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  • - This movie's great 'cause when Sam Jackson goes,

  • he's standing there,

  • "you know we all have to come together and-"

  • [chomps]

  • He just gets eaten.

  • [laughs]

  • Hi, my name is Apryl Boyle,

  • I am a marine and environmental scientist

  • who specializes in sharks,

  • and the founder of El Porto Shark.

  • And today we're going to review some

  • shark attack scenes in film and television.

  • So come on in, the water's great.

  • [electric guitar]

  • This clip is from Jaws, directed by Steven Spielberg.

  • - What kind of a shark is it?

  • - Let me see, I don't know.

  • I think it's a "mah-ko".

  • - Got a deep throat Pratt.

  • - Yeah, but what kind?

  • What kind of shark?

  • - It's a tiger shark.

  • - A what?

  • - A what?

  • - I love this scene because it is a crack-up.

  • The fellas around don't know what kind of shark it is,

  • they've allegedly been in the water their whole lives.

  • They're watermen, they're fishermen, they're boaters.

  • They don't know what kind of shark this is.

  • First of all that's really silly to me because

  • if they've been waterman their whole lives,

  • they know what a tiger shark, a white shark, a Mako.

  • It's not "mah-ko", it's mako.

  • - I think it's a "mah-ko".

  • - So they're pronouncing things incorrectly,

  • and that's not something lifelong watermen would do,

  • or waterwomen but in this case the scene has watermen.

  • - But the fact is that the bite radius on this animal

  • is different than the wounds on the victim.

  • - The thing about bite radius,

  • there is something to that.

  • Often when a shark bites a surfboard, a boat,

  • anything, a person,

  • you can figure out how large the shark was

  • based on the size of the mouth.

  • So there is something to the bite radius thing.

  • - C'mon fellas, let's be reasonable, huh?

  • This is not the time or the place

  • to perform some kind of a half-assed autopsy on a fish.

  • - A necropsy is actually what it's called

  • when you do an autopsy on an animal.

  • And to do an animal necropsy

  • you certainly wouldn't do it on the dock.

  • Unless you had a lab or a setting next to the dock,

  • where you weigh the animal out

  • and you do it properly by weighing and measuring.

  • So back when this film was made,

  • they absolutely would've put the shark on display and said

  • look here's the man-eater

  • that's been terrorizing the beaches.

  • However today fortunately,

  • that's not the case in the US

  • and many other places where sharks are protected,

  • because since this movie came out,

  • there are 75% fewer great white sharks in the ocean

  • largely because of fear, misinformation,

  • and movies like this.

  • But, fortunately, this movie is what inspired me

  • to grow up to become Matt Hooper, so it did good.

  • Peter Benchley, who wrote Jaws,

  • is a green conservationist.

  • He spent his life as a conservationist

  • for sharks and the ocean.

  • Didn't realize what a bell he would ring with this one,

  • and the film was just so good and so suspenseful

  • it made us all afraid of sharks.

  • This clip is from Deep Blue Sea, directed by Renny Harlin.

  • [metal scraping]

  • - How long have they been synchronized like this?

  • - So, the whole lab setup and genetically modifying sharks

  • that is pretty absurd.

  • I can't imagine anyone funding that for starters.

  • Making sharks smarter,

  • I can't think of a reason to do that,

  • without doing other research first.

  • So the whole notion of

  • genetically modifying sharks to be smarter,

  • and work together and mind control.

  • This reminded me of the Aquaman cartoons

  • when I was a little girl,

  • where he would just telepathically get animals to do

  • what they wanted.

  • And I think I bet the writer's an Aquaman fan too.

  • [intense music]

  • - Tell me I didn't see that.

  • They recognized that gun.

  • - An interesting thing a lot of people don't realize,

  • is that sharks are skittish.

  • Most wild animals are skittish.

  • They all have personalities,

  • and you'll come across some who are curious,

  • and others not so much.

  • Generally though, a wild shark is skittish of

  • something that's not its food or it hasn't seen.

  • For example, it would not recognize that

  • there is a gun pointed at it,

  • or that a person is doing something in its harm,

  • because that's kind of not part of its world.

  • I myself have been surfing,

  • and because a great white shark can't

  • see directly in front of him,

  • or directly behind him,

  • as soon as it turned a touch to see me,

  • it was just gone,

  • just super skittish.

