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  • that's a hell of a welcome for someone who's gonna talk about the Bible.

  • So I thought I would get farther than through Genesis by by this point.

  • But I'm I'm not unhappy about the pace, either.

  • I've learned a tremendous amount, and so hopefully what we'll do today is finish Genesis completely.

  • And then I think I'll try to start up with Exodus in May, depending on what happens next year.

  • I have a busy travel schedule, and but I would really like to do it.

  • I really like the Exodus story, and I understand it very well.

  • A lot of the stories in Genesis, especially after the first few stories, say, Up to the Tower of Babel.

  • I had to do a tremendous amount of learning about, which is a greedy good.

  • But I do know the exodus story, so I'm really looking forward to that.

  • So So let's dive right into it and see how far we can get today, so we'll review first.

  • So Joseph's father is Jacob and Jacob is the Hey trick of Israel.

  • Essentially, that the father of the 12 tribes and, um well, you might remember that Ah, he had a very morally ambivalent halfway through life.

  • And it's one of the things that I think so interesting about the The stories in the Old Testament is that these so called patriarchal figures are very realistic.

  • It's something that I have also been struck by that accounts in the New Testament.

  • That way there's lots of things that Christ does that you think would have been edited out over time and sanitized.

  • But they're not.

  • The Old Testament is definitely not a book that's been sanitized, and that's quite interesting that that's the case.

  • So you sort of see people with all their flaws.

  • And I've been trying to also derives some general conclusions about the moral of the story of the genesis stories.

  • And because these stories are fundamentally moral and moral as far as I'm concerned, it has to do with action, right, because moral decisions are the decisions that you make when you're structuring action, when you decide to do one thing or another, generally you want to do things that air, the best things that you can think of to do and hence good.

  • But sometimes you also want to do things that are the worst things you can do, you know, because you're angry or resentful or bitter.

  • And so the moral decisions that you make that govern your actions are really the most important decisions that you make in your life.

  • And it's not that easy to figure out how to make moral decisions.

  • We don't have an unerring technology for that the same way as we do for, say, making decisions about empirical reality, which in some ways seem a lot simpler, um, part because we can work collectively at it, partly because we have a rigorous methodology for deciding what's true and what's not.

  • So one of the things that's really struck me like it's an overarching theme.

  • I would say that emerges out of Genesis, especially after the really ancient stories say, especially after the stories of Cain and Abel end No and, um, the Tower of Babel.

  • When you get two the accounts of the historically or historically riel people, one injunction seems to be Get the hell out there and do something.

  • You know, one of the major themes for all of the patriarchs that we've talked about, Abraham say Jacob and Joseph is move out into the world regardless of the circumstances at hand.

  • Now that's in in in the Old Testament stories that's basically portrayed as hearkening to the voice of God.

  • Something like that, maybe you could think about that is destiny or a psychological calling.

  • Um, and the funny thing, too is, is that it's not that these people have in easy time of it when they heed that call.

  • So what's what's fascinating is that they often run into extreme difficulties right away.

  • And I think that's very interesting.

  • First of all, because life is obviously full of extreme difficulties.

  • And second, it's another example of the failure to sugarcoat things.

  • Which is one of the things I think makes a mockery of anti religious theories that are even quite sophisticated, say, like Freud's, because Freud thought of religion as a a za wish fulfillment, essentially and and also marks who thought about religion as the opiate of the masses.

  • It's if those were true.

  • It seems to me that there'd be a lot more wish and a lot less reality, a lot less stark, harsh reality.

  • You know, the first thing that Abraham encounters is ah, famine, and then he has to hide his wife and then he he basically journeys into a tyranny.

  • So that's about as bad as it gets in some ways.

  • And those themes.

  • Real Riker continually, and no one ever lives where they're supposed to live.

  • They leave and live in Canaan and not the Promised Land.

  • And so it's a pretty rough.

  • It's a pretty rough series of stories, but the fundamental idea is something like, There's no time for sitting around.

  • There's time to go out into the world and engage.

  • And then there's there's hints about the proper and improper ways of engaging right.

  • So clearly the improper way to engage is, I think, most clearly delineated in the Cain and Abel story and with Cane exemplifying the inappropriate way to engage with the world.

  • And that's to engage with the world in a bitter, jealous and resentful manner.

  • Now, one of the things that I really liked about Cain and Abel story and that theme Rikers continually with the with the duality of the brothers right there's there's constant conflict between a perspective that's essentially like Keynes and and the and the opposite perspective, which all which I'll get to in a minute.

  • But Cain sees that the world is a very, ah tragic place and that the rewards are distributed unfairly and that there are people who do better and people who do worse.

  • And as a consequence of that, he becomes bitter and resentful and curses God.

  • And then he becomes homicidal frat recital, which is even worse than he destroys his own ideal than his descendants basically become genocidal.

  • Something like that.

  • So that seems to be the wrong way to go about things, you know, unless your goal is to make things worse, like it's not like and has a limited number of things, has nothing to object to.

  • He's got plenty to object to.

