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BRADY FORREST: Hi.
I'm Brady Forrest.
Welcome to Ignite.
We're going to have a fun hour for you to cap off
your day here at Google IO.
It's going to be unlike any other session that you were
in, in that is not heavily scripted.
It is a bunch of people coming together that share their
ideas and passions.
As mentioned, I'm Brady Forrest.
I am with O'Reilly, and many, many years ago, I start now
many years ago, I started Ignite.
I also run Radar and do a bunch of other conferences.
About 3 years ago, my friend, Bre Pettis and I wanted
a geek event for our friends in Seattle.
And we wanted a place where they could share their thoughts
and passions, but very quickly.
Because not everybody is that interesting!
And so, to do that, we set some constraints around it.
But we wanted to make it a safe place for them to do that.
We wanted to make it fun for the audience and so all along
those lines, we invented a torturous format.
And, we would ply the speakers with beer.
We would ply the audience with beer.
I apologize in advance.
We were unable to procure any for this session.
But each speaker gets just 20 slides, 15 seconds a slide,
for a total of 5 minutes.
The speakers are not in control of their slides entire time.
So, once they're up here, as you've seen me do, they
kind of tap dance as their slides change, and, in this
case, we have 10 talks.
We're going to be beginning with Clay Johnson, learning
about the ins and outs of DC, and we are going to be ending
with, "Where the Hell is Matt?" And "A Great
Dance Around the World".
If you want to Tweet about it, share your your thoughts on it,
look up information about this later, use the hash
tag, Ignite IO.
I won't be checking Twitter during this; I'll be too busy
hoping that Powerpoint doesn't crash just so you know.
If you've never heard of Ignite, Ignite's in over a
100 cities around the world.
It's spread far.
It's spread wide.
And if you want to throw your own, just let me know.
There are thousands of Ignite videos on line
at IgniteShow.com.
And it is super easy and fun to start.
You really just need to borrow a microphone and about 20
geeks, which I'm sure anyone here could round up.
Now, I'd like to welcome up our first speaker.
He is based in DC.
He's one of the people charged with basically trying to
make our government more transparent.
He does this through Sunlight Labs.
Please welcome up their CTO, Clay Johnson.
CLAY JOHNSON: How are you guys doing?
No, no, no no!
Come on!
This is Ignite!
This is Ignite!
That's what I'm talking about!
I'm Clay Johnson.
I direct Sunlight Lab at the Sunlight Foundation.
My primary job is fighting Zombies.
I fight Zombies in Washington DC, where a lot of
them get created.
And we work with government data.
And I need your help to fight these Zombies too.
Zombies, for the most part, are being generated by bad
information and bad access to information, generally
by people like this.
This is Glenn Beck and he is a Zombie producer.
Also Keith Olbermann, in the interest of partisanship,
is also a Zombie producer.
And other people who produce really commercial information.
It's like commercially process food.
This is Tyson's Any'Tizers.
They're Dippin' Twists.
Good for any time.
And I don't know what the fuck they're made out of, man!
And it's the same thing with information.
If you think about it information and food
are pretty similar.
They have these food chains, right?
So food goes from organic matter to vegetables, meats, to
people, and facts go data, to wire services, to bloggers
and distributors, people.
At the top of both of these food chains are Zombies!
And that's what we have to fix.
So what I do is, I fight Zombies.
What we do, is we get data out of government
to empower people.
Now here's a good example of some Zombies; Don't Steal
from Medicare to Support Socialized Medicine.
It's the equivalent of people saying "Brains.
Brains" So, we take this data, right?
This is every campaign contribution, not every one,
but this is a cobalt base file of every campaign contribution
that every member of Congress has ever received.
And we make it so that people can easily say, that hey, maybe
our health care system is messed up because of campaign
contributions and lobbyists and stuff like that, right?
So, this is TransparencyData.com where you
can easily get all of the Nelson's campaign contributions
at the State or Federal of level over the past 30 years
and you can get API.
You can do cool things with the it, like integrate it with
Gmail, so you can see who is contributing.
It does a look up for the sender of the email.
It also checks for lobbyists, so you can be aware registered
federal lobbyists that email you.
So, in 4000BC, writing was a trade secret of
a professional scribe.
It was locked up and not given to people.
And, I think something interesting has changed now.
Instead of writing, it's truth that's a trade secret of
professional scribes.
And, it's up to developers to really bust down that barrier,
because we have the power to change Washington, DC through
giving people better access to the truth.
Now these are currently truth-tellers.
They're called "Bloggers" Well, on
the left you have a Blogger, next the Blogger, and Social
Media Expert and, then you have a Marketing Consultant and some
dude who got poisoned with LSD or something like that.
But developers can tell the truth through code.
They can start using data to give people better access to
the truth and build tools like for transparency data or tools
on top of transparency data to give people access the
sane, rational thought.
You go to this web site here, the National Data Catalog, and
say hey, maybe a mine exploded and you wanted to see the mine
safety records of all of the United States.
You can get that data right here and start saying, hey
maybe Massey Energy isn't doing well by its employees, and
is killing its employees.
You can do the same thing with, say there's an oil spill.
You can see where people are getting their oil from, and
how much foreign oil we are actually dependent on.
Then you can start tying all this data together.
This is a web site that one of our grantees built called
LittleSis.com that allows people to tie alll this data
together, and build profiles.
It's a mandatory Facebook of influential people.
It's pretty awesome.
So.
That's a Zombie.
So these tools help you fight these people, and make it so
that your arms don't get chewed off by a pretty,
blue eyed Zombie.
So, one last thing, fighting Zombies makes you money.
GPS, weather, all kinds of data initiatives coming from
government have created massive economies, massive industries,
and this isn't just a social cause, it's something much
more significant than that.
So, thank you very much.
You guys have been great!
Let's hear it for Brady.
BRADY FORREST: And thank you very much, Clay.
And now we're going to move away from DC.
