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  • - As a homicide detective, I worked over 250 murders.

  • Of the cases I was primary investigator,

  • I solved all of them.

  • - [Narrator] Today Rod is going to break down

  • what's right and wrong in Hollywood crime scenes.

  • [coffee rippling]

  • [fan whirring]

  • [TV clicking]

  • - Crime scenes can be very tricky.

  • There are a lot of different details

  • that can be easily missed,

  • so what we're going to be doing

  • is looking for things that are telltale,

  • things that actually happen versus things that don't.

  • [static buzzing]

  • First clip, Ace Ventura: Pet Detective.

  • In this scene, Ace arrives at a crime scene uninvited.

  • - I heard a scream, so I called the manager.

  • - [Manager] The place was empty except for that dang dog

  • in the other room.

  • I opened the balcony door, looked over the railing.

  • - This scene is highly inaccurate in the fact

  • that there are a million people at this crime scene

  • and that would never happen.

  • Crime scenes are really controlled and the number of people

  • to contaminate a crime scene is closely monitored.

  • - Animals can sense evil.

  • - Who let Dr. Dolittle in?

  • - Lieutenant, he came with Miss Robinson.

  • - This is official police business.

  • We'll let you know if the coroner finds a tick.

  • [laughing]

  • - Crime scenes are often guarded by a patrol officer

  • and when people enter crime scenes,

  • their names are taken and they're screened

  • and they're scrutinized, so the fact of Ace

  • just popping up in a crime scene and nobody knowing it

  • would probably never happen.

  • - So you don't think this is an obvious suicide,

  • Mr. Pet Detective?

  • - Well, I wouldn't say that.

  • Lord knows there's plenty of evidence here

  • to support your theory, except of course

  • for that spot of blood on the railing over there.

  • - A person collecting blood has to collect the blood

  • from the state it's in.

  • It has to be photographed and swabbed and preserved.

  • The other thing is it's an incredible biohazard.

  • No one would ever put their hand or finger in blood

  • to see if it is blood.

  • If anything, they'd run away from it.

  • - Roger Podacter went out after work.

  • He had a few drinks and he came home, but he wasn't alone.

  • Someone else was with him in this apartment,

  • there was a struggle and he was thrown over that balcony.

  • Roger Podacter didn't commit suicide.

  • He was murdered.

  • - Well, that's a very entertaining story,

  • but unfortunately real detectives have to worry

  • about that little thing called evidence.

  • - What's cool about this scene is Ace is sort of

  • the renegade guy who was not supposed to be there

  • and everyone else there has the same theory

  • or thought process going on and actually that happens a lot.

  • There's always a bunch of people that know so much

  • and one person who's always discounted,

  • but that person actually thinks clearly.

  • [rhythmic yelling]

  • - This is double-pane soundproof glass.

  • There's no way that neighbor could have heard Podacter

  • scream on the way down with that door shut.

  • The scream she heard came from inside this apartment

  • before he was thrown over the balcony

  • and the murderer closed the door before he left, yes!

  • - There's a theory that someone screamed

  • or someone heard someone scream and there's something

  • that physically prevents that from being possible.

  • Then that theory has to go out the window

  • and that's clearly what's happened in this case.

  • It's pretty accurate as far as the way detectives think

  • and the way detectives investigate.

  • Sometimes the simplest things are often lost

  • and when we hear them it's almost as if,

  • wow, why didn't I think of that?

  • And that's probably what makes this a little bit

  • more realistic than just mere comedy.

  • [static buzzing]

  • Next up, Breaking Bad.

  • - Saul Goodman sent me.

  • Come on, inside.

  • - So what's happening in this scene is someone's called in

  • a cleaner and someone to clean up a crime scene.

  • So what this cleaner does is, is they come and they

  • try to get rid of evidence or key evidence

  • that can link somebody or tie somebody to a crime.

  • Obviously the person that called the cleaner is

  • of more importance than the person

  • that's actually at the crime scene.