  • His situation actually is bad.

  • He's overshadowed terribly by his brother, who everyone loves who does is extraordinarily well and who's good at everything.

  • And the story is a bit ambivalent about the reasons for Cane's failure, although a fair bit of its laid at his own feet.

  • But he's definitely failing and so you can understand why he would have this terrible attitude.

  • But the problem is, all it does is make it worse, so it doesn't seem to be one of the things I've also learned as a psychologist, sort of pondering these sorts of things.

  • It's often a lot easier to identify what you shouldn't do than what you should do.

  • Like it's, I think evil is easier to identify than good.

  • I think good is trickier, but evil stands out to some degree, and then at least you can say, if you're trying to get us far away from that as possible, we could even say just for practical reasons.

  • So your life doesn't become hell, and your family life doesn't become hell.

  • At least you could get us far away from that as possible.

  • Even if you weren't able to conjure up what would constitute the good as a name, you could at least avoid those sorts of pitfalls.

  • And I do also think that its pitfalls like that that really threaten our society.

  • Right now, you know that I see a tremendous rise in resentment.

  • Fueling almost all of the political polarization that's taking place seems unfortunate, given that by and by large, everyone on the planet is richer than they've ever bean.

  • Now that that doesn't mean there's no disparity, there's, but there's always disparity.

  • Anyways, Jacob, of course, Jacob and Rebecca deceived me so and so.

  • And Jacob ends up with with, uh, with Isaac's blessing, and so that's that's a moral catastrophe.

  • And then he has to run because his brother wants to kill him.

  • And so that's the fratricidal motif again.

  • I like that, too.

  • I think that's really, really realistic.

  • You know, one of the things that Freud noted constantly, and this is where Freud really is a genius is that the most intense hatreds and also sometimes the most intense love is within families, you know.

  • And in the Friday and world of psychopathology, it's all it's all inside the family.

  • In fact, the pathology in the Friday in world is actually the fact that it's all inside the family because people who get tangled up in the fraidy and familial nightmare, which is roughly eat apple in structure can on Lee conceptualize the world in terms of their familial relationships that they've bean so damaged by the investment and the trauma and the deceit in the betrayal and the blurred lines and all of that, they just can't expand past the family and go out in the world.

  • So the idea that brothers could be at each other's throats, I think is that's a very powerful idea, and it's not something that people like to think about.

  • So So Jacob has to leave, and it's no not surprising because, I mean, what he did was pretty reprehensible.

  • He betrayed his brother, but nonetheless he's the person who dreams of the ladder that unites heaven and earth, and that's a very perverse thing.

  • You know what?

  • But one of the things I think it does is give in some sense.

  • It gives hope to everyone because it isn't, You know, if only the good guys win, we're really in trouble, right?

  • Because it's not that easy to be a good guy.

  • It's it's it's really not that easy.

  • And most people are pretty keenly aware of all the ways that they fall short, even of their own ideals.

  • And so if there was no hope except for the good guys, almost all of us would be lost.

  • And so that's one of the things I really like and was more surprised about with the Old Testament stories is that these people are very complex lives and they make very major moral errors by anyone's standard And yet if and yet the overall message is still hopeful and the message that runs contrary to the message of evil say that message of good is something like, Well, there's a lot of emphasis on faith, right?

  • And that's a tough one, because cynics people who are cynical about religious structures like to think of faith as the willingness to demolish your intellect in the service of superstition.

  • And, well, there's something to be said for that perspective, but not a lot, because the reality is much more sophisticated.

  • Part of the faith that's that is being insisted upon in the Old Testament is something like, and I'm speaking psychologically here again that it's useful to pause it.

  • Ah, hi Hi.

  • Good day, Matt.

  • It so And I really think that's practically useful to the research we've done with The future authoring program, for example, indicates pretty clearly that if you get people to conceptualize an ideal and a balanced ideal, you know, so what he want for your family, what do you want for your career?

  • What do you want for your education?

  • What do you want for your character development?

  • How are you going to use your time outside of work on.

  • Are you going to structure your use of drugs and alcohol in places where you might get impulsive?

  • How can you avoid falling into a horrible pit?

  • If you really think that through and you come up with an integrated ideal and you put it above you as something to reach for, then you're more committed to the world in a positive way, and you're less tormented by anxiety and uncertainty.

  • And so and that makes sense, right, because here you are alive and everything.

  • And so unless you were cape, if you're not capable of manifesting some positive relationship with the fact of your being, then how could that be anything other than hellish?

  • Because it would just be anxiety provoking and terrible because you're vulnerable and there'd be nothing useful or worthwhile to do?

  • Well, that's just not.

  • I just can't see that as a winning strategy for anyone.

  • You can make a rational case for adopting that strategy in that, you know, you can say, Well, there's no evidence for for a transcendent morality or for an ultimate meaning.

  • There's no hard empirical evidence, but it seems to me that there's existentially evidence as well.

  • That has to be taken into account and, of course, like psychologists have talked about this a lot.

  • Carl Rogers, for example, in Hume, for that matter.