All the way back to Mountain Dew, and Seattle with the
former Googler, the woman behind the original
Web Master Central.
Please welcome up Vanessa Fox, a seeker of truth.
VANESSA FOX: Okay.
Thank you, Brady.
So, normally, we have these things in a pub, and you're
all drunk and its awesome, and I'm so much better.
But, so, since we're not in a pub today, we're going to find
out the meaning of life.
I checked Google first.
The meaning of life, of course, they say it's 42, which used to
be really awesome, but now with the movie coming out, a
few years ago, everyone knows the answer is 42.
If you do the Flicker search, you see that it's old hat.
So, we're not cool anymore to really know anymore
the answer 42.
But they also think the meaning of life is Google,
so that scared me.
So, I thought that I would look for the meaning of life on
Bing, because that's the decision engine.
Sorry Google.
They told me I should look for what's my dragon name, which
lead me to a site to find a dragon name for my dog,
horse, cat or child.
That was very disturbing.
I thought, perhaps that I instead, I would try Yahoo,
another search engine.
It told me to find the meaning of life on these
3 places, in this order.
And, the bible is the only one in lower case which I didn't
know exactly what that meant.
So I went to Twitter first and it actually pointed
me to Facebook.
And so, I thought, okay.
And the meaning of life is Robert Pattinson looks like
a foot, of Twilight fame.
I didn't think this was really leading me in the direction
I had been looking for.
So, I thought I'd do another search on Facebook, What's
the meaning of Life?
It told me to YouTube, back to Google, right?
The number 2 engine is YouTube.
This is what YouTube said that the meaning of life was.
This is actually disturbed me maybe just as much as Robert
Patterson looks like a foot.
So, I didn't learn the meaning of life, but what I did
learn was that people are crazy on the internet.
And, I was like, OK, maybe I'm just looking at
the wrong thing.
Maybe I just really need to know why are people on
the internet so crazy?
So, this is the next search that I did.
And, what I found was that this.
I do research a serious subject and what I found find is that
the author would like to shoot the pope, or would like to do
strange things to my unmentionable parts.
And also, by the way, why do all the crazy people
use the caps button?
And these things seem to be an equal interest to this person.
So, I thought, well, that's a good question?
So, why do all crazy people use caps on the internet?
And what I found was, does anyone have a good recipe
for a red velvet cake.
And, I was like, yeah, dude I love cake.
I ended on this site, which with a bunch of people in a
flame war about whether the Star Trek characters should
really be on the cake because really, was he a navigator?
And ended up with this guy saying, have you kissed a girl?
Turn off caps-lock on your computer.
So I thought I'm going to really go to the root of crazy
people and ask them what the meaning of life is, which of
course, lead me ChatRoulette.
Then, I looked into Chatroulette, and I was
like, you know, I'm not going after all.
I don't need know the meaning of life that bad.
So, instead that validated that people on the internet or crazy
but also the other thing, of course, is that we
all search, right?
You've all been searching, and you found that people
wanted to things to your unmentionable parts.
So, we do 2.9 million searches a minute.
We use major search engines for everything. 71% of us use major
search engines for looking for health information.
So, life or death.
Are we going to live?
Are we going to die?
And we're doing searches with all of those crazy people on
ChatRoulette, and this is how we're getting our information.
The same is true with government information.
A study just found that search engines was how we get our
government data that apparently cause us to be Zombies, so
that that's a bit scary.
We used to use the library to get information, but it turns
out that the days, that only 13% of people use the library
as that place to find information. 58% use it to look
for reference books, but except that 65% use it to go on the
internet where all the crazy people are.
So there is a Slate article that talked about this.
That we really like to seek and search, and when we do that, it
causes the chemicals in our brain to mimic the state that
we're in when we're on cocaine.
And so that causes us just to keep searching more and more.
Sort of, that's how I ended up seeing that cat crazy guy.
So apparently when you search, this is what happens.
So this is kind of article ended.
If humans seeking machines, we've created the perfect
machines to allow us to seek endlessly.
So, what does that mean, right?
So some other experts have looked it, and said, OK we
don't get really good search results, but the reason we
don't, is because most of the queries we do are
a single word.
So its our own fault.
It's all you guy's fault that you ended up at the crazy
people, because you just didn't know how to search correctly.
Some other people are like, well, maybe
that's not the problem.
Maybe it's just that there's so much information out there.
There's not a good way to catalog it, and we think
if it's popular or in the top 10 search results,
it must be accurate.
Which isn't true.
So what should we do with this?
So, I would say this.
When we search, its like we're on drugs, so therefore
we're not going to stop.
We're going to keep doing it more and more.
And yet, what we're ending up with is a world full of crazy
people so what does that mean for the future of how we
interact with information?
Thank you.
BRADY FORREST: And we're lucky to have our next speaker here,
because he was almost eaten over the North Atlantic.
Please welcome Bradley Vickers.
BRADLEY VICKERS: I'm going to talk about rowing across the
North Atlantic ocean from New York to Thalamus, England.
It's a journey of about 3200 nautical miles.
And, I completed it in about 71 days.
Just over 71 days with my 3 other teammates.
And we recognize by Guinness World Records as having had the
first landfall to landfall crossing of the North
Atlantic ocean.
I think that you can take some hopefully observations from
this crossing and apply to whatever projects you guys
might be involved with.
The actual expedition took about 18 months to prepare for.
And part of that was getting our team together.
The 4 of us had rowed together in college, and
we figured, why not?
Let's row across an ocean.
We also had to outfit our 28 by 6 foot ocean rowboat with a
solar panel and that fueled our communications and our
navigation systems and it also powered our desalinator, which
converted salt water into fresh water.
Now the actual crossing is both the mental and
physical challenge.
As you can see from the slide behind me, the transformation
both physically and mentally that I underwent.
That last one, I'm loosin' it!
Get me to shore!
Part of the physical nature of this, is we were rowing in
shifts of 2 hours. 2 hours on, 2 hours off. 2 on, 2 off, 2 on,
2 off. 24 hours a day, someone's at the oars
for 12 of those.
