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  • Hi, I'm Shauna Duggins, and this is notes on the scene.

  • I've been a stuntwoman for 18 years ish and then I've been coordinating for probably about 10 of those years.

  • I've been a gymnast my whole life, so performing, flipping anything with your body.

  • That's just kind of been what I've been doing since I was six.

  • And then when I moved to L.

  • A.

  • I went into a gym that had open gym, and there were are all these stunt guys and, ah, couple stunt women and it was like, This is an actual career.

  • You guys do this for a living.

  • This is the coolest job ever.

  • Charlie's Angels will always be so dear to my heart.

  • It was my first big movie.

  • It was a lot of firsts for me.

  • I think my favorite stunt, I would say, would probably be the helicopter work other than being in Hawaii and taking a helicopter tour.

  • It was the first time I had really worked with a helicopter, and luckily it was with Craig Hoskins as a pilot whose amazing 20 years old and I am being told.

  • Hey, just hang from the skid dropped down from your knees.

  • Catch Lucy's character and your safety off by this.

  • And then I think another one I'm really proud of would be.

  • It's not a school of a gag, but it was a big stair fall with Cameron and the bad girl.

  • And it's because it's the first stair fall I had ever done.

  • And they said, the only advice I can give you for a stair fall is just goes aggressive and hard as you can.

  • Oh, okay.

  • They say so.

  • Now we're gonna build a platform.

  • They're going to jump off the platform, hit the top and then they're gonna fall together down the stairs.

  • It was built in turn off the bell falls.

  • We dive through the doors, hit the thing and go down the stairs.

  • It was the first I would say that wasn't a fight or gymnastics.

  • It was the first stunt Somebody said, Be aggressive and go for it.

  • Coordinating is a combination of the physical and the mental.

  • You get to sit down with the director and with the creators, and you say, What's the vision you're trying to create with this?

  • And then you come back and you figure out how to bring that fresh into bring it to life or you add to it and make suggestions and collaborate with everybody and find the best product.

  • Glow is a really unique experience in the creative process because from the very beginning, Liz and Carly have said, we really want our actresses to be able to wrestle.

  • They hired one rest or Kia Stevens, and she is a rock star in the wrestling world.

  • She's an amazing actress on then.

  • All of our other actresses are actresses, musicians, comedians, and they are amazing in their own right at what they do.

  • And so now they're coming in and they're completely out of their world to start with.

  • And we're asking them to look like professionals in a month.

  • And when someone struggles with something, you have to off 13 14 girls lifting her up, and then when someone gets something they've been working on, their also excited for each other, and it's really, really empowering.

  • It's beautiful to watch.

  • When I started glow, I didn't have a ton of experience with wrestling, so when I took my first meeting, I just said, I think the best way to help us and teach these women, it's as quickly as we can is to bring somebody from the wrestling world and will team together.

  • They'll know the the nuances of the wrestling world, and that's been Chavo Guerrero, Jr.

  • Friess and Chico.

  • And so then we collaborate together and we'll talk about stuff.

  • So between the two were teaching stunt world and wrestling, and it made me respect and appreciate them even so much more.

  • We have a lot of lot of fun.

  • There's a lot of trial and airing and and laughter in there, to say the least when we're playing around trying two.

  • This is a glow season to Liberty.

  • Bell is high, and she is wrestling with Zoya and she ends up breaking her ankle.

  • It was really important to us.

  • Stick to do very similar choreography.

  • So you knew that it was the same match that they had trained, but that you saw the difference in Liberty Bell.

  • If you see the training sequence, you see her more together.

  • She does the moves, but she's working with her, and in this, when you start to see everything is a little bit crazy and in the moves instead of it being together working with Allie here.

  • They're not really working together anymore.

  • She's off on her own path, so we wanted all the moves to have a similar feel, but just enough on Ed.

  • So now she grabs her here, which she's supposed to do in the Cory.

  • Oh, but she's very aggressive with her.

  • She starts to kind of control her more than working with her partner.

  • So normally wouldn't she brings her into the soup?

  • Lex.

  • She has her in the position.

  • She's gonna have a hand on her front hip and lift her, and she's gonna also help and drive it over.

  • So it's the combination between the two.

  • But if you'll see in this, she doesn't check in with her at all.