  • So it's one of those things where you

  • save them to save the bigger guy,

  • but you really don't care about that person

  • - Once you call it in, the people who show up

  • will be with the Office of Medical Investigations.

  • That's primarily who you'll talk to.

  • Police officers may arrive, they may not.

  • Depends on how busy a morning they're having.

  • Typically, ODs are not a high priority call.

  • - When he said you call in to the coroner's office

  • and it's going to take them awhile

  • and they're not concerned with ODs,

  • that's, that's really farfetched.

  • Any death, it's going to be treated as a homicide.

  • There's almost never a case, in fact,

  • there's never a case where someone's going

  • to report a death and investigators don't show up.

  • - There's nothing here to incriminate you,

  • so I'd be amazed if you got placed under arrest.

  • However, if you do, you say nothing.

  • You tell them you just want your lawyer,

  • then you call Saul Goodman.

  • - I think the advice given here to ask to speak

  • to a lawyer and say nothing

  • is probably going to frustrate the investigators

  • as much as a cleaned down crime scene,

  • but it's clearly effective for what it's intended to do

  • and that's to throw law enforcement off.

  • [static buzzing]

  • Next up, Sherlock.

  • - Just moved in.

  • - In this scene,

  • Sherlock is going to a crime scene

  • that he's clearly not allowed to be at.

  • - I love when it does that.

  • - [Security Guard] Hello?

  • - Clearly Sherlock's not a detective authorized

  • to be here because he has to buzz himself in

  • or get someone to give him access to it

  • so he's not supposed to be at the crime scene.

  • Doing so is actually against the law.

  • [curious music]

  • - Sneaking into an apartment complex, a crime scene,

  • and climbing through a window, breaking and entering,

  • is felonious behavior so it's not going to happen.

  • The part especially where he's kicking in the door

  • is really unrealistic.

  • That alters a crime scene way too much

  • and it's just not going to happen.

  • - What about this morning?

  • Those lessons you were looking at.

  • [squishing]

  • Yes.

  • He was being threatened.

  • - [Officer] Bag this up, will you.

  • - Don't worry.

  • - [Officer] And see if we can get prints off this glass.

  • - Yeah, once he goes inside the apartment

  • and reaches down the throat of the dead person,

  • that would never happen.

  • I mean, the bodies are always jurisdiction of the coroner.

  • The fact that an investigator or detective,

  • private investigator would do something like that

  • is actually against the law.

  • - Coffee table on the left hand side.

  • Coffee mug handle pointing to the left,

  • power sockets, habitually use the ones on the left,

  • pen and paper on the left hand side of the phone

  • because he picked it up with his right

  • and took their messages with his left.

  • You want me to go on?

  • - When a detective goes to a crime scene,

  • it works in milliseconds.

  • You scan a room, you come up with all sorts of things

  • that you don't realize you're even processing

  • like you, you'll come up with the fact

  • that someone's left or right handed by the way

  • things are placed in an apartment,

  • so that's pretty accurate.

  • [static buzzing]

  • Next up, CSI.

  • This scene of CSI involves a murder victim

  • and the suspect who's got himself stuck in cement.

  • - Found him, figured he had a free pass

  • and picked his pocket. [chuckling]

  • - This is pretty unrealistic.

  • She's clearly laughing quite a bit.

  • That probably wouldn't happen.

  • I mean, police officers and detectives,

  • we make jokes sometimes, but this is kinda over the top.

  • - Who's your lady friend?

  • - Never saw that woman before in my life.

  • - Look, you're not going anywhere.

  • It'll be a lot better for you if you just

  • cooperate and tell us what happened.

  • - Yeah, not real realistic that someone

  • would question somebody while they're stuck in the cement.

  • Interrogations are really serious deals,

  • not only to gather information but to

  • preserve rights and you know, one of the biggest things

  • is someone not feeling forced

  • or coerced into making a statement, and I think

  • being stuck in the cement is probably qualifying of that.

  • - Do you want to know what happened?

  • - Mmhmm.

  • - Figure it out yourself.

  • - That's the fun part.

  • - So I've never seen anything like this before,

  • but I have seen people that committed crimes

  • and then got caught red-handed because they got stuck.