So we're continually sleep-deprived.
You see Jordan there, in the corner, sleeping were 1
eye open in the cabin.
It's a very cramped cabin.
It's about 8 foot by 5 foot, so you never getting full rest.
You're also having to keep yourself clean and your
clothing, because you don't want to get salt waters sores.
And we were downloading satellite images of the North
Atlantic and weather reports and uploading our blog via
Iridium satellite phone.
So we need to the eat during our 2 hours off.
And we had budgeted between 8, sorry 7 and 8,000 calories
per rower per day.
It was an immense amount of food.
I was in charge of planning the food, and I miscalculated.
Which is not a fun thing to tell your teammates.
I realize it on day 14 and it took me until day 17 that I
worked up the courage to tell my teammates.
We would lose a combined 137 pounds.
I lost 28, Dylan 32, Jordan, 35 and Greg, 42 pounds!
Now, ultimately we were successful in achieving our
goal which was rowing across the North Atlantic without
physical assistance, so we couldn't be resupplied by food.
We achieved that, and I think the outlook that we had and the
process we went through can be applied to getting through
challenging settings with a group of people in
a team dynamic.
We were on a 29 by 6 foot boat and we couldn't get off, so
we had to work together.
One of the ways that we work together is we had
conversations for the boat, and we had conversation for land.
If it was constructive, if it was productive,
it was for the boat.
If it was destructive, or if we are trying to find out
whose fault it was, mainly mine, it was for land.
Hopefully, over a large a warm meal and multiple
cold beverages!
So we kept ourselves focused on solution based suggestions.
The other thing is our process.
Immediately upon realizing that we were short on food, we
inventoried the entire boat, so we could start dealing with
some facts and numbers and we realized if we rationed, we
could make it to England.
So we had a plan.
And we had that plan, we had something to focus our efforts
and our energies towards, rather than bickering amongst
ourselves, and we made progress towards our goal.
And with that plan, we learned more information.
We learned how we responded the low calorie intake.
And we constantly readjusted our plan, but our goal
remained constant.
And I think that's huge when you're working on a project.
Don't shift your goal to meet the settings that
you find yourself in.
Constantly adjust your plan and your own actions that you're
taking to achieve that goal.
I've really enjoyed sharing my experience with all of you and
I hope that you're able to take these stories and apply them to
whatever pursuits that you're in and whether personal,
professional, whatever passions they are, I wish you the best
of luck in achieving your own adventures.
Thank you.
[APPLAUSE]
BRADY FORREST: Thank you very much, Bradley.
As I mentioned, there are Ignites around the world.
And we're lucky to have the organizer of the Community
Leadership Summit Ignite here.
He does a lot of work with helping people get together
communities build communities and keep them together.
He's here to share some secrets.
Please welcome Van Riper.
VAN RIPER: Just to be clear, I'm not a Communities
Serial Organizer.
Not that there's anything wrong with that, but, I'm here
talking today about my work as a Serial Community Organizer.
I know, bad joke.
You're supposed to be drinking.
These are some of my communities.
The bird is Juggie.
The JUG's mascot.
JUG stands for Java User Groups, probably not what
some of you were thinking.
I did create this Yahoo group for a production
of Hello Dolly.
The theater director of my daughter's show did say to
me, so, I see, you are a community organizer.
Shortly after that, my career as a community
organizer really began.
At BayChi, I helped others organize their own small
communities for more than a decade.
I also learned the importance of regular, in person meetings
to build communities.
Oh, yeah, the lady in the lower left, she's taken.
She's my wife's, Mary Von Riper.
The Silicon Valley web job that was the first
community that I started.
I escaped the imploding start up world for a
safe haven at Verisign.
The pay was good, but the legacy code work
was killing me.
For fun, I would hang out with other Java
Developers at my JUG.
Java, Java, Java, Javajava jing jing jing.
These folks are my Java possie, in particular Aaron Houston, in
baseball cap, played a pivotal role in my efforts as a
community organizer with the JUGS and the Java
champions communities.
In 2006, I came close to burning out.
If Kevin had not come along -- Are you here, Kevin?-- All
right, if you had not come along and played Robin to my
Batman who knows what would have happened?
But it quickly evolved into a relationship of equals.
These global maps are all created by me in KML.
And maps that's like these are a great way to support
a global community.
One of these is not like the others, and you'll have
to ask Brady why that is.
So, it's kind of like code camp, its a free annual event
by developers, for developers.
That lunch line had 1,000 hungry developers in it.
We gave of almost 200 large pizzas that day, and its
already open for registration.
This shirt is showing the tag cloud of the most recent code
camp, and Peter Kellner and Tammy Baker are the original
organizers, and I help them now.
You can see how Java has become a big part of last year's camp.
Chris Shaw is actually behind the start of the Google
technologies user groups.
And, we had our first meeting in January, 2008.
Stephanie Lou and Jason Cooper are our current sponsors and
look for the GTUG camp out this summer.
But whether you're looking for a GTUG near you, or you want to
start a new group, you should come check out the
GTUG lounge here.
That's where you'll find people like me hang
out during the break.
And please do visit GTUGS.org on line.
Organizing developer communities is fun, but I
needed something more.
I attended the first leadership summit in the summer of 2009.
I was swimming in as the sea of community organizers.
That event was a natural high for someone like me.
Jono Bacon, , the author of "The Art Of
Community" organized the first CLS.
He believes in building family values in your communities
through events.
With Marcy Hennin egging me on, I decided to put this into
practice, organizing the first regional CLS event.
Thus, CLS West in January, 2010 came to pass.
Irene Koehler found us a great venue.
Dave Neilsen and Sudha Jamthe were our fundraisers
extraordinaire.
Colea did her magic running the conference, Sonya Barry did an
amazing job handling the food.
Its hard to believe, but the second edition of the main CLS
event is only 2 months away and I've been asked to
help organize it.
