nothing but themselves.
But if everyone had got well again, surely some one would remember and come to look
for her. But no one came, and as she lay waiting the
house seemed to grow more and more silent.
She heard something rustling on the matting and when she looked down she saw a little
snake gliding along and watching her with eyes like jewels.
She was not frightened, because he was a harmless little thing who would not hurt
her and he seemed in a hurry to get out of the room.
He slipped under the door as she watched him.
"How queer and quiet it is," she said. "It sounds as if there were no one in the
bungalow but me and the snake."
Almost the next minute she heard footsteps in the compound, and then on the veranda.
They were men's footsteps, and the men entered the bungalow and talked in low
voices.
No one went to meet or speak to them and they seemed to open doors and look into
rooms. "What desolation!" she heard one voice say.
"That pretty, pretty woman!
I suppose the child, too. I heard there was a child, though no one
ever saw her."
Mary was standing in the middle of the nursery when they opened the door a few
minutes later.
She looked an ugly, cross little thing and was frowning because she was beginning to
be hungry and feel disgracefully neglected.
The first man who came in was a large officer she had once seen talking to her
father.
He looked tired and troubled, but when he saw her he was so startled that he almost
jumped back. "Barney!" he cried out.
"There is a child here!
A child alone! In a place like this!
Mercy on us, who is she!" "I am Mary Lennox," the little girl said,
drawing herself up stiffly.
She thought the man was very rude to call her father's bungalow "A place like this!"
"I fell asleep when everyone had the cholera and I have only just wakened up.
Why does nobody come?"
"It is the child no one ever saw!" exclaimed the man, turning to his
companions. "She has actually been forgotten!"
"Why was I forgotten?"
Mary said, stamping her foot. "Why does nobody come?"
The young man whose name was Barney looked at her very sadly.
Mary even thought she saw him wink his eyes as if to wink tears away.
"Poor little kid!" he said. "There is nobody left to come."
It was in that strange and sudden way that Mary found out that she had neither father
nor mother left; that they had died and been carried away in the night, and that
the few native servants who had not died
also had left the house as quickly as they could get out of it, none of them even
remembering that there was a Missie Sahib. That was why the place was so quiet.
It was true that there was no one in the bungalow but herself and the little
rustling snake.
>
CHAPTER II MISTRESS MARY QUITE CONTRARY
Mary had liked to look at her mother from a distance and she had thought her very
pretty, but as she knew very little of her she could scarcely have been expected to
love her or to miss her very much when she was gone.
She did not miss her at all, in fact, and as she was a self-absorbed child she gave
her entire thought to herself, as she had always done.
If she had been older she would no doubt have been very anxious at being left alone
in the world, but she was very young, and as she had always been taken care of, she
supposed she always would be.
What she thought was that she would like to know if she was going to nice people, who
would be polite to her and give her her own way as her Ayah and the other native
servants had done.
She knew that she was not going to stay at the English clergyman's house where she was
taken at first. She did not want to stay.
The English clergyman was poor and he had five children nearly all the same age and
they wore shabby clothes and were always quarreling and snatching toys from each
other.
Mary hated their untidy bungalow and was so disagreeable to them that after the first
day or two nobody would play with her. By the second day they had given her a
nickname which made her furious.
It was Basil who thought of it first. Basil was a little boy with impudent blue
eyes and a turned-up nose, and Mary hated him.
She was playing by herself under a tree, just as she had been playing the day the
cholera broke out.
She was making heaps of earth and paths for a garden and Basil came and stood near to
watch her. Presently he got rather interested and
suddenly made a suggestion.
"Why don't you put a heap of stones there and pretend it is a rockery?" he said.
"There in the middle," and he leaned over her to point.
"Go away!" cried Mary.
"I don't want boys. Go away!"
For a moment Basil looked angry, and then he began to tease.
He was always teasing his sisters.
He danced round and round her and made faces and sang and laughed.
"Mistress Mary, quite contrary, How does your garden grow?
With silver bells, and cockle shells, And marigolds all in a row."
He sang it until the other children heard and laughed, too; and the crosser Mary got,
the more they sang "Mistress Mary, quite contrary"; and after that as long as she
stayed with them they called her "Mistress
Mary Quite Contrary" when they spoke of her to each other, and often when they spoke to
her. "You are going to be sent home," Basil said
to her, "at the end of the week.
And we're glad of it." "I am glad of it, too," answered Mary.
"Where is home?" "She doesn't know where home is!" said
Basil, with seven-year-old scorn.
"It's England, of course. Our grandmama lives there and our sister
Mabel was sent to her last year. You are not going to your grandmama.
You have none.
You are going to your uncle. His name is Mr. Archibald Craven."
"I don't know anything about him," snapped Mary.
"I know you don't," Basil answered.
"You don't know anything. Girls never do.
I heard father and mother talking about him.
He lives in a great, big, desolate old house in the country and no one goes near
him. He's so cross he won't let them, and they
wouldn't come if he would let them.
He's a hunchback, and he's horrid." "I don't believe you," said Mary; and she
turned her back and stuck her fingers in her ears, because she would not listen any
more.
But she thought over it a great deal afterward; and when Mrs. Crawford told her
that night that she was going to sail away to England in a few days and go to her
uncle, Mr. Archibald Craven, who lived at
Misselthwaite Manor, she looked so stony and stubbornly uninterested that they did
not know what to think about her.
They tried to be kind to her, but she only turned her face away when Mrs. Crawford
attempted to kiss her, and held herself stiffly when Mr. Crawford patted her
shoulder.
"She is such a plain child," Mrs. Crawford said pityingly, afterward.
"And her mother was such a pretty creature.
She had a very pretty manner, too, and Mary has the most unattractive ways I ever saw
in a child.
The children call her 'Mistress Mary Quite Contrary,' and though it's naughty of them,
one can't help understanding it."
"Perhaps if her mother had carried her pretty face and her pretty manners oftener
into the nursery Mary might have learned some pretty ways too.
It is very sad, now the poor beautiful thing is gone, to remember that many people
never even knew that she had a child at all."
"I believe she scarcely ever looked at her," sighed Mrs. Crawford.
"When her Ayah was dead there was no one to give a thought to the little thing.
Think of the servants running away and leaving her all alone in that deserted
bungalow.
Colonel McGrew said he nearly jumped out of his skin when he opened the door and found
her standing by herself in the middle of the room."
Mary made the long voyage to England under the care of an officer's wife, who was
taking her children to leave them in a boarding-school.
She was very much absorbed in her own little boy and girl, and was rather glad to
hand the child over to the woman Mr. Archibald Craven sent to meet her, in
London.
The woman was his housekeeper at Misselthwaite Manor, and her name was Mrs.
Medlock. She was a stout woman, with very red cheeks
and sharp black eyes.
She wore a very purple dress, a black silk mantle with jet fringe on it and a black
bonnet with purple velvet flowers which stuck up and trembled when she moved her
head.
Mary did not like her at all, but as she very seldom liked people there was nothing
remarkable in that; besides which it was very evident Mrs. Medlock did not think
much of her.
"My word! she's a plain little piece of goods!" she said.
"And we'd heard that her mother was a beauty.
She hasn't handed much of it down, has she, ma'am?"
"Perhaps she will improve as she grows older," the officer's wife said good-
naturedly.
"If she were not so sallow and had a nicer expression, her features are rather good.
Children alter so much." "She'll have to alter a good deal,"
answered Mrs. Medlock.
"And, there's nothing likely to improve children at Misselthwaite--if you ask me!"
They thought Mary was not listening because she was standing a little apart from them
at the window of the private hotel they had gone to.
She was watching the passing buses and cabs and people, but she heard quite well and
was made very curious about her uncle and the place he lived in.
What sort of a place was it, and what would he be like?
What was a hunchback? She had never seen one.
Perhaps there were none in India.
Since she had been living in other people's houses and had had no Ayah, she had begun
to feel lonely and to think queer thoughts which were new to her.
She had begun to wonder why she had never seemed to belong to anyone even when her
father and mother had been alive.
Other children seemed to belong to their fathers and mothers, but she had never
seemed to really be anyone's little girl. She had had servants, and food and clothes,
but no one had taken any notice of her.
She did not know that this was because she was a disagreeable child; but then, of
course, she did not know she was disagreeable.
She often thought that other people were, but she did not know that she was so
herself.
She thought Mrs. Medlock the most disagreeable person she had ever seen, with
her common, highly colored face and her common fine bonnet.
When the next day they set out on their journey to Yorkshire, she walked through
the station to the railway carriage with her head up and trying to keep as far away
from her as she could, because she did not want to seem to belong to her.
It would have made her angry to think people imagined she was her little girl.
But Mrs. Medlock was not in the least disturbed by her and her thoughts.
She was the kind of woman who would "stand no nonsense from young ones."
At least, that is what she would have said if she had been asked.
She had not wanted to go to London just when her sister Maria's daughter was going
to be married, but she had a comfortable, well paid place as housekeeper at
Misselthwaite Manor and the only way in
which she could keep it was to do at once what Mr. Archibald Craven told her to do.
She never dared even to ask a question.
"Captain Lennox and his wife died of the cholera," Mr. Craven had said in his short,
cold way. "Captain Lennox was my wife's brother and I
am their daughter's guardian.
The child is to be brought here. You must go to London and bring her
yourself." So she packed her small trunk and made the
journey.
Mary sat in her corner of the railway carriage and looked plain and fretful.
She had nothing to read or to look at, and she had folded her thin little black-gloved
hands in her lap.
Her black dress made her look yellower than ever, and her limp light hair straggled
from under her black crepe hat. "A more marred-looking young one I never
saw in my life," Mrs. Medlock thought.
(Marred is a Yorkshire word and means spoiled and pettish.)
She had never seen a child who sat so still without doing anything; and at last she got
tired of watching her and began to talk in a brisk, hard voice.
"I suppose I may as well tell you something about where you are going to," she said.
"Do you know anything about your uncle?" "No," said Mary.
"Never heard your father and mother talk about him?"
"No," said Mary frowning.
She frowned because she remembered that her father and mother had never talked to her
about anything in particular. Certainly they had never told her things.
"Humph," muttered Mrs. Medlock, staring at her queer, unresponsive little face.
She did not say any more for a few moments and then she began again.
"I suppose you might as well be told something--to prepare you.
You are going to a queer place."
Mary said nothing at all, and Mrs. Medlock looked rather discomfited by her apparent
indifference, but, after taking a breath, she went on.
"Not but that it's a grand big place in a gloomy way, and Mr. Craven's proud of it in
his way--and that's gloomy enough, too.
The house is six hundred years old and it's on the edge of the moor, and there's near a
hundred rooms in it, though most of them's shut up and locked.
And there's pictures and fine old furniture and things that's been there for ages, and
there's a big park round it and gardens and trees with branches trailing to the ground-
-some of them."
She paused and took another breath. "But there's nothing else," she ended
suddenly. Mary had begun to listen in spite of
herself.
It all sounded so unlike India, and anything new rather attracted her.
But she did not intend to look as if she were interested.
That was one of her unhappy, disagreeable ways.
So she sat still. "Well," said Mrs. Medlock.
"What do you think of it?"
"Nothing," she answered. "I know nothing about such places."
That made Mrs. Medlock laugh a short sort of laugh.
"Eh!" she said, "but you are like an old woman.
Don't you care?" "It doesn't matter" said Mary, "whether I
care or not."
"You are right enough there," said Mrs. Medlock.
"It doesn't.
What you're to be kept at Misselthwaite Manor for I don't know, unless because it's
the easiest way. He's not going to trouble himself about
you, that's sure and certain.
He never troubles himself about no one." She stopped herself as if she had just
remembered something in time. "He's got a crooked back," she said.
"That set him wrong.
He was a sour young man and got no good of all his money and big place till he was
married." Mary's eyes turned toward her in spite of
her intention not to seem to care.
She had never thought of the hunchback's being married and she was a trifle
surprised.
Mrs. Medlock saw this, and as she was a talkative woman she continued with more
interest. This was one way of passing some of the
time, at any rate.
"She was a sweet, pretty thing and he'd have walked the world over to get her a
blade o' grass she wanted.
Nobody thought she'd marry him, but she did, and people said she married him for
his money. But she didn't--she didn't," positively.
"When she died--"
Mary gave a little involuntary jump. "Oh! did she die!" she exclaimed, quite
without meaning to.
She had just remembered a French fairy story she had once read called "Riquet a la
Houppe."
It had been about a poor hunchback and a beautiful princess and it had made her
suddenly sorry for Mr. Archibald Craven. "Yes, she died," Mrs. Medlock answered.
"And it made him queerer than ever.
He cares about nobody. He won't see people.
Most of the time he goes away, and when he is at Misselthwaite he shuts himself up in
the West Wing and won't let any one but Pitcher see him.
Pitcher's an old fellow, but he took care of him when he was a child and he knows his
ways." It sounded like something in a book and it
did not make Mary feel cheerful.
A house with a hundred rooms, nearly all shut up and with their doors locked--a
house on the edge of a moor--whatsoever a moor was--sounded dreary.
A man with a crooked back who shut himself up also!
She stared out of the window with her lips pinched together, and it seemed quite
natural that the rain should have begun to pour down in gray slanting lines and splash
and stream down the window-panes.
If the pretty wife had been alive she might have made things cheerful by being
something like her own mother and by running in and out and going to parties as
she had done in frocks "full of lace."
But she was not there any more. "You needn't expect to see him, because ten
to one you won't," said Mrs. Medlock. "And you mustn't expect that there will be
people to talk to you.
You'll have to play about and look after yourself.
You'll be told what rooms you can go into and what rooms you're to keep out of.
There's gardens enough.
But when you're in the house don't go wandering and poking about.
Mr. Craven won't have it."
"I shall not want to go poking about," said sour little Mary and just as suddenly as
she had begun to be rather sorry for Mr. Archibald Craven she began to cease to be
sorry and to think he was unpleasant enough to deserve all that had happened to him.
And she turned her face toward the streaming panes of the window of the
railway carriage and gazed out at the gray rain-storm which looked as if it would go
on forever and ever.
She watched it so long and steadily that the grayness grew heavier and heavier
before her eyes and she fell asleep.
>
CHAPTER III ACROSS THE MOOR
She slept a long time, and when she awakened Mrs. Medlock had bought a
lunchbasket at one of the stations and they had some chicken and cold beef and bread
and butter and some hot tea.
The rain seemed to be streaming down more heavily than ever and everybody in the
station wore wet and glistening waterproofs.
The guard lighted the lamps in the carriage, and Mrs. Medlock cheered up very
much over her tea and chicken and beef.
