Morgan Freeman Square Face.

摩根-弗里曼方臉。

Abraham Lincoln ob.

亞伯拉罕-林肯

Long Face.

長臉。

Kanye West Oval Face.

坎耶-韋斯特橢圓臉。

My name is James Edward Smith Jr I'm instructor and clinical director at Dallas Institute of Funeral Service and currently instruct restorative art.

我叫詹姆斯-愛德華-史密斯（James Edward Smith Jr），是達拉斯殯葬服務學院的講師和臨床主任，目前正在指導修復藝術。

Restorative art class provides a skill set to be able to take a deceased person who has experienced trauma to the head and or face and restore those features in that face so that the family may have an option for an open casket viewing or visitation in the fifth quarter, students are tasked with reproducing a sculpture of a person that they choose in.

恢復性藝術課提供了一套技能，能夠把一個頭部和或面部經歷過創傷的死者，並恢復該面部的這些特徵，以便家人可以選擇開棺驗屍或探視第五季度，學生的任務是複製一個他們選擇的人的雕塑。

The anatomy has to be accurate.

解剖要準確。

Students generally picked celebrities, they're popular faces, and students tend to want to trying to recreate those from a restorative art project.

學生們一般都會選擇名人，他們是受歡迎的面孔，學生們往往想嘗試從修復性的藝術項目中重現這些。

Jennifer Aniston, Jack White, Viola Davis, Frieda Callow Are you decided to do David Lunch?

詹妮弗-安妮斯頓，傑克-懷特，維奧拉-戴維斯，弗裡達-卡洛 你決定做大衛午餐了嗎？

Taking on the assignment requires each of the students to understand the proportions for the features of the face here in school.

接到這個任務，需要每個學生在學校這裡瞭解臉部特徵的比例。

Because it translates to what may happen in the actual preparation room, it is an acquired skill.

因為它可以轉化為實際備課室中可能發生的事情，是一種後天的技能。

The more you practice the more proficient, the better you're gonna become Theo.

越練越熟練，你會成為西奧。

Expectation of the family is that this is something we can sometimes do right away.

對家人的期望是，這事我們有時可以馬上做。

But we have to take into account the amount of trauma that the face has sustained.

但是我們要考慮到臉部受到的創傷量。

We need to have as much care when handling the deceased as if they were in the hospital under the care of a doctor.

我們在處理死者的時候，要像在醫院裡由醫生照顧一樣小心。

The question e am very passionate about restorative art, because I believe it's important for people to have the best memory picture possible.

問題e對修復藝術非常熱衷，因為我相信對人們來說，擁有最好的記憶畫面很重要。

When it's time to say goodbye.

當該說再見的時候。

We're task as embalmers to help families have the option, no matter the cause of death.

我們作為防腐者的任務是幫助家屬選擇，無論死因是什麼。

To say goodbye to Mom or Dad or brother or sister, Faces are the most important subject matter in art.

要和爸爸媽媽或弟弟妹妹說再見，面孔是藝術中最重要的題材。

It's a never ending source of material.

這是一個永無止境的素材來源。

When you put on one of my masks, you become somebody different.

當你戴上我的面具，你就會變成一個與眾不同的人。

You start to embody that character on, have a lot of fun with it.

你開始把這種性格體現在上，有很多樂趣。

My name's Landon Meyer, and I make disturbingly realistic masks.

我叫蘭登-梅耶，我做的面具令人不安地逼真。

E never thought I was gonna make a living doing masks.

我從來沒有想過自己會靠做面膜謀生。

E was a picture framer, loan officer, pizza delivery driver, and then I got laid off.

E當過相框師、貸款員、送披薩的司機，後來我失業了。

I've always been interested in doing something that's like, really surreal and nightmarish.

我一直對做一些超現實和噩夢般的事情感興趣。

So it was more or less an experiment that took off E.

所以，這多少是一個實驗，起飛E。

I'm the only person out there that's doing hyper realistic lightness masks.

只有我一個人在做超逼真的光感面膜。

I'm kind of this weird mad scientists down in the basement E start off getting lots of reference material.

我有點像這種奇怪的瘋狂科學家在地下室E開始得到很多參考資料。

E.

E.

The hardest part is doing the sculpture that can take anywhere from four days to a year.

最難的是做雕塑，可能需要四天到一年的時間。

But once the sculpture is done and I have a mold, it's about a one week process to make a mask.

但是雕塑一做完，我有了模具，做面膜大概要一個星期的過程。

They are ungodly, expensive.

他們不敬業，價格昂貴。

They range $500 and up and sometimes even highest $7500.

他們的範圍是500美元以上，有時甚至最高7500美元。

Over the years, I've made approximately 25 different designs, and I've produced with my own hands over 1000 masks e What I make.

多年來，我做了大約25種不同的設計，我親手製作了1000多個面具e我做什麼。

I like to consider wearable art.

我喜歡考慮可穿戴藝術。

These are super realistic sculptures you can put over your head and where people just seem to have this astonished reaction to the masks.