  • And I've seen this behavior with all types of sharks,

  • nurse sharks, blacktips, reef sharks, hammerheads.

  • I've had more of them swim away from me

  • than I've had come towards me.

  • [gunshot]

  • [Apryl laughs]

  • Tough guy.

  • Oh, they got him.

  • I'm not quite sure what he shoots into the shark

  • to make it just pass out like that

  • and go up and all that's really silly.

  • So it's kind of not feasible at all.

  • This is, I would say this is almost 100 percent fiction.

  • - And I'm still starving.

  • - We're about to have a feeding frenzy.

  • [whimpers]

  • - Come on, let's get this over with.

  • - This is finding Nemo, directed by Andrew Stanton.

  • [bell dings]

  • - Right then.

  • The meeting has officially come to order.

  • Let us all say the pledge.

  • - [In unison] I am a nice shark.

  • Not a mindless eating machine.

  • If I am to change this image,

  • I must first change myself.

  • Fish are friends, not food.

  • - What I do love about finding Nemo is

  • they try to portray a different side of the shark with the

  • "fish are friends, not food".

  • I can't tell you how many students have said that to me

  • because of Finding Nemo.

  • And I think that's great because it's showing that

  • hey look, the sharks are trying to care,

  • we should care,

  • and I think it's trying to send

  • a bigger environmental message.

  • But showing you that sharks can be

  • quote-unquote humanized

  • to where they're cuddly or friendly.

  • Which is why conversation is hampered,

  • because they're thought of as

  • eating machines, killers, et cetera.

  • So this humanization if you will,

  • I think was great 'cause it kind of

  • gave kids a less scary intro to sharks.

  • In a way that wasn't so much like

  • yes, they're going to eat you no matter what.

  • - Now do you all have your friends?

  • - Got mine.

  • [whimpers]

  • - A lot of sharks have very

  • symbiotic relationships with other fish.

  • You'll see pilot fish

  • and you'll see remora stuck to the bottom of sharks.

  • So those are both kind of

  • really great symbiotic relationships.

  • The pilot fish and the remoras

  • are not part of the sharks food,

  • they don't think to eat them.

  • So they hang around and get protection

  • from the shark and pick up scraps.

  • They're very specific eaters,

  • great whites, hammerheads, everyone,

  • they have their specific niche in the ecosystem,

  • so they don't just eat everything.

  • So they do have relationships with other fish.

  • - That's mine give it back!

  • - Dory cut it out!

  • - Give me-

  • Ow!

  • - Oh I'm sorry, are you okay?

  • - Ow ow ow.

  • - I'm so sorry.

  • - Yeah you really clocked me there.

  • Am I bleeding?

  • - Oh.

  • - Ow.

  • - Here we go.

  • - Dory, are you okay?

  • Oh that's good.

  • - [Together] Intervention!

  • - The little tiny bit of blood

  • that goes into Bruce's nose

  • and he inevitably is drawn into a frenzy.

  • Which is one of the best shark myths that scares everybody.

  • And I have to say,

  • I've used it to my advantage before

  • to get people out of the line up surfing.

  • Oh you have a cut you better get out.

  • More waves for me.

  • But honestly,

  • if I could cut my finger,

  • stick it in the water,

  • and have white sharks or any other sharks come to me,

  • imagine how easy my research would be.

  • How easy would it be to attract them?

  • The truth is,

  • there's a whole cacophony of smell out there

  • and while sharks can detect

  • a small amount of blood in

  • an Olympic sized swimming pool,

  • that doesn't mean that's what drives them to go and eat.

  • Great whites in particular are very picky eaters.

  • They don't simply eat everything.

  • Its a little more complicated than that,

  • they're not just indiscriminate eaters.

  • Yes, tiger sharks and bulls

  • are sometimes known as garbage cans of the sea

  • and they'll eat everything.

  • White shark's far more picky.

  • So every shark has its specific food.

  • And again, we have another clip from Jaws.

  • [crash]

  • [intense music]

  • Oh lost the spear.

  • [Apryl laughs]

  • So the shark in Jaws is a great white.

  • And we do cage dive,

  • or use cages to observe great white sharks in the wild,

  • however, most of the time

  • the cage is attached to the back of the boat,

  • there are those that go down by themselves

  • farther into the water,

  • but they're not as flimsy as it appears.