She ate a great deal and afterward fell asleep herself, and Mary sat and stared at
her and watched her fine bonnet slip on one side until she herself fell asleep once
more in the corner of the carriage, lulled
by the splashing of the rain against the windows.
It was quite dark when she awakened again. The train had stopped at a station and Mrs.
Medlock was shaking her.
"You have had a sleep!" she said. "It's time to open your eyes!
We're at Thwaite Station and we've got a long drive before us."
Mary stood up and tried to keep her eyes open while Mrs. Medlock collected her
parcels.
The little girl did not offer to help her, because in India native servants always
picked up or carried things and it seemed quite proper that other people should wait
on one.
The station was a small one and nobody but themselves seemed to be getting out of the
train.
The station-master spoke to Mrs. Medlock in a rough, good-natured way, pronouncing his
words in a queer broad fashion which Mary found out afterward was Yorkshire.
"I see tha's got back," he said.
"An' tha's browt th' young 'un with thee." "Aye, that's her," answered Mrs. Medlock,
speaking with a Yorkshire accent herself and jerking her head over her shoulder
toward Mary.
"How's thy Missus?" "Well enow.
Th' carriage is waitin' outside for thee." A brougham stood on the road before the
little outside platform.
Mary saw that it was a smart carriage and that it was a smart footman who helped her
in.
His long waterproof coat and the waterproof covering of his hat were shining and
dripping with rain as everything was, the burly station-master included.
When he shut the door, mounted the box with the coachman, and they drove off, the
little girl found herself seated in a comfortably cushioned corner, but she was
not inclined to go to sleep again.
She sat and looked out of the window, curious to see something of the road over
which she was being driven to the queer place Mrs. Medlock had spoken of.
She was not at all a timid child and she was not exactly frightened, but she felt
that there was no knowing what might happen in a house with a hundred rooms nearly all
shut up--a house standing on the edge of a moor.
"What is a moor?" she said suddenly to Mrs. Medlock.
"Look out of the window in about ten minutes and you'll see," the woman
answered. "We've got to drive five miles across
Missel Moor before we get to the Manor.
You won't see much because it's a dark night, but you can see something."
Mary asked no more questions but waited in the darkness of her corner, keeping her
eyes on the window.
The carriage lamps cast rays of light a little distance ahead of them and she
caught glimpses of the things they passed.
After they had left the station they had driven through a tiny village and she had
seen whitewashed cottages and the lights of a public house.
Then they had passed a church and a vicarage and a little shop-window or so in
a cottage with toys and sweets and odd things set out for sale.
Then they were on the highroad and she saw hedges and trees.
After that there seemed nothing different for a long time--or at least it seemed a
long time to her.
At last the horses began to go more slowly, as if they were climbing up-hill, and
presently there seemed to be no more hedges and no more trees.
She could see nothing, in fact, but a dense darkness on either side.
She leaned forward and pressed her face against the window just as the carriage
gave a big jolt.
"Eh! We're on the moor now sure enough," said Mrs. Medlock.
The carriage lamps shed a yellow light on a rough-looking road which seemed to be cut
through bushes and low-growing things which ended in the great expanse of dark
apparently spread out before and around them.
A wind was rising and making a singular, wild, low, rushing sound.
"It's--it's not the sea, is it?" said Mary, looking round at her companion.
"No, not it," answered Mrs. Medlock.
"Nor it isn't fields nor mountains, it's just miles and miles and miles of wild land
that nothing grows on but heather and gorse and broom, and nothing lives on but wild
ponies and sheep."
"I feel as if it might be the sea, if there were water on it," said Mary.
"It sounds like the sea just now." "That's the wind blowing through the
bushes," Mrs. Medlock said.
"It's a wild, dreary enough place to my mind, though there's plenty that likes it--
particularly when the heather's in bloom."
On and on they drove through the darkness, and though the rain stopped, the wind
rushed by and whistled and made strange sounds.
The road went up and down, and several times the carriage passed over a little
bridge beneath which water rushed very fast with a great deal of noise.
Mary felt as if the drive would never come to an end and that the wide, bleak moor was
a wide expanse of black ocean through which she was passing on a strip of dry land.
"I don't like it," she said to herself.
"I don't like it," and she pinched her thin lips more tightly together.
The horses were climbing up a hilly piece of road when she first caught sight of a
light.
Mrs. Medlock saw it as soon as she did and drew a long sigh of relief.
"Eh, I am glad to see that bit o' light twinkling," she exclaimed.
"It's the light in the lodge window.
We shall get a good cup of tea after a bit, at all events."
It was "after a bit," as she said, for when the carriage passed through the park gates
there was still two miles of avenue to drive through and the trees (which nearly
met overhead) made it seem as if they were driving through a long dark vault.
They drove out of the vault into a clear space and stopped before an immensely long
but low-built house which seemed to ramble round a stone court.
At first Mary thought that there were no lights at all in the windows, but as she
got out of the carriage she saw that one room in a corner upstairs showed a dull
glow.
The entrance door was a huge one made of massive, curiously shaped panels of oak
studded with big iron nails and bound with great iron bars.
It opened into an enormous hall, which was so dimly lighted that the faces in the
portraits on the walls and the figures in the suits of armor made Mary feel that she
did not want to look at them.
As she stood on the stone floor she looked a very small, odd little black figure, and
she felt as small and lost and odd as she looked.
A neat, thin old man stood near the manservant who opened the door for them.
"You are to take her to her room," he said in a husky voice.
"He doesn't want to see her.
He's going to London in the morning." "Very well, Mr. Pitcher," Mrs. Medlock
answered. "So long as I know what's expected of me, I
can manage."
"What's expected of you, Mrs. Medlock," Mr. Pitcher said, "is that you make sure that
he's not disturbed and that he doesn't see what he doesn't want to see."
And then Mary Lennox was led up a broad staircase and down a long corridor and up a
short flight of steps and through another corridor and another, until a door opened
in a wall and she found herself in a room with a fire in it and a supper on a table.
Mrs. Medlock said unceremoniously: "Well, here you are!
This room and the next are where you'll live--and you must keep to them.
Don't you forget that!"
It was in this way Mistress Mary arrived at Misselthwaite Manor and she had perhaps
never felt quite so contrary in all her life.
>
CHAPTER IV MARTHA
When she opened her eyes in the morning it was because a young housemaid had come into
her room to light the fire and was kneeling on the hearth-rug raking out the cinders
noisily.
Mary lay and watched her for a few moments and then began to look about the room.
She had never seen a room at all like it and thought it curious and gloomy.
The walls were covered with tapestry with a forest scene embroidered on it.
There were fantastically dressed people under the trees and in the distance there
was a glimpse of the turrets of a castle.
There were hunters and horses and dogs and ladies.
Mary felt as if she were in the forest with them.
Out of a deep window she could see a great climbing stretch of land which seemed to
have no trees on it, and to look rather like an endless, dull, purplish sea.
"What is that?" she said, pointing out of the window.
Martha, the young housemaid, who had just risen to her feet, looked and pointed also.
"That there?" she said.
"Yes." "That's th' moor," with a good-natured
grin. "Does tha' like it?"
"No," answered Mary.
"I hate it." "That's because tha'rt not used to it,"
Martha said, going back to her hearth. "Tha' thinks it's too big an' bare now.
But tha' will like it."
"Do you?" inquired Mary. "Aye, that I do," answered Martha,
cheerfully polishing away at the grate. "I just love it.
It's none bare.
It's covered wi' growin' things as smells sweet.
It's fair lovely in spring an' summer when th' gorse an' broom an' heather's in
flower.
It smells o' honey an' there's such a lot o' fresh air--an' th' sky looks so high an'
th' bees an' skylarks makes such a nice noise hummin' an' singin'.
Eh! I wouldn't live away from th' moor for anythin'."
Mary listened to her with a grave, puzzled expression.
The native servants she had been used to in India were not in the least like this.
They were obsequious and servile and did not presume to talk to their masters as if
they were their equals.
They made salaams and called them "protector of the poor" and names of that
sort. Indian servants were commanded to do
things, not asked.
It was not the custom to say "please" and "thank you" and Mary had always slapped her
Ayah in the face when she was angry. She wondered a little what this girl would
do if one slapped her in the face.
She was a round, rosy, good-natured-looking creature, but she had a sturdy way which
made Mistress Mary wonder if she might not even slap back--if the person who slapped
her was only a little girl.
"You are a strange servant," she said from her pillows, rather haughtily.
Martha sat up on her heels, with her blacking-brush in her hand, and laughed,
without seeming the least out of temper.
"Eh! I know that," she said. "If there was a grand Missus at
Misselthwaite I should never have been even one of th' under house-maids.
I might have been let to be scullerymaid but I'd never have been let upstairs.
I'm too common an' I talk too much Yorkshire.
But this is a funny house for all it's so grand.
Seems like there's neither Master nor Mistress except Mr. Pitcher an' Mrs.
Medlock.
Mr. Craven, he won't be troubled about anythin' when he's here, an' he's nearly
always away. Mrs. Medlock gave me th' place out o'
kindness.
She told me she could never have done it if Misselthwaite had been like other big
houses." "Are you going to be my servant?"
Mary asked, still in her imperious little Indian way.
Martha began to rub her grate again. "I'm Mrs. Medlock's servant," she said
stoutly.
"An' she's Mr. Craven's--but I'm to do the housemaid's work up here an' wait on you a
bit. But you won't need much waitin' on."
"Who is going to dress me?" demanded Mary.
Martha sat up on her heels again and stared.
She spoke in broad Yorkshire in her amazement.
"Canna' tha' dress thysen!" she said.
"What do you mean? I don't understand your language," said
Mary. "Eh! I forgot," Martha said.
"Mrs. Medlock told me I'd have to be careful or you wouldn't know what I was
sayin'. I mean can't you put on your own clothes?"
"No," answered Mary, quite indignantly.
"I never did in my life. My Ayah dressed me, of course."
"Well," said Martha, evidently not in the least aware that she was impudent, "it's
time tha' should learn.
Tha' cannot begin younger. It'll do thee good to wait on thysen a bit.
My mother always said she couldn't see why grand people's children didn't turn out
fair fools--what with nurses an' bein' washed an' dressed an' took out to walk as
if they was puppies!"
"It is different in India," said Mistress Mary disdainfully.
She could scarcely stand this. But Martha was not at all crushed.
"Eh! I can see it's different," she answered almost sympathetically.
"I dare say it's because there's such a lot o' blacks there instead o' respectable
white people.
When I heard you was comin' from India I thought you was a black too."
Mary sat up in bed furious. "What!" she said.
"What!
You thought I was a native. You--you daughter of a pig!"
Martha stared and looked hot. "Who are you callin' names?" she said.
"You needn't be so vexed.
That's not th' way for a young lady to talk.
I've nothin' against th' blacks. When you read about 'em in tracts they're
always very religious.
You always read as a black's a man an' a brother.
I've never seen a black an' I was fair pleased to think I was goin' to see one
close.
When I come in to light your fire this mornin' I crep' up to your bed an' pulled
th' cover back careful to look at you.
An' there you was," disappointedly, "no more black than me--for all you're so
yeller." Mary did not even try to control her rage
and humiliation.
"You thought I was a native! You dared!
You don't know anything about natives! They are not people--they're servants who
must salaam to you.
You know nothing about India. You know nothing about anything!"
She was in such a rage and felt so helpless before the girl's simple stare, and somehow
she suddenly felt so horribly lonely and far away from everything she understood and
which understood her, that she threw
herself face downward on the pillows and burst into passionate sobbing.
She sobbed so unrestrainedly that good- natured Yorkshire Martha was a little
frightened and quite sorry for her.
She went to the bed and bent over her. "Eh! you mustn't cry like that there!" she
begged. "You mustn't for sure.
I didn't know you'd be vexed.
I don't know anythin' about anythin'--just like you said.
I beg your pardon, Miss. Do stop cryin'."
There was something comforting and really friendly in her queer Yorkshire speech and
sturdy way which had a good effect on Mary. She gradually ceased crying and became
quiet.
Martha looked relieved. "It's time for thee to get up now," she
said.
"Mrs. Medlock said I was to carry tha' breakfast an' tea an' dinner into th' room
next to this. It's been made into a nursery for thee.
I'll help thee on with thy clothes if tha'll get out o' bed.
If th' buttons are at th' back tha' cannot button them up tha'self."
When Mary at last decided to get up, the clothes Martha took from the wardrobe were
not the ones she had worn when she arrived the night before with Mrs. Medlock.
"Those are not mine," she said.
"Mine are black." She looked the thick white wool coat and
dress over, and added with cool approval: "Those are nicer than mine."
"These are th' ones tha' must put on," Martha answered.
"Mr. Craven ordered Mrs. Medlock to get 'em in London.
He said 'I won't have a child dressed in black wanderin' about like a lost soul,' he
said. 'It'd make the place sadder than it is.
Put color on her.'
Mother she said she knew what he meant. Mother always knows what a body means.
She doesn't hold with black hersel'." "I hate black things," said Mary.
The dressing process was one which taught them both something.
Martha had "buttoned up" her little sisters and brothers but she had never seen a child
who stood still and waited for another person to do things for her as if she had
neither hands nor feet of her own.
"Why doesn't tha' put on tha' own shoes?" she said when Mary quietly held out her
foot. "My Ayah did it," answered Mary, staring.
"It was the custom."
She said that very often--"It was the custom."
The native servants were always saying it.
If one told them to do a thing their ancestors had not done for a thousand years
they gazed at one mildly and said, "It is not the custom" and one knew that was the
end of the matter.
It had not been the custom that Mistress Mary should do anything but stand and allow
herself to be dressed like a doll, but before she was ready for breakfast she
began to suspect that her life at
Misselthwaite Manor would end by teaching her a number of things quite new to her--
things such as putting on her own shoes and stockings, and picking up things she let
fall.
If Martha had been a well-trained fine young lady's maid she would have been more
subservient and respectful and would have known that it was her business to brush
hair, and button boots, and pick things up and lay them away.
She was, however, only an untrained Yorkshire rustic who had been brought up in
a moorland cottage with a swarm of little brothers and sisters who had never dreamed
of doing anything but waiting on themselves
and on the younger ones who were either babies in arms or just learning to totter
about and tumble over things.
If Mary Lennox had been a child who was ready to be amused she would perhaps have
laughed at Martha's readiness to talk, but Mary only listened to her coldly and
wondered at her freedom of manner.
At first she was not at all interested, but gradually, as the girl rattled on in her
good-tempered, homely way, Mary began to notice what she was saying.
"Eh! you should see 'em all," she said.
"There's twelve of us an' my father only gets sixteen shilling a week.