  • Which wrestlers do we just don't see it.

  • As soon as she grabs her jerks around, she throws her.

  • So that's kind of another thing with the character of switching it to where she's just taking control.

  • Here you can see this hand on Betty is where she's assisting and pushing.

  • This arm is also around her neck, so she's pushing her over, and Allie here is also taking some of it in herself, like she's doing a flip to her back.

  • So show go whoop and land on her back, and she has to drop straight down and land on her back.

  • This is where the timing comes in.

  • If she pushes too soon or her leg is late, you have an off kilter.

  • It doesn't go smooth, and she's the one.

  • At risk is her neck is the one coming over, and the job of Basheer over here is he's trying to always be in the mix without being in the way he'll step over here and then he'll see her lift.

  • And if he's here, he's gonna get landed on and risks alleys, head and neck.

  • And then he knows that a certain point.

  • Okay, you've got to come back over here, out of the way.

  • And now, usually the other tricky part is you have camera in the ring with him.

  • The camera's over here and it's on a steady camera in the ring.

  • So you have a camera operator who's moving around and you have best year who's moving around, and now you have two actresses who are performing and flipping and trying to be aware of where everybody else's But you can see how much this takes together.

  • And no matter what, she's still gonna land on our backs.

  • No matter how padded this is, it doesn't feel good.

  • And it's not a soft pad because you can't hide it.

  • We made ours is nice as we can For them.

  • It's two inches of Haydn's foam, and every wrestler comes in and goes, Oh my God, this is the best resting ring we've ever been in.

  • This is amazing, but it's still it's hard.

  • It's jarring on your body.

  • You train in, rehearse and rehearse and rehearse it.

  • But at the same time it is two actresses doing this, which is pretty incredible.

  • So now you can start to see her.

  • Kind of crazy is coming out this Corio.

  • She's supposed to throw her leg, but she's not supposed to just start to take control.

  • So she's got her in a lock here and now she is grabbing a hold.

  • This isn't This is a correct lock where she actually has her knee joint and she can take control and pivot Her becomes a pivot point and she's gonna pivot her underneath, and Allie starts it and gives a good push at the beginning to help, but again, her head has to clear underneath and get in between her.

  • So Ali has to help and clear herself to get her through alleys coming underneath and you see her head clearing and now she's spotting it.

  • She's got her hands ready to land and then Betty Iss stepping over her.

  • But you also you know, I don't want to step on her fingers.

  • You don't want to kick her.

  • So there's a lot going on between each other's legs and head.

  • She's supposed to put her eight goal in a lock and twist it to appear that she's hurting her, but she doesn't check in to make sure that they're okay.

  • She's trying to check in on the bottom, and Liberty Bell is doing around thing up on top and goes too far.

  • Base Plan B better be in effect.

  • I think the building was 12 stories.

  • Most people are like What's below you.

  • There was concrete below me.

  • There was nothing there, so I am hooked to the helicopter.

  • So there's a line there, which is, you know, good and bad.

  • If anything happens to the helicopter, I'm not getting away from it and give him clear.

  • But if I miss, the skid would just dangle below it.

  • So we did the 1st 2 We put it about where I thought it could catch it.

  • We caught it.

  • I swung and it was good.

  • And then they said We have that piece of the catch.

  • Can we put it out farther?

  • So we could really see you stretch as far as possible.

  • So I said, Do you need me to catch it?

  • And they said, If you can, great.

  • If not, it's okay, we have that.

  • So I put him out another few feet farther and just dove as far as I could, and I just caught it with my fingertips and then slipped under and then dangled below the helicopter so he had to you then come down, hover on the ground while they get me released, and then he can land.

  • This'd is our finale episode of Season two, and we have the Battle royal going, and then our guys come in because they want to say face and they decide to wrestle them.

  • So we have two professional wrestlers that come in Chavo Guerrero Jr being one and you'll see Chavo them betting they'll start to communicate with each other because this in theory, has never been rehearsed.

  • This is on the fly.

  • So what it's meant to do is to show that our actresses have escalated to the to the level at this point to be able to just jump in the ring and call moves to each other and have moves, called to them and be able to be a teammate to them and to be an equal to him.

  • And he is such a good wrestler that she's gonna do her part.

