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  • PATRICK WINSTON: The Uniform Code of Military Justice

  • specifies court martial for any officer who sends a soldier

  • into battle without a weapon.

  • There ought to be a similar protection for students

  • because students shouldn't go out

  • into life without the ability to communicate,

  • and that's because your success in life

  • will be determined largely by your ability to speak,

  • your ability to write, and the quality of your ideas,

  • in that order.

  • I know that I can be successful in this

  • because the quality of communication,

  • your speaking, your writing, is largely

  • determined by this formula.

  • It's a matter of how much knowledge you have,

  • how much you practice with that knowledge,

  • and your inherent talent, and notice

  • that the T is very small.

  • What really matters is what you know.

  • This point came to me suddenly a few decades ago when

  • I was skiing at Sun Valley.

  • I had heard that it was Celebrity Weekend, and one

  • of the celebrities was Mary Lou Retton,

  • famous Olympic gymnast, perfect 10s in the vault.

  • And I heard that she was a novice at skiing,

  • so when the opportune moment arrived,

  • I looked over on the novice slope

  • and saw this young woman who, when she became unbalanced,

  • went like that.

  • And I said that's got to be her.

  • That must be the gymnast.

  • But then, it occurred to me, I'm a much better skier

  • than she is, and she's an Olympic athlete-- not only

  • an ordinary Olympic athlete, an outstanding one.

  • And I was a better skier because I had the K, and I had the P,

  • and all she had was the T. So you

  • can get a lot better than people who

  • may have inherent talents if you have

  • the right amount of knowledge.

  • So that's what my objective is today, and here's my promise.

  • Today, you will see some examples

  • of what you can put in your armamentarium of speaking

  • techniques, and it will be the case

  • that some one of those examples, some heuristic, some technique,

  • maybe only one, will make--

  • will be the one that gets you the job.

  • And so this is a very non-linear process.

  • You never know when it's going to happen,

  • but that is my promise.

  • By the end of the next 60 minutes,

  • you'll have been exposed to a lot of ideas, some of which

  • you'll incorporate into your own repertoire,

  • and they will ensure that you get the maximum opportunity

  • to have your ideas valued and accepted

  • by the people you speak with.

  • Now, in order to do that, we have

  • to have a rule of engagement, and that

  • is no laptops, no cell phones.

  • So if you could close those, I'll

  • start up as soon as you're done.

  • Some people ask why that is a rule of engagement,

  • and the answer is, we humans only

  • have one language processor.

  • And if your language processor is enga--

  • could you shut the laptop, please?

  • If your language processor is engaged browsing the web

  • or reading your email, you're distracted.

  • And worse yet, you distract all of the people around you.

  • Studies have shown that.

  • And worse yet, if I see a open laptop somewhere back

  • there or up here, it drives me nuts, and I do a worse job.

  • And so that ensures that all of your friends

  • who are paying attention don't get the performance

  • that they came to have.

  • So that's it for preamble.

  • Let's get started.

  • First thing we talk about, of course, is how to start.

  • Some people think the right thing to do

  • is to start a talk with a joke.

  • I don't recommend it, and the reason

  • is that, in the beginning of a talk,

  • people are still putting their laptops away.

  • They're becoming adjusted to your speaking parameters,

  • to your vocal parameters, and they're not ready for a joke.

  • So it doesn't work very well.

  • They usually fall flat.

  • What you want to do instead is start with empowerment promise.

  • You want to tell people what they're

  • going to know at the end of the hour

  • that they didn't know at the beginning of the hour.

  • It's an empowerment promise.

  • It's the reason for being here.

  • What would be an example?

  • Oh, I see.

  • At the end of this 60 minutes, you will know things

  • about speaking you don't know now,

  • and something among those things you know

  • will make a difference in your life.

  • Yeah, that's an empowerment promise,

  • so that's the best way to start.

  • So now that I've talked a little bit about how to start,

  • what I want to do is give you some samples of heuristics

  • that are always on my mind when I give a talk,

  • and first of these heuristics is that it's a good idea to cycle

  • on the subject.

  • Go around it.

  • Go round it again.

  • Go round it again.

  • Some people say, tell him what you want to tell him.

  • Tell him again, and then tell him a third time,

  • as if people weren't intelligent.

  • But the point is--

  • the reason is-- well, there are many reasons, one of which

  • is, at any given moment, about 20% of you

  • will be fogged out no matter what the lecture is.

  • So if you want to ensure that the probability that everybody

  • gets it is high, you need to say it three times.

  • So cycling is one of the things that I always

  • think about when I give a talk.

  • Another thing I think about is, in explaining my idea,

  • I want to build a fence around it so that it's not confused

  • with somebody else's idea.

  • So if you were from Mars, and I was teaching you

  • about what an arch is, I might say to you,

  • well, that's an arch.

  • And that's not to be confused with some other things

  • that other people might think is--

  • this is not an arch.

  • That's not an arch.

  • I'm building a fence around my idea

  • so that it can be distinguished from somebody else's idea.

  • So in a more technical sense, I might say, well,

  • my algorithm might similar--

  • might seem similar to Jones's algorithm,

  • except his is exponential, and mine's linear.

  • That's putting a fence around your idea

  • so that people can not be confused about how it

  • might relate to something else.

  • The third thing on this list of samples

  • is the idea of verbal punctuation.

  • And the idea here is that, because people

  • will occasionally fog out and need to get back on the bus,

  • you need to provide some landmark places where

  • you're announcing that it's a good time to get back on.

  • So I might, in this talk, say something

  • about this being my outline.

  • The first thing we're going to do is talk about how to start.

  • Then we're going to deal with these four samples,

  • and among these four samples, I've

  • talked about the first idea-- that's cycling.

  • The second idea, building-- and now,

  • the third idea is verbal punctuation.

  • So I'm enumerating and providing numbers.

  • I'm giving you a sense that there's a seam in the talk,

  • and you can get back on.

  • So now, we're on a roll, and since we're on a roll,

  • can you guess what fourth idea might be here--

  • an idea that helps people get back on the bus?

  • AUDIENCE: Ask a question.

  • PATRICK WINSTON: Yes?

  • AUDIENCE: Ask a question.

  • [INAUDIBLE]

  • PATRICK WINSTON: Ask a question, yes.

  • Thank you.

  • So ask a question.

  • And so I will ask a question-- how much dead air can there be?

  • How long can I pause?

  • I counted seven seconds.

  • It seemed like an eternity to me to wait and not say anything

  • for seven seconds, but that's the standard amount of time

  • you can wait for an answer.