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  • Hello, gu - Oh god, my hair...

  • I need a haircut.

  • How's isolation doing for you guys?

  • Hair's getting longer.

  • But that's okay, more time to practice.

  • Today we're going to be roasting...

  • I mean...

  • What?

  • Reviewing, with facts and logic,

  • Ben Shapiro playing the violin.

  • Most people might know this guy as a

  • political commentator.

  • Obviously, we have no idea.

  • We're not a political channel.

  • Yeah, we don't know anything.

  • But also, we're the internet violin detectives.

  • - Yes. - So we had to...

  • Review some violin playing.

  • Alright, we need that Ling Ling insurance.

  • Alright, Ling Ling insurance, guys.

  • - Just in case. - This is just a YouTube video.

  • Enjoy this episode.

  • Alright, it says here...

  • - Okay... I was... - Sorry, can I just say, why is the camera angle like...

  • Yeah, yeah, I was like...

  • Violin is the solo part.

  • It's just hard to critique his violin playing

  • when we can't see his violin.

  • He's so early.

  • He's so early like...

  • That's how prepared he is before a debate, probably.

  • - Yeah. He's like... - He has all his arguments ready.

  • Ten seconds just waiting.

  • I can't want to play all my facts and logic.

  • It's like, dude, you have like three, four bars...

  • How many bars, like...

  • As a musician, we normally just kind of stay there.

  • Listen to the music and then...

  • Like, let's play with it, alright?

  • Probably come up around here.

  • Yeah.

  • Check.

  • Now, bow...

  • Yeah.

  • Yeah, his bow was also hanging up here.

  • Yeah, that's very uncomfortable.

  • - And it's very stiff. - It makes you tense.

  • Imagine that you're a pianist

  • and then you're just sitting here like...

  • Well, you're very tense...

  • And then see this motion we start the string.

  • - Yeah. - The bow kind of -

  • There's this paintbrush feeling. It's delayed effect.

  • - Yeah. - Rather than...

  • Dude, he's -

  • Can I just say, he's getting closer and closer.

  • Dun-dun-dun-dun-dun-dun.

  • - Not bad. - Yeah, I'll give it to him.

  • He's got a nice sound.

  • Um...

  • His vibrato while it's not 100% consistent...

  • It's just a nice tone.

  • - Yeah. - Ba-ah~

  • Yeah.

  • He loses sound at some points, but...

  • The sound doesn't disappear.

  • Yeah.

  • Can I just say, the way he ends the phrase is so abrupt.

  • - Yeah. Some facts. - It's just like, an argument, fact.

  • He's already ready for the next argument.

  • Next argument!

  • Okay.

  • Just being nit-picky.

  • You can see when he shifts up...

  • There was tension and the speed caused a jolt.

  • Which causes bow to kind of...

  • The sound was inconsistent.

  • Ah, yeah, yeah.

  • The shift and the bow change wasn't smooth.

  • The shift needed to be less tense and...

  • Timing, the coordination of it so it works.

  • And also his uh...

  • I'm actually kind of saying this,

  • in case Ben you're watching this.

  • You seem like a smart guy that likes playing violin,

  • so this is just our thoughts.

  • I would not neglect the...

  • - Oh, I was gonna say that. - The vibrato.

  • I think the tension started when

  • he put the first finger down.

  • - Yeah. Yeah. - With no vibrato.

  • So all the tension happens before the event.

  • - Yes. Left hand was already... - It seems like that when he first started, his left hand...

  • - It was already locked. - Tensed on the 1. That's so true.

  • And musically...

  • That also, if you listen to it...

  • Ah~ Like this, beautiful vibrato.

  • Ah~

  • Neh...

  • Ah~

  • It's like, it doesn't make sense.

  • No consistency.

  • Ooo...

  • - Going for a gliss. - Ben, I didn't know you were that moody.

  • Gliss is all subject to taste, so...

  • No comment there.

  • - Um... Yeah. - Intonation doesn't care about your feelings.

  • It was a bit sharp.

  • But maybe you like it sharp, I mean...

  • Maybe I'm hearing it wrong.

  • Ah~

  • Alright, I just wanna say, as a tip,

  • and this actually to everyone watching this...