  • In one case, a guy trying to crawl out

  • of a window got hung up on the glass.

  • So things like that are always really, really cool to see.

  • It's like God delivers them to you.

  • [static buzzing]

  • Next up, The Fugitive.

  • In this scene a U.S. deputy marshal

  • arrives at the scene of a crash.

  • - The bus rolled over several times

  • before settling at the bottom of the hill here.

  • I don't know if I passed out, but when I looked up

  • the train was bearing down on us fast.

  • I don't know how, it's still kind of hazy,

  • but somehow I grabbed him and I pushed him out of the bus.

  • - Questioning a suspect or who you may think is a suspect

  • outside and open in front of everyone

  • is probably something that's never gonna happen.

  • - Excuse me, sheriff.

  • I'm deputy United States marshal Samuel Gerard.

  • I'd like to talk to.

  • - I'll be with you in just a minute.

  • - Locals are not really crazy about federal agents coming in

  • and taking over their crime scenes.

  • This is pretty accurate because sometimes there's a lot

  • of tension between the two different agencies

  • or two different jurisdictions.

  • - I'd like to recommend checkpoints on a 15 mile radius

  • at I-57, I-24 and over here on Route 13.

  • - Whoa, whoa, whoa, wait a minute.

  • The prisoners are all dead and the only thing

  • checkpoints are going to do is get a lot of good people

  • frantic around here and flood my office with calls.

  • - Well, shit sheriff, I'd hate to see that happen.

  • So I guess I'll take over your investigation.

  • - Overall, this is completely inaccurate.

  • The fact is is that U.S. marshals recovery or

  • a fugitive task force usually respond

  • after they're called in by local law enforcement.

  • In this scene, it's obvious that it's coming off

  • as if though they have a higher jurisdiction

  • and they can go to a scene and kind of take over.

  • In actuality, that doesn't happen or will never happen.

  • [static buzzing]

  • Next up, The Mentalist.

  • In the scene, the mentalist arrives to investigate

  • the murder of a college student.

  • - Housemates woke up and found him like this.

  • Name's Tyler VanCamp, sophomore studying business.

  • Practice squad linebacker.

  • - You're sure about Lisbon?

  • Did you hear it from her

  • or did you hear it from other people?

  • - This is pretty interesting because that actually happens.

  • You know, the conversation has started about something

  • that has absolutely nothing to do with the crime scene

  • and most people around you are kind of bewildered

  • thinking that you have this big deal here

  • and you're talking about something

  • that seems to be so insignificant.

  • - Hello, finally.

  • We've been sitting here like two hours, dude,

  • You guys heard of human rights?

  • - No such thing.

  • - It's pretty accurate that sometimes people wait

  • at crime scenes for detectives to show up

  • because they could be at another crime

  • across town or anything can be going on.

  • - It was all of them.

  • The ninja knife wasn't any more than an inch,

  • not deep enough to kill him.

  • So therefore was drowned.

  • - In a kiddie pool?

  • - Well, only if someone was helping him along.

  • I mean, a big athletic guy like Tyler,

  • I would guess that would a be a job for two people.

  • - Yeah, but why drown him?

  • - Well, probably something to do

  • with the drunken card game that took place here last night.

  • They used toy money as chips.

  • - It makes policemen look really, really cool

  • to be able to come up with such an

  • elaborate process of what happened.

  • This is probably as far-fetched as you're gonna ever get.

  • - You wear your watch on your right hand.

  • Probably left-handed.

  • So judging by the angle and the depth of the wound,

  • I would guess that it was you that stabbed Tyler in the back

  • to stop him from throttling Barry here.

  • Now, stabbing Tyler in the back didn't help much.

  • Made him madder, he chased you outside, he fell in the pool.

  • That's when you two with the still damp sneakers

  • got on top of him and held him down until he drowned.

  • - Something very inaccurate about this

  • is that no detective would ever give a theory to suspects,

  • especially all of them are sitting right there

  • because once you are wrong, even a little bit,

  • you lose credibility and your case

  • is pretty much blown from that point.