  • Freud, for that matter.

  • Most of the great psychologists have pointed out that you know you can derive reasonable information that's that's solid from your own experience, especially if you also talk to other people.

  • And you can kind of see in your own life when you're on a productive path.

  • It's sort of in nobles and enlightens you or a destructive path.

  • And I think it's kind of useful to think that maybe the dichotomy between those two paths might be riel, you know, and because that also allows you to give credence to your intuitions about that sort of thing.

  • But I don't anyways.

  • I don't think it's unreasonable to pause it that since you're alive adopting the highest possible regard for the fact that you're alive and that you're surrounded by other creatures that are alive, I just can't see how that could possibly be construed as a losing strategy.

  • And so that's the first.

  • So that's something like faith, right?

  • It's faith it's not.

  • It's not only faith in your being, but its faith in being as such, and the faith would be something like if you could orient, you're being properly then maybe that would orient you with being as such, and you never know, Like, I mean, it might be true.

  • There's no reason to assume that it wouldn't be true.

  • I mean, even if you just take a strict biological perspective on this and think about us is the product of 3.5 1,000,000,000 years of evolution.

  • I mean, we have struggled over all those billions of years to be alive and to match ourselves with reality and so cause.

  • One of the things I've often wondered is, you know, life is definitely difficult.

  • There's no doubt about that, and it's unfair, and there's inequality and all of those things, and people are subject to all sorts of terrible things.

  • But I also wonder if you weren't actively striving to make things worse, just how much better could they be?

  • You know, because people are very they like houses, they're divided amongst themselves.

  • They're pointing in six different directions.

  • At the same time, they're working at cross purposes to themselves.

  • because of bitterness and resentment, and what unprocessed memories and childhood hatreds and unexamined assumptions, all sorts of things.

  • And you you just gotta wonder if you could push that aside and orange yourself properly, and then the other thing.

  • That, of course, is stressed very heavily in the Old Testament.

  • And, of course, that goes through the entire biblical corpus is that it's not only enough to establish a positive relationship with being, which I think is the essential.

  • It's a good description of faith.

  • You have to make that decision right, because being is very ambivalent, and you could make the case that maybe it's something that should have never happened.

  • But that doesn't seem to be productive to me.

  • And faith seems to be, I'm going to act as if being is ultimately justifiable and that if I partake in it properly, I will improve it rather than making it worse.

  • So I think that's the statement of faith, and then what seems to go along with that?

  • It's something like truth in conception, in action, you know, even people like Jacob, who are pretty damn morally ambivalent to begin with, get hammered a lot by what they go through.

  • And what seems to happen is that they're hammered into some sort of ethical shape, right?

  • So by the mid point of their life's journey, there's people who are solidly planted, who you can trust and who don't betray being or themselves or their fellow man.

  • And so it's an interesting I mean, it seems reasonable to me to first assume that you have to establish a relationship with something that's transcendent.

  • It might even be just the future version of you, but and then second, that you have to align yourself with reality in a truthful manner and that that's your best bet.

  • And the biblical stories were actually quite realistic about that, too, because they don't really say that if you do that, you're going to be instantly transported to the Promised Land like even Moses.

  • As we'll find out in the Exodus stories, he never makes it to the promised land.

  • And so it's not like you're offered instantaneous final redemption If you move out forthrightly into the world, establish a faithful relationship with being an attempt to conduct yourself with integrity.

  • But it's your best.

  • That and it might be good enough and even if it's not good enough, it's really preferable to the alternative, which seems to be something closely akin to hell, both personal and social.

  • So Joseph's father is Jacob, later Israel.

  • He who wrestles with God, and we've talked about that a little bit.

  • It's sort of implicit in what I've been saying is that I think we all do that to some degree.

  • Um, we wrestle with reality itself, that's for sure.

  • Not only the reality we understand, but the reality we don't understand, which is sort of a transcendent reality.

  • And then maybe whatever reality is outside of that, because the classic Judeo Christian conception of God is that there's time and space.

  • And of course, there's lots of things about what exists in time and space that we're completely ignorant oven.

  • That's transcendent in that sense.

  • But then there's an idea that there's a realm outside of that which is a well, it's an interesting idea.

  • It's very sophisticated idea, I think, rather than a simple idea, it's it's difficult to know what to make of it, but it doesn't really matter because I think regardless of what your attitude is towards those sorts of things intellectually, you still end up in the same position as Jacob, for all intents and purposes, practically speaking, because I don't think that there's anyone who at some point in their life, or perhaps even every day, doesn't at some level wrestle with God and you could just call it while the nature of reality.

  • I suppose if you want to be, say, reductionist IQ about it, but I don't think it makes any difference.

  • It's still something you're stuck with, and it's not only the nature of reality itself that you have to struggle with, but it's also the nature of your moral relationship to it, your behavior relationship to it.

  • So that's how you should perceive it and how you should conduct yourself.

  • And then whether or not the advantages of doing it properly are worth the difficulty and the disadvantages.

  • So that seems to me just a straight existentially statement.