I can tell you my mother's put to it to get porridge for 'em all.
They tumble about on th' moor an' play there all day an' mother says th' air of
th' moor fattens 'em. She says she believes they eat th' grass
same as th' wild ponies do.
Our Dickon, he's twelve years old and he's got a young pony he calls his own."
"Where did he get it?" asked Mary.
"He found it on th' moor with its mother when it was a little one an' he began to
make friends with it an' give it bits o' bread an' pluck young grass for it.
And it got to like him so it follows him about an' it lets him get on its back.
Dickon's a kind lad an' animals likes him."
Mary had never possessed an animal pet of her own and had always thought she should
like one.
So she began to feel a slight interest in Dickon, and as she had never before been
interested in any one but herself, it was the dawning of a healthy sentiment.
When she went into the room which had been made into a nursery for her, she found that
it was rather like the one she had slept in.
It was not a child's room, but a grown-up person's room, with gloomy old pictures on
the walls and heavy old oak chairs. A table in the center was set with a good
substantial breakfast.
But she had always had a very small appetite, and she looked with something
more than indifference at the first plate Martha set before her.
"I don't want it," she said.
"Tha' doesn't want thy porridge!" Martha exclaimed incredulously.
"No." "Tha' doesn't know how good it is.
Put a bit o' treacle on it or a bit o' sugar."
"I don't want it," repeated Mary. "Eh!" said Martha.
"I can't abide to see good victuals go to waste.
If our children was at this table they'd clean it bare in five minutes."
"Why?" said Mary coldly.
"Why!" echoed Martha. "Because they scarce ever had their
stomachs full in their lives. They're as hungry as young hawks an'
foxes."
"I don't know what it is to be hungry," said Mary, with the indifference of
ignorance. Martha looked indignant.
"Well, it would do thee good to try it.
I can see that plain enough," she said outspokenly.
"I've no patience with folk as sits an' just stares at good bread an' meat.
My word! don't I wish Dickon and Phil an' Jane an' th' rest of 'em had what's here
under their pinafores." "Why don't you take it to them?" suggested
Mary.
"It's not mine," answered Martha stoutly. "An' this isn't my day out.
I get my day out once a month same as th' rest.
Then I go home an' clean up for mother an' give her a day's rest."
Mary drank some tea and ate a little toast and some marmalade.
"You wrap up warm an' run out an' play you," said Martha.
"It'll do you good and give you some stomach for your meat."
Mary went to the window.
There were gardens and paths and big trees, but everything looked dull and wintry.
"Out? Why should I go out on a day like this?"
"Well, if tha' doesn't go out tha'lt have to stay in, an' what has tha' got to do?"
Mary glanced about her. There was nothing to do.
When Mrs. Medlock had prepared the nursery she had not thought of amusement.
Perhaps it would be better to go and see what the gardens were like.
"Who will go with me?" she inquired.
Martha stared. "You'll go by yourself," she answered.
"You'll have to learn to play like other children does when they haven't got sisters
and brothers.
Our Dickon goes off on th' moor by himself an' plays for hours.
That's how he made friends with th' pony.
He's got sheep on th' moor that knows him, an' birds as comes an' eats out of his
hand. However little there is to eat, he always
saves a bit o' his bread to coax his pets."
It was really this mention of Dickon which made Mary decide to go out, though she was
not aware of it. There would be, birds outside though there
would not be ponies or sheep.
They would be different from the birds in India and it might amuse her to look at
them.
Martha found her coat and hat for her and a pair of stout little boots and she showed
her her way downstairs.
"If tha' goes round that way tha'll come to th' gardens," she said, pointing to a gate
in a wall of shrubbery. "There's lots o' flowers in summer-time,
but there's nothin' bloomin' now."
She seemed to hesitate a second before she added, "One of th' gardens is locked up.
No one has been in it for ten years." "Why?" asked Mary in spite of herself.
Here was another locked door added to the hundred in the strange house.
"Mr. Craven had it shut when his wife died so sudden.
He won't let no one go inside.
It was her garden. He locked th' door an' dug a hole and
buried th' key. There's Mrs. Medlock's bell ringing--I must
run."
After she was gone Mary turned down the walk which led to the door in the
shrubbery.
She could not help thinking about the garden which no one had been into for ten
years.
She wondered what it would look like and whether there were any flowers still alive
in it.
When she had passed through the shrubbery gate she found herself in great gardens,
with wide lawns and winding walks with clipped borders.
There were trees, and flower-beds, and evergreens clipped into strange shapes, and
a large pool with an old gray fountain in its midst.
But the flower-beds were bare and wintry and the fountain was not playing.
This was not the garden which was shut up. How could a garden be shut up?
You could always walk into a garden.
She was just thinking this when she saw that, at the end of the path she was
following, there seemed to be a long wall, with ivy growing over it.
She was not familiar enough with England to know that she was coming upon the kitchen-
gardens where the vegetables and fruit were growing.
She went toward the wall and found that there was a green door in the ivy, and that
it stood open. This was not the closed garden, evidently,
and she could go into it.
She went through the door and found that it was a garden with walls all round it and
that it was only one of several walled gardens which seemed to open into one
another.
She saw another open green door, revealing bushes and pathways between beds containing
winter vegetables.
Fruit-trees were trained flat against the wall, and over some of the beds there were
glass frames. The place was bare and ugly enough, Mary
thought, as she stood and stared about her.
It might be nicer in summer when things were green, but there was nothing pretty
about it now.
Presently an old man with a spade over his shoulder walked through the door leading
from the second garden. He looked startled when he saw Mary, and
then touched his cap.
He had a surly old face, and did not seem at all pleased to see her--but then she was
displeased with his garden and wore her "quite contrary" expression, and certainly
did not seem at all pleased to see him.
"What is this place?" she asked. "One o' th' kitchen-gardens," he answered.
"What is that?" said Mary, pointing through the other green door.
"Another of 'em," shortly.
"There's another on t'other side o' th' wall an' there's th' orchard t'other side
o' that." "Can I go in them?" asked Mary.
"If tha' likes.
But there's nowt to see." Mary made no response.
She went down the path and through the second green door.
There, she found more walls and winter vegetables and glass frames, but in the
second wall there was another green door and it was not open.
Perhaps it led into the garden which no one had seen for ten years.
As she was not at all a timid child and always did what she wanted to do, Mary went
to the green door and turned the handle.
She hoped the door would not open because she wanted to be sure she had found the
mysterious garden--but it did open quite easily and she walked through it and found
herself in an orchard.
There were walls all round it also and trees trained against them, and there were
bare fruit-trees growing in the winter- browned grass--but there was no green door
to be seen anywhere.
Mary looked for it, and yet when she had entered the upper end of the garden she had
noticed that the wall did not seem to end with the orchard but to extend beyond it as
if it enclosed a place at the other side.
She could see the tops of trees above the wall, and when she stood still she saw a
bird with a bright red breast sitting on the topmost branch of one of them, and
suddenly he burst into his winter song--
almost as if he had caught sight of her and was calling to her.
She stopped and listened to him and somehow his cheerful, friendly little whistle gave
her a pleased feeling--even a disagreeable little girl may be lonely, and the big
closed house and big bare moor and big bare
gardens had made this one feel as if there was no one left in the world but herself.
If she had been an affectionate child, who had been used to being loved, she would
have broken her heart, but even though she was "Mistress Mary Quite Contrary" she was
desolate, and the bright-breasted little
bird brought a look into her sour little face which was almost a smile.
She listened to him until he flew away.
He was not like an Indian bird and she liked him and wondered if she should ever
see him again. Perhaps he lived in the mysterious garden
and knew all about it.
Perhaps it was because she had nothing whatever to do that she thought so much of
the deserted garden. She was curious about it and wanted to see
what it was like.
Why had Mr. Archibald Craven buried the key?
If he had liked his wife so much why did he hate her garden?
She wondered if she should ever see him, but she knew that if she did she should not
like him, and he would not like her, and that she should only stand and stare at him
and say nothing, though she should be
wanting dreadfully to ask him why he had done such a queer thing.
"People never like me and I never like people," she thought.
"And I never can talk as the Crawford children could.
They were always talking and laughing and making noises."
She thought of the robin and of the way he seemed to sing his song at her, and as she
remembered the tree-top he perched on she stopped rather suddenly on the path.
"I believe that tree was in the secret garden--I feel sure it was," she said.
"There was a wall round the place and there was no door."
She walked back into the first kitchen- garden she had entered and found the old
man digging there. She went and stood beside him and watched
him a few moments in her cold little way.
He took no notice of her and so at last she spoke to him.
"I have been into the other gardens," she said.
"There was nothin' to prevent thee," he answered crustily.
"I went into the orchard." "There was no dog at th' door to bite
thee," he answered.
"There was no door there into the other garden," said Mary.
"What garden?" he said in a rough voice, stopping his digging for a moment.
"The one on the other side of the wall," answered Mistress Mary.
"There are trees there--I saw the tops of them.
A bird with a red breast was sitting on one of them and he sang."
To her surprise the surly old weather- beaten face actually changed its
expression.
A slow smile spread over it and the gardener looked quite different.
It made her think that it was curious how much nicer a person looked when he smiled.
She had not thought of it before.
He turned about to the orchard side of his garden and began to whistle--a low soft
whistle. She could not understand how such a surly
man could make such a coaxing sound.
Almost the next moment a wonderful thing happened.
She heard a soft little rushing flight through the air--and it was the bird with
the red breast flying to them, and he actually alighted on the big clod of earth
quite near to the gardener's foot.
"Here he is," chuckled the old man, and then he spoke to the bird as if he were
speaking to a child. "Where has tha' been, tha' cheeky little
beggar?" he said.
"I've not seen thee before today. Has tha, begun tha' courtin' this early in
th' season? Tha'rt too forrad."
The bird put his tiny head on one side and looked up at him with his soft bright eye
which was like a black dewdrop. He seemed quite familiar and not the least
afraid.
He hopped about and pecked the earth briskly, looking for seeds and insects.
It actually gave Mary a queer feeling in her heart, because he was so pretty and
cheerful and seemed so like a person.
He had a tiny plump body and a delicate beak, and slender delicate legs.
"Will he always come when you call him?" she asked almost in a whisper.
"Aye, that he will.
I've knowed him ever since he was a fledgling.
He come out of th' nest in th' other garden an' when first he flew over th' wall he was
too weak to fly back for a few days an' we got friendly.
When he went over th' wall again th' rest of th' brood was gone an' he was lonely an'
he come back to me." "What kind of a bird is he?"
Mary asked.
"Doesn't tha' know? He's a robin redbreast an' they're th'
friendliest, curiousest birds alive. They're almost as friendly as dogs--if you
know how to get on with 'em.
Watch him peckin' about there an' lookin' round at us now an' again.
He knows we're talkin' about him." It was the queerest thing in the world to
see the old fellow.
He looked at the plump little scarlet- waistcoated bird as if he were both proud
and fond of him. "He's a conceited one," he chuckled.
"He likes to hear folk talk about him.
An' curious--bless me, there never was his like for curiosity an' meddlin'.
He's always comin' to see what I'm plantin'.
He knows all th' things Mester Craven never troubles hissel' to find out.
He's th' head gardener, he is."
The robin hopped about busily pecking the soil and now and then stopped and looked at
them a little. Mary thought his black dewdrop eyes gazed
at her with great curiosity.
It really seemed as if he were finding out all about her.
The queer feeling in her heart increased. "Where did the rest of the brood fly to?"
she asked.
"There's no knowin'. The old ones turn 'em out o' their nest an'
make 'em fly an' they're scattered before you know it.
This one was a knowin' one an' he knew he was lonely."
Mistress Mary went a step nearer to the robin and looked at him very hard.
"I'm lonely," she said.
She had not known before that this was one of the things which made her feel sour and
cross. She seemed to find it out when the robin
looked at her and she looked at the robin.
The old gardener pushed his cap back on his bald head and stared at her a minute.
"Art tha' th' little wench from India?" he asked.
Mary nodded.
"Then no wonder tha'rt lonely. Tha'lt be lonlier before tha's done," he
said.
He began to dig again, driving his spade deep into the rich black garden soil while
the robin hopped about very busily employed.
"What is your name?"
Mary inquired. He stood up to answer her.
"Ben Weatherstaff," he answered, and then he added with a surly chuckle, "I'm lonely
mysel' except when he's with me," and he jerked his thumb toward the robin.
"He's th' only friend I've got."
"I have no friends at all," said Mary. "I never had.
My Ayah didn't like me and I never played with any one."
It is a Yorkshire habit to say what you think with blunt frankness, and old Ben
Weatherstaff was a Yorkshire moor man. "Tha' an' me are a good bit alike," he
said.
"We was wove out of th' same cloth. We're neither of us good lookin' an' we're
both of us as sour as we look. We've got the same nasty tempers, both of
us, I'll warrant."
This was plain speaking, and Mary Lennox had never heard the truth about herself in
her life. Native servants always salaamed and
submitted to you, whatever you did.
She had never thought much about her looks, but she wondered if she was as unattractive
as Ben Weatherstaff and she also wondered if she looked as sour as he had looked
before the robin came.
She actually began to wonder also if she was "nasty tempered."
She felt uncomfortable. Suddenly a clear rippling little sound
broke out near her and she turned round.
She was standing a few feet from a young apple-tree and the robin had flown on to
one of its branches and had burst out into a scrap of a song.
Ben Weatherstaff laughed outright.
"What did he do that for?" asked Mary. "He's made up his mind to make friends with
thee," replied Ben. "Dang me if he hasn't took a fancy to
thee."
"To me?" said Mary, and she moved toward the little tree softly and looked up.
"Would you make friends with me?" she said to the robin just as if she was speaking to
a person.
"Would you?"
And she did not say it either in her hard little voice or in her imperious Indian
voice, but in a tone so soft and eager and coaxing that Ben Weatherstaff was as
surprised as she had been when she heard him whistle.
"Why," he cried out, "tha' said that as nice an' human as if tha' was a real child
instead of a sharp old woman.
Tha' said it almost like Dickon talks to his wild things on th' moor."
"Do you know Dickon?" Mary asked, turning round rather in a
hurry.
"Everybody knows him. Dickon's wanderin' about everywhere.
Th' very blackberries an' heather-bells knows him.
I warrant th' foxes shows him where their cubs lies an' th' skylarks doesn't hide
their nests from him." Mary would have liked to ask some more
questions.
She was almost as curious about Dickon as she was about the deserted garden.
But just that moment the robin, who had ended his song, gave a little shake of his
wings, spread them and flew away.
He had made his visit and had other things to do.
"He has flown over the wall!" Mary cried out, watching him.