  • The other thing is, you know, to determine how someone died,

  • or the stab wound would never be done

  • without an actual autopsy.

  • - And you all came inside and cleaned the room.

  • Now what self-respecting student voluntarily

  • throws away perfectly good vodka?

  • Can we go now?

  • I've stepped in it.

  • - Appears so.

  • - You're all under arrest.

  • - He doesn't have enough to arrest one of them,

  • much less all of them.

  • The fact is is that there's no evidence whatsoever.

  • Overall, the scene is pretty highly inaccurate.

  • [static buzzing]

  • Next up, Zodiac.

  • In this scene, detectives arrive to investigate

  • the final murder of the infamous Zodiac killer.

  • - Kids who called it in saw the suspect from that window.

  • - They hear a shot?

  • - No, they first saw him in the front seat,

  • thought he was a drunk trying to drive.

  • Oldest kid ran downstairs to get a better look

  • from the dining room, described him as a white male,

  • glasses, crew cut, stocky, wearing a dark jacket.

  • - Wait, I thought someone said he was black.

  • - That's the description that went out to radio cars.

  • - Well, we already corrected it.

  • - Oh, well that's good.

  • - This starts off really well as far as authenticity.

  • There's a lot of talk about the suspect

  • and there's a mix up on who the suspect is

  • or description of the suspect, which is common.

  • It's a big deal because you can have a bunch of people

  • look for the wrong person.

  • [dog barking]

  • - [Officer] Who rolled him?

  • - Stewarts.

  • [ominous music]

  • - The examination of the crime scene

  • is pretty much on the money.

  • The investigator determines that the victim was rolled

  • and that's determined by the position and of the blood.

  • Once the person has been shot and post-mortemly,

  • the blood will probably travel in the weight of gravity.

  • Once that blood fixates, then it doesn't move,

  • so it's easy to tell when someone's been moved

  • because the blood looks like it defies gravity.

  • - Can I see that?

  • - Yeah.

  • - Hey, I'm an idiot.

  • I just killed a man for $8.25.

  • It's his third fare of the night.

  • Does anyone have any animal crackers?

  • - Animal crackers?

  • - They're in the car.

  • - I'm saving those for later.

  • - I thought the animal crackers was pretty original

  • because it happens.

  • It happens all the time.

  • For me, it was gummy bears.

  • I don't know what it is, but there's something common

  • about, I don't know, chewing on food or snacks

  • that makes you feel better at a crime scene.

  • I guess with all the destruction and death,

  • eating a gummy bear makes you feel better.

  • So the animal crackers bit is probably pretty on the money.

  • - Sir, I was wondering if I'd be able to talk

  • to your children one at a time, preferably alone.

  • - They just saw a man murdered.

  • - I understand.

  • - [Younger Child] It looked like they

  • were drunk and fighting.

  • - [Older Child] Yeah, and he had a rag.

  • He came around the side of the car and he was wiping stuff.

  • - Did you get a chance to see his face?

  • - [Younger Child] I did, well sort of.

  • - Any talk to the children or the witnesses

  • is probably done best separately, the reason being

  • is because when you talk to two witnesses at the same time,

  • the other one is not operating off their memory,

  • but they can be operating off the memory

  • of what they're hearing and only repeating it.

  • So the best way to get a statement is kind of organically.

  • Each statement is taken separately and kind of compared

  • and contrasted against the other for accuracy.

  • [static buzzing]

  • Next up, Training Day.

  • [lock rattling]

  • - One, two.

  • [hinge creaking]

  • - Investigators at a crime scene and they're stealing money

  • from that crime scene and they're trying to get

  • the new rookie officer involved.

  • This is pretty accurate.

  • Elite units such as this one where you can see

  • they're dressed down, they get to wear beards

  • and jewelry and undercover work.

  • They got the glamorous, cool narcotics job

  • and all the narcotics officers get the latest toys

  • and all the money because there is a time or

  • there was a time where law enforcement was focused

  • completely on narcotics investigation

  • and the big seizures and the money involved,

  • but it became corrupt really quickly.