  • Then you know, Jacob gets damaged by his wrestling, which is also very realistic.

  • So anyways, he also ends up his father of Joseph, who's the favorite son son who was born in his old age to his favorite wife.

  • And that's how we're gonna talk about to today.

  • So you remember.

  • So Jacob is the forefather of the 12 tribes of Israel, and there's his his wives and this and the offspring that resulted.

  • Those are all the sons.

  • There's a daughter named Dinah as well, and Rachel is the woman he really loved.

  • And the first son he had with Rachel was Joseph.

  • And that was when he was older.

  • And so that's in some sense why Joseph is his favorite.

  • So this is the beginning of the story of Joseph, now Israel Jacob Love Joseph more than all his Children because he was the son of his old age and he made him a coat of many colors.

  • And there's a lot packed into those two sentences, you know, The first is that now Israel love Joseph more than all these other Children.

  • That's probably not so good.

  • One of the things we've seen in the stories that have preceded this is that whenever there's a marked preference on the part of parents for one child over the other, with with, uh, with with Jacob buddy saw, it was Rachel was, uh, um, Jacob was Rachel's favorite.

  • Eso was, um, Isaac's favorite.

  • That didn't work out so well.

  • That put a real twist in the entire structure of the family.

  • And so there's a warning there, right off the bat, you might say, Well, you can't help having a preference for one child over another, but I don't know if that's true.

  • And it's certainly something that you should be very cautious about because it doesn't seem to work out very well because he was the son of his old age.

  • Fair enough, and he made him a coat of many colors.

  • That's a very interesting image, that coat of many colors, that that idea.

  • And so I'm going to delve into that idea because it sets the stage like it says.

  • What sort of person Joseph is.

  • He's favored.

  • He's younger, he's favored.

  • But he also has this particular garment that characterizes him.

  • You know, one of the things I've really learned from analyzing women's dreams in particular, is that women very frequently in my experience very frequently dream of clothing as role, and so if you're interpreting women's dreams, then if they put on the shoes of their grandmother, for example, then you understand very rapidly that the dream is trying to make an association between their own behavior and something that's characteristic of either the state of being a grandmother or the particular grandmother.

  • And it makes sense, right, because clothing protects.

  • But it also signifies a role.

  • And, uh, it's interesting in the in the Old Testament stories.

  • Often, if someone is going to act deceitfully, they change their They changed their outfit, and that's kind of what you do when you act deceitfully right.

  • You dress up like someone else.

  • You present yourself like someone else.

  • So anyways, back to the coat of many colors.

  • Well, for something to be many colored, it sort of spans the entire gamut of possibility.

  • And so there's a hint there that if you want to be a full fledged person, that you have to manifest a very large number of traits.

  • And so I want to go into that idea bit.

  • The first thing I want to talk about is some of the things that we've learned about what happens to you when you go to a new environment.

  • No, there's this idea in very deep idea in clinical psychology, a fundamental idea, which is that if someone's anxious about something, what you do is you, and it's getting in their way.

  • You take what they're anxious about.

  • New define it because that already de limits it right, because one of the problems with being anxious about something as you won't speak of it.

  • It's like Voldemort, and then if you don't speak of it, it's way bigger than it should be.

  • As soon as you start talking about it, you cut it down to size.

  • And so and it.

  • It's for a bunch of reasons.

  • It's because you're not afraid.

  • You're not as afraid of as many things as you think, and you're braver than you know and more and more capable.

  • So as soon as you're brave enough to start talking about what you're afraid of, then you see that there's more to you than you thought and that there's less to the problem than you thought.

  • And then you can decompose it further into smaller problems, and then you can figure out how to approach those smaller problems.

  • And so and then it doesn't seem to meet to be that you get less frightened.

  • It seems to be that you get more courageous, which is way better than being less frightened because there's lots of things to be frightened about.

  • So if you're courageous that that really does the trick now the question is what happens if you like?

  • Let's say that you're, uh, very socially inept, and you don't know how to introduce yourself or to make any established the initial parts of a relationship with anyone.

  • And so then you start putting yourself in situations where you're required to do that.

  • And so then the question is, How is it technically that you transform?

  • You say, Well, you learn well, we want to be more specific about that.

  • What does it mean that you learn?

  • Well, if you're dealing with someone who's particularly socially inept and you're doing psychotherapy with them, you might teach them how to shake someone's hand properly and say their name and remember the other person's name.

  • And so you just practice that with them so that they have the Moto Orrick routine down so that form of knowledge is built right into your body.

  • It's like look at the person, put out your hand, shake it.

  • Don't not like a dead halibut, but you know, with a reasonable grip, say your name don't mumble it.

  • Look, look at them so that they can hear you.

  • And then when they say they're not, try to remember it and thats then so you can practice that with people.

  • And so then they develop something That's Moto Orrick, right?

  • It's embedded right in their body.

  • And so and then you can say to them, Well, the other thing you could do is when you start a conversation is, don't sit there thinking about what you're going to say next, because then you won't be paying attention to the person.