  • The shark simply bumped into it,

  • and the cage falls apart.

  • It's far safer than you think.

  • And interestingly,

  • I have never seen a great white

  • or any other shark attack like that.

  • It seems like in movies they're made to like,

  • act like a dog.

  • I've seen them like,

  • take something and

  • [growls]

  • or like keep going and

  • [growls]

  • and that's just not how a great white shark feeds.

  • So, the shark is a bit unrealistic,

  • quite a bit unrealistic,

  • in the film.

  • Now, if the shark actually

  • did get in a cage and present a danger,

  • he could feasibly go down into

  • hide in a coral area.

  • In Southern California he can hide in a kelp bed maybe,

  • he can hide in some rocks.

  • So that's feasible,

  • that part is more believable than the shark.

  • - Marcel we have a real problem here.

  • - It is not a problem,

  • it is the circle of life.

  • - This is Couples Retreat, directed by Peter Billingsly.

  • - The circle of life is circling our lives,

  • right now.

  • - Do not move, do not panic.

  • - Shark!

  • - What?

  • - Shark!

  • - Jason?

  • - Okay, it's all happening Marcel.

  • - Oh my god, oh my god, oh my god.

  • - [Marcel] Don't worry!

  • - Their reactions are so over the top and unnecessary,

  • it's absolutely fantastic.

  • And I've actually seen people afraid of tiny sharks.

  • Now, the fella in the movie calls them lemon sharks.

  • They look like they're in really tropical, beautiful waters.

  • And I've seen lemon sharks in that water,

  • and I actually have video of one coming just as close to me

  • and minding its own business.

  • So those little guys were checking them out

  • and would absolutely do no damage to them.

  • Sure, there's times where

  • you'll hear a shark has bitten a foot,

  • or taken a nibble off of somebody,

  • But the way those little guys were?

  • I mean, honestly they were in no danger whatsoever.

  • And if that was my guy out there,

  • I'd be like,

  • okay we need to sit down and have a talk,

  • and I would take him cage diving with 18 foot great whites

  • to get that fear right out of him.

  • - Stop it.

  • You said not to panic,

  • you said not to panic.

  • I'm sitting in blood.

  • I'm sitting in blood.

  • Marcel this isn't a drill buddy,

  • you got real sharks here.

  • It's time to get the guns,

  • and it's time to shoot some fish.

  • - So let's talk about the word attack.

  • It is used in a lot of situations where

  • it isn't actually human and shark interaction.

  • You can go to the

  • international of global shark attack files,

  • search it online and download the excel file yourself,

  • and see that sometimes a bump and run,

  • as I said I was bumped by a leopard shark.

  • I was never in any danger,

  • it was turbid water,

  • trying to figure out if I was food or not.

  • Boom, wasn't, it left.

  • That would be classified as an attack.

  • Nothing wrong with my wetsuit, nothing.

  • This also maybe characterizes an attack,

  • and there has to be something done about that

  • and there's some researchers including myself

  • trying to get rid of the crazy attack scenario

  • where everything is an attack

  • and not just an encounter.

  • So I had an encounter.

  • These gentlemen are having an encounter with these sharks,

  • this is not an attack.

  • The one actor dumps him

  • and leaves Vince Vaughn there

  • with all the blood.

  • Really is a non issue

  • but Vince Vaughn should get out of the way,

  • because there's little bits of food in there

  • that they were feeding the sharks.

  • So it's not necessarily the blood's going to

  • attract them right away and everything.

  • But if there are bits of food in there

  • you know, get out of the cloud of food dumb dumb.

  • Just, you know

  • swim a little bit.

  • But they really weren't in ever

  • in any danger.

  • So they were just letting all their fears

  • get the best of them.

  • This is The Meg, directed by John Turteltaub.

  • [slow music]

  • [sound intensifies]

  • This is allegedly a big

  • research thing of some kind.

  • The shark would already know it's there.

  • Not only does it have lateral lines

  • so lateral lines on fish are those things that,

  • they go down the sides,

  • and it allows them to feel vibrations.

  • And sharks have this,

  • and its why, you know,

  • you'll see schools of fish schooling,

  • they can feel the vibration of the other fish

  • and by vision as well.

  • So vision and the lateral lines,

  • they're ampullae of Lorenzini,

  • these are all things that allow them to hunt.

  • And their vision is not that bad.