  • - [laughing] That's a quarter million dollars

  • you're holding right there in your hand.

  • $4 million in here.

  • First day on the job, you hit a $3 million seizure.

  • - I thought you said four.

  • - Ah, taxation without representation, brother.

  • Nothing's free in this world,

  • you lucky first day motherfucker.

  • Buy your wife a minivan with that,

  • put the kids through college.

  • Give me that back.

  • - This is a really interesting scene for law enforcement

  • because let's face it, all police officers

  • are not always right and I think in a case like this,

  • it happens probably more often than not.

  • Narcotics investigations are just notoriously dirty

  • all the way around.

  • There's so much potential.

  • It's built basically on a lie.

  • Working undercover, you're lying.

  • It's just a fact and when you ask that same officer

  • to be truthful and upright,

  • you don't know what you're getting.

  • - What's a matter, you don't want a piece of this, huh?

  • - Nuh uh, right?

  • Not like this, I mean, no.

  • - What's interesting about this scene

  • is that the officer's hesitation is not because

  • he's trying to decide if he actually wants the money.

  • His hesitation is because he's concerned

  • about what the others are going to think of him

  • or what they may do to him.

  • - Come on, let's wrap this up.

  • Don't touch a thing, evidence.

  • - Stealing narcotics money is a clean steal.

  • There's no way that anyone's ever going to know

  • how much money they take and it's basically

  • on the officer's honesty.

  • I mean who's going to call the police, the drug dealer?

  • [static buzzing]

  • Last up, Murder by Numbers.

  • - So I figure, well, you were at the house

  • 'cause Justin would've known better

  • than to walk through the wet beds.

  • That was exactly 3:30.

  • How long did you have to wait for her to come home?

  • [door creaking]

  • - This scene is kind of really, really unrealistic.

  • The detective kind of leading this person

  • through an interrogation just would never happen.

  • There's way too much to be lost

  • by pretending to know something

  • that you don't actually know.

  • Then the fact that if you give someone a narrative,

  • or tell them a story and they agree with you,

  • then your interrogation is worthless

  • because you have led someone into a story.

  • Trick is to get them to tell you something

  • that you don't know or that they think you don't know.

  • [eerie music]

  • - You didn't really kill her at the house.

  • [trunk slamming]

  • I got to say, that was a stroke of genius.

  • Did you think it up or was it Justin?

  • - Fact is, is that in an interrogation,

  • it's to develop intimate details, not provide them.

  • The story is validated by someone telling you

  • what they did and how they did it.

  • Even if you know what they've done,

  • you remain silent and listen to what they tell you.

  • You can't ever, ever, ever lead someone

  • into a statement because if they agree with you,

  • it's pretty easy to get a false confession

  • and innocent person locked up.

  • So people kind of stay away from that kind of tactic,

  • but it looks cool on TV.

  • - [Detective] You told them you're going to the ATM

  • to get cash for the pizza.

  • - [Suspect] Yes.

  • - [Detective] And you did?

  • - [Suspect] And I did.

  • - Then you hurry back, that took five minutes.

  • - It took five minutes.

  • Now we're talking.

  • - [Detective] But you were gone 15.

  • - The way they, they, they've laid out this crime scene

  • is just basically the detective's theory

  • and there's really nothing else there.

  • The fact that the detective can say this happened,

  • that happened and then come up with this whole story

  • is no, it's just not realistic at all.

  • The detective actually has no evidence to go off of

  • at all, and even if he did, he kind of blew it

  • when he provided all those private intimate details

  • to the person he's interrogated.

  • So as you can see, sometimes these things are done right,

  • and some are just purely for entertainment.

  • So maybe Hollywood should consult with the actual detectives

  • before they start making these types of films.

- As a homicide detective, I worked over 250 murders.

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Homicide Detective Fact Checks Crime Scenes from 'Breaking Bad' to 'CSI' | Vanity Fair

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    林宜悉 發佈於 2020 年 11 月 11 日
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