  • And you make a fool out of yourself because you're manifest non sequiturs, right, because you'll get out of its like if you're dancing and all you're paying attention to is where your feet are, then you're gonna step on the other personal, the times you want to pay attention to the other person, and then whatever our traumatized social knowledge you have will come to the forefront.

  • So it's a good thing to know if you're socially anxious, right?

  • If you're socially anxious, one of the things you should do is pay way more attention to the person you're talking to, rather than less and you should pay as little attention as possible to yourself.

  • So if you feel yourself falling in cause you're anxious than what you do is, you push your attention out and pay attention to the person.

  • Because to the degree that you've been socialized, then all your automatic responses of kick it so But anyway, so you go out into the social world, you learn to shake someone's hand and you learn how to listen to them and ask them questions.

  • Because that's the next thing because people love you can't just ask them random questions, obviously.

  • But if they start talking to you and you don't understand something about what they're saying, or maybe something they said is interesting and you ask them a question, they're pretty damn happy about that because it means you're actually paying attention to the man people actually love to be paid attention to, because it hardly ever happens.

  • So they really, really like it.

  • And so okay, so So what's happening?

  • Well, first of all, you're mastering them automated motor movements, right?

  • Where to point your eyes, where to put your hands, how to move your lips like really embodied knowledge.

  • It's a special kind of memory, and you're practicing that.

  • So that's building new skills for you.

  • And then by listening to the person and watching yourself interact, you're also generating new new abstract information that the neighbors you to conceptualize the world in a different way.

  • So if you go out to, can you go talk to 10 different people or 50 different people, then you get to listen to what those 50 people said.

  • You get to watch how their how they express themselves, and you gather a corpus of knowledge that changes the way you perceive that broadens you as a social agent.

  • Okay, so that's two forms of knowledge.

  • But then there's 1/3 1 which is really interesting, which is that you know, you have a lot of biological potential, and it's hard to know what potential is.

  • But part of it is that you're capable of generating proteins that you haven't been generating, so you should get right on that, by the way, so, But what?

  • The way that works in part is that if you put yourself in a radically new situation, then your brain that there are genetic switches that turn on because of the demands of the new situation that code for new proteins.

  • So it's a Ziff.

  • You have latent software.

  • That would be one way of thinking about that.

  • Will only be turned on if you go into this situation where that's necessary.

  • And so then you might think, Well, if that's the case, how much of you could be turned on if you went a whole bunch of different places?

  • And that's a really, really?

  • That's a profound question, because one of the deep answers to how you should get your life together is you should go a very large number of places and turn yourself on.

  • And I want to walk through that a little bit because there's a very rich, symbolic world that expresses that.

  • So now the idea about having a coat of many colors would be that the person who is the appropriate leader because remember or the proper person, which would be the same thing.

  • One of the things that these old stories are trying to expressing to figure out is How is it that you should act, which is the same as what constitutes the ideal?

  • Those are the same question and the hand here with Joseph is while you should wear a coat of many colors, which means that you should be able to go have ah, drink in the pub with the guys who are, you know, dry walling your your house.

  • And you should be able to have a sophisticated conversation with someone who's more educated in an abstract way and that maybe you should be equally comfortable in both situations.

  • Right?

  • Because you might think, well, there's more.

  • One of the indications that there's more to you is that you could be put more places and function properly, and that would be a good thing game at, because here's the other issue is that you know perfectly well that the fundamental tragedies of life and your exposure to malevolence in the course of that life.

  • So those being the worst things, there's not a lot you can do to to alter that fundamentally, because their conditions of existence, you're going to be subject to your vulnerability, and you're gonna be subject to malevolence, That's that.

  • And you can't hide from it because it actually makes it worse.

  • So you're stuck with it.

  • So then the question is, Well, what are your options, and one option is to curse the structure of being for being malevolent and tragic and fair enough.

  • Another is to make yourself so damn differentiated and dynamic and able that you're more than a match for that.

  • Now that's not an easy thing, but doesn't matter because, like, what?

  • What's the alternative?

  • There's no good alternative, and that's also worth knowing.

  • So you see these ideas expressed in the strangest places.

  • So we've talked a little bit, I think, in this in this series about Pinocchio.

  • But if we haven't, it doesn't matter.

  • Um, you see, there's Jiminy Cricket at the opening of the Pinocchio movie, pointing to a star which is roughly the Nativity Star for all intents and purposes.

  • And it's a it's a symbolic indicator of something diamond like and pure right, glimmering in the darkness that's transcendent and above the horizon upon which to fix your eyes.

  • And so that's the thing is you need that technically, and the reason you need that is because we know enough about psychology now to know that almost all of the positive emotion that you're going to experience in your life and positive emotion is an algae sick.

  • By the way, right, it actually quells pain.

  • So it's not just positive.

  • It also gets rid of negative, which is a big plus.

  • Almost all the positive emotion that you're going to feel.

  • You're going to feel in relationship to a goal because you feel positive emotion as you approach goal.

  • And so if you want to feel positive emotion, then you need a goal.