"He has flown into the orchard--he has flown across the other wall--into the
garden where there is no door!" "He lives there," said old Ben.
"He came out o' th' egg there.
If he's courtin', he's makin' up to some young madam of a robin that lives among th'
old rose-trees there." "Rose-trees," said Mary.
"Are there rose-trees?"
Ben Weatherstaff took up his spade again and began to dig.
"There was ten year' ago," he mumbled. "I should like to see them," said Mary.
"Where is the green door?
There must be a door somewhere." Ben drove his spade deep and looked as
uncompanionable as he had looked when she first saw him.
"There was ten year' ago, but there isn't now," he said.
"No door!" cried Mary. "There must be."
"None as any one can find, an' none as is any one's business.
Don't you be a meddlesome wench an' poke your nose where it's no cause to go.
Here, I must go on with my work.
Get you gone an' play you. I've no more time."
And he actually stopped digging, threw his spade over his shoulder and walked off,
without even glancing at her or saying good-by.
>
CHAPTER V THE CRY IN THE CORRIDOR
At first each day which passed by for Mary Lennox was exactly like the others.
Every morning she awoke in her tapestried room and found Martha kneeling upon the
hearth building her fire; every morning she ate her breakfast in the nursery which had
nothing amusing in it; and after each
breakfast she gazed out of the window across to the huge moor which seemed to
spread out on all sides and climb up to the sky, and after she had stared for a while
she realized that if she did not go out she
would have to stay in and do nothing--and so she went out.
She did not know that this was the best thing she could have done, and she did not
know that, when she began to walk quickly or even run along the paths and down the
avenue, she was stirring her slow blood and
making herself stronger by fighting with the wind which swept down from the moor.
She ran only to make herself warm, and she hated the wind which rushed at her face and
roared and held her back as if it were some giant she could not see.
But the big breaths of rough fresh air blown over the heather filled her lungs
with something which was good for her whole thin body and whipped some red color into
her cheeks and brightened her dull eyes when she did not know anything about it.
But after a few days spent almost entirely out of doors she wakened one morning
knowing what it was to be hungry, and when she sat down to her breakfast she did not
glance disdainfully at her porridge and
push it away, but took up her spoon and began to eat it and went on eating it until
her bowl was empty. "Tha' got on well enough with that this
mornin', didn't tha'?" said Martha.
"It tastes nice today," said Mary, feeling a little surprised her self.
"It's th' air of th' moor that's givin' thee stomach for tha' victuals," answered
Martha.
"It's lucky for thee that tha's got victuals as well as appetite.
There's been twelve in our cottage as had th' stomach an' nothin' to put in it.
You go on playin' you out o' doors every day an' you'll get some flesh on your bones
an' you won't be so yeller." "I don't play," said Mary.
"I have nothing to play with."
"Nothin' to play with!" exclaimed Martha. "Our children plays with sticks and stones.
They just runs about an' shouts an' looks at things."
Mary did not shout, but she looked at things.
There was nothing else to do. She walked round and round the gardens and
wandered about the paths in the park.
Sometimes she looked for Ben Weatherstaff, but though several times she saw him at
work he was too busy to look at her or was too surly.
Once when she was walking toward him he picked up his spade and turned away as if
he did it on purpose. One place she went to oftener than to any
other.
It was the long walk outside the gardens with the walls round them.
There were bare flower-beds on either side of it and against the walls ivy grew
thickly.
There was one part of the wall where the creeping dark green leaves were more bushy
than elsewhere. It seemed as if for a long time that part
had been neglected.
The rest of it had been clipped and made to look neat, but at this lower end of the
walk it had not been trimmed at all.
A few days after she had talked to Ben Weatherstaff, Mary stopped to notice this
and wondered why it was so.
She had just paused and was looking up at a long spray of ivy swinging in the wind when
she saw a gleam of scarlet and heard a brilliant chirp, and there, on the top of
the wall, forward perched Ben
Weatherstaff's robin redbreast, tilting forward to look at her with his small head
on one side. "Oh!" she cried out, "is it you--is it
you?"
And it did not seem at all queer to her that she spoke to him as if she were sure
that he would understand and answer her. He did answer.
He twittered and chirped and hopped along the wall as if he were telling her all
sorts of things.
It seemed to Mistress Mary as if she understood him, too, though he was not
speaking in words. It was as if he said:
"Good morning!
Isn't the wind nice? Isn't the sun nice?
Isn't everything nice? Let us both chirp and hop and twitter.
Come on!
Come on!" Mary began to laugh, and as he hopped and
took little flights along the wall she ran after him.
Poor little thin, sallow, ugly Mary--she actually looked almost pretty for a moment.
"I like you!
I like you!" she cried out, pattering down the walk; and she chirped and tried to
whistle, which last she did not know how to do in the least.
But the robin seemed to be quite satisfied and chirped and whistled back at her.
At last he spread his wings and made a darting flight to the top of a tree, where
he perched and sang loudly.
That reminded Mary of the first time she had seen him.
He had been swinging on a tree-top then and she had been standing in the orchard.
Now she was on the other side of the orchard and standing in the path outside a
wall--much lower down--and there was the same tree inside.
"It's in the garden no one can go into," she said to herself.
"It's the garden without a door. He lives in there.
How I wish I could see what it is like!"
She ran up the walk to the green door she had entered the first morning.
Then she ran down the path through the other door and then into the orchard, and
when she stood and looked up there was the tree on the other side of the wall, and
there was the robin just finishing his song
and, beginning to preen his feathers with his beak.
"It is the garden," she said. "I am sure it is."
She walked round and looked closely at that side of the orchard wall, but she only
found what she had found before--that there was no door in it.
Then she ran through the kitchen-gardens again and out into the walk outside the
long ivy-covered wall, and she walked to the end of it and looked at it, but there
was no door; and then she walked to the
other end, looking again, but there was no door.
"It's very queer," she said. "Ben Weatherstaff said there was no door
and there is no door.
But there must have been one ten years ago, because Mr. Craven buried the key."
This gave her so much to think of that she began to be quite interested and feel that
she was not sorry that she had come to Misselthwaite Manor.
In India she had always felt hot and too languid to care much about anything.
The fact was that the fresh wind from the moor had begun to blow the cobwebs out of
her young brain and to waken her up a little.
She stayed out of doors nearly all day, and when she sat down to her supper at night
she felt hungry and drowsy and comfortable. She did not feel cross when Martha
chattered away.
She felt as if she rather liked to hear her, and at last she thought she would ask
her a question.
She asked it after she had finished her supper and had sat down on the hearth-rug
before the fire. "Why did Mr. Craven hate the garden?" she
said.
She had made Martha stay with her and Martha had not objected at all.
She was very young, and used to a crowded cottage full of brothers and sisters, and
she found it dull in the great servants' hall downstairs where the footman and
upper-housemaids made fun of her Yorkshire
speech and looked upon her as a common little thing, and sat and whispered among
themselves.
Martha liked to talk, and the strange child who had lived in India, and been waited
upon by "blacks," was novelty enough to attract her.
She sat down on the hearth herself without waiting to be asked.
"Art tha' thinkin' about that garden yet?" she said.
"I knew tha' would.
That was just the way with me when I first heard about it."
"Why did he hate it?" Mary persisted.
Martha tucked her feet under her and made herself quite comfortable.
"Listen to th' wind wutherin' round the house," she said.
"You could bare stand up on the moor if you was out on it tonight."
Mary did not know what "wutherin'" meant until she listened, and then she
understood.
It must mean that hollow shuddering sort of roar which rushed round and round the house
as if the giant no one could see were buffeting it and beating at the walls and
windows to try to break in.
But one knew he could not get in, and somehow it made one feel very safe and warm
inside a room with a red coal fire. "But why did he hate it so?" she asked,
after she had listened.
She intended to know if Martha did. Then Martha gave up her store of knowledge.
"Mind," she said, "Mrs. Medlock said it's not to be talked about.
There's lots o' things in this place that's not to be talked over.
That's Mr. Craven's orders. His troubles are none servants' business,
he says.
But for th' garden he wouldn't be like he is.
It was Mrs. Craven's garden that she had made when first they were married an' she
just loved it, an' they used to 'tend the flowers themselves.
An' none o' th' gardeners was ever let to go in.
Him an' her used to go in an' shut th' door an' stay there hours an' hours, readin' and
talkin'.
An' she was just a bit of a girl an' there was an old tree with a branch bent like a
seat on it. An' she made roses grow over it an' she
used to sit there.
But one day when she was sittin' there th' branch broke an' she fell on th' ground an'
was hurt so bad that next day she died. Th' doctors thought he'd go out o' his mind
an' die, too.
That's why he hates it. No one's never gone in since, an' he won't
let any one talk about it." Mary did not ask any more questions.
She looked at the red fire and listened to the wind "wutherin'."
It seemed to be "wutherin'" louder than ever.
At that moment a very good thing was happening to her.
Four good things had happened to her, in fact, since she came to Misselthwaite
Manor.
She had felt as if she had understood a robin and that he had understood her; she
had run in the wind until her blood had grown warm; she had been healthily hungry
for the first time in her life; and she had
found out what it was to be sorry for some one.
But as she was listening to the wind she began to listen to something else.
She did not know what it was, because at first she could scarcely distinguish it
from the wind itself. It was a curious sound--it seemed almost as
if a child were crying somewhere.
Sometimes the wind sounded rather like a child crying, but presently Mistress Mary
felt quite sure this sound was inside the house, not outside it.
It was far away, but it was inside.
She turned round and looked at Martha. "Do you hear any one crying?" she said.
Martha suddenly looked confused. "No," she answered.
"It's th' wind.
Sometimes it sounds like as if some one was lost on th' moor an' wailin'.
It's got all sorts o' sounds." "But listen," said Mary.
"It's in the house--down one of those long corridors."
And at that very moment a door must have been opened somewhere downstairs; for a
great rushing draft blew along the passage and the door of the room they sat in was
blown open with a crash, and as they both
jumped to their feet the light was blown out and the crying sound was swept down the
far corridor so that it was to be heard more plainly than ever.
"There!" said Mary.
"I told you so! It is some one crying--and it isn't a
grown-up person."
Martha ran and shut the door and turned the key, but before she did it they both heard
the sound of a door in some far passage shutting with a bang, and then everything
was quiet, for even the wind ceased "wutherin'" for a few moments.
"It was th' wind," said Martha stubbornly. "An' if it wasn't, it was little Betty
Butterworth, th' scullery-maid.
She's had th' toothache all day." But something troubled and awkward in her
manner made Mistress Mary stare very hard at her.
She did not believe she was speaking the truth.
>
CHAPTER VI "THERE WAS SOME ONE CRYING--THERE WAS!"
The next day the rain poured down in torrents again, and when Mary looked out of
her window the moor was almost hidden by gray mist and cloud.
There could be no going out today.
"What do you do in your cottage when it rains like this?" she asked Martha.
"Try to keep from under each other's feet mostly," Martha answered.
"Eh! there does seem a lot of us then.
Mother's a good-tempered woman but she gets fair moithered.
The biggest ones goes out in th' cow-shed and plays there.
Dickon he doesn't mind th' wet.
He goes out just th' same as if th' sun was shinin'.
He says he sees things on rainy days as doesn't show when it's fair weather.
He once found a little fox cub half drowned in its hole and he brought it home in th'
bosom of his shirt to keep it warm.
Its mother had been killed nearby an' th' hole was swum out an' th' rest o' th'
litter was dead. He's got it at home now.
He found a half-drowned young crow another time an' he brought it home, too, an' tamed
it.
It's named Soot because it's so black, an' it hops an' flies about with him
everywhere." The time had come when Mary had forgotten
to resent Martha's familiar talk.
She had even begun to find it interesting and to be sorry when she stopped or went
away.
The stories she had been told by her Ayah when she lived in India had been quite
unlike those Martha had to tell about the moorland cottage which held fourteen people
who lived in four little rooms and never had quite enough to eat.
The children seemed to tumble about and amuse themselves like a litter of rough,
good-natured collie puppies.
Mary was most attracted by the mother and Dickon.
When Martha told stories of what "mother" said or did they always sounded
comfortable.
"If I had a raven or a fox cub I could play with it," said Mary.
"But I have nothing." Martha looked perplexed.
"Can tha' knit?" she asked.
"No," answered Mary. "Can tha' sew?"
"No." "Can tha' read?"
"Yes."
"Then why doesn't tha, read somethin', or learn a bit o' spellin'?
Tha'st old enough to be learnin' thy book a good bit now."
"I haven't any books," said Mary.
"Those I had were left in India." "That's a pity," said Martha.
"If Mrs. Medlock'd let thee go into th' library, there's thousands o' books there."
Mary did not ask where the library was, because she was suddenly inspired by a new
idea. She made up her mind to go and find it
herself.
She was not troubled about Mrs. Medlock. Mrs. Medlock seemed always to be in her
comfortable housekeeper's sitting-room downstairs.
In this queer place one scarcely ever saw any one at all.
In fact, there was no one to see but the servants, and when their master was away
they lived a luxurious life below stairs, where there was a huge kitchen hung about
with shining brass and pewter, and a large
servants' hall where there were four or five abundant meals eaten every day, and
where a great deal of lively romping went on when Mrs. Medlock was out of the way.
Mary's meals were served regularly, and Martha waited on her, but no one troubled
themselves about her in the least.
Mrs. Medlock came and looked at her every day or two, but no one inquired what she
did or told her what to do. She supposed that perhaps this was the
English way of treating children.
In India she had always been attended by her Ayah, who had followed her about and
waited on her, hand and foot. She had often been tired of her company.
Now she was followed by nobody and was learning to dress herself because Martha
looked as though she thought she was silly and stupid when she wanted to have things
handed to her and put on.
"Hasn't tha' got good sense?" she said once, when Mary had stood waiting for her
to put on her gloves for her. "Our Susan Ann is twice as sharp as thee
an' she's only four year' old.
Sometimes tha' looks fair soft in th' head."
Mary had worn her contrary scowl for an hour after that, but it made her think
several entirely new things.
She stood at the window for about ten minutes this morning after Martha had swept
up the hearth for the last time and gone downstairs.
She was thinking over the new idea which had come to her when she heard of the
library.
She did not care very much about the library itself, because she had read very
few books; but to hear of it brought back to her mind the hundred rooms with closed
doors.
She wondered if they were all really locked and what she would find if she could get
into any of them. Were there a hundred really?
Why shouldn't she go and see how many doors she could count?
It would be something to do on this morning when she could not go out.
She had never been taught to ask permission to do things, and she knew nothing at all
about authority, so she would not have thought it necessary to ask Mrs. Medlock if
she might walk about the house, even if she had seen her.