  • So if it was dark,

  • if it was turbid,

  • meaning there was a lot of particulate in the water,

  • a lot of wind action,

  • sure something could happen.

  • But this thing in the water

  • should've been there for awhile

  • and this big ginormous shark

  • trying to take a bit of this tiny little girl

  • is incredibly silly.

  • I mean if there were a whole bunch of kids,

  • like you've got a whole bunch of potato chips,

  • I could see him going by and tasting one.

  • But for the shark to do that,

  • that was pretty absurd

  • and something I don't think would happen.

  • [crash]

  • In The Meg its really ridiculous

  • the shark would try to bite that glass

  • where the little girl is

  • because if you recall,

  • the shark came from way down deep in the Marianas Trench

  • and had never been up above a certain layer.

  • So this shark would have really bad vision,

  • because you don't really need vision

  • down where there's no light.

  • You hunt by other means et cetera.

  • Your vision doesn't have to be that great.

  • So the fact the it was dark around there

  • would have nothing to do with that shark

  • eating that little girl

  • or trying to eat it.

  • It would not go after it

  • because it certainly doesn't look,

  • or sense, or smell, or sound, or feel,

  • like any food its ever had.

  • It'd be afraid of it.

  • It'd be away from that.

  • - Get out of the water!

  • - Next up we have Baywatch

  • filmed right here in beautiful Los Angeles County.

  • - Help us!

  • - Help!

  • [all yelling]

  • - Help!

  • - So they definitely had a lot of fun filming this.

  • The entire thing is an homage to Jaws.

  • When Michael Brody was in the pond

  • with his little kid friends in a boat,

  • and they got knocked over,

  • all his friends swam away,

  • and he sat there,

  • and the shark went by him

  • just like in this.

  • So, the writers of this,

  • to me this whole clip is just a fun

  • we really love the movie Jaws

  • and we're gonna be as absurd as possible

  • and make up all kinds of nonsense about a shark attack.

  • - Get out of the water!

  • [intense music]

  • - [Apryl] The whole absurdity is

  • I could see everyone

  • shark oh my god get out of the water

  • out of the water!

  • I can see people panicking and that happening.

  • But I can't imagine a lifeguard

  • getting in the water

  • when the lifeguard boat is right there

  • and could get to them far quicker.

  • Because when you're training to be a lifeguard

  • or a first responder of any kind,

  • you don't kill yourself to save somebody else,

  • you have to make sure you safely save someone,

  • its part of their training.

  • The fact that lifeguards,

  • especially Los Angeles County lifeguards

  • who are part of the fire department,

  • they're incredibly trained,

  • would run out into something that

  • was dangerous like that if for real,

  • that little tiny shark

  • that looks like a dolphin in some shots

  • was actually going to attack.

  • If there was some real danger right there

  • they would bring the boat over there.

  • Now the other silly thing is,

  • okay she swims out,

  • she gets to him,

  • turn the boat over,

  • get on the boat,

  • get your limbs out of the water

  • if you're so worried about it,

  • but really just swim calmly to the boat

  • because the shark isn't going to

  • keep coming after you like that

  • and the other homage to Jaws

  • was when Jill does get eaten

  • and she's taken through the water

  • just the top part is out.

  • That's just like the very beginning of the very first Jaws

  • where Chrissy, if you remember,

  • she's screaming

  • oh god send help!

  • You know,

  • and then she lands on the buoy before she goes down.

  • So this was a giant love letter to the movie Jaws.

  • Just this over the top absurd,

  • probably a really fun shoot to do.

  • This is The Shallows, direct by Jaume Collet-Serra.

  • [roars]

  • If the shark in this movie is supposed to be

  • a great white shark

  • they're picky eaters.

  • I've witnessed myself

  • them accidentally taking a bite of something

  • that wasn't their normal prey

  • and spitting it right back out.

  • So the notion that they would fight so hard

  • to get this small morsel that is not calorie dense.

  • Again, in the wild,

  • survival means calorie dense meals.

  • Which is why they love seals and sea lions

  • because their blubber is not like human fat.

  • It's super dense,

  • it's a whole other organ

  • which is why its called blubber and not fat

  • I don't care how big and fat a person may be,

  • we're still not shark food,

  • they don't want you

  • 'cause you look like a big weed ball or whatever.

  • They want the calorie rich food.

