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  • - Hello, I'm Gav. - I'm Dan.

  • We're The Slow Mo Guys,

  • and this week on "The Super Slow Show,"

  • what have we got, Dan?

  • This week's all about vehicles.

  • You could say we're in the slow lane.

  • - Excellent pun. - Thank you. Thank you.

  • Excellent name for the week, I think.

  • Although our vehicles aren't really gonna be

  • in a particular lane, I would say.

  • More like to be like in a crumpled heap, I think.

  • Yeah. But crumpled heaps look much better in slow motion.

  • Dan: We're going to be shaving the top off a moving truck

  • and crashing two cars together as fast as we can.

  • - I'm excited. - Me, too.

  • ( theme music playing )

  • One of the most requested subjects

  • for a slow mo ever since we started this channel

  • was a car crash.

  • And because we don't like letting you down,

  • we've finally done it,

  • and it only took us seven years.

  • Yeah, only seven years.

  • Mainly because I didn't want to trash my car,

  • and there's not enough room in your back garden,

  • and also you don't drive.

  • This is correct.

  • So we had a word with our special effects team.

  • They said we can get

  • a 25-mile-an-hour speed on each car

  • for a 50-mile-an-hour impact.

  • Yeah, we were like, "No, no, no,

  • We don't want a fender bender.

  • We want to annihilate the cars.

  • Can we double it?"

  • And they said, "Now we're talking."

  • So now we're about to film

  • a 100-mile-an-hour head-on impact

  • at a thousand frames a second.

  • And we've even got the tight angle

  • running at 2,000.

  • - Isn't that nice? - Cheeky.

  • Let's look at our setup.

  • People may be wondering

  • how we're gonna manage to crash two cars

  • into each other without anyone driving them.

  • The method we've got is we've got a tow car here, or a truck--

  • - Beastly. - Beastly.

  • And you've got two cables coming from it here and here.

  • They go from the end of the truck

  • through this pulley

  • to one of our cars,

  • and then through this pulley to the other car,

  • so they're going to come in at the same direction.

  • So as this car drives off into the distance,

  • the cars just get pulled straight into each other.

  • So this truck will drive off.

  • When it hits 50 miles an hour,

  • the cars will be about 14 feet apart,

  • at which point

  • this metal cable

  • will turn to be taut

  • and it's gonna unlock this

  • so that it doesn't rip the back of the truck out.

  • Quite a feat of engineering, all this.

  • It really is.

  • It's quite elaborate.

  • But it's gonna work, essentially,

  • 'cause we need to guarantee

  • that they're gonna hit in the right spot

  • so we can get it on the Phantoms.

  • That's true 'cause one of our angles is pretty tight.

  • - Yeah. - Pretty tight.

  • Okay, so you're responsible for this car.

  • Yeah, I came up with a little bit of character design

  • for the guy who would drive this car.

  • - Okay. - He was a clown, actually.

  • Do you mean like literally or just an idiot?

  • No, an actual clown, a working clown.

  • He would frequently transport balloons full of paint, as they do.

  • Clowns are famous for that.

  • I'm going to put this one on the shelf back here.

  • All right. So that one should go.

  • So when it crashes, it gets some height,

  • and it maybe will come through the glass.

  • - Yeah, that'll be nice. - I like it. Yeah.

  • - So here's your car. - Yep.

  • What was your person doing for a living?

  • Well, mine was actually a fruit salesman,

  • but he'd fallen upon hard times.

  • So he couldn't have a cart anymore.

  • So he had to just put all his fruit in the car.

  • So it's like a 2008-era fruit man.

  • So these are slightly heftier than paint

  • - 'cause they're slightly harder. - Yeah.

  • So I'm expecting maybe some to go through the windscreen,

  • or something like that.

  • I'm just gonna lob them in.

  • Here, just straddle the GoPro with melons.

  • So we're up here. We've been harnessed in.

  • So-- I mean, if any car parts come flying towards us,

  • there's no chance that we can get out of the way.

  • Just have to duck, I guess.

  • Yeah, but at least we won't fall three feet to the containers.

  • That's true.

  • Also we're up here with the cameraman,

  • who's the only other person

  • that actually has a good vantage point,

  • but he can't look at it

  • because he's looking at us.

  • So we're going to take a bullet for Tony

  • if a tire hub comes our way.

  • So if a wheel comes flying at him,

  • - I guess... that's it. - Okay.

  • Are you ready?

  • I think we're ready.

  • - Yeah? - I'm nervous but I'm ready.

  • Okay. Right, three, two, one, go!

  • Off he goes.

  • - Oh, no, the concrete's moving. - Is that an issue?

  • I think so.

  • It's an issue.

  • - Oh! - Dan: Oh, man!

  • Oh.