She opened the door of the room and went into the corridor, and then she began her
wanderings.
It was a long corridor and it branched into other corridors and it led her up short
flights of steps which mounted to others again.
There were doors and doors, and there were pictures on the walls.
Sometimes they were pictures of dark, curious landscapes, but oftenest they were
portraits of men and women in queer, grand costumes made of satin and velvet.
She found herself in one long gallery whose walls were covered with these portraits.
She had never thought there could be so many in any house.
She walked slowly down this place and stared at the faces which also seemed to
stare at her.
She felt as if they were wondering what a little girl from India was doing in their
house.
Some were pictures of children--little girls in thick satin frocks which reached
to their feet and stood out about them, and boys with puffed sleeves and lace collars
and long hair, or with big ruffs around their necks.
She always stopped to look at the children, and wonder what their names were, and where
they had gone, and why they wore such odd clothes.
There was a stiff, plain little girl rather like herself.
She wore a green brocade dress and held a green parrot on her finger.
Her eyes had a sharp, curious look.
"Where do you live now?" said Mary aloud to her.
"I wish you were here." Surely no other little girl ever spent such
a queer morning.
It seemed as if there was no one in all the huge rambling house but her own small self,
wandering about upstairs and down, through narrow passages and wide ones, where it
seemed to her that no one but herself had ever walked.
Since so many rooms had been built, people must have lived in them, but it all seemed
so empty that she could not quite believe it true.
It was not until she climbed to the second floor that she thought of turning the
handle of a door.
All the doors were shut, as Mrs. Medlock had said they were, but at last she put her
hand on the handle of one of them and turned it.
She was almost frightened for a moment when she felt that it turned without difficulty
and that when she pushed upon the door itself it slowly and heavily opened.
It was a massive door and opened into a big bedroom.
There were embroidered hangings on the wall, and inlaid furniture such as she had
seen in India stood about the room.
A broad window with leaded panes looked out upon the moor; and over the mantel was
another portrait of the stiff, plain little girl who seemed to stare at her more
curiously than ever.
"Perhaps she slept here once," said Mary. "She stares at me so that she makes me feel
queer." After that she opened more doors and more.
She saw so many rooms that she became quite tired and began to think that there must be
a hundred, though she had not counted them.
In all of them there were old pictures or old tapestries with strange scenes worked
on them. There were curious pieces of furniture and
curious ornaments in nearly all of them.
In one room, which looked like a lady's sitting-room, the hangings were all
embroidered velvet, and in a cabinet were about a hundred little elephants made of
ivory.
They were of different sizes, and some had their mahouts or palanquins on their backs.
Some were much bigger than the others and some were so tiny that they seemed only
babies.
Mary had seen carved ivory in India and she knew all about elephants.
She opened the door of the cabinet and stood on a footstool and played with these
for quite a long time.
When she got tired she set the elephants in order and shut the door of the cabinet.
In all her wanderings through the long corridors and the empty rooms, she had seen
nothing alive; but in this room she saw something.
Just after she had closed the cabinet door she heard a tiny rustling sound.
It made her jump and look around at the sofa by the fireplace, from which it seemed
to come.
In the corner of the sofa there was a cushion, and in the velvet which covered it
there was a hole, and out of the hole peeped a tiny head with a pair of
frightened eyes in it.
Mary crept softly across the room to look. The bright eyes belonged to a little gray
mouse, and the mouse had eaten a hole into the cushion and made a comfortable nest
there.
Six baby mice were cuddled up asleep near her.
If there was no one else alive in the hundred rooms there were seven mice who did
not look lonely at all.
"If they wouldn't be so frightened I would take them back with me," said Mary.
She had wandered about long enough to feel too tired to wander any farther, and she
turned back.
Two or three times she lost her way by turning down the wrong corridor and was
obliged to ramble up and down until she found the right one; but at last she
reached her own floor again, though she was
some distance from her own room and did not know exactly where she was.
"I believe I have taken a wrong turning again," she said, standing still at what
seemed the end of a short passage with tapestry on the wall.
"I don't know which way to go.
How still everything is!" It was while she was standing here and just
after she had said this that the stillness was broken by a sound.
It was another cry, but not quite like the one she had heard last night; it was only a
short one, a fretful childish whine muffled by passing through walls.
"It's nearer than it was," said Mary, her heart beating rather faster.
"And it is crying."
She put her hand accidentally upon the tapestry near her, and then sprang back,
feeling quite startled.
The tapestry was the covering of a door which fell open and showed her that there
was another part of the corridor behind it, and Mrs. Medlock was coming up it with her
bunch of keys in her hand and a very cross look on her face.
"What are you doing here?" she said, and she took Mary by the arm and pulled her
away.
"What did I tell you?" "I turned round the wrong corner,"
explained Mary. "I didn't know which way to go and I heard
some one crying."
She quite hated Mrs. Medlock at the moment, but she hated her more the next.
"You didn't hear anything of the sort," said the housekeeper.
"You come along back to your own nursery or I'll box your ears."
And she took her by the arm and half pushed, half pulled her up one passage and
down another until she pushed her in at the door of her own room.
"Now," she said, "you stay where you're told to stay or you'll find yourself locked
up. The master had better get you a governess,
same as he said he would.
You're one that needs some one to look sharp after you.
I've got enough to do."
She went out of the room and slammed the door after her, and Mary went and sat on
the hearth-rug, pale with rage. She did not cry, but ground her teeth.
"There was some one crying--there was-- there was!" she said to herself.
She had heard it twice now, and sometime she would find out.
She had found out a great deal this morning.
She felt as if she had been on a long journey, and at any rate she had had
something to amuse her all the time, and she had played with the ivory elephants and
had seen the gray mouse and its babies in their nest in the velvet cushion.
>
CHAPTER VII THE KEY TO THE GARDEN
Two days after this, when Mary opened her eyes she sat upright in bed immediately,
and called to Martha. "Look at the moor!
Look at the moor!"
The rainstorm had ended and the gray mist and clouds had been swept away in the night
by the wind.
The wind itself had ceased and a brilliant, deep blue sky arched high over the
moorland. Never, never had Mary dreamed of a sky so
blue.
In India skies were hot and blazing; this was of a deep cool blue which almost seemed
to sparkle like the waters of some lovely bottomless lake, and here and there, high,
high in the arched blueness floated small clouds of snow-white fleece.
The far-reaching world of the moor itself looked softly blue instead of gloomy
purple-black or awful dreary gray.
"Aye," said Martha with a cheerful grin. "Th' storm's over for a bit.
It does like this at this time o' th' year.
It goes off in a night like it was pretendin' it had never been here an' never
meant to come again. That's because th' springtime's on its way.
It's a long way off yet, but it's comin'."
"I thought perhaps it always rained or looked dark in England," Mary said.
"Eh! no!" said Martha, sitting up on her heels among her black lead brushes.
"Nowt o' th' soart!"
"What does that mean?" asked Mary seriously.
In India the natives spoke different dialects which only a few people
understood, so she was not surprised when Martha used words she did not know.
Martha laughed as she had done the first morning.
"There now," she said. "I've talked broad Yorkshire again like
Mrs. Medlock said I mustn't.
'Nowt o' th' soart' means 'nothin'-of-the- sort,'" slowly and carefully, "but it takes
so long to say it. Yorkshire's th' sunniest place on earth
when it is sunny.
I told thee tha'd like th' moor after a bit.
Just you wait till you see th' gold-colored gorse blossoms an' th' blossoms o' th'
broom, an' th' heather flowerin', all purple bells, an' hundreds o' butterflies
flutterin' an' bees hummin' an' skylarks soarin' up an' singin'.
You'll want to get out on it as sunrise an' live out on it all day like Dickon does."
"Could I ever get there?" asked Mary wistfully, looking through her window at
the far-off blue. It was so new and big and wonderful and
such a heavenly color.
"I don't know," answered Martha. "Tha's never used tha' legs since tha' was
born, it seems to me. Tha' couldn't walk five mile.
It's five mile to our cottage."
"I should like to see your cottage." Martha stared at her a moment curiously
before she took up her polishing brush and began to rub the grate again.
She was thinking that the small plain face did not look quite as sour at this moment
as it had done the first morning she saw it.
It looked just a trifle like little Susan Ann's when she wanted something very much.
"I'll ask my mother about it," she said. "She's one o' them that nearly always sees
a way to do things.
It's my day out today an' I'm goin' home. Eh!
I am glad. Mrs. Medlock thinks a lot o' mother.
Perhaps she could talk to her."
"I like your mother," said Mary. "I should think tha' did," agreed Martha,
polishing away. "I've never seen her," said Mary.
"No, tha' hasn't," replied Martha.
She sat up on her heels again and rubbed the end of her nose with the back of her
hand as if puzzled for a moment, but she ended quite positively.
"Well, she's that sensible an' hard workin' an' goodnatured an' clean that no one could
help likin' her whether they'd seen her or not.
When I'm goin' home to her on my day out I just jump for joy when I'm crossin' the
moor." "I like Dickon," added Mary.
"And I've never seen him."
"Well," said Martha stoutly, "I've told thee that th' very birds likes him an' th'
rabbits an' wild sheep an' ponies, an' th' foxes themselves.
I wonder," staring at her reflectively, "what Dickon would think of thee?"
"He wouldn't like me," said Mary in her stiff, cold little way.
"No one does."
Martha looked reflective again. "How does tha' like thysel'?" she inquired,
really quite as if she were curious to know.
Mary hesitated a moment and thought it over.
"Not at all--really," she answered. "But I never thought of that before."
Martha grinned a little as if at some homely recollection.
"Mother said that to me once," she said.
"She was at her wash-tub an' I was in a bad temper an' talkin' ill of folk, an' she
turns round on me an' says: 'Tha' young vixen, tha'!
There tha' stands sayin' tha' doesn't like this one an' tha' doesn't like that one.
How does tha' like thysel'?' It made me laugh an' it brought me to my
senses in a minute."
She went away in high spirits as soon as she had given Mary her breakfast.
She was going to walk five miles across the moor to the cottage, and she was going to
help her mother with the washing and do the week's baking and enjoy herself thoroughly.
Mary felt lonelier than ever when she knew she was no longer in the house.
She went out into the garden as quickly as possible, and the first thing she did was
to run round and round the fountain flower garden ten times.
She counted the times carefully and when she had finished she felt in better
spirits. The sunshine made the whole place look
different.
The high, deep, blue sky arched over Misselthwaite as well as over the moor, and
she kept lifting her face and looking up into it, trying to imagine what it would be
like to lie down on one of the little snow- white clouds and float about.
She went into the first kitchen-garden and found Ben Weatherstaff working there with
two other gardeners.
The change in the weather seemed to have done him good.
He spoke to her of his own accord. "Springtime's comin,'" he said.
"Cannot tha' smell it?"
Mary sniffed and thought she could. "I smell something nice and fresh and
damp," she said. "That's th' good rich earth," he answered,
digging away.
"It's in a good humor makin' ready to grow things.
It's glad when plantin' time comes. It's dull in th' winter when it's got nowt
to do.
In th' flower gardens out there things will be stirrin' down below in th' dark.
Th' sun's warmin' 'em. You'll see bits o' green spikes stickin'
out o' th' black earth after a bit."
"What will they be?" asked Mary. "Crocuses an' snowdrops an'
daffydowndillys. Has tha' never seen them?"
"No. Everything is hot, and wet, and green after the rains in India," said Mary.
"And I think things grow up in a night." "These won't grow up in a night," said
Weatherstaff.
"Tha'll have to wait for 'em. They'll poke up a bit higher here, an' push
out a spike more there, an' uncurl a leaf this day an' another that.
You watch 'em."
"I am going to," answered Mary. Very soon she heard the soft rustling
flight of wings again and she knew at once that the robin had come again.
He was very pert and lively, and hopped about so close to her feet, and put his
head on one side and looked at her so slyly that she asked Ben Weatherstaff a question.
"Do you think he remembers me?" she said.
"Remembers thee!" said Weatherstaff indignantly.
"He knows every cabbage stump in th' gardens, let alone th' people.
He's never seen a little wench here before, an' he's bent on findin' out all about
thee. Tha's no need to try to hide anything from
him."
"Are things stirring down below in the dark in that garden where he lives?"
Mary inquired. "What garden?" grunted Weatherstaff,
becoming surly again.
"The one where the old rose-trees are." She could not help asking, because she
wanted so much to know. "Are all the flowers dead, or do some of
them come again in the summer?
Are there ever any roses?" "Ask him," said Ben Weatherstaff, hunching
his shoulders toward the robin. "He's the only one as knows.
No one else has seen inside it for ten year'."
Ten years was a long time, Mary thought. She had been born ten years ago.
She walked away, slowly thinking.
She had begun to like the garden just as she had begun to like the robin and Dickon
and Martha's mother. She was beginning to like Martha, too.
That seemed a good many people to like-- when you were not used to liking.
She thought of the robin as one of the people.
She went to her walk outside the long, ivy- covered wall over which she could see the
tree-tops; and the second time she walked up and down the most interesting and
exciting thing happened to her, and it was all through Ben Weatherstaff's robin.
She heard a chirp and a twitter, and when she looked at the bare flower-bed at her
left side there he was hopping about and pretending to peck things out of the earth
to persuade her that he had not followed her.
But she knew he had followed her and the surprise so filled her with delight that
she almost trembled a little.
"You do remember me!" she cried out. "You do!
You are prettier than anything else in the world!"
She chirped, and talked, and coaxed and he hopped, and flirted his tail and twittered.
It was as if he were talking.
His red waistcoat was like satin and he puffed his tiny breast out and was so fine
and so grand and so pretty that it was really as if he were showing her how
important and like a human person a robin could be.
Mistress Mary forgot that she had ever been contrary in her life when he allowed her to
draw closer and closer to him, and bend down and talk and try to make something
like robin sounds.
Oh! to think that he should actually let her come as near to him as that!
He knew nothing in the world would make her put out her hand toward him or startle him
in the least tiniest way.
He knew it because he was a real person-- only nicer than any other person in the
world. She was so happy that she scarcely dared to
breathe.
The flower-bed was not quite bare.
It was bare of flowers because the perennial plants had been cut down for
their winter rest, but there were tall shrubs and low ones which grew together at
the back of the bed, and as the robin
hopped about under them she saw him hop over a small pile of freshly turned up
earth. He stopped on it to look for a worm.
The earth had been turned up because a dog had been trying to dig up a mole and he had
scratched quite a deep hole.
Mary looked at it, not really knowing why the hole was there, and as she looked she
saw something almost buried in the newly- turned soil.
