I guessthatimplies a certaindistancingand a certaincontempt.
It's outhere.
I was, ontheonehand, oneoftheidols, andnotbecause I'm great.
I'm not, butbecause I wasonTVandtheywere 18 yearsold.
Theylikeme a zone 18 yearoldtodaymightlike.
DavidLettermanhadnothingtodowiththequalitythatshowslikehe's representingus, butagain, sincehe's usedtomakefunofthem, and I usedtomakefunofthemandeventhesquareofcomicsbecausetheyweresodifferentfromtheconventional, youknow, theBrooksBrotherslook, ortheguythatworksatthebankortheguythatworksforthe I.
R.
S orwhatever.
Itwasquite a newculture, andtherewassomegoodthingsaboutitandbadthingsaboutit.
Thepartofthepartofhippiedumbthat I feltathomewithwasthepartthatwas, toanextent, authenticallyhip.
Inotherwords, ifitspokethelanguageofjazzmusicianslikejustlittlethings, likecallingsomebodyman, youknow, a man, Whattimeisitthat I feltathomewith?
Because I'vebeendoingthatsince I was 16 andfirstgotintojazzinChicago, was a musician.
Let's smelltheflowers, youknow, slowdownandsmelltheflowers, eventhingsthatbecameclicheslikeTomorrow's thefirstdayoftherestofyourlifethat, in a kindof a klutzyway, triedtoexpressanimportantthought.