  • He's gonna make her look amazing.

  • He says.

  • We'll do a 12 o'clock.

  • He puts her up to the top.

  • Her hand is right here, basing on him, and then he'll do the same.

  • So show go straight up.

  • If she doesn't help her, £100 becomes, you know, dead weight of lifting £100.

  • So even though he is that strong and he is lifting her, you can see right here her hand is basing on him.

  • He's got her, which makes it really hard.

  • I mean, the rest of their used to it, but normally, when we rehearsed were in sweats or we're in leggings and you can grab the top of the pants and really help.

  • And then we have to remind yourself that we're always only a tard, so there's not much to grab.

  • He's also got his arm right here facing, So she has her shoulder resting on Hiss to take a lot of the weight.

  • So she's got a lot of weight here and a lot of weight here.

  • So he's pushing her by this end by this.

  • So we wanted a version of the head scissor.

  • But knowing that we have the luxury to get to use Taveau and his amazing skills, we could enhance it a little bit.

  • Betty now is the top portion of the head scissor, and we just added an extra spin and let her kind of fly like a bird like she just gets to own it and be Liberty Bell.

  • And he now makes her look incredibly good.

  • And now she's taken control and will flip him as she comes down group down here and he'll flip so that power changes there from him being in control to her.

  • You and Betty getting to just ham it up because Chavo will milk it as long as she needs.

  • And this move.

  • She did a version of this takia earlier in the season, so we've kind of wanted this to be her signature move where she goes on salutes because she's our Liberty Bell and you can see the combination she had to commit blind, run in half, turn and commit and wrap her legs around something that she doesn't see with complete trust that he's going to grab her here she drops down, pushes back up into this, and then it Schultz drove down and come into a pin move to him.

  • I think the fun thing with Glow is You're not doing a fight scene where every move is life, life and death.

  • With this, it is for fun.

  • You have glitter and big hair and leotardo and I mean look at these socks and it's about the fun and is about the show.

  • So every move is about telling the story in making the show bigger and more fun and more interesting for the audience.

  • You'll see the floor will bounce a little bit, and everybody always thinks, Oh, it's like a trampling Oh, it's not.

  • It's metal and then wood planks and then the foam on top.

  • So all that is is the wood just giving a little bit?

  • But it's definitely not like a trampoline.

  • Normally in the resting world, they actually Mike's on it, and they love the sound because it makes it sound bigger and more intense when they hit.

  • So when you do a big flip to your back and you here, it makes it feel harder.

  • And we love that.

  • Except that they have so much dialogue in there that we have to mask it so that we can hear them speak, lose to a girl, get my face and what do you do it?

  • So now you'll see.

  • When she gets up on him, she's going to communicate with him.

  • Hey, can you do a backflip?

  • She starts to talk, and she's hiding it.

  • Meanwhile, the whole time she's performing, there's still that communication, which is They do it in the ring with wrestling.

  • You just don't see it all.

  • Whether it's through, you know, taps, whether it's to help, whether it's talking themed, the timing on this was really, really, really crucial because we had it in a slow mo camera, so you had to get her under there all the way.

  • Otherwise it looked like she was under before he flipped.

  • So she's coming group underneath him and there goes travel with the flip and lands, and Chris normally has not seen it until the day.

  • And these eyes are usually very genuine.

  • And I think he, in the sweetest possible way, is like these ladies biggest fan.

  • He comes in.

  • He's so impressed.

  • He supports them.

  • He cheers them on.

  • It's really neat because he and Marc Maron are really the only guys that are always there.

  • So it's like 15 ladies and Mark in Chris.

  • That's the same thing.

  • It's the combination of she's lifting him, but he's also helping her and she's back to the lease with any fight scene and wrestling being the same.

  • You were on Leah's good as your partner so I can throw the best kick or the best punch.

  • And if they don't sell a great reaction, I don't look very strong and vice versa on G I.

  • Joe, the 1st 1 I was gonna mow capsule because she's supposed to be invisible.

  • I throw this kick to the stunt guys head and he sells this really great big reaction.

  • Why stacked the kick?

  • He did this big front 3/4.

  • The reaction was amazing.

  • And then they said we could see air.

  • It doesn't work.

  • Timing wise.