It was something like a ring of rusty iron or brass and when the robin flew up into a
tree nearby she put out her hand and picked the ring up.
It was more than a ring, however; it was an old key which looked as if it had been
buried a long time.
Mistress Mary stood up and looked at it with an almost frightened face as it hung
from her finger. "Perhaps it has been buried for ten years,"
she said in a whisper.
"Perhaps it is the key to the garden!"
>
CHAPTER VIII THE ROBIN WHO SHOWED THE WAY
She looked at the key quite a long time. She turned it over and over, and thought
about it.
As I have said before, she was not a child who had been trained to ask permission or
consult her elders about things.
All she thought about the key was that if it was the key to the closed garden, and
she could find out where the door was, she could perhaps open it and see what was
inside the walls, and what had happened to the old rose-trees.
It was because it had been shut up so long that she wanted to see it.
It seemed as if it must be different from other places and that something strange
must have happened to it during ten years.
Besides that, if she liked it she could go into it every day and shut the door behind
her, and she could make up some play of her own and play it quite alone, because nobody
would ever know where she was, but would
think the door was still locked and the key buried in the earth.
The thought of that pleased her very much.
Living as it were, all by herself in a house with a hundred mysteriously closed
rooms and having nothing whatever to do to amuse herself, had set her inactive brain
to working and was actually awakening her imagination.
There is no doubt that the fresh, strong, pure air from the moor had a great deal to
do with it.
Just as it had given her an appetite, and fighting with the wind had stirred her
blood, so the same things had stirred her mind.
In India she had always been too hot and languid and weak to care much about
anything, but in this place she was beginning to care and to want to do new
things.
Already she felt less "contrary," though she did not know why.
She put the key in her pocket and walked up and down her walk.
No one but herself ever seemed to come there, so she could walk slowly and look at
the wall, or, rather, at the ivy growing on it.
The ivy was the baffling thing.
Howsoever carefully she looked she could see nothing but thickly growing, glossy,
dark green leaves. She was very much disappointed.
Something of her contrariness came back to her as she paced the walk and looked over
it at the tree-tops inside. It seemed so silly, she said to herself, to
be near it and not be able to get in.
She took the key in her pocket when she went back to the house, and she made up her
mind that she would always carry it with her when she went out, so that if she ever
should find the hidden door she would be ready.
Mrs. Medlock had allowed Martha to sleep all night at the cottage, but she was back
at her work in the morning with cheeks redder than ever and in the best of
spirits.
"I got up at four o'clock," she said. "Eh! it was pretty on th' moor with th'
birds gettin' up an' th' rabbits scamperin' about an' th' sun risin'.
I didn't walk all th' way.
A man gave me a ride in his cart an' I did enjoy myself."
She was full of stories of the delights of her day out.
Her mother had been glad to see her and they had got the baking and washing all out
of the way. She had even made each of the children a
doughcake with a bit of brown sugar in it.
"I had 'em all pipin' hot when they came in from playin' on th' moor.
An' th' cottage all smelt o' nice, clean hot bakin' an' there was a good fire, an'
they just shouted for joy.
Our Dickon he said our cottage was good enough for a king."
In the evening they had all sat round the fire, and Martha and her mother had sewed
patches on torn clothes and mended stockings and Martha had told them about
the little girl who had come from India and
who had been waited on all her life by what Martha called "blacks" until she didn't
know how to put on her own stockings. "Eh! they did like to hear about you," said
Martha.
"They wanted to know all about th' blacks an' about th' ship you came in.
I couldn't tell 'em enough." Mary reflected a little.
"I'll tell you a great deal more before your next day out," she said, "so that you
will have more to talk about.
I dare say they would like to hear about riding on elephants and camels, and about
the officers going to hunt tigers." "My word!" cried delighted Martha.
"It would set 'em clean off their heads.
Would tha' really do that, Miss? It would be same as a wild beast show like
we heard they had in York once."
"India is quite different from Yorkshire," Mary said slowly, as she thought the matter
over. "I never thought of that.
Did Dickon and your mother like to hear you talk about me?"
"Why, our Dickon's eyes nearly started out o' his head, they got that round," answered
Martha.
"But mother, she was put out about your seemin' to be all by yourself like.
She said, 'Hasn't Mr. Craven got no governess for her, nor no nurse?' and I
said, 'No, he hasn't, though Mrs. Medlock says he will when he thinks of it, but she
says he mayn't think of it for two or three years.'"
"I don't want a governess," said Mary sharply.
"But mother says you ought to be learnin' your book by this time an' you ought to
have a woman to look after you, an' she says: 'Now, Martha, you just think how
you'd feel yourself, in a big place like
that, wanderin' about all alone, an' no mother.
You do your best to cheer her up,' she says, an' I said I would."
Mary gave her a long, steady look.
"You do cheer me up," she said. "I like to hear you talk."
Presently Martha went out of the room and came back with something held in her hands
under her apron.
"What does tha' think," she said, with a cheerful grin.
"I've brought thee a present." "A present!" exclaimed Mistress Mary.
How could a cottage full of fourteen hungry people give any one a present!
"A man was drivin' across the moor peddlin'," Martha explained.
"An' he stopped his cart at our door.
He had pots an' pans an' odds an' ends, but mother had no money to buy anythin'.
Just as he was goin' away our 'Lizabeth Ellen called out, 'Mother, he's got
skippin'-ropes with red an' blue handles.'
An' mother she calls out quite sudden, 'Here, stop, mister!
How much are they?'
An' he says 'Tuppence', an' mother she began fumblin' in her pocket an' she says
to me, 'Martha, tha's brought me thy wages like a good lass, an' I've got four places
to put every penny, but I'm just goin' to
take tuppence out of it to buy that child a skippin'-rope,' an' she bought one an' here
it is." She brought it out from under her apron and
exhibited it quite proudly.
It was a strong, slender rope with a striped red and blue handle at each end,
but Mary Lennox had never seen a skipping- rope before.
She gazed at it with a mystified expression.
"What is it for?" she asked curiously. "For!" cried out Martha.
"Does tha' mean that they've not got skippin'-ropes in India, for all they've
got elephants and tigers and camels! No wonder most of 'em's black.
This is what it's for; just watch me."
And she ran into the middle of the room and, taking a handle in each hand, began to
skip, and skip, and skip, while Mary turned in her chair to stare at her, and the queer
faces in the old portraits seemed to stare
at her, too, and wonder what on earth this common little cottager had the impudence to
be doing under their very noses. But Martha did not even see them.
The interest and curiosity in Mistress Mary's face delighted her, and she went on
skipping and counted as she skipped until she had reached a hundred.
"I could skip longer than that," she said when she stopped.
"I've skipped as much as five hundred when I was twelve, but I wasn't as fat then as I
am now, an' I was in practice."
Mary got up from her chair beginning to feel excited herself.
"It looks nice," she said. "Your mother is a kind woman.
Do you think I could ever skip like that?"
"You just try it," urged Martha, handing her the skipping-rope.
"You can't skip a hundred at first, but if you practice you'll mount up.
That's what mother said.
She says, 'Nothin' will do her more good than skippin' rope.
It's th' sensiblest toy a child can have.
Let her play out in th' fresh air skippin' an' it'll stretch her legs an' arms an'
give her some strength in 'em.'"
It was plain that there was not a great deal of strength in Mistress Mary's arms
and legs when she first began to skip.
She was not very clever at it, but she liked it so much that she did not want to
stop. "Put on tha' things and run an' skip out o'
doors," said Martha.
"Mother said I must tell you to keep out o' doors as much as you could, even when it
rains a bit, so as tha' wrap up warm." Mary put on her coat and hat and took her
skipping-rope over her arm.
She opened the door to go out, and then suddenly thought of something and turned
back rather slowly. "Martha," she said, "they were your wages.
It was your two-pence really.
Thank you." She said it stiffly because she was not
used to thanking people or noticing that they did things for her.
"Thank you," she said, and held out her hand because she did not know what else to
do.
Martha gave her hand a clumsy little shake, as if she was not accustomed to this sort
of thing either. Then she laughed.
"Eh! th' art a queer, old-womanish thing," she said.
"If tha'd been our 'Lizabeth Ellen tha'd have given me a kiss."
Mary looked stiffer than ever.
"Do you want me to kiss you?" Martha laughed again.
"Nay, not me," she answered. "If tha' was different, p'raps tha'd want
to thysel'.
But tha' isn't. Run off outside an' play with thy rope."
Mistress Mary felt a little awkward as she went out of the room.
Yorkshire people seemed strange, and Martha was always rather a puzzle to her.
At first she had disliked her very much, but now she did not.
The skipping-rope was a wonderful thing.
She counted and skipped, and skipped and counted, until her cheeks were quite red,
and she was more interested than she had ever been since she was born.
The sun was shining and a little wind was blowing--not a rough wind, but one which
came in delightful little gusts and brought a fresh scent of newly turned earth with
it.
She skipped round the fountain garden, and up one walk and down another.
She skipped at last into the kitchen-garden and saw Ben Weatherstaff digging and
talking to his robin, which was hopping about him.
She skipped down the walk toward him and he lifted his head and looked at her with a
curious expression. She had wondered if he would notice her.
She wanted him to see her skip.
"Well!" he exclaimed. "Upon my word.
P'raps tha' art a young 'un, after all, an' p'raps tha's got child's blood in thy veins
instead of sour buttermilk.
Tha's skipped red into thy cheeks as sure as my name's Ben Weatherstaff.
I wouldn't have believed tha' could do it." "I never skipped before," Mary said.
"I'm just beginning.
I can only go up to twenty." "Tha' keep on," said Ben.
"Tha' shapes well enough at it for a young 'un that's lived with heathen.
Just see how he's watchin' thee," jerking his head toward the robin.
"He followed after thee yesterday. He'll be at it again today.
He'll be bound to find out what th' skippin'-rope is.
He's never seen one.
Eh!" shaking his head at the bird, "tha' curiosity will be th' death of thee
sometime if tha' doesn't look sharp."
Mary skipped round all the gardens and round the orchard, resting every few
minutes.
At length she went to her own special walk and made up her mind to try if she could
skip the whole length of it.
It was a good long skip and she began slowly, but before she had gone half-way
down the path she was so hot and breathless that she was obliged to stop.
She did not mind much, because she had already counted up to thirty.
She stopped with a little laugh of pleasure, and there, lo and behold, was the
robin swaying on a long branch of ivy.
He had followed her and he greeted her with a chirp.
As Mary had skipped toward him she felt something heavy in her pocket strike
against her at each jump, and when she saw the robin she laughed again.
"You showed me where the key was yesterday," she said.
"You ought to show me the door today; but I don't believe you know!"
The robin flew from his swinging spray of ivy on to the top of the wall and he opened
his beak and sang a loud, lovely trill, merely to show off.
Nothing in the world is quite as adorably lovely as a robin when he shows off--and
they are nearly always doing it.
Mary Lennox had heard a great deal about Magic in her Ayah's stories, and she always
said that what happened almost at that moment was Magic.
One of the nice little gusts of wind rushed down the walk, and it was a stronger one
than the rest.
It was strong enough to wave the branches of the trees, and it was more than strong
enough to sway the trailing sprays of untrimmed ivy hanging from the wall.
Mary had stepped close to the robin, and suddenly the gust of wind swung aside some
loose ivy trails, and more suddenly still she jumped toward it and caught it in her
hand.
This she did because she had seen something under it--a round knob which had been
covered by the leaves hanging over it. It was the knob of a door.
She put her hands under the leaves and began to pull and push them aside.
Thick as the ivy hung, it nearly all was a loose and swinging curtain, though some had
crept over wood and iron.
Mary's heart began to thump and her hands to shake a little in her delight and
excitement.
The robin kept singing and twittering away and tilting his head on one side, as if he
were as excited as she was.
What was this under her hands which was square and made of iron and which her
fingers found a hole in?
It was the lock of the door which had been closed ten years and she put her hand in
her pocket, drew out the key and found it fitted the keyhole.
She put the key in and turned it.
It took two hands to do it, but it did turn.
And then she took a long breath and looked behind her up the long walk to see if any
one was coming.
No one was coming.
No one ever did come, it seemed, and she took another long breath, because she could
not help it, and she held back the swinging curtain of ivy and pushed back the door
which opened slowly--slowly.
Then she slipped through it, and shut it behind her, and stood with her back against
it, looking about her and breathing quite fast with excitement, and wonder, and
delight.
She was standing inside the secret garden.
>
CHAPTER IX THE STRANGEST HOUSE ANY ONE EVER LIVED IN
It was the sweetest, most mysterious- looking place any one could imagine.
The high walls which shut it in were covered with the leafless stems of climbing
roses which were so thick that they were matted together.
Mary Lennox knew they were roses because she had seen a great many roses in India.
All the ground was covered with grass of a wintry brown and out of it grew clumps of
bushes which were surely rosebushes if they were alive.
There were numbers of standard roses which had so spread their branches that they were
like little trees.
There were other trees in the garden, and one of the things which made the place look
strangest and loveliest was that climbing roses had run all over them and swung down
long tendrils which made light swaying
curtains, and here and there they had caught at each other or at a far-reaching
branch and had crept from one tree to another and made lovely bridges of
themselves.
There were neither leaves nor roses on them now and Mary did not know whether they were
dead or alive, but their thin gray or brown branches and sprays looked like a sort of
hazy mantle spreading over everything,
walls, and trees, and even brown grass, where they had fallen from their fastenings
and run along the ground. It was this hazy tangle from tree to tree
which made it all look so mysterious.
Mary had thought it must be different from other gardens which had not been left all
by themselves so long; and indeed it was different from any other place she had ever
seen in her life.
"How still it is!" she whispered. "How still!"
Then she waited a moment and listened at the stillness.
The robin, who had flown to his treetop, was still as all the rest.
He did not even flutter his wings; he sat without stirring, and looked at Mary.
"No wonder it is still," she whispered again.
"I am the first person who has spoken in here for ten years."
She moved away from the door, stepping as softly as if she were afraid of awakening
some one. She was glad that there was grass under her
feet and that her steps made no sounds.
She walked under one of the fairy-like gray arches between the trees and looked up at
the sprays and tendrils which formed them. "I wonder if they are all quite dead," she
said.
"Is it all a quite dead garden? I wish it wasn't."
If she had been Ben Weatherstaff she could have told whether the wood was alive by
looking at it, but she could only see that there were only gray or brown sprays and
branches and none showed any signs of even a tiny leaf-bud anywhere.
But she was inside the wonderful garden and she could come through the door under the
ivy any time and she felt as if she had found a world all her own.