  • One of the hardest things about

  • playing violin is the tension.

  • Because this is not the most natural position.

  • It takes time to be able to play like this without tension.

  • And you can kind of see...

  • Here.

  • And his bow definitely, the wrist looks tense.

  • The elbow looks tense.

  • Now, you can hear the effect of that...

  • - That. - Yeah.

  • There's just...

  • Inconsistencies in tones, especially when he shifts.

  • The shifting and bow change combination.

  • Yeah, when you play violin, it's easy

  • when you tense one hand, the other hand also tense...

  • - Yes. - With it.

  • But I think in this one both needed to be relaxed.

  • He's got an interesting vibrato.

  • - It's - Wrist-y. - It's very -

  • - Finger and just... - Finger, wrist, yeah.

  • I mean, it works for him.

  • But you can always vary it up.

  • I think you can do with more variety.

  • Or speed and width.

  • You can use your arm too.

  • To get a bigger sound.

  • Can I just say, that was funny.

  • It's so mechanical.

  • He wasn't like...

  • That's what I meant, the way he finishes notes.

  • It's just very abrupt, very dry and cut.

  • Usually, you might want to... Yeah.

  • Bit of taste.

  • Yeah.

  • Like...

  • You can see Eddy there, there's a bit of a breath, like...

  • My body - but he went...

  • You can even hear the...

  • The way it ends on the string.

  • Can I also say something?

  • Every time he shifts, most of the time,

  • the first finger is never vibrating.

  • He goes...

  • Rather than.

  • He's got tension in his first,

  • probably tension in the thumb and this area.

  • Probably also because there's no shoulder rest.

  • It's different for everyone.

  • But of course, some people use no shoulder rest.

  • For me, when I don't use a shoulder rest...

  • I tend to have to hold my violin up

  • with my hand a bit more.

  • If you don't have the technique trained for it,

  • it's easy to just tense up.

  • These aren't just arbitrary like you shouldn't tense,

  • like you can hear it affecting the sound.

  • Rhythms don't care about your feelings.

  • Nah, let's not.

  • Ling Ling insurance!

  • I'm actually genuinely impressed.

  • He's quite in tune, quite on time with a good sound.

  • But I think here was an example of one where...

  • There's two phrases that mimic each other in this shape.

  • Da-la-la-la-la-la~

  • - Da-la-la-lal-la- - Yeah, you don't -

  • You don't want to play it exactly the same.

  • Point of all those musical composers

  • when they repeat things in phrases...

  • Is to make -

  • Usually to tell a story, make a point or something.

  • It's to make a point.

  • For musicians, when we see that, it's an opportunity...

  • To show what we want to show.

  • - Yes. - Through music.

  • He has - What's that bow grip called?

  • Pretty much like a Russian bow grip.

  • - Yeah, he has that very... - Like...

  • I would say my biggest constructive feedback would be

  • to find ways to be less tense.

  • - That would... Solve a lot of problems. - I think that is the main thing. Yeah.

  • - Oh, he's vibrating the open G string! - Ooo!

  • Nice, I like that.

  • - He ran out of a bit of bow on the C though. - Ooo!

  • Yeah.

  • Oftentimes his down bow...

  • - There's always accent and... - Accents! I was just gonna say that.

  • The speed is often too fast.

  • So that's why on that note C, he ran out of bow.

  • - Probably because he's tense. - Yeah, probably because of his bow hold.

  • When you're tense, the lower half is like...

  • A dangerous place, which is why tense players...

  • Will often avoid the lower half

  • and try to get to the middle.

  • By the way, that was actually quite beautiful.

  • If I'm looking at it from just a non-musician,

  • - I'm quite impressed, I'm actually impressed. - I will be impressed.

  • I know despite saying all these things are wrong,

  • I'm glad that he's honest about the performance.

  • There wasn't any editing involved

  • or actually changing things to pretend

  • that he plays at a different level.

  • And this is just a self-expression of him

  • playing the violin.

  • As it should be, I think.

  • - This - - Which I respect a lot more than...

  • And I think music is more about the rawness

  • rather than painting a facade.

  • Making everyone feel like we should be that.

  • But music is just making music, you know.

  • It's always...