  • And then you might think, Well, if you want to maximize that positive emotion, which is enthusiasm and also what pulls you out into the world is, well, it's feeling good.

  • Then you need the best possible goal.

  • Well, that because that's gonna engage them largest segments of your being, like if your goal is to narrow than a bunch of you isn't gonna be on board for it.

  • You know, if the goal is well developed and multifaceted than all of you can partake in that even your negative elements, even your anger and and and your fear can get on board with that, let's say so.

  • You need a goal, man, that's worthy.

  • You got us thinking you need a goal that justifies the tragedy and malevolence of life that seems to be the bottom line now.

  • Maybe you think while there's no gold that can do that, it's like, Well, there are still better in worst schools so and I'm not convinced that there are no goals that can do that.

  • I think that's an open question.

  • You'd never know that until you pursued the proper goal long enough to find out who you would be as a consequence of pursuing it.

  • That's also your destiny or your existentially voyage, right?

  • It's also not something that anyone else can do for you.

  • Someone can say, Get your act together for Christ sake and get it, Get it, Get at it, that's that'll make the world unfold best for you.

  • But there's no way you can know that without doing it so And unless you think you've done a particularly stellar job of that, then you have no reason to doubt its potential validity.

  • So plus, like crickets are telling you this, and so you know there are very reliable source.

  • OK, so you see the star, the star Rikers as a motif in Pinocchio, and one of the more interesting elements of it here is that when Gia Peta wants to transform his puppet, a marionette who's being played by forces that operate behind the scenes, which is really good definition of the persona from a union effective right and also something indicative of something like it.

  • Ideological or conceptual possession.

  • Japan.

  • Oh, who's a good guy?

  • Is positive, Father figure really lifts his, even though he's a patriarchal figure, right and a very competent one.

  • He still even lives his eyes up to something that transcends his motive, being positive as it is, and wishes that his creation would undertake the kind of transformation that would make it autonomous and fully functional as a moral agent.

  • No strings, right?

  • So that's very interesting, I think.

  • Soldier, it's and said the salvation of mankind lies only in making everything the concern of all That's a pretty decent star, like Gold Light would say.

  • And so what happens in the Pinocchio story?

  • Is that because And I think this is a symbolic representative of what I just described you, that happens at a genetic level if you put yourself in new situations.

  • So Gia Peto is roughly culture in the Pinocchio story, right?

  • He's a craftsman, he's he's ah, and and he makes Pinocchio.

  • So he's he's who's his son.

  • He's the socializing agent, and he aims for something above mere socialization, which is, I think, part of the mysterious element of human beings.

  • You know, when our scientific models we basically have socialization and biology.

  • But there's always 1/3 element mythological stories, which is whatever you might construe as the spontaneous action of consciousness that's associated with free will.

  • And you know, that's just basically being conceptualized in religious terms of something akin to the soul.

  • Now we don't have a category for that scientifically, because what we try to do scientifically is to reduce everything either to socialization or to biology.

  • But it isn't clear to me that that's it's perfectly reasonable from the perspective of practicality at a scientific level, you don't want to multiply explanatory principles beyond necessity.

  • But there's many things that that doesn't come to terms with, such as the fact that we all treat each other as autonomous beings with free will and that that seems to work.

  • And then if we stop doing that, then things go to hell very, very rapidly so and the mere fact that we have been able to conceptualize what that conscious freewill might be metaphysically or physically doesn't mean it doesn't exist.

  • It just means that we don't understand it.

  • I mean, what?

  • It was only in the last 15 years that we discovered that 95% of the universe was made out of some kind of matter that we can't even whose properties we can't even imagine.

  • Except that it seems to have mass.

  • So anyways, what happens is when Gepetto reach lifts his eyes up to the star.

  • Hey, so it's society aligning itself with the proper goal with regards to individual development, right?

  • So So instead of society being at odds with the individual, they line up.

  • And then what happens is nature comes on board.

  • That's the blue fairy in the In the Pinocchio story, and that's seems to me to be a symbolic representation of what happens biologically when, when you set the goal properly, get your culture behind you and move into the world is that there's a biological transformation that occurs the consequence of that which means that a bunch of you that hasn't been turned on turns on, and I guess one question would be is What would you be like if you turned on everything inside of you that could be turned on?

  • Well, that's a good goal.

  • That's a good thing to find out.

  • So now I'm gonna introduce a couple of other ideas.

  • So there's this idea in union psychology called the circum ambulance ation.

  • And young had this idea that you had a potential future self, which would be in potential everything that you could be and that it manifests itself moment to moment in your present life by making you interested in things.

  • And the things that you're interested in are the things that would guide you along the path that would lead you to maximal development.

  • Now it sounds like a metaphysical idea or ah, or mystical idea, even.

  • But But it's not.

  • It's not.

  • It's a really profoundly biological idea.

  • The idea is something like, Well, you're set up so that you're automatically interested in those things that, with fully expand you as, ah well adapted creature well, like there's nothing radical about that idea.