The sun was shining inside the four walls and the high arch of blue sky over this
particular piece of Misselthwaite seemed even more brilliant and soft than it was
over the moor.
The robin flew down from his tree-top and hopped about or flew after her from one
bush to another. He chirped a good deal and had a very busy
air, as if he were showing her things.
Everything was strange and silent and she seemed to be hundreds of miles away from
any one, but somehow she did not feel lonely at all.
All that troubled her was her wish that she knew whether all the roses were dead, or if
perhaps some of them had lived and might put out leaves and buds as the weather got
warmer.
She did not want it to be a quite dead garden.
If it were a quite alive garden, how wonderful it would be, and what thousands
of roses would grow on every side!
Her skipping-rope had hung over her arm when she came in and after she had walked
about for a while she thought she would skip round the whole garden, stopping when
she wanted to look at things.
There seemed to have been grass paths here and there, and in one or two corners there
were alcoves of evergreen with stone seats or tall moss-covered flower urns in them.
As she came near the second of these alcoves she stopped skipping.
There had once been a flowerbed in it, and she thought she saw something sticking out
of the black earth--some sharp little pale green points.
She remembered what Ben Weatherstaff had said and she knelt down to look at them.
"Yes, they are tiny growing things and they might be crocuses or snowdrops or
daffodils," she whispered.
She bent very close to them and sniffed the fresh scent of the damp earth.
She liked it very much. "Perhaps there are some other ones coming
up in other places," she said.
"I will go all over the garden and look." She did not skip, but walked.
She went slowly and kept her eyes on the ground.
She looked in the old border beds and among the grass, and after she had gone round,
trying to miss nothing, she had found ever so many more sharp, pale green points, and
she had become quite excited again.
"It isn't a quite dead garden," she cried out softly to herself.
"Even if the roses are dead, there are other things alive."
She did not know anything about gardening, but the grass seemed so thick in some of
the places where the green points were pushing their way through that she thought
they did not seem to have room enough to grow.
She searched about until she found a rather sharp piece of wood and knelt down and dug
and weeded out the weeds and grass until she made nice little clear places around
them.
"Now they look as if they could breathe," she said, after she had finished with the
first ones. "I am going to do ever so many more.
I'll do all I can see.
If I haven't time today I can come tomorrow."
She went from place to place, and dug and weeded, and enjoyed herself so immensely
that she was led on from bed to bed and into the grass under the trees.
The exercise made her so warm that she first threw her coat off, and then her hat,
and without knowing it she was smiling down on to the grass and the pale green points
all the time.
The robin was tremendously busy. He was very much pleased to see gardening
begun on his own estate. He had often wondered at Ben Weatherstaff.
Where gardening is done all sorts of delightful things to eat are turned up with
the soil.
Now here was this new kind of creature who was not half Ben's size and yet had had the
sense to come into his garden and begin at once.
Mistress Mary worked in her garden until it was time to go to her midday dinner.
In fact, she was rather late in remembering, and when she put on her coat
and hat, and picked up her skipping-rope, she could not believe that she had been
working two or three hours.
She had been actually happy all the time; and dozens and dozens of the tiny, pale
green points were to be seen in cleared places, looking twice as cheerful as they
had looked before when the grass and weeds had been smothering them.
"I shall come back this afternoon," she said, looking all round at her new kingdom,
and speaking to the trees and the rose- bushes as if they heard her.
Then she ran lightly across the grass, pushed open the slow old door and slipped
through it under the ivy.
She had such red cheeks and such bright eyes and ate such a dinner that Martha was
delighted. "Two pieces o' meat an' two helps o' rice
puddin'!" she said.
"Eh! mother will be pleased when I tell her what th' skippin'-rope's done for thee."
In the course of her digging with her pointed stick Mistress Mary had found
herself digging up a sort of white root rather like an onion.
She had put it back in its place and patted the earth carefully down on it and just now
she wondered if Martha could tell her what it was.
"Martha," she said, "what are those white roots that look like onions?"
"They're bulbs," answered Martha. "Lots o' spring flowers grow from 'em.
Th' very little ones are snowdrops an' crocuses an' th' big ones are narcissuses
an' jonquils and daffydowndillys. Th' biggest of all is lilies an' purple
flags.
Eh! they are nice. Dickon's got a whole lot of 'em planted in
our bit o' garden." "Does Dickon know all about them?" asked
Mary, a new idea taking possession of her.
"Our Dickon can make a flower grow out of a brick walk.
Mother says he just whispers things out o' th' ground."
"Do bulbs live a long time?
Would they live years and years if no one helped them?" inquired Mary anxiously.
"They're things as helps themselves," said Martha.
"That's why poor folk can afford to have 'em.
If you don't trouble 'em, most of 'em'll work away underground for a lifetime an'
spread out an' have little 'uns.
There's a place in th' park woods here where there's snowdrops by thousands.
They're the prettiest sight in Yorkshire when th' spring comes.
No one knows when they was first planted."
"I wish the spring was here now," said Mary.
"I want to see all the things that grow in England."
She had finished her dinner and gone to her favorite seat on the hearth-rug.
"I wish--I wish I had a little spade," she said.
"Whatever does tha' want a spade for?" asked Martha, laughing.
"Art tha' goin' to take to diggin'? I must tell mother that, too."
Mary looked at the fire and pondered a little.
She must be careful if she meant to keep her secret kingdom.
She wasn't doing any harm, but if Mr. Craven found out about the open door he
would be fearfully angry and get a new key and lock it up forevermore.
She really could not bear that.
"This is such a big lonely place," she said slowly, as if she were turning matters over
in her mind. "The house is lonely, and the park is
lonely, and the gardens are lonely.
So many places seem shut up. I never did many things in India, but there
were more people to look at--natives and soldiers marching by--and sometimes bands
playing, and my Ayah told me stories.
There is no one to talk to here except you and Ben Weatherstaff.
And you have to do your work and Ben Weatherstaff won't speak to me often.
I thought if I had a little spade I could dig somewhere as he does, and I might make
a little garden if he would give me some seeds."
Martha's face quite lighted up.
"There now!" she exclaimed, "if that wasn't one of th' things mother said.
She says, 'There's such a lot o' room in that big place, why don't they give her a
bit for herself, even if she doesn't plant nothin' but parsley an' radishes?
She'd dig an' rake away an' be right down happy over it.'
Them was the very words she said." "Were they?" said Mary.
"How many things she knows, doesn't she?"
"Eh!" said Martha. "It's like she says: 'A woman as brings up
twelve children learns something besides her A B C.
Children's as good as 'rithmetic to set you findin' out things.'"
"How much would a spade cost--a little one?"
Mary asked.
"Well," was Martha's reflective answer, "at Thwaite village there's a shop or so an' I
saw little garden sets with a spade an' a rake an' a fork all tied together for two
shillings.
An' they was stout enough to work with, too."
"I've got more than that in my purse," said Mary.
"Mrs. Morrison gave me five shillings and Mrs. Medlock gave me some money from Mr.
Craven." "Did he remember thee that much?" exclaimed
Martha.
"Mrs. Medlock said I was to have a shilling a week to spend.
She gives me one every Saturday. I didn't know what to spend it on."
"My word! that's riches," said Martha.
"Tha' can buy anything in th' world tha' wants.
Th' rent of our cottage is only one an' threepence an' it's like pullin' eye-teeth
to get it.
Now I've just thought of somethin'," putting her hands on her hips.
"What?" said Mary eagerly.
"In the shop at Thwaite they sell packages o' flower-seeds for a penny each, and our
Dickon he knows which is th' prettiest ones an' how to make 'em grow.
He walks over to Thwaite many a day just for th' fun of it.
Does tha' know how to print letters?" suddenly.
"I know how to write," Mary answered.
Martha shook her head. "Our Dickon can only read printin'.
If tha' could print we could write a letter to him an' ask him to go an' buy th' garden
tools an' th' seeds at th' same time."
"Oh! you're a good girl!" Mary cried.
"You are, really! I didn't know you were so nice.
I know I can print letters if I try.
Let's ask Mrs. Medlock for a pen and ink and some paper."
"I've got some of my own," said Martha. "I bought 'em so I could print a bit of a
letter to mother of a Sunday.
I'll go and get it." She ran out of the room, and Mary stood by
the fire and twisted her thin little hands together with sheer pleasure.
"If I have a spade," she whispered, "I can make the earth nice and soft and dig up
weeds.
If I have seeds and can make flowers grow the garden won't be dead at all--it will
come alive."
She did not go out again that afternoon because when Martha returned with her pen
and ink and paper she was obliged to clear the table and carry the plates and dishes
downstairs and when she got into the
kitchen Mrs. Medlock was there and told her to do something, so Mary waited for what
seemed to her a long time before she came back.
Then it was a serious piece of work to write to Dickon.
Mary had been taught very little because her governesses had disliked her too much
to stay with her.
She could not spell particularly well but she found that she could print letters when
she tried. This was the letter Martha dictated to her:
"My Dear Dickon:
This comes hoping to find you well as it leaves me at present.
Miss Mary has plenty of money and will you go to Thwaite and buy her some flower seeds
and a set of garden tools to make a flower- bed.
Pick the prettiest ones and easy to grow because she has never done it before and
lived in India which is different. Give my love to mother and every one of
you.
Miss Mary is going to tell me a lot more so that on my next day out you can hear about
elephants and camels and gentlemen going hunting lions and tigers.
"Your loving sister, Martha Phoebe Sowerby."
"We'll put the money in th' envelope an' I'll get th' butcher boy to take it in his
cart.
He's a great friend o' Dickon's," said Martha.
"How shall I get the things when Dickon buys them?"
"He'll bring 'em to you himself.
He'll like to walk over this way." "Oh!" exclaimed Mary, "then I shall see
him! I never thought I should see Dickon."
"Does tha' want to see him?" asked Martha suddenly, for Mary had looked so pleased.
"Yes, I do. I never saw a boy foxes and crows loved.
I want to see him very much."
Martha gave a little start, as if she remembered something.
"Now to think," she broke out, "to think o' me forgettin' that there; an' I thought I
was goin' to tell you first thing this mornin'.
I asked mother--and she said she'd ask Mrs. Medlock her own self."
"Do you mean--" Mary began. "What I said Tuesday.
Ask her if you might be driven over to our cottage some day and have a bit o' mother's
hot oat cake, an' butter, an' a glass o' milk."
It seemed as if all the interesting things were happening in one day.
To think of going over the moor in the daylight and when the sky was blue!
To think of going into the cottage which held twelve children!
"Does she think Mrs. Medlock would let me go?" she asked, quite anxiously.
"Aye, she thinks she would.
She knows what a tidy woman mother is and how clean she keeps the cottage."
"If I went I should see your mother as well as Dickon," said Mary, thinking it over and
liking the idea very much.
"She doesn't seem to be like the mothers in India."
Her work in the garden and the excitement of the afternoon ended by making her feel
quiet and thoughtful.
Martha stayed with her until tea-time, but they sat in comfortable quiet and talked
very little. But just before Martha went downstairs for
the tea-tray, Mary asked a question.
"Martha," she said, "has the scullery-maid had the toothache again today?"
Martha certainly started slightly. "What makes thee ask that?" she said.
"Because when I waited so long for you to come back I opened the door and walked down
the corridor to see if you were coming. And I heard that far-off crying again, just
as we heard it the other night.
There isn't a wind today, so you see it couldn't have been the wind."
"Eh!" said Martha restlessly. "Tha' mustn't go walkin' about in corridors
an' listenin'.
Mr. Craven would be that there angry there's no knowin' what he'd do."
"I wasn't listening," said Mary. "I was just waiting for you--and I heard
it.
That's three times." "My word!
There's Mrs. Medlock's bell," said Martha, and she almost ran out of the room.
"It's the strangest house any one ever lived in," said Mary drowsily, as she
dropped her head on the cushioned seat of the armchair near her.
Fresh air, and digging, and skipping-rope had made her feel so comfortably tired that
she fell asleep.
>
CHAPTER X DICKON
The sun shone down for nearly a week on the secret garden.
The Secret Garden was what Mary called it when she was thinking of it.
She liked the name, and she liked still more the feeling that when its beautiful
old walls shut her in no one knew where she was.
It seemed almost like being shut out of the world in some fairy place.
The few books she had read and liked had been fairy-story books, and she had read of
secret gardens in some of the stories.
Sometimes people went to sleep in them for a hundred years, which she had thought must
be rather stupid.
She had no intention of going to sleep, and, in fact, she was becoming wider awake
every day which passed at Misselthwaite.
She was beginning to like to be out of doors; she no longer hated the wind, but
enjoyed it. She could run faster, and longer, and she
could skip up to a hundred.
The bulbs in the secret garden must have been much astonished.
Such nice clear places were made round them that they had all the breathing space they
wanted, and really, if Mistress Mary had known it, they began to cheer up under the
dark earth and work tremendously.
The sun could get at them and warm them, and when the rain came down it could reach
them at once, so they began to feel very much alive.
Mary was an odd, determined little person, and now she had something interesting to be
determined about, she was very much absorbed, indeed.
She worked and dug and pulled up weeds steadily, only becoming more pleased with
her work every hour instead of tiring of it.
It seemed to her like a fascinating sort of play.
She found many more of the sprouting pale green points than she had ever hoped to
find.
They seemed to be starting up everywhere and each day she was sure she found tiny
new ones, some so tiny that they barely peeped above the earth.
There were so many that she remembered what Martha had said about the "snowdrops by the
thousands," and about bulbs spreading and making new ones.
These had been left to themselves for ten years and perhaps they had spread, like the
snowdrops, into thousands. She wondered how long it would be before
they showed that they were flowers.
Sometimes she stopped digging to look at the garden and try to imagine what it would
be like when it was covered with thousands of lovely things in bloom.
During that week of sunshine, she became more intimate with Ben Weatherstaff.
She surprised him several times by seeming to start up beside him as if she sprang out
of the earth.
The truth was that she was afraid that he would pick up his tools and go away if he
saw her coming, so she always walked toward him as silently as possible.
But, in fact, he did not object to her as strongly as he had at first.
Perhaps he was secretly rather flattered by her evident desire for his elderly company.
Then, also, she was more civil than she had been.
He did not know that when she first saw him she spoke to him as she would have spoken
to a native, and had not known that a cross, sturdy old Yorkshire man was not
accustomed to salaam to his masters, and be merely commanded by them to do things.
"Tha'rt like th' robin," he said to her one morning when he lifted his head and saw her
standing by him.
"I never knows when I shall see thee or which side tha'll come from."
"He's friends with me now," said Mary. "That's like him," snapped Ben
Weatherstaff.
"Makin' up to th' women folk just for vanity an' flightiness.