  • Because they don't know when their next meal is.

  • So it's like any other animal in the wild.

  • You waste a certain amount of energy

  • to get the food.

  • So the amount of energy that shark wastes

  • jumping out and hurting itself

  • is not worth the payoff if it got to eat her.

  • The shark going up on the rock and in the coral

  • probably would be pretty abrasive on the animal.

  • So movies where the shark comes up and it's bite bite,

  • it's just not their behavior.

  • I've never seen that happen in the wild

  • and I've seen them eat stuff in the wild

  • with my own eyes.

  • This is Open Water, direct by Chris Kentis.

  • - I don't see anything.

  • - Are you okay?

  • Are you hurt?

  • - I don't know-

  • - Oh, oh honey!

  • Oh my god!

  • Honey, you're okay.

  • - I'm bit!

  • - Honey?

  • - I'm bit.

  • The [beep] bit me!

  • - Okay, okay.

  • - Yes.

  • - So Open Water is the most frightening movie

  • out of all these movies today.

  • So its based on a true story.

  • Two divers did actually get left behind on a dive

  • and they were never found.

  • So the movie is speculating,

  • kind of what they went through.

  • I mean I'm getting chills thinking about

  • being left behind on a dive boat.

  • That is the scariest part of this movie.

  • And anyone who's a diver,

  • research diver, or commercial diver, or just for fun,

  • that is the most frightening part.

  • [groans in pain]

  • And then the next most frightening part is

  • the little shark bite,

  • and how this happens is actually on the feasible side.

  • The shark took a bite like

  • yep this isn't my food

  • and took off.

  • So that makes it really feasible and believable.

  • Which makes it entirely frightening.

  • And the fact that divers do get lost on dives

  • is a thing that happens.

  • And unfortunately this clip is very feasible

  • it could definitely happen with the certain conditions.

  • So it's the most realistic.

  • This is Bait, directed by Kimble Rendall.

  • [somber music]

  • So sharks don't feed at the top

  • as much as previously thought.

  • In fact, a paper just came out

  • about this very recently,

  • they spend more time down below,

  • being that their food isn't on the surface.

  • However, if the shark

  • was going to come up and take an entire person,

  • it would be very quietly much like that fella

  • that just was swimming and whoop, he's gone.

  • But I don't know what that explosion was afterward,

  • I'm not sure what that was.

  • But I could definitely see someone being dragged down

  • if the animal thought that was food

  • and took the person in.

  • But again, we're not their food

  • so we don't look like their food

  • so it's really unlikely.

  • - Shark!

  • - I can't hear ya!

  • - Shark!

  • - What?

  • - So, sharks in South Africa and other places

  • actually come up from the bottom

  • and surprise attack.

  • I've actually seen them do this

  • in Guadalupe Island in Mexico with my own eyes.

  • Looking at one shark behind you another one

  • goes up and grabs something.

  • So they do come from the bottom and just [snaps].

  • So that's part of their strategy.

  • Go swimming everybody,

  • did I scare you enough?

  • But at any rate,

  • they took the shark jumping up

  • out of a natural behavior that

  • sharks in South Africa and other places have done

  • to get seals and sea lions.

  • So that behavior is something that

  • they over exaggerated for this clip.

  • But once the shark ate the guy,

  • he probably realized that's not food

  • and probably wouldn't be so excited about this guy.

  • Again it's all a big, absurd, really quick

  • oh my god there's a shark he's eating everybody.

  • It's perfect for the movies.

  • So, we've seen a lot of clips with shark attacks.

  • A lot of encounters,

  • things called attacks that weren't attacks.

  • We have to remember,

  • using this language to say attack,

  • makes the sharks a villain.

  • And really they're a top predator of the ocean

  • that keeps the entire ecosystem in check.

  • And they need our protection.

  • In just one hour, over 11 thousand are killed.

  • If there's one thing you can do

  • to help sharks and the whole ocean ecosystem,

  • stop using single-use plastics,

  • and especially straws.

  • What the alternative?

  • Look.

  • Oh my god, I drank something without a straw,

  • you can do it too.

- This movie's great 'cause when Sam Jackson goes,

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Marine Scientist Reviews Shark Attack Scenes, from 'Jaws' to 'Open Water' | Vanity Fair

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    林宜悉 發佈於 2020 年 11 月 11 日
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