I've somehow become the organizer of
community organizer.
If you do community work, you have to be there.
I was a map volunteer for Global Ignite Week.
It inspired me to plan something similar for the
CLS movement in 2011.
On this stage, I'm officially announcing plans for a regional
month next January, And you could be a part of it.
See me to find out.
People often ask how I can put so much effort into these
volunteer activities.
I did start out to scratch my own itch.
But, I soon found it was enriching my life.
Brian Sharp has some concrete practices that'll make you a
better leader and a better person.
Google has some great community technologies.
But technology doesn't build communities.
People build communities.
Spend time getting to know people here.
Don't just soak up the technology, even for geeks like
us, it's still about the people whose lives we have touched.
I like fortune cookies.
Next time you open one, add in community leadership to
the end of your fortune.
It's not as a titillating as the traditional game, but you
might be surprised by the results.
That's all, folks.
BRADY FORREST: Thank you very much, Van.
Yeah I met Van when he was helping out with
Globaal Ignite week.
Thanks again.
Our next speaker, I met just two weeks ago?
A week and a half ago?
She is on a Knight Ridder scholarship to research
journalism, and she's trying to learn how to tell stories
through locative media, and it seemed to me that the home of
Google Maps might just be the perfect place for her
to tell her story.
Please welcome for Chrissy Clark.
CHRISSY CLARK: Hello, my name's Chrissy Clark, and and I make
documentaries for public radio, but don't worry, I'm not going
to ask you for money right now.
I'm going to tell you about a vision that
I had in the desert.
But to understand that vision, you need to know
a little bit about me.
I am a fifth generation Californian.
My great-great grandfather came to the bay area in 1848 on a
mule, and the legacy of that is it that as a kid when I was
growing up I heard a lot of stories from my dad about the
world that I was driving through all the time.
So, he would point at things and he would say that
used to be that.
That industrial wind farm used to be our family's
general store.
Or, that big, 8 lane freeway that goes out onto the Golden
Gate bridge, that you see to be was my dad's
personal jungle gym.
He claims to have climbed it that when the bridge
was under construction.
I don't know if I believe that.
But what I did learn through all of that was that a
landscape is made out of stories.
It's sort of the layers and layers of stories like the
geologic strata, and that is what inspired me to
become a radio reporter.
I started moving around the world and asking questions
about how places got to be the way that they were.
So one of those questions was it bad neighborhoods.
We've all been through bad neighborhoods or avoided them.
Why are they the way that they are?
How did they get to be that way?
I asked that question about a neighborhood in San Francisco
in the western addition.
And it turns out that neighborhood was not always
a bad neighborhood.
In fact, it used to be in the 1940's a cultural mecca for the
African-American community.
It was called the Harlem of the West.
But in the 1960's it was a target for urban redevelopment
and so there were at 13,000 families been were moved out of
San Francisco a lot of buildings were raised
and, voila, you get a bad neighborhood.
Another question I started asking about the landscape
in San Francisco was, why is this city gay?
Why of all of the cities in the world, is San Francisco gay?
And so it actually has a lot to do with this building up here,
which is 710 Montgomery Street.
It's now kind of a yuppy restaurant, but in the 1940's,
it was a cafe called The Black Cat Cafe and a guy named Jose
Sarria would come and dance in drag, these lovely black
evening gowns and sing songs about his life as a
homosexual male.
They were flamboyant and funny and provocative and political
and people started flocking to them.
And the reason that he didn't get kicked out of that bar, as
he would of in most other parts of the country at that time is
that San Francisco, it wasn't that it was so liberal, but is
actually it was a loophole in a post prohibition way that
bars as are regulated.
In most parts of that country, bars the regulated by a
morality police, or were back then.
But in San Francisco bars were regulated by tax collectors and
so they just wanted to get money.
They didn't care what was going on in on, and, voila, the
gay rights movement was born in San Francisco.
So these sorts of stories were on my mind as I was driving
through a desert in Utah a couple of years ago and I saw
this cabin and had this urge I wanted to know the stories
about this cabin, because I was in the middle of nowhere.
Why the hell was cabin here?
And I wanted the click on that cabin, like you would
click on a hyper-link.
Maybe I'd had been in front of a computer for too long and I
know that was a delirious idea back then.
But, as you know it is not a delirious idea anymore, thanks
too many of you in this room.
You can click on the world.
You can click on the world, and get information.
So, if we're driving through the Utah desert, right now, and
we clicked on this cabinet, what kind of information
would we get?
Well, we'd get some cool Wikipedia articles.
We'd be told that it is it desert, which we
kind of all ready knew.
We would also get some Yelp restaurant reviewes maybe.
Some other bits of sorts of drips and drabs
from the internet.
And that stuff is amazing.
Mind blowing.
My great-great-grandfather would be amazed.
But one of the things that we aren't getting yet is stories.
The personal dramas, the economic policies, the
environmental issues, the political struggle that make a
place what it is and shapes the people who live there.
It's sort of getting the meaning onto the landscape.
And as a journalist those are the sorts of stories that I
tell all of the time and they're actually thousands and
thousands of archives of those sorts of stories that are
locked up right now and don't really have a home
out in the world.
And so, what I'm interested in doing is getting those stories,
those archives on to the world so that we can click on them.
So, say we're driving through Utah, we see that cabin, maybe
we click on it and we find out, and it's true, I researched it,
that it cabin happens to be as desolate as it is in the one of
the counties that have the highest in job growth in the
country over the last 10 years.
Or we find out that it was a place where a radioactive waste
facility is about to be built.
So its those sorts of stories not just in Utah but all over
the country, all over the world that I'm interested and putting
onto the landscape and if you want to talk to me
about that, please do.
My email is there, you can click on me.
Thanks.
BRADY FORREST: She didn't know what Ignite was a week ago.
Thank you very much.
Our next speaker is a digital artist, and I think it's best
just to say he makes beautiful things through code.