  • Shawn, I need you to really kick him.

  • Okay.

  • Well, he's got headgear on.

  • He'll be fine.

  • So the camera's coming down.

  • I kicked him, I pulled it and I just got him at the tail into the kick.

  • He went, He went out for a second, and then he just dropped and they come down on there like that.

  • Camp was amazing.

  • Your reaction was terrible.

  • What happened to the reaction?

  • And I was like because he went out, I knocked him out.

  • Cut, too.

  • Take three.

  • I said I will stop the kick.

  • They will never know.

  • I'll watch the elevator.

  • You could do the reaction.

  • Because no matter what, when you're kicked hard, you can only takes a second for your brain to register it.

  • So you're always a little late.

  • So then he made me look incredibly strong.

  • It's the same with the wrestling.

  • She makes him look incredibly strong.

  • I had worked with Quentin Tarantino first on Alias.

  • He actually came into the guest spot.

  • I happened to be on Daredevil when we when they started Kill Bill and Zoe Belle, who's amazing, doubled a lot.

  • And then I came in for the last fight sequence with Emma and David Carrot there on a patio.

  • They both have swords.

  • They're sitting in chairs and the timing of when the chairs spin and the sword fight it's, you know, it's it's pretty cool on Iron Man three.

  • I doubled Gwyneth Paltrow.

  • There's a really fun sequence where she is there with Robert Downey Jr and they're in his house and the bad guys come in with the Plains and the Rockets and they start toe blow up the house.

  • We tested it and rehearsed it, and then on the day we did a ratchet.

  • So at the same time, it's all crucial timing.

  • And then effects is blowing everything.

  • We're both on ratchets, which are like error pneumatic cylinders, and we get ratcheted back about 15 20 feet.

  • Didn't hit the wall.

  • They built this plate off of Roberts double on myself and put the actors in it.

  • The funny thing with women is your and you know, tight black pants and a white shirt and hide the harness and then you have, like, six inch stilettos.

  • So I wasn't worried about hitting the wall.

  • I was worried about when you hit the grant.

  • The wall, you're going to the ground next.

  • So I actually had to try to keep my feet up and hit my body because they didn't want to catch the heels of the shoes and break your ankles because the heels are so tall.

  • So he did that.

  • But the interesting they really did with that shot that was really cool is he calls the suit on her, so it's the first time somebody else is in his suit.

  • It was one of the coolest experiences to get to be the woman in the Iron Man suit like I literally had it on.

  • And it's so big and the top half is probably, I don't know, £50 and the shoulders are like this and you're like Trevor Haver Sat, who normally been in the suit, was so sweet and was like, Okay, I rest my arms here on the chair to take the weight off the shoulders, and he was giving me all the little tips of of howto last that long in it.

  • They put me in the suit and it was the first day I was in and the helmet was too big.

  • They're like, just drop into frame and be, like, two or three inches off of Robert.

  • And so I go to drop in the first time and where I can see like this much of the helmets too big it drops down.

  • So the eyeholes air down here now And I was like, Oh, I don't have that.

  • I don't have a face.

  • I can't see him.

  • I can't see him.

  • I'm thinking I'm gonna be the first person that drops in like this and smashes Robert Downey Jr s face and breaks his nose and knocks him out.

  • Everybody is really good at what they dio.

  • But then you add in the costumes, the set, the it's not a perfect circumstance like gymnastics.

  • You think Oh, yeah, I can do a back flip.

  • No problem.

  • OK, now can you do a backflip off of this table in stilettos and I'm gonna have her step underneath you, But don't hit her because she's like the $10 million actress.

  • And then I'm gonna release dubs, and you're like, Oh, yeah, yeah, I think they just want to screw with you sometimes just to see if you'll say yes, American girls like You used for picking Russia.

  • This scene is from Season three.

  • They've been doing this show night after night, and they're bored, so they decide to play each other.

  • They both have different takes on playing each other, which is fun.

  • So they're kind of playing each other, and they're playing each other's characters.

  • She has a very Mary Ann from Gilligan's Island type of version of Liberty Bell and then Zoya.

  • Betty is definitely the sexier version of it.

  • So now we try to give them keeping their signature moves.

  • But now what you have to remember is Betty.

