overtone
US /ˈoʊvərtoʊn/
・UK /ˈəʊvətəʊn/
C1 高級
n.名詞暗示;含意;弦外之音
When you read this book, don't analyze it for its face value you. Try looking for the overtone in which the author is conveying
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【IELTS】2015雅思聽力測驗-測驗5 (IELTS listening 2015 - Test 5 (With Answers))
30:43
- relatively quiet low tone with a strong overtone which is clearly audible to
比較安靜的低音,有很強的泛音,聽得清清楚楚。
音樂的物理學。物理速成班第19期 (The Physics of Music: Crash Course Physics #19)
10:35
- Overtones build on the fundamental, incrementally: each overtone adds a node and an antinode.
泛音通常為基音的整數倍,每個泛音都會增加一個波節和波腹
肖恩-卡羅爾解釋為什麼物理學既簡單又不可能 | 完整訪談 (Sean Carroll explains why physics is both simple and impossible | Full Interview)
26:40
- There is the fundamental frequency where the string vibrates as a whole up and down. And there is the next overtone where it sort of vibrates half and half on different sides. And then a harmonic series. There's a way that the string can vibrate so it goes up and down and up again. That's three times and so on.
基頻是琴絃上下整體振動的頻率。然後是下一個泛音,它在不同的兩側各振動一半。然後是諧音系列。琴絃有一種振動方式,可以上下振動,然後再上升。如此反覆三次。
不和諧物理學 (The Physics Of Dissonance)
27:58
- This dissonance graph is built by simply adding up the various sine wave dissonance graphs for each possible pair of fundamental and overtone frequencies that are in the two notes, with the positions of their zones of dissonance adjusted according to the frequencies in question, and the heights adjusted according to the relative loudness of the overtones.
這個失諧圖的製作方法很簡單,就是將兩個音符中每一對可能的基音和泛音頻率的各種正弦波失諧圖相加,根據相關頻率調整失諧區的位置,並根據泛音的相對響度調整高度。
- The tops of the peaks corresponds to situations where the overtones of the two notes line up so that many of them are dissonant – in particular, when the notes are very close to each other, or very close to the first overtone, you get very big dissonance spikes that are reminiscent of the dissonance graph for a pure sine wave.
峰頂對應的情況是兩個音符的泛音排列在一起,是以許多音符是不和諧的--尤其是當兩個音符非常接近,或非常接近第一個泛音時,就會出現非常大的不和諧峰值,這讓人想起純正弦波的不和諧圖。
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15:42
- So this idea of the overtone and undertone in the harmonic series.
是以,這個和聲系列中的泛音和小聲的想法。
- Only until I started listening to singing barbershop quartet and as I was a violinist as well, then I finally understood the idea where the overtone series came from that if a bunch of singers were to nail accord or have it perfectly tuned the overtones, you would hear a tone that necessarily wasn't being produced by one of the amazing about harmonies that it exists in nature.
直到我開始聽理髮店四重奏的演唱,因為我也是一名小提琴手,然後我終於明白了泛音系列的想法,如果一群歌手都能釘住或完美地調好泛音,你會聽到一個必然不是由自然界中存在的驚人的和聲產生的音。