Please welcome up Aaron Koblin.
AARON KOBLIN: Thanks.
So, in addition to being a technology lead at Google's
creative labs, I also have a passion for making art with
with large data sets and large groups of people
on the internet.
So I'm going to try to breeze through really quickly a few
projects I have been working on recently.
Particularly crowd sourcing projects.
Some of you may be familiar with this.
Barron Wolfgang von Kempelen mechanical
chess playing machine.
This is actually a robotic chess player, except for the
fact that it's not at all.
There's a leg-less guy who sits a box and he controls this
thing, acting like he's machine.
I thought this was a particularly bizarre story,
especially because Amazon created a web service based off
this that some of you may be familiar, with called The
Mechanical Turk, and it uses the premise that there's
certain things that are easy for people but hard
for machines.
And now can farm out these tasks to a large
number of people.
And they can do these little things in complete isolation
from one another.
And they call it artificial, artificial intelligence.
So it's a really weird concept.
There's like thousands of people, and none of them have
any idea what they're doing but you can ask them
to do anything.
So I thought what can I do and how can experiment
with the system?
I decide to make a first project where I asked them to
draw sheep facing to the left.
And I said I'll pay you $0.02 for this task.
And, it's a very simple drawing tool that has a side slider and
a gray slider and you can start drawing away at your sheep.
And I started collecting sheep, a large number of sheep.
These are a few of sheep that I collected.
You can see kind of a really interesting juxtaposition.
You have this very mechanized huge system and all
these individuals.
I also captured the drawing process of
each individual sheep.
I am going to rattle off a bunch of URLs.
Hopefully maybe some you will get to check them later.
TheSheepMarket.com you can see where where all these sheep
were drawn and you can actually purchased them, which is
another interesting topic.
I don't know if I have time to get into in the Ignite.
But, you can browse through the all.
See them all here's some stats for the project: There's
about 11 sheep per hour were coming in over 40 days.
There were 662 sheep that didn't meet "sheep like
criteria" [LAUGHTER]
and were through out of the mix.
There were 7,599 unique IP addresses, so that you
an idea about how many people participated.
But only one of them asked this!
It's a really valid question, and I really expect
a lot more that.
There's a lot of reasons that people drawing sheep, reference
to cloning, reference to labor, I don't have time
to get into it.
This is another project.
I took a frame Charlie Chaplin's Modern Times.
On the left side, you have the frame then divided
into 16 pieces.
Individual people drawing different portions for $0.05.
Amazing dedication that was going to these tasks.
And this is a sample from a project that I worked on
with my friend, Takashi Kawashima, which was based
on this notion where you give somebody something and they
recreate what they see without knowing what it is that
they're working on.
We decided to take it quite literally what the mechanical
turk was used for, making money.
And we created a hundred dollar bill.
We pay the workers the literal values their contribution, so
that's $0.01 for 10,000 people maybe making this
massive forgery.
What you see here is everybody's contributions.
If they drew a smiley face, its in there.
There if they actually drew what they where asked to do
it's also there so you can get a sense of what's going.
I really don't have time to talk about this one, but if you
get a chance, Bicyclebuiltfor 2000.com is the audio
version of this.
I worked with my friend Daniel Massey, and we collected sound
samples and did a granular synthisism of the sound bicycle
built for 2000 where can hear individual people making tones
and emulating tones to make the song.
Another audio based project that I got to work on - I got
to work with Radiohead, one of my favorite bands, and director
James Frost, and we shot this video using laser
scanners as 3D data.
We made music video without video.
We were looking at it as time [INAUDIBLE]
space.
We basically then released it as an open source project on
Google Code, and we allow people to download some source
code to play with the data and also the data itself, and
people started making their own versions.
This probably my favorite part of this project.
The fact that it really start to create a community of people
making interesting content.
And you see here on the bottom left, the pin board version
of the of Tom York singing.
There's a Lego version.
In the center, there's someone who actually 3D printed Tom
York's face so now, there's this physical manifestation
of it as well.
I thought this was really exciting.
That there were people working together and they knew
what they were doing.
And I thought, let's do something like that.
That led to this project, Johnny Cash Project,
which we just launched.
This is Johnny Cash's last album, making music video for
the song "Ain't No Grave Can Hold My Body Down" and
we're actually kind of resurrecting, director Chris
Milk and I ressurecting Johnny Cash through individual
users drawings.
So you can see here none of these are photographs.
They are hand drawn frames that people can contribute to make
this music video that's constantly changing.
So it's not a single video.
There's actually different tracks and different community
around it rating and judging.
This is Gray Area Foundation for the Arts and I
wanted a quick call out.
Here in San Francisco we have workshops that basically lead
different types of thinkers to use programming and other tools
and get artists and designers and other people kind of using
technology to interesting ways.
One of things we talk about a lot is this to tool called
processing which basically a series of libraries in Java
which makes it really easy for artists and designers and
people aren't necessarily familiar with Java which
or programming to start doing creative coding.
I highly recommend that you check it out.
Finally, last but definately not least, I want to mention
Chrome Experiments which is a website I helped launch at
Google, which is showing a bunch of the really interesting
HTML5 and Javascript hacks and demos, some stuff you may have
not realized you could do in a browser.
And since you are all developers, I'd love for you
to check it out and also contributed if you
get a chance.
Thanks very much.
BRADY FORREST: Thank you, Aaron.
Who loved to the animation behind the speaker's
this morning?
With the wires that create Google?
You can thank him for that as well!
And, his team, and his team.
Now as you may guess, we're about to talk about
someone else's hobby.
The physical manifestation of You Sunk My Battleship.
Please welcome James Young!
JAMES YOUNG: Thank you.
Model warship combat is taking World War 1, World War 2
battleships and building 1/42 scale models of them, arming
them with working BB guns and going to a pond and just
the shooting the crap out of each other.
It's a game, a game we play, and like all games, it's got
rules and everybody has to obey the rules for
the game to be fun.