  • How well, what else could possibly be the case unless there's something fundamentally flawed about you?

  • That is what the situation would be.

  • It's kind of interesting to think about how that would be manifest moment to moment.

  • But the idea is something like, Well, your interest is captured by those things that lead you down the path of development.

  • Well, that better be the case.

  • Okay, so that's fine.

  • And so there's some utility in pursuing those things that you're interested in.

  • That's the call to adventure.

  • Let's say so.

  • And the call to adventure takes you all sorts of places.

  • Now the problem with the call to adventure is like, What the hell do you know?

  • You might be interested in things that are kind of warped and bent.

  • And often it's the case that when new parts of people manifest themselves and gripped their interests, say they do it very badly and shoddily.

  • And so you stumble around like an idiot when you try to do something new.

  • That's where the fool is, the precursor to the savior, from the from the symbolic perspectives.

  • Because you have to be a fool before you can be a master.

  • And if you're not willing to be a fool, then you can't be a master.

  • So so you're gonna It's an error error ridden process.

  • And that's also laid out the Old Testament stories, because the first thing that happens to all these patriarchal figures when God kicks them out of their father's house when they're like 84 is that they they run into all sorts of trouble and some of its social to some of its natural.

  • Some of it's a consequence of their own moral inadequacy.

  • So they're fools.

  • And but But the thing that's so interesting is that despite the fact that they're fools, they're still supposed to go on the adventure and that they're capable of learning enough as a consequence of moving forward on the adventure so that they straighten themselves out across time.

  • And so it's something like this.

  • This circa Mamula ation that you talked about was this continual will return to this, this continual circling in some sense of who you could be.

  • You might notice, for example, that there are themes in your life.

  • You know, when you go back across your experiences, you see kind of your typical experience.

  • That sort of repeats itself, and there might be variation on it like a musical theme.

  • But it's it's like you're circling yourself and getting closer to yourself as you move across time.

  • That's the circum emulation.

  • Now, you remember that for seconds we'll go back to it.

  • Okay, so imagine that something glimmers before you.

  • It's an interest that's dawning.

  • And you decide, while first of all, you're paralyzed, you think?

  • Well, how do I know if I should pursue that?

  • It's probably a stupid idea.

  • And the proper response to that is you're right.

  • It probably is a stupid idea, because almost all ideas air stupid.

  • And so the probability that as you move forward on your adventure that you're going to get it right the first time.

  • Zero it's just not gonna happen.

  • And so then you might think, Well, maybe I'll just wait around until I get the right idea and which people do, right?

  • So they're like 40 year old 13 year olds, which is not a good idea.

  • So they wait around until it's waiting for good.

  • Oh, until they finally got it right.

  • But the problem is, you're too stupid to know when you've got it right.

  • So waiting around isn't gonna help, because even if it is, the perfect opportunity manifested itself to you in your incomplete form.

  • The probability that you would recognize it as the perfect opportunity is zero.

  • You might even think it's the worst possible idea that you've ever heard of anywhere.

  • Highly likely, highly likely.

  • So So you have.

  • There's a niche of nature called better.

  • We're will to stupidity, which I really liked.

  • So because he thought of stupidity as being it, you know, it's it's you have to take it into account fundamentally and work with it.

  • And so and so you can take these tentative steps on your pathway to destiny, and you can assume that you're going to do it badly.

  • And that's really useful because you don't have to beat yourself up.

  • It's pretty easy to do it badly, but the thing is, it's way better to do it badly than not to do it at all.

  • And that's the continual message that echoes through these historical stories in Genesis.

  • It's like the's air flawed people.

  • They should have got the hell out of their house way before they did, Um, and they go out.

  • They stumble around interior T and famine and self betrayal and and violence, and but it's a hell of a lot better than just rotting away at home.

  • And that's the That's great.

  • So that's good.

  • And so why is that?

  • Well, okay, so you start your path and you think that you're heading towards your star so you go in that direction and then because you're here, the world looks a particular way.

  • But then when you move here, the world looks different and you're different as a consequence of having made that voyage.

  • And so what that means is that now that thing that glimmers in front of you is going to have shifted its location because you weren't very good at specifying it to begin with.

  • And now that you're a little sharper and more focused than you were, it's It's going to reveal itself with more accuracy to you.

  • And so then you have to take a you know, it's almost like 180 degree reversal, but it isn't because, you know you've I mean, you've gone this far, and that's a long ways to get that far.

  • But that's a lot farther than you would be if you just stayed where you were waiting.

  • And so it doesn't matter that you overshoot continually because as you overshoot.

  • Even if you don't learn what you should have done, you're going to continually learn what you shouldn't keep doing.

  • And if you learn enough about what you shouldn't keep doing, then that's tantamount at some point.

  • Oh, learning at the same time what you should be doing.

  • So it's okay, so it's like this now.

  • What's cool about it, though, I think, is that as you progress, the degree of overshooting starts to decline right and that we know that there's nothing hypothetical about that.