  • That didn't work. ( bleep )

  • Dan: The concrete moved.

  • - Oh, man. - So...

  • the sort of anchorage point

  • on the concrete--

  • the concrete wasn't heavy enough.

  • - So I imagine-- - Dragged it.

  • It dragged it, like, 15 feet almost.

  • Dan: Because it missed our Phantoms.

  • Gav: I think we have to do it again.

  • Dan: Yeah.

  • Thankfully it'll be really cheap

  • and not a big deal in any way.

  • And just like that, some time has passed.

  • We have two brand new cars fully loaded

  • with the same exact items.

  • Yeah, last time we had a bit of a failure

  • because we had one K-rail

  • which was used as the anchor point with the pulleys on,

  • but the weight of the K-rail

  • was too similar to the two cars being pulled,

  • which meant that the timing was off

  • 'cause they got yanked away,

  • so this time, we've doubled the K-rails

  • and we've also put three-foot pins into the ground.

  • So hopefully this time there well be no mess ups

  • and we'll get that exact perfect smush that we want.

  • And the drag of the K-rails

  • just slowed down the rate that they hit each other,

  • so now they should hit a lot harder,

  • right in the middle where we want them.

  • Good luck, us.

  • You nervous this time?

  • Well, second time's the charm.

  • And I say that because we can't afford to do it again.

  • So let's see what happens.

  • Maybe we'd be even more tanned and injured the next time we try it.

  • Right?

  • - All right, I think I'm ready. - Okay.

  • Three, two, one, go!

  • Gav: Keep an eye on the K-rail.

  • - Dan: This is great. - Gav: Come on.

  • Dan: He's bookin'. He's bookin'.

  • Come on. Come on.

  • ( together ) Ooh!

  • Dan: What?

  • ( together ) Ooh!

  • Oh, my God. Oh!

  • Dan: Look at the steam escaping from there!

  • That was class.

  • It was like the front of the cars burst.

  • Did you see that?

  • Gav: There was a lot of debris in the air there.

  • - There was. - I can't wait to see that back.

  • That went, like, 20 feet. That was amazing.

  • Gav: That went not bad. That is almost dead on.

  • Dan: Oh, the wheel moves, on the left-hand side one.

  • Look, the back wheels are off the floor.

  • Oh, look at that melon coming out.

  • So the back car...

  • Look at how high off the ground

  • the back-- the right-hand side car is.

  • It's just taken off.

  • That's great.

  • Whoa.

  • Look at the front wheel there.

  • It just gets smushed.

  • And then all these melons start flying.

  • And the melons pushed loads of shards of glass out.

  • So it wasn't even the crash that smashed the glass.

  • It was the melons hitting the glass that smashed it.

  • You would not wanna be in there.

  • - No, you wouldn't. - And I'm glad no one was.

  • Think you got a flat on the front of that one.

  • That is exactly what we wanted. Look.

  • That's the GoPro that was in the middle of the--

  • Oh, it's not even destroyed! Perfect.

  • - Gav: Listen to the hiss. - Dan: What's that noise? What is that?

  • I think it's the Freon leaking out.

  • I think it's the air conditioning.

  • Maybe you should sit on that car.

  • Then there'd be "free" on that car, too.

  • - ( chuckles ) - I'm sorry.

  • It looks like it's bleeding. You see that?

  • That's, like, pretty hectic. Isn't it?

  • All right, let's take a look inside, shall we?

  • Yeah, for sure.

  • Gav: That's actually given a quite nice, colorful paint job here.

  • That is an absolute fruit massacre.

  • Smells really good, though.

  • It smells tremendous.

  • It's like the mix of sort of

  • early '90s car smell and watermelon.

  • The amount that's just wedged up against the windscreen and the dashboard.

  • It's all smushed to the front.

  • I think that looked about as beautiful as it could

  • for what the subject was.

  • That's something I've always wanted to do.

  • What always amazes me is the fact that--

  • of how much power is involved and how much force

  • because can you imagine just trying to push this with your hand?

  • You can't do anything, but when there's two cars hitting each other,

  • it's like paper just being ripped apart.

  • At high speed it's almost like tin foil crumpling,

  • and then you realize it's bloody solid metal.

  • - Yeah. - Hopefully you enjoyed that car crash.

  • Feel free to subscribe to the Slow Mo Guys,

  • and we'll see you in the next episode

  • of "The Super Slow Show."

  • - There was sumo wrestling. - The magnet smash.

  • - The ice sculpture explosion. - Three-stone smash.

  • Aw, that was really messy.

  • I wonder. What's your favorite?

- Hello, I'm Gav. - I'm Dan.

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在慢速行駛中發生車禍 (Head on Car Crash in Slow Mo)

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    林宜悉 發佈於 2021 年 01 月 14 日
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