These are the rules for the various formats and like Mac
versus Linux versus Windows.
You take your pick, and you stick with your religion.
Big Gun is, in my opinion, the most fun.
You have 1/4 ball bearings.
You fire everything, you man everything, you do everything
as much to scale as you possibly can.
And that's what these boats are.
The guns can be really complex, from rotating to pressing
turrets, to really simple guns that fire fast as
you possibly can.
And they are all C02 powered.
They run quite well.
You're going to start with original ships.
They have to be ships that were really lay down or built in
World War 1, World War 2.
This is the Cleveland in that corner.
This is the Rodney from the UK.
You're going to learn about the people that served on, and it's
really fascinating to find out the history of the ships.
And you can pick whatever kind of ship you want, aircraft
carrier, submarine.
Battleships are the easiest to do.
You've got the most space, the most room.
There's room to work with.
There's room to put all of your guns and do everything that
you want to do with it.
You can find plans on line.
A lot of people in the hobby make plans for these ships, or
you can go straight to the Library of Congress, get the
original plans from the Navy, scale them down to 1/44 scale
and build it yourself.
You can buy fiberglass wholes on line, or you are good with
wood working skills, you can make it yourself.
You're kind of making a framework to lay a thin layer
of balsa wood around the ship, and that balsa wood is
what you're shooting.
And how it sinks and takes damage.
You can go really detailed.
This is a fine example.
This is the Yamoto here on the right, or you can you can be
really simple like mine, and like the other one up there.
It really depends on how much time and skill that you
have to dedicate a hobby.
And it it's really about money and time.
People say how much does it cost, and I'm like, well,
anywhere from about $500 to $2000.
It really just depends on how much skill you can put in the
one and how much is you ust want to buy from somebody else
that's done the work for you.
Once you've got your ship, once its all ready, you go to the
pond, you put it on the pond with everyone else,
and you have battles.
And they usually have an objective so the access team
has to get their transports across the pond and back across
the pond without sinking and the allies have to accomplished
some goal without being destroyed, maybe it's just a
death match style battle and everybody just goes out there,
and everybody tries to sink everybody else, and the last
man on the top of the pond wins the game.
But they're really shooting BBs.
They're really doing damage to each other, so stuff's going
to get shot off your ship.
You're going to have
holes punched in the side of your ship.
You've got bilge pumps.
You can see the spray on that one up there, the where the
bildge pump is spraying up and you're going to sink, and
it's part of the game.
Everybody sinks, it kind of sucks, but, that's what you are
there for, is to what you're out there for, is to
sink and be sunk.
So the ships are all designed, you waterproof
as much as you can.
You've got protection around your electronics, so you
just pull your boat out of the water.
You patch the holes on it.
And, 15 minutes later you ready to fight another battle.
The kind of damage you can take can be pretty severe.
I've got some pictures right there of the
damage that you'll take.
It's not small.
You're really getting your boat shot to pieces.
And so to repair it, you can either put masking tape over
it for a temporary repair.
There's a really thin cloth that impregnated with glue
that you can put on there.
And in the wintertime when the when the ponds are all frozen
over, you ust peel off your balsa wood and put new
balsa wood on there.
There are clubs that do this all over the world, from
Australia to England and in the United States.
There's clubs in almost every region of the of the country.
I am from Utah, and I'm a Navy of one.
It's just me.
So if anybody here from Utah then give me a call,
and I'll bring you out.
Who's here from the bay area?
Give me a shout.
OK, these are your people.
These guys are in San Jose and they're from all
around the bay area.
And we'll be at Makers Fair this weekend and we'll have a
huge battle at Maker's Fair.
RC Naval Combat is the place you want to go.
This is where we all talk on line and this is
my contact info.
I love to talk about this hobby.
I have to say thank you to my wife and to my best friend
Sam [? Rosskelly ?]
who made this hobby possible.
Thank you very much.
BRADY FORREST: James, we normally don't have time
for questions, but I just have to ask.
How many eyes do you lose a year?
Thank you.
Our next speaker has been experimenting with Wave from
the beginning and has made homage to what I can only
assume is Buffy the Vampire Slayer with ElizaBot.
Please welcome Anne Veling.
Anne Veling I'd like to share with you a little adventure
I've had with Google Wave over the past year.
Let me ask you a question.
Who was here at IO last year.
It was great.
I was here to and I was excited to meet so many smart
people just like today.
I was also excited to hear about Google Wave, and even
though a year later Google Wave may not have been the overnight
success that we've may
have hoped, I feel strongly believe in the vision behind
Google Wave, because instead of us juggling around the objects
between the people who need to collaborate and sending it back
and forth, Google Wave, actually turns that model
upside down and as all these people collaborate and go
towards the wave, and move toward the object
collborate on that.
I also like wave because of the protocol well so technology.
And as I'm a nerd, what's the best way to find out?
Actual programming.
So when I came home last year, that's what I did.
I thought, lets create a Google Wave robot and as I have a
background in artificial intelligence.
I thought let's create Eliza.
L Eliza, it was created by Professor Weizenbaum in 1966 as
a simple pattern recognition script that looks for certain
words in your what you are typing, juggles them around and
creates questions back just like to shrink would do.
Only a shrink would charge you money, and Eliza's for free.
I looked up on the internet got an open source Eliza script and
played around with it just a week after IO.
I used Google Wave Robot API, app engine, App engine,
which I'd never used before and I used this Eliza.
Grouped it all together.
Two hours later, I had this Elizabot just for
myself and it worked.
I was happy.
This is her name ElizaRobot@Appsbot.com Feel
free to use her and you can confide in her.
She has a doctor-patient confidentiality so she
has nothing to say.
So, I chatted with her.
Had fun.
Learned a lot about Google Wave.
Had fun.
Learned a lot about Wave and blogged about it and I thought
that's where the story ended.
To
my big surprise what happened is she got enormous
amount of attention.