  • As you learn a new skill, like even to play play a song on the piano, for example, you overshoot madly, you making all sorts of mistakes to begin with, and then the mistakes they disappear.

  • There's a great Ted talk.

  • I think it was about Skye.

  • A set up a really advanced computational recording system in his home and recorded every single utterance his young child made while learning to speak.

  • And then he put together the child's attempts to say certain phone names and put them in list.

  • You can hear the child deviating madly to begin with, and then, after hundreds and hundreds of repetitions, just zeroing right in on the exact phony.

  • So you know, you might not know this, but when kids babble because they start babbling when they're quite young, they babble every human phone name, including all sorts of four names that adults can't say.

  • And then they they die into their language so that after they learn, say, English, then there's all sorts of phone names they can no longer hear or pronounce.

  • But to begin with, it's all there just re quite interesting.

  • But so they see, as they learn a particular language, they zero in on the proper way to pronounced that and their errors minimize.

  • And every time you learn something now, so it is.

  • And that's really useful to know, too, because it means that it's okay to wander around stupidly before you fix your destination.

  • Now you see that echoed in Exodus, right, because what happens is that the Egyptians, or that Hebrews escape a tyranny, which is kind of whatever you do personally and psychologically.

  • When you escaped from your previous set of stupidly held and ignorant and stubborn axioms, it's like away from that tyranny.

  • It's like great.

  • I freed myself from that Well, then what?

  • Well you think?

  • Well, now I'm on the way.

  • It's No, you're not.

  • Now you're in the desert where you wander around stupidly, you know, and worshipped the wrong things until you finally organize yourself morally again and head in the proper direction.

  • So that's worth knowing, too, because you think, well, I got rid of a lot of things baggage, excess baggage that I didn't need in my life.

  • And now everything's okay.

  • It's like, No, it's not.

  • You've got rid of a whole set of scaffolds that we're keeping you in place, even though they were pathological.

  • Now you have nothing, and nothing actually turns out to be better than something pathological.

  • But you stay.

  • You're still stuck with the problem of nothing.

  • And and that's well, that's exactly why exodus is structured the way that it is.

  • It's that you escaped from a tyranny.

  • It's Ray.

  • We're no longer slaves.

  • Yeah, well, now you're nihilistic and lost.

  • Its not necessarily an improvement, but it is.

  • But it is the pre see.

  • It's also useful to know that because you can also be deluded into the idea that imagine that you're trying to become enlightened, which might mean to turn all those parts of you on that could be turned on.

  • You think?

  • Well, that's just a linear pathway.

  • Uphill, You know, it's just from one success to another.

  • It's No, it's not.

  • It's like here you are, and you're not doing too badly in the first step is a complete bloody catastrophe.

  • It's worse.

  • And then maybe you can pull yourself together and you hit a new pollute plateau, and then that crumbles and shakes and bang.

  • It's worse again.

  • And so because part of the reason that people don't become enlightened is because it's punctuated by intermittent desserts, essentially by intermittent catastrophes.

  • And if you don't know that, well, then you're basically screwed because you go ahead on your movement forward and you collapse.

  • And you think, Well, that didn't work.

  • I collapsed.

  • It's like, No, that's par for the course.

  • It's not indication that you failed.

  • It's just indication that it's really hard and that when you learn something, you also unlearned something, and the thing you unlearned is probably useful and unlearning.

  • It actually is painful, you know, Let's say if you have to get out of a bad relationship, it's like not every not any real.

  • There isn't any relationship that's 100% bad.

  • And so when you jump out of it, well, maybe you're in better shape.

  • But you're still lonesome and disoriented and you don't know what your past wasn't.

  • You don't know what your present isn't.

  • You don't know what your future is.

  • It's that's not that's why people stay with devil.

  • They know instead of, you know, looking for the devil.

  • They don't know.

  • So So anyways, the fact that you're full of faults doesn't mean you have to stop and thank God for that.

  • That's a really useful thing.

  • And the fact that you're full of faults doesn't mean that you can't learn and so you composited ideal and you're gonna be wrong about it.

  • But it doesn't matter, because what you're right about is positing the ideal moving towards it.

  • If the actual ideal isn't conceptualized perfectly while first surprise, surprise because, like, what are you gonna do?

  • That's perfect.

  • So it doesn't matter that it's in perfect.

  • It just matters that you do it and that you move forward.

  • So that's really that's really positive news as far as I'm concerned, because you could actually do that right?

  • You can do it badly.

  • Anyone can do that.

  • So that's that's useful.

  • Okay, So, like if you were an efficient person, you would have just done that.

  • But you're not, but who cares?

  • You know, you still end up in the in the same place, and maybe the trip is even more interesting.

  • Who knows?

  • Probably too interesting.

  • Um young.

  • I began to understand that the goal of psychic development by which he means psychological development or spiritual developmen

that's a hell of a welcome for someone who's gonna talk about the Bible.

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聖經》系列十五。約瑟和多色衣 (Biblical Series XV: Joseph and the Coat of Many Colors)

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    林宜悉 發佈於 2021 年 01 月 14 日
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