  • Da-la~ Da-la-la~

  • You might want a bit...

  • Yeah.

  • To keep this phrase going, despite the down bow.

  • - It's a bit too short, the phrases. - Da~ It's always...

  • Da-da-da-da-da~ Da-da-da-da~

  • Da-da-da-da... It's too predictable.

  • And again...

  • We're just offering our opinion.

  • Someone could easily look at our videos

  • and destroy the heck out of them.

  • Yeah.

  • So, on that note, he posted another one.

  • - Ooo, this has more views on instagram. - Yeah. Ooo!

  • - On insta - Wow! - 400k!

  • Meditation from Thais by Massenet.

  • We all know this one.

  • Okay. Okay.

  • I was gonna say, at the beginning,

  • Ooo, he actually did a bit of a...

  • - That was nice, he phrased away. Yeah. - He took time.

  • He knows that's the end of the phrase

  • and start a new one.

  • - Da-da~ - Da-da~

  • Da~

  • But man... Ben...

  • - Can't rush. - Yeah.

  • String crossings.

  • - Yeah. - They're not easy.

  • I think it doesn't help that his arm is all tense.

  • Yeah.

  • If you can hear that is a string crossing,

  • it's not a good string crossing.

  • Yeah, and it needs to seem seamless.

  • - Yeah. - There's no...

  • Jitter and accents of sound.

  • He's kind of like...

  • He lost the power.

  • Dah...

  • - Yeah, he does the wrong bowing. - He should sustain the -

  • - Oh really? - I mean, it's preferable, you'd rather go...

  • Yeah.

  • And you have more sound, the...

  • - Sustain to the climax. - Dah~

  • And that keeps moving, right?

  • Yeah.

  • He has a habit of stopping the sound

  • - every time he shifts. - Every time he shifts, yeah.

  • Instead of... He goes...

  • This is common, when you shift and it's tense

  • and the coordination is not quite there.

  • The cheap solution is to lighten the bow.

  • But ultimately, you need to...

  • You got to hide the shift,

  • while the sound is there,

  • so ears don't pick up on that change.

  • Yeah.

  • He really wants to get his facts out.

  • - Yeah, it's like... You can take more time. - Da-da-da-da~

  • He's like... Let's get through this.

  • That accent was...

  • It was just pressed.

  • Yeah, it wasn't...

  • You can do it with changing your vibrato.

  • Faster bow speed.

  • I think what he intended was,

  • he wanted something to emphasize that note.

  • But his left hand didn't follow his right hand.

  • If your left hand stays the same...

  • When you change the right hand,

  • most likely the sound won't coordinate well.

  • Anyway...

  • We're getting way too technical.

  • You guys probably don't even care at this point.

  • Yeah, if you watched this far...

  • How you doing? Did you practice today?

  • You didn't practice.

  • Go practice!

  • - Oh! - Hey, not bad!

  • - Whoa! - Not bad.

  • I'm impressed that last harmonic spoke well.

  • The harmonic came out.

  • It's high pressure, it's the last note.

  • I wonder if this guy gets nervous playing violin.

  • That's so, yeah...

  • Hey, Ben, if you're watching this, do you get nervous?

  • Alright, guys.

  • Just sharing our thoughts.

  • And if Ben is watching this,

  • we hope you learn something.

  • And if you're watching this, and you're a musician,

  • hopefully you also got something out of it.

  • Remember...

  • It all takes practice!

  • Thank you guys so much for watching.

  • If you want more of this, please like and subscribe.

  • We'll see you guys next time.

  • Yeah, have you seen his Game of Thrones?

  • Why is there -

  • I don't know...

  • Dude...

  • - He looks so serious. - He looks so serious.

  • That's what I mean.

  • - The way he plays. - His sound is so...

  • Just straight, this is how it is.

  • Alright, that's it.

  • Alright, that's enough.

Hello, gu - Oh god, my hair...

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A2 初級 美國腔

古典小提琴家點評本-夏皮羅的《小提琴演奏與事實和邏輯》。 (Classical Violinists Reviewing Ben Shapiro's Violin Playing with Facts and Logic)

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    李芷凝 發佈於 2021 年 01 月 14 日
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