  • Signature move is something Betty is very good at.

  • Ali's signature move is something Allie is very good at, and now we're swapping him.

  • So everything is a skewed version of what What they all know is their signature moves.

  • Now Marc Maron is in the ring, so you have this third party again who has never been in the ring before this.

  • So he's trying to figure out where to be without being in the way.

  • It was like a lot of Mark.

  • Stay back here.

  • Don't step in here.

  • She's gonna go this way.

  • She's gonna go this way.

  • And if you go there, you'll get kicked.

  • He's jumping in and out.

  • So again, she's selling to make her look strong.

  • And in the first season we did an homage to that.

  • We had the opposite where Betty had her foot up on her face way have what's called the sunset flip in here.

  • So now Allie is going to wrap her legs and she's gonna come down.

  • And she's gonna tuck her head down here, completely trusting that she's gonna flip to her back without Betty, who sits back landing on her face and chest So she's got a clear her and land over her when she lets go.

  • She's committed, her weight's going forward, so she's gotta wait, wait, wait, wait.

  • And now go and and then clear so she doesn't land on her so you can see the timing between the two of them.

  • It's both actresses, 100% complete trust in each other.

  • These two have some unknown explainable wrestling chemistry.

  • If Allie is ensure with anybody else, for some reason, when she gets in the ring with Betty, it is a trust factor that's off the charts.

  • They both know each other and how they move.

  • And they have this chemistry with acting with with dialogue and with wrestling.

  • It's incredible getting this Russian knew each other's.

  • They played each other before.

  • Fine.

  • Normally, Zoya is the hell on Liberty Bell is the baby face, as Cha Bo would explain it as the bad guy as the hell you want to be booed.

  • If you are being booed, you are doing your job as the baby face.

  • You want everyone to be rooting for you.

  • All of our baby face moves are pure and genuine, and they are strong, but they are legitimate.

  • Your heel, as your as your bad guy, would come in and throw the underhanded kick or, when the ref isn't looking, do something that they shouldn't do.

  • So now that they've switched normally, this hair grab is what Zoya would do and whipper around by the hair because that's more of a bad girl.

  • Move.

  • Liberty Bell is still doing it cause she's always done that, but we're just gonna soften it and figure out how to make it not look so bad, guys.

  • And then Betty's gonna just play like a guitar.

  • Last year, with Season one, the first season with the Emmys, that Glow was nominated for stunts.

  • I was nominated with the stunt coordinators that have been my mentors, my peers, my friends, people that I've trusted with my life.

  • They've trusted me with theirs, so to get to celebrate that honor with them was huge.

  • But then to do it with a family like glow to get to be honored for a show that you just feel so appreciative and thankful to get to work on and then toe add on to that.

  • It's stunts.

  • But it's also actresses thes actresses that became as you saw these wrestlers.

  • They're being honored for their work.

  • I mean, we see the product, and I think we're so used to in Jaded to just assume that it's all stunts and in reality, I know how hard they worked.

  • I know how hard they trained, how much they trusted to get out of their comfort zone and how much they pull it off.

  • so it's a real honor to get to then be nominated and then to win an Emmy on a show that's so powerful.

  • The coordinator comes in from the very beginning and sits with the director and says, What is your vision for this movie?

  • What do we want to see with the action?

  • What's the style?

  • And sometimes they have a distinct vision, and sometimes they say, You know what?

  • I love this, but let's play.

  • And then the team comes together.

  • The fight team, the stunt team.

  • They all come together and they choreograph and play.

  • And then the director gets, too.

  • I love that.

  • I love that.

  • Let's do this.

  • Let's do that and it becomes a collaboration.

  • It's an honor to be trusted with the job.

  • It's an honor to let you create.

  • And then it's an honor to be rewarded with the fact that people enjoy it and enjoy the work and enjoy the time, innit?

Hi, I'm Shauna Duggins, and this is notes on the scene.

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好萊塢女特技演員剖析她的特技生涯(《GLOW》、《鋼鐵俠3》等)|戲中戲筆記。 (Hollywood Stuntwoman Breaks Down Her Career in Stunts (GLOW, Iron Man 3 & More) | Notes on a Scene)

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    林宜悉 發佈於 2021 年 01 月 14 日
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