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  • - [Presenter] This is Aladdin,

  • this is Jasmine,

  • and this is her dad, The Sultan.

  • You know them from Disney's Aladdin.

  • You know this outfit

  • and this one

  • and then, there's this one.

  • But are they accurate?

  • We got this historian--

  • - Hi, my name is Ayse Baltacioglu-Brammer.

  • I'm a Professor of Middle Eastern History

  • at New York University.

  • Today, I will be talking about Disney's

  • classic animated movie Aladdin, released in 1992.

  • - [Presenter] To walk us through what the movie got right

  • and what they got wrong about these looks.

  • First, let's learn about the complex and intriguing

  • origin story of where and when Disney's Aladdin takes place.

  • - It's almost impossible to have an exact answer

  • for where and when the movie takes place.

  • The movie Aladdin conflates many,

  • and oftentimes contradictory, details

  • about the Middle East and Islam

  • by perpetrating negative stereotypes and presenting

  • basic factual mistakes and absurd characterizations.

  • From its opening song to its character formations,

  • the movie has drawn a lot of attention and criticism.

  • Interestingly, but not shockingly, the protagonists,

  • Aladdin, Princess Jasmine, and the Genie,

  • all have perfect American accents

  • with more Western features.

  • However, most of the other characters,

  • especially the more villainous ones,

  • have strong Middle Eastern accents.

  • - Only one may enter.

  • We must find this one, this diamond in the rough.

  • - The most direct inspiration for Disney's Aladdin

  • came from the movie Thief of Bagdad, filmed in 1940,

  • that was Alexander Korda's Oscar-winning British remake

  • of the 1924 silent film of the same name.

  • According to the producers of the movie,

  • just like The Thief of Bagdad,

  • Disney's Aladdin was meant to be set in Baghdad,

  • however this was exactly when the US

  • started bombing Iraq during the first Cold War

  • and therefore, Disney changed the setting

  • to a fictional city to avoid

  • negative connotations with the city of Baghdad

  • or the dictator ruling Iraq, Saddam Hussein.

  • Instead of Baghdad, the name of

  • the city in the movie is Agrabah--

  • - Welcome to Agrabah

  • - Which is not an actual place.

  • The imaginary city of Agrabah, however,

  • includes most of the letters from the city of Baghdad.

  • Regardless of the city, Disney's retelling of the story

  • effectively brings Aladdin to the Middle East

  • with some obvious details from Iran and India as well.

  • The movie Aladdin takes inspiration from

  • the famous collection of tales, One Thousand and One Nights

  • or, as more commonly known in

  • the West as The Arabian Nights.

  • ["Friend Like Me" by Robin Williams]

  • Well, Ali Baba had them 40 thieves

  • Scheherazade had a thousand tales

  • - Scheherazade is the main character

  • in The One Thousand and One Nights stories.

  • Although the story of Aladdin is interestingly

  • one of the best known stories in the collection,

  • it was not a part of the original Arabic text.

  • It was, in fact, added to the collection

  • in the 18th century by Galland--

  • [camera shutter clicking]

  • - [Presenter] One second.

  • Who was Galland?

  • - Who allegedly acquired the tale from

  • a Syrian Maronite storyteller he met named Hanna Diyab.

  • The event that sparked Arabian Nights

  • into a modern European phenomenon

  • was its translation by the French author Antoine Galland

  • into French from a 15th century Arabic manuscript.

  • [camera shutter clicking]

  • - [Presenter] So, is Hanna Diyab

  • the creator of the story of Aladdin?

  • - Hanna Diyab was born to a Maronite Christian family

  • in Aleppo in modern-day Syria in the late 17th century,

  • which was under the Ottoman rule,

  • an empire that lasted over 600 years

  • and ruled the Middle East, North Africa,

  • Southeastern Europe, and Asia Minor.

  • The original setting of Diyab's story is ancient China.

  • The Chinese setting of Aladdin

  • may surprise many of you today,

  • but it is actually not that far-fetched.

  • Many of the stories that are told

  • in One Thousand and One Nights are not

  • situated in the Middle East but further East,

  • somewhere in or around China, most likely in Central Asia.

  • Looking back at the Disney film,

  • the Chinese or Central Asian Aladdin

  • is all mostly unrecognizable,

  • aside from Aladdin showing Jasmine the world.

  • - It's all so magical.

  • - This is partly due to a distinct Hollywood practice

  • to Arabize everything about Islam or the Muslims,

  • which is the assumption that all Muslims are Arabs.

  • Side note: vast majority of Muslims today

  • live outside of the Middle East,

  • mostly in Far East and Southeast Asia.

  • The royal palace in Aladdin seems like

  • an exact replica of the Taj Mahal in Agra, India,

  • built by the Muslim ruler of the time in the 17th century.

  • More references to India include

  • elephant sculptures around the palace

  • as well as the name of Jasmine's pet tiger, Rajah.