I believe I was the first person outside Google to
create a Google Wave robot.
And a lot of people would start chatting with her, inviting
me to Waves with her.
There's YouTube fan videos of her.
It's amazing.
But, as always there's also a dark side.
Because, what would happen is that one person, one funny
guy would add Eliza to a public wave.
And because of the scalability of app engine and Google Wave
robot, all of these Eliza's would respond to everybody at
the same time immediately.
It was amazing.
And remember in those days, you could not throw somebody
out of a Wave, right?
So Google have to create Bouncy, which had special
privileges to kick somebody out.
And, it's only since last month, that in Google Wave,
you can actually remove a participant from a Wave.
I can understand that because, it's not just about technology,
its about what do you want?
How do you want it to work?
And who is allowed to restrict access?
And why?
What happens to the state of the the person, what
he's already seen?
And all of those functional aspects are important.
And, how do you even know who he is a roobot, and who is not?
So thats quite important.
I think that's one of the lessons that you can learn from
this type of this n technology.
It's become so easy nowadays to create powerful web
applications by meshing up a sort of different web services
from different areas.
How do we make sure we don't misuse that trust?
How do we make sure a Google Wave robot does not copy
everything you put in the Wave, and sends it off to somebody
you don't want to be able to listen in on your wave?
How do you know?
If we have an android app, how do youy know this android app
isn't looking at your Gmail context address book, apps, and
whatever, and does something that you you don't want to do?
That, you don't want, right?
Whoever reads what's in here?
It's become like a software license.
Yes, yes, yes, yes.
So, I think that's one of the big challenges for us today.
I think the answer also lies in the social networks themselves.
The power lies also in the strength of the networks and
you see more and more people and companies using this.
I know one person who you can trust.
That's Eliza, the robot shrink.
Feel free tonight when you're alone in your hotel room
have a chat with her.
This is her address.
That's my address.
Please come to me later if you want to talk about Eliza,
interesting stories or if she's helped you through
your depression.
Thank you.
BRADY FORREST: Thank you very much.
Now we've got just two more speakers, and in case you came
in late, everybody here is doing Ignite talks, they are
just five minutes long. 20, 15 second slides, but the
speakers have no control over their sides.
Have pity on them.
Our next 2 speakers are pretty experienced, though so
I'm not worried about it.
You may know him as the King of the Cheeseburgers.
Please welcome up Ben Huh.
BEN HUH: Hi you guys.
You may know me from such highbrow web sites as failblog
Icanhascheezburger.com and one of our newer sensations
verydemotival and we run about like 50 other web sites now,
and growing on a weekly basis, so Brady has asked me to talk
about the evolution of the meme, pronounced meeeemmmmeee.
Which is the idea that ideas are transmitted
from person to person.
A meme is something passed on for one person to another.
An evolution of memes have occurred throughout our lives
and we may not have noticed it.
And I'll tell you about the definition and the rules of the
meme, that as we know it today are something that anybody
can participate in.
Even this guy.
We don't actually control who is a part of meme or not
because everybody owns the idea.
Even that old guy, and that busty chesty lady and that
nice, sexy legs, they can all participate because everybody
owns what a meme is and this is part of a communal process
in generating things.
And, I don't want you to get confused about memes
and viral content.
Meme's are not same thing viral content.
Viral content is a subset of memes.
It's related in that way where a burrito is related
to a clogged artery.
And also, it's not an internet kind of thing.
In fact, this is not owned by Al Gore.
Memes actually started well before the internet, and
actually word meme came from a book well before the internet
was ever even created.
We want to delve into the history of this.
I started looking back and I tried to figure out when to the
idea of virus start and it looks like it actually started
well before civilization.
Once people try to figure out how things worked, like they
developed a skills set they could actually pass along to
each other and passing along a skill from person a
person was a meme.
And, what we're trying to do here buy buildings cities, and
figuring God, and religion is to try and to create
order in and our world.
So this is early civilization.
Ideas of viruses were designed to create order and structure
of how we understand the universe and now we all know
thanks to that, you cannot walk in the [? motor. ?]
And also, after we-- I'm competing with my own damned
slides -- all right.
I'm just going to sit here quietly and let you guys watch.
So, once we how the world worked, and we thought how
do we use the world to liberate ourselves?
How we become free of the constraints of
our physical world?
We started to publish things.
We created a printing press.
We set scientific knowledge and scientific methods and ideas
that can transmit to other people.
And then we decided that advertising would set us free.
We could create products and sell to each other and it would
make our glory holes clean.
There was a backlash to that.
And the backlash to advertising was internet culture.
And a lot of us here are fans of internet culture because we
realize that internet culture is about to chasing happiness.
That we could, in turn take mass media turn it upside-down
and make ourselves and each other happy because we're angry
at pop culture because it gave us Twillight.
And if you don't notice those two guys are the two main male
characters who are supposed to be kissing Bella, but these
these hands had made them kiss each.
The problem with pop culture is it's owner oriented.
It's one way.
It's top down.
It's actually not controlled by the masses.
It's actually controlled by the few people who control the
medium that it works in.
But, internet culture is different.
We can enjoy this very simple photo, and laugh at it and get
hours of laughter out of it.
You can actually progress that and put somebody else's face in
it, try a different animal, photoshop it and actually
evolve the culture because we're subverssive.
Thank you Google will for this wonderful suggestion.
And, in fact an entire grassroots community of people
have developed around about the idea that you could make fun of
Google by looking at the suggested results, and because
this is a limitless this property that we can actually
take culture, re-appropriate it and continue to grow an
audience people who enjoy subverting, and sharing this
culture with another without actually owning it.
And we have to use our powers for good.
You can't just spam your friends for Farmville
gifts all the time.
You have to actually think about how your subversive
nature effects one another and I would argue that this world
is more about making making each other happy
than anything else.
And to make ourselves a little bit happier, I'm going
dance on stage with Matt.
[APPLAUSE]
Where the hell is Matt?
