So much of this process is about problem solving and making breakthroughs.

Everyone is coming with their own experiences to a galaxy that can support it, and they also have a group of filmmakers who were not afraid to jump in.

It's hard to believe all these years later, there's such energy around new stories in this world.

The volume you put me back in a set as if it was built.

The outside is all video walls.

In the top is video wall.

That was, for me, one of the most rewarding experiences.

That someone who just loves Star Wars.

It was like one of the weirdest and best things that ever happened with Turner.

He was acting against the baby, and he started directing the baby directly.

I'm trying drug Verner, who's now directing the puppet he was telling us we needed to commit to the magic, makes them use the puppet theater.

G 11 was like I G 88.

They built him out of parts of the old cantina set from a new hope.

We, as Children like that's the coolest assassin robot.

It was bolted to the floor.

We're trying to draw from all over Star Wars.

Sometimes I think it's just like anything in any different scene.

You just have energy and you can see that in the physicality.

You can see that the acting George reiterated, Remember, to make these stories hopeful, to give that to kids because they really need it.

It's important to the foundation of Star Wars, but we don't just want action.

We want to feel uplifted.

And Star Wars ultimately is about family.

It is really saying there is a lot of hope out there.