這些都是超級逼真的雕塑，你可以戴在頭上，人們似乎對面具有這種驚訝的反應。

That's what I love about him.

這就是我喜歡他的原因。

Mm.

嗯。

It was a dark time for Star Wars when CG characters started popping into every corner of the Siri's.

當CG角色開始出現在Siri的每個角落時，這是星戰的黑暗時期。

But before George are stumbled into our collective consciousness stores was all about puppets.

但在喬治偶然進入我們的集體意識商店之前，都是關於木偶的。

Which brings us to this guy.

這讓我們想到了這個人。

I'm Dave Barclay.

我是戴夫-巴克利

I'm a puppeteer and puppet builder and animatronic effects supervisor.

我是一名木偶師和木偶製作師，也是一名動畫特效主管。

You might recognize Dave Better under £200 of fiberglass and latex because he was one of the puppeteers inside Job of the Hut.

你可能會認識到200英鎊以下的玻璃纖維和乳膠的Dave Better，因為他是《小屋的工作》裡面的木偶師之一。

But to play the most notorious gangster in tattooing, you gotta start somewhere.

但要想扮演紋身界最臭名昭著的黑幫老大，就得從某個地方開始。

And Dave, Well, he got his big break with a little green man back.

而戴夫，嗯，他和一個小綠人一起獲得了巨大的突破。

Here's why you fail.

這就是你失敗的原因。

Yoda was famously puppeteer by Frank Oz The legend behind Cookie Monster and Grover show you near and far.

尤達是著名的木偶人，由弗蘭克-奧茲 餅乾怪獸和格羅佛背後的傳奇故事向你展示近在咫尺。

But Yoda was a complicated puppet, and it took 4 to 5 people working different body parts to bring them to life.

但尤達是一個複雜的木偶，需要4到5個人在不同的身體部位工作，才能使他們活起來。

Dave's job was controlling your eyes and ears.

戴夫的工作是控制你的眼睛和耳朵。

There was a sequence when Yoda is brooding Mark with a stick, saying where he waas what he was doing.

有一幕是尤達拿著棍子對著馬克沉思，說他在哪裡華斯在做什麼。

I'm doing a little squint and subtle control on the eyes.

我在眼睛上做了一點斜視和微妙的控制。

Yep, right there.

是的，就在那裡。

That's me doing the eyes there.

這是我做的眼睛有。

Towards the end of the filming on Empire Strikes back Frank Oz was performing Yoda, and it became clear if he had to move on to another film on he wasn't gonna be available.

在《帝國反擊戰》的拍攝接近尾聲時，弗蘭克-奧茲正在表演尤達，很明顯，如果他要轉到另一部電影上，他是不會有空的。

So they needed someone to take over from Yoda and Frank nominated me.

所以他們需要有人接替尤達，弗蘭克提名我。

I was 19 years old.

我當時19歲。

So suddenly There I am with Yoda.

所以突然間我就和尤達在一起了。

Even at 19 years old, Dave's Yoda scenes blended perfectly with Frank Oz.

即使在19歲的時候，戴夫的尤達場景也與弗蘭克-奧茲完美融合。

That was Dave.

那是戴夫。

Did you guys see that?

你們看到了嗎？

Let's take one more look.

我們再來看看。

Dave did such a good job.

戴夫幹得真不錯。

They called him back and asked him to run a new puppet called Job of the Hut.

他們把他叫回來，讓他經營一個新的木偶，叫《小屋的工作》。

Jabba the Hutt was probably the most complicated and sophisticated animatronic puppet that anyone had ever tried to build on.

赫特人賈巴很可能是最複雜、最精密的動畫木偶，有人曾試圖在此基礎上建造。

It took 6 to 7 people to operate inside Jabba.

在賈巴體內需要6到7個人來操作。

Very claustrophobic, very close.

很幽閉，很接近。

One person doing the left hand, the head movement in the tongue.

一人做左手，頭部運動在舌頭。

Now the puppeteer doing the mechanical tail, another puppeteer doing the breathing on the air bladders.

現在木偶人做機械尾巴，另一個木偶人做氣囊上的呼吸。

I did Jabba's right hand on.

我把賈巴的右手放在。

I did his jaw on.

我做了他的下巴上。

Then I provided the voice on stage.

然後我在臺上提供聲音。

My voice doesn't make it to screen, but if you turned up on stage, we'll hear this sort of voice.

我的聲音不會出現在銀幕上，但如果你在舞臺上轉過來，我們會聽到這種聲音。

Where's my talk?

我的話語權在哪裡？

Dry?

乾的？

Uh huh.

嗯哼。

There's a child.

有一個孩子。

There weren't really any movies that had puppeteers in them.

沒有真正的電影，有木偶人在其中。

There was a little bit here and there.

這裡有一點，那裡有一點。

But there were no solid characters like Yoda on being part of the Yoda team, which really was the first performance.

但在成為尤達團隊的一員時，並沒有像尤達這樣紮實的角色，這確實是第一種表現。

Animatronic in movies was the start of this huge growth that lasted about 20 years.