And that's the end of my presentation and here is Matt.
MATT: OK, I realize that using this here is a fail on many
levels but it's gonna avert disaster.
OK, here we go.
A great circle is an imaginary line around the earth.
It splits it into 2 equal halves.
We all know the equator, but you can actually draw an
infinite number of them by extending a line between
any 2 points on the globe.
Using Global Earth, I made one that starts at Barbra
Streisand's house, and passes through Dick Chaney's private
residence in McClain, VA.
Continue the line all the way around and you've got
yourself a great circle.
Today, I'm going to talk about another slightly more
substantial great circle.
I call it the imaginary line of you ancient cosmic weirdness.
But, first a disclaimer.
This is not my own research.
I got obsessed with the great circle website by a guy named
Jim Alison and I'm basing my talk on his work.
To define the imaginary line in question, I'm going to start
with 2 very well-known ancient sites; the pyramids at Giza in
Egypt and the mysterious Nazclines of the west
coast of of Peru.
Now that we've got our lines, we're going to follow it around
to see what else we run into.
For over 4,000 years, the pyramids of Giza were the
tallest structures ever built by man.
Some believe the adjacent sphinx is even older,
serving as a gateway to the afterlife for some
of pre-egyptian culture.
Fitting then is that today, you can admire it from across the
street, while consuming a deep dish meat lover's combo.
Way out in the Sierra, the Oasis of Siwa is believed to
have been settled around 10,000 years ago.
It was known as the Oracle of Amon Ra in 332BC when Alexander
the Great marched 500 miles in the wrong direction to
ask it if he was a God.
The Oracle confirmed that he was the son of Zeus.
That has nothing to do with imaginary lines.
It's just awesome.
Heading east, the line follows Moses's path out of Egypt
across Israel and into Jordan where we reach the city
Petra founded by the Nabateaens in 500BC.
The written language that emerged out of Petra is
known today as Arabic.
And, of course Petra is where Indiana Jones
found the holy grail.
Crossing Saudi Arabia and into Iraq, the line take us to the
ancient Sumerian city of Ur, one of the oldest human
settlements in existence.
Somewhere around 2000BC, a guy named Abraham grew up here,
before wondering west and starting the Hebrew tribe.
All sorts of crazy stuff happened after that.
You should Google it.
The line take us into Iran where we find Persepolis
founded by Cyrus the Great.
Persepolis was the capital of the vast Persian empire, until
it conquered by Alexander.
Still coasting on his Godliness Alexander got drunk and burned
the city down on a dare.
Which is why Persians still know him today as
Alexander the Douch.
In Pakistan we find the remains of city of Mohinju Daro which
in 2500BC was one of the most advanced cities in the world.
It thrived for a thousand years until the Harappans
suddenly disappeared in an archaeological puff of smoke.
We don't know anything else about the Harappan people,
because no one could read their handwriting.
The imaginary line continues in Asia passing through ancient
cities in India, Burma, Thailand, and Cambodia which
brings the tally up to 10 sites that fall within its pass.
The line enters the vast blue emptiness of South Pacific
ocean, where it crosses directly through tiny island
2000 miles from any other land worth mentioning.
That would be Easter Island, home to the Rapa Nui people who
once carved 100's of massive stone heads called Moai and
scattered them all over the place for no good reason.
Entering South America we find the city of Machu Picchu is a
bit too far north of the line, with but if we go south, from
the famous Inca trail, we quickly reach the much larger
city of Ollantaytambo, which lies directly under
the line's path.
And finally, the last stop.
The massive line drawings of the Nazca people.
So large that can only be seen from the air.
They don't show a great satellite imagery though, so
I've overlaid a clear map.
Notice how the drawings are oriented not along the North
South polar axis but strictly parallel to the imaginary line
of ancient cosmic weirdness.
What does this mean?
Is civilation somehow drawn to or catalyzed by this
particular bearing?
Is the line tied to the positions of the stars?
Are there undiscovered cities buried in the sand
dunes of the Sahara?
And, I'll just go ahead and say it.
Where's the lost island of Atlantis on in all this?
Here's my best answer.
Apophenia.
The tendency to see meaning in random data.
Human intelligence relies on our ability to see patterns and
it's constantly delivering us false positives which is why we
see a face on mars, find Jesus in a potato chip, and buy
into corney theories in horribly written novels.
There are thousands of ancient settlements that are nowhere
near the imaginary line of ancient cosmic weirdness.
The real link between the places I've shown is that they
were inhabited by people with the same compulsion to ascribe
meaning and important to random data around in an attempt to
make some sense out of life.
That said, I want to throw one more thing that you.
The Piri Reis Map completed in 1513 by the Turkish mariner of
the same name, drawn on the hide of a gazelle for lack
poster board, it features an accurate likeness of the
South American coast line.
Why is that weird?
Because by 1513, no western explorer had mapped the
South American coast line.
Some even claimed that stretch of land on the bottom is a
fairly accurate depiction of the Antarctic Coast, which no
one is supposed to have seen until the 1820's.
The map also shows the correct distance between Africa
and South America.
Without a reliable way to measure longitude, maps
from centuries later still got that wrong.
In the margins, Piri mention compiling a map from 20
different sources, some dating back to the time of, here he is
again, Alexander, effectively preserving knowledge from other
maps have been lost to history.
Now take a look at these two islands the mid-atlantic.
We've got a spot on depiction of South America and yet there
to huge phantom land masses that we know for certain
do not exist today.
What the hell is islands?
Here's Google's earth satellite view the area described
the Piri Reis.
Here's the map overlaid on top of it.
Now, let's bring back the imaginary line of the
ancient cosmic weirdness.
BAM Atlantis.
Done.
Thanks for your time.
[APPLAUSE]
BRADY FORREST: Dancing's a lot easier, isn't it?
All right.
Thank you all for coming.
I hope you enjoyed it.
These videos will be up on the Ignite show and you should
start one in your town.
Take care.