There's nothin' he wouldn't do for th' sake o' showin' off an' flirtin' his tail-
feathers.
He's as full o' pride as an egg's full o' meat."
He very seldom talked much and sometimes did not even answer Mary's questions except
by a grunt, but this morning he said more than usual.
He stood up and rested one hobnailed boot on the top of his spade while he looked her
over. "How long has tha' been here?" he jerked
out.
"I think it's about a month," she answered. "Tha's beginnin' to do Misselthwaite
credit," he said. "Tha's a bit fatter than tha' was an' tha's
not quite so yeller.
Tha' looked like a young plucked crow when tha' first came into this garden.
Thinks I to myself I never set eyes on an uglier, sourer faced young 'un."
Mary was not vain and as she had never thought much of her looks she was not
greatly disturbed. "I know I'm fatter," she said.
"My stockings are getting tighter.
They used to make wrinkles. There's the robin, Ben Weatherstaff."
There, indeed, was the robin, and she thought he looked nicer than ever.
His red waistcoat was as glossy as satin and he flirted his wings and tail and
tilted his head and hopped about with all sorts of lively graces.
He seemed determined to make Ben Weatherstaff admire him.
But Ben was sarcastic. "Aye, there tha' art!" he said.
"Tha' can put up with me for a bit sometimes when tha's got no one better.
Tha's been reddenin' up thy waistcoat an' polishin' thy feathers this two weeks.
I know what tha's up to.
Tha's courtin' some bold young madam somewhere tellin' thy lies to her about
bein' th' finest cock robin on Missel Moor an' ready to fight all th' rest of 'em."
"Oh! look at him!" exclaimed Mary.
The robin was evidently in a fascinating, bold mood.
He hopped closer and closer and looked at Ben Weatherstaff more and more engagingly.
He flew on to the nearest currant bush and tilted his head and sang a little song
right at him.
"Tha' thinks tha'll get over me by doin' that," said Ben, wrinkling his face up in
such a way that Mary felt sure he was trying not to look pleased.
"Tha' thinks no one can stand out against thee--that's what tha' thinks."
The robin spread his wings--Mary could scarcely believe her eyes.
He flew right up to the handle of Ben Weatherstaff's spade and alighted on the
top of it. Then the old man's face wrinkled itself
slowly into a new expression.
He stood still as if he were afraid to breathe--as if he would not have stirred
for the world, lest his robin should start away.
He spoke quite in a whisper.
"Well, I'm danged!" he said as softly as if he were saying something quite different.
"Tha' does know how to get at a chap--tha' does!
Tha's fair unearthly, tha's so knowin'."
And he stood without stirring--almost without drawing his breath--until the robin
gave another flirt to his wings and flew away.
Then he stood looking at the handle of the spade as if there might be Magic in it, and
then he began to dig again and said nothing for several minutes.
But because he kept breaking into a slow grin now and then, Mary was not afraid to
talk to him. "Have you a garden of your own?" she asked.
"No. I'm bachelder an' lodge with Martin at th' gate."
"If you had one," said Mary, "what would you plant?"
"Cabbages an' 'taters an' onions."
"But if you wanted to make a flower garden," persisted Mary, "what would you
plant?" "Bulbs an' sweet-smellin' things--but
mostly roses."
Mary's face lighted up. "Do you like roses?" she said.
Ben Weatherstaff rooted up a weed and threw it aside before he answered.
"Well, yes, I do.
I was learned that by a young lady I was gardener to.
She had a lot in a place she was fond of, an' she loved 'em like they was children--
or robins.
I've seen her bend over an' kiss 'em." He dragged out another weed and scowled at
it. "That were as much as ten year' ago."
"Where is she now?" asked Mary, much interested.
"Heaven," he answered, and drove his spade deep into the soil, "'cording to what
parson says."
"What happened to the roses?" Mary asked again, more interested than
ever. "They was left to themselves."
Mary was becoming quite excited.
"Did they quite die? Do roses quite die when they are left to
themselves?" she ventured.
"Well, I'd got to like 'em--an' I liked her--an' she liked 'em," Ben Weatherstaff
admitted reluctantly.
"Once or twice a year I'd go an' work at 'em a bit--prune 'em an' dig about th'
roots. They run wild, but they was in rich soil,
so some of 'em lived."
"When they have no leaves and look gray and brown and dry, how can you tell whether
they are dead or alive?" inquired Mary.
"Wait till th' spring gets at 'em--wait till th' sun shines on th' rain and th'
rain falls on th' sunshine an' then tha'll find out."
"How--how?" cried Mary, forgetting to be careful.
"Look along th' twigs an' branches an' if tha' see a bit of a brown lump swelling
here an' there, watch it after th' warm rain an' see what happens."
He stopped suddenly and looked curiously at her eager face.
"Why does tha' care so much about roses an' such, all of a sudden?" he demanded.
Mistress Mary felt her face grow red.
She was almost afraid to answer. "I--I want to play that--that I have a
garden of my own," she stammered. "I--there is nothing for me to do.
I have nothing--and no one."
"Well," said Ben Weatherstaff slowly, as he watched her, "that's true.
Tha' hasn't."
He said it in such an odd way that Mary wondered if he was actually a little sorry
for her.
She had never felt sorry for herself; she had only felt tired and cross, because she
disliked people and things so much. But now the world seemed to be changing and
getting nicer.
If no one found out about the secret garden, she should enjoy herself always.
She stayed with him for ten or fifteen minutes longer and asked him as many
questions as she dared.
He answered every one of them in his queer grunting way and he did not seem really
cross and did not pick up his spade and leave her.
He said something about roses just as she was going away and it reminded her of the
ones he had said he had been fond of. "Do you go and see those other roses now?"
she asked.
"Not been this year. My rheumatics has made me too stiff in th'
joints."
He said it in his grumbling voice, and then quite suddenly he seemed to get angry with
her, though she did not see why he should. "Now look here!" he said sharply.
"Don't tha' ask so many questions.
Tha'rt th' worst wench for askin' questions I've ever come a cross.
Get thee gone an' play thee. I've done talkin' for today."
And he said it so crossly that she knew there was not the least use in staying
another minute.
She went skipping slowly down the outside walk, thinking him over and saying to
herself that, queer as it was, here was another person whom she liked in spite of
his crossness.
She liked old Ben Weatherstaff. Yes, she did like him.
She always wanted to try to make him talk to her.
Also she began to believe that he knew everything in the world about flowers.
There was a laurel-hedged walk which curved round the secret garden and ended at a gate
which opened into a wood, in the park.
She thought she would slip round this walk and look into the wood and see if there
were any rabbits hopping about.
She enjoyed the skipping very much and when she reached the little gate she opened it
and went through because she heard a low, peculiar whistling sound and wanted to find
out what it was.
It was a very strange thing indeed. She quite caught her breath as she stopped
to look at it.
A boy was sitting under a tree, with his back against it, playing on a rough wooden
pipe. He was a funny looking boy about twelve.
He looked very clean and his nose turned up and his cheeks were as red as poppies and
never had Mistress Mary seen such round and such blue eyes in any boy's face.
And on the trunk of the tree he leaned against, a brown squirrel was clinging and
watching him, and from behind a bush nearby a cock pheasant was delicately stretching
his neck to peep out, and quite near him
were two rabbits sitting up and sniffing with tremulous noses--and actually it
appeared as if they were all drawing near to watch him and listen to the strange low
little call his pipe seemed to make.
When he saw Mary he held up his hand and spoke to her in a voice almost as low as
and rather like his piping. "Don't tha' move," he said.
"It'd flight 'em."
Mary remained motionless. He stopped playing his pipe and began to
rise from the ground.
He moved so slowly that it scarcely seemed as though he were moving at all, but at
last he stood on his feet and then the squirrel scampered back up into the
branches of his tree, the pheasant withdrew
his head and the rabbits dropped on all fours and began to hop away, though not at
all as if they were frightened. "I'm Dickon," the boy said.
"I know tha'rt Miss Mary."
Then Mary realized that somehow she had known at first that he was Dickon.
Who else could have been charming rabbits and pheasants as the natives charm snakes
in India?
He had a wide, red, curving mouth and his smile spread all over his face.
"I got up slow," he explained, "because if tha' makes a quick move it startles 'em.
A body 'as to move gentle an' speak low when wild things is about."
He did not speak to her as if they had never seen each other before but as if he
knew her quite well.
Mary knew nothing about boys and she spoke to him a little stiffly because she felt
rather shy. "Did you get Martha's letter?" she asked.
He nodded his curly, rust-colored head.
"That's why I come." He stooped to pick up something which had
been lying on the ground beside him when he piped.
"I've got th' garden tools.
There's a little spade an' rake an' a fork an' hoe.
Eh! they are good 'uns. There's a trowel, too.
An' th' woman in th' shop threw in a packet o' white poppy an' one o' blue larkspur
when I bought th' other seeds." "Will you show the seeds to me?"
Mary said.
She wished she could talk as he did. His speech was so quick and easy.
It sounded as if he liked her and was not the least afraid she would not like him,
though he was only a common moor boy, in patched clothes and with a funny face and a
rough, rusty-red head.
As she came closer to him she noticed that there was a clean fresh scent of heather
and grass and leaves about him, almost as if he were made of them.
She liked it very much and when she looked into his funny face with the red cheeks and
round blue eyes she forgot that she had felt shy.
"Let us sit down on this log and look at them," she said.
They sat down and he took a clumsy little brown paper package out of his coat pocket.
He untied the string and inside there were ever so many neater and smaller packages
with a picture of a flower on each one. "There's a lot o' mignonette an' poppies,"
he said.
"Mignonette's th' sweetest smellin' thing as grows, an' it'll grow wherever you cast
it, same as poppies will. Them as'll come up an' bloom if you just
whistle to 'em, them's th' nicest of all."
He stopped and turned his head quickly, his poppy-cheeked face lighting up.
"Where's that robin as is callin' us?" he said.
The chirp came from a thick holly bush, bright with scarlet berries, and Mary
thought she knew whose it was. "Is it really calling us?" she asked.
"Aye," said Dickon, as if it was the most natural thing in the world, "he's callin'
some one he's friends with. That's same as sayin' 'Here I am.
Look at me.
I wants a bit of a chat.' There he is in the bush.
Whose is he?" "He's Ben Weatherstaff's, but I think he
knows me a little," answered Mary.
"Aye, he knows thee," said Dickon in his low voice again.
"An' he likes thee. He's took thee on.
He'll tell me all about thee in a minute."
He moved quite close to the bush with the slow movement Mary had noticed before, and
then he made a sound almost like the robin's own twitter.
The robin listened a few seconds, intently, and then answered quite as if he were
replying to a question. "Aye, he's a friend o' yours," chuckled
Dickon.
"Do you think he is?" cried Mary eagerly. She did so want to know.
"Do you think he really likes me?" "He wouldn't come near thee if he didn't,"
answered Dickon.
"Birds is rare choosers an' a robin can flout a body worse than a man.
See, he's making up to thee now. 'Cannot tha' see a chap?' he's sayin'."
And it really seemed as if it must be true.
He so sidled and twittered and tilted as he hopped on his bush.
"Do you understand everything birds say?" said Mary.
Dickon's grin spread until he seemed all wide, red, curving mouth, and he rubbed his
rough head. "I think I do, and they think I do," he
said.
"I've lived on th' moor with 'em so long. I've watched 'em break shell an' come out
an' fledge an' learn to fly an' begin to sing, till I think I'm one of 'em.
Sometimes I think p'raps I'm a bird, or a fox, or a rabbit, or a squirrel, or even a
beetle, an' I don't know it." He laughed and came back to the log and
began to talk about the flower seeds again.
He told her what they looked like when they were flowers; he told her how to plant
them, and watch them, and feed and water them.
"See here," he said suddenly, turning round to look at her.
"I'll plant them for thee myself. Where is tha' garden?"
Mary's thin hands clutched each other as they lay on her lap.
She did not know what to say, so for a whole minute she said nothing.
She had never thought of this.
She felt miserable. And she felt as if she went red and then
pale. "Tha's got a bit o' garden, hasn't tha'?"
Dickon said.
It was true that she had turned red and then pale.
Dickon saw her do it, and as she still said nothing, he began to be puzzled.
"Wouldn't they give thee a bit?" he asked.
"Hasn't tha' got any yet?" She held her hands tighter and turned her
eyes toward him. "I don't know anything about boys," she
said slowly.
"Could you keep a secret, if I told you one?
It's a great secret. I don't know what I should do if any one
found it out.
I believe I should die!" She said the last sentence quite fiercely.
Dickon looked more puzzled than ever and even rubbed his hand over his rough head
again, but he answered quite good- humoredly.
"I'm keepin' secrets all th' time," he said.
"If I couldn't keep secrets from th' other lads, secrets about foxes' cubs, an' birds'
nests, an' wild things' holes, there'd be naught safe on th' moor.
Aye, I can keep secrets."
Mistress Mary did not mean to put out her hand and clutch his sleeve but she did it.
"I've stolen a garden," she said very fast. "It isn't mine.
It isn't anybody's.
Nobody wants it, nobody cares for it, nobody ever goes into it.
Perhaps everything is dead in it already. I don't know."
She began to feel hot and as contrary as she had ever felt in her life.
"I don't care, I don't care! Nobody has any right to take it from me
when I care about it and they don't.
They're letting it die, all shut in by itself," she ended passionately, and she
threw her arms over her face and burst out crying-poor little Mistress Mary.
Dickon's curious blue eyes grew rounder and rounder.
"Eh-h-h!" he said, drawing his exclamation out slowly, and the way he did it meant
both wonder and sympathy.
"I've nothing to do," said Mary. "Nothing belongs to me.
I found it myself and I got into it myself. I was only just like the robin, and they
wouldn't take it from the robin."
"Where is it?" asked Dickon in a dropped voice.
Mistress Mary got up from the log at once. She knew she felt contrary again, and
obstinate, and she did not care at all.
She was imperious and Indian, and at the same time hot and sorrowful.
"Come with me and I'll show you," she said. She led him round the laurel path and to
the walk where the ivy grew so thickly.
Dickon followed her with a queer, almost pitying, look on his face.
He felt as if he were being led to look at some strange bird's nest and must move
softly.
When she stepped to the wall and lifted the hanging ivy he started.
There was a door and Mary pushed it slowly open and they passed in together, and then
Mary stood and waved her hand round defiantly.
"It's this," she said.
"It's a secret garden, and I'm the only one in the world who wants it to be alive."
Dickon looked round and round about it, and round and round again.
"Eh!" he almost whispered, "it is a queer, pretty place!
It's like as if a body was in a dream."
>