Animatronic在電影中的應用是這個巨大發展的開始，持續了大約20年。

Onda za puppeteer Onda puppet maker on someone who loves the movies.

Onda za puppeteer Onda puppet maker on someone who loves the movies.

It was always in the exactly the right place at the right time.

它總是在正確的時間出現在正確的地點。

And I've had wonderful career, doing what I adore.

而我的事業也很精彩，做著我喜歡的事情。

So I feel very lucky and privileged.

所以我覺得自己很幸運，也很榮幸。

Mm was our first feature point break.

毫米是我們的第一個功能點突破。

Did we do that before tremors?

我們在震盪之前就這樣做了嗎？

Not officially.

不是正式的。

Yeah, right.

是的，沒錯。

So as a company, tremors would be the first technically future, I guess.

所以作為一家公司，震盪會是第一個技術上的未來吧。

I don't know.

我不知道。

Someone should Google that.

有人應該谷歌一下。

Yeah.

是啊。

Are you gonna ask us questions or do you want us to start talking?

你是要問我們問題還是要我們開始說話？

Could you introduce each other?

你們可以互相介紹一下嗎？

I would love to.

我很想去。

I would like to introduce you to Tom Woodruff Jr.

我想向你介紹小湯姆-伍德魯夫。

Who is the co founder of Amalgamated Dynamics.

誰是淘金動力的聯合創始人。

I'd like to introduce you to Alec Gillis.

我想向你介紹亞歷克-吉利斯。

He's the co founder of A.

他是A的聯合創始人。

D.

D.

I, home of the Oscar winning Creature effects Team.

我，是奧斯卡最佳特效團隊的所在地。

When people think of practical effects creatures, you think of non computer generated characters We've been lucky to be involved with some of the biggest and best of those types of monsters.

當人們想到特效生物時，你會想到非電腦生成的角色，我們很幸運地參與了一些最大和最好的這些類型的怪物。

We did the worms and tremors.

我們做了蠕蟲和震盪。

We did the fat makeups on Tim Allen in the Santa Claus.

我們在《聖誕老人》裡給蒂姆-艾倫化了胖妝。

All the practical animals in Jumanji.

朱門記》中所有的實用動物。

We've done the alien.

我們已經做了外星人。

We've done the predators.

我們已經做了掠奪者。

Starship Troopers.

星艦部隊。

I wasn't done.

我還沒說完。

You can keep going, buddy.

你可以繼續前進，夥計。

And of course, there's always the gorilla cut right now.

當然，現在總是有大猩猩切。

That's perfect.

這是完美的。

Right now we cut putting the gorilla costume.

現在我們切把大猩猩的服裝。

We started perform my own creatures because we both have this sort of observation of stuntmen despite their talents and their skills, them going into a creature suit and not really knowing how to make a creature suit work.

我們開始表演我自己的生物，因為我們都有這樣的觀察，特技演員儘管有天賦和技能，但他們去穿生物服，卻不知道如何讓生物服發揮作用。

It would be very weird for us to just say we're gonna build something and then bring it to set and say, Now what?

如果我們只是說我們要建造一些東西，然後把它帶到片場，然後說："現在怎麼辦？"這將是非常奇怪的。

Are you hungry?

你餓了嗎？

Some food?

來點吃的？

Are you hungry?

你餓了嗎？

If your digital animator, you build the character and you follow through and you make it move and you bring it to life.

如果你是數字動畫師，你要建立角色，你要跟進，你要讓它動起來，你要讓它活起來。

So that's our philosophy is the final step is performance because that's where it lives.

所以這就是我們的理念是最後一步是性能，因為這就是它的生命力所在。

You want to try a little tiny piece here, Go ahead go ahead.

你想試試這裡的一小塊，去吧去吧。

What do you think?

你覺得呢？

You want some more?

你還想再來點嗎？

Hey, he's Listen.

嘿，他是聽。

Listen, I could get you fresh bread.

聽著，我可以給你買新鮮的麵包。

E, get your fresh bread.

E，讓你的新鮮麵包。

Tremors is an example of a film that was from the pre digital era.

顫慄》是一部前數字時代的電影的例子。

And if you look at it, the practical effects they've stood the test of time and we're proud of that.

如果你看一下，它們的實際效果是經得起時間考驗的，我們為此感到驕傲。

Digital effects could do things that we can't possibly dio.

數字效果可以做到我們不可能做到的事情，dio。

Practical effects have a presence to them that even the best CG work gets close to but doesn't completely achieve.

實際效果的存在感，即使是最好的CG作品也能接近但無法完全實現。

In other words, there's more emotion, I believe, to a practical creature than to a digital creature.

換句話說，我相信，一個實用的生物比一個數字生物更有感情。

Wave to the camera and say goodbye.

對著鏡頭揮手說再見。

Bye Bye Bye.

再見了，再見了

Yeah, he's so temperamental.

是啊，他是如此喜怒無常。