  • - Rajah was just playing with him, weren't you, Rajah?

  • - However, the background scenes are also said

  • to have been based on Persian miniatures

  • as well as the photos of the Iranian city Isfahan

  • taken by the film's layouts provider, Rasoul Azadani,

  • an Iranian animator at Disney and namesake of

  • Rasoul, Agrabah's Captain of the Guards.

  • - We've all got swords! - Hoo-ya!

  • [camera shutter clicking]

  • - [Presenter] Okay, so how should we analyze

  • the outfits worn in Disney's Aladdin?

  • - For the purposes of analyzation of Disney's Aladdin,

  • I think the most likely option is that the story takes place

  • during the lifetime of its creator, Hanna Diyab,

  • in the late 17th/early 18th century

  • and The Sultan in the story is simply

  • the Ottoman Sultan who was at the time the ruler

  • of the Middle East, including Baghdad, Cairo, and Aleppo.

  • While the time frame and region is very broad,

  • we understand that Disney's Aladdin

  • is a hodgepodge of cultural influences.

  • - [Presenter] Okay, now that we have

  • a time and place to analyze, let's look at the looks.

  • [whooshing]

  • First up, Aladdin.

  • [whooshing]

  • - Aladdin's signature outfit in the movie

  • is a pair of loose, baggy pants,

  • a small vest that he put on his naked upper body,

  • and a small fez on his head.

  • - [Presenter] Let's draw Aladdin's outfit

  • from the undergarments up.

  • Starting with the undergarments.

  • - I assume he will wear underwear but I'm not sure.

  • [bell dinging]

  • - [Presenter] All right, so maybe he did, maybe he didn't.

  • Moving onto the pants.

  • - These loose pants are mostly called salwars,

  • a Persian word for trousers.

  • These are loose pajama-like trousers.

  • The legs are wide at the top and narrow at the ankle.

  • The main purpose is to provide freedom of movement

  • and comfort in hot and/or humid climates.

  • Next up, his vest.

  • - Although Aladdin's religion and region is not specified,

  • it is highly unlikely that a similar character

  • will have worn a vest on the naked upper body.

  • What Aladdin is wearing in the film

  • can be considered a typical attire of mystics,

  • who historically isolated themselves

  • from society and its riches,

  • practicing self-severe self discipline,

  • and abstention from all forms of indulgence,

  • typically, but not always, for religious reasons.

  • Aladdin's vest isn't wholly inaccurate

  • but it is likely he would have worn short or long-sleeved

  • cotton or linen top with or without a vest on top.

  • [whooshing]

  • - [Presenter] Moving up to his headwear.

  • - Now, let's take a look at Aladdin's headpiece.

  • Simply hasn't got 'em

  • [camera shutter clicking]

  • - What he's wearin' in called fez,

  • or fes in Turkish, or tarboosh in Arabic.

  • A conventional fez is a felt headpiece

  • in the shape of a short cylindrical peakless hat

  • and is usually red, sometimes with

  • a tassel attached to the top.

  • It's name comes from the Moroccan city Fez,

  • the city that historically produced dye

  • made from crimson berries to color the hat.

  • In the movie, the Genie tells Aladdin--

  • - That fez and vest combo is much too 3rd century.

  • - Based on this line, one would think

  • that the little reddish hat piece

  • that Aladdin is wearing is an old-fashioned one,

  • however the fez owes much of its popularity

  • to the 19th century Istanbul,

  • the capital of the Ottoman Empire,

  • when it was introduced by the Ottoman Sultan Mahmud II

  • as an extension of the modernization

  • and Europeanization efforts.

  • In the early 19th century,

  • Ottoman Sultan Mahmud II's main goal

  • was to modernize the military

  • by adapting Western-style uniforms

  • with the addition of the fez as a headpiece.

  • In 1829, the Sultan ordered his civil officials

  • to wear the plain fez and ban the wearing of turbans.

  • Although some men rejected the fez, it soon became

  • a symbol of modernity throughout the Middle East.

  • Long story short, Aladdin wouldn't wear a fez but instead

  • will wear a traditional headpiece called turban.

  • [whooshing]

  • - [Presenter] Let's take a look at

  • his footwear, or lack thereof.

  • - It's also interesting to see that

  • Aladdin is always barefooted in the movie

  • even though there were shoes worn even by the poor.

  • It's actually more likely that

  • Aladdin would've worn some type of a shoe.

  • In terms of Aladdin's clothing, there are some accuracies

  • but also many, many inaccuracies.

  • [whooshing]

  • - [Presenter] So here's what

  • Aladdin's outfit would've looked like,

  • given our possible time period and setting.

  • [whooshing]

  • Now let's move on to Princess Jasmine.

  • - If I do marry, I want it to be for love.

  • - Princess Jasmine is the first

  • non-European princess Disney introduced.

  • First and foremost, her outfit is too revealing.

  • What Princess Jasmine is wearing in the movie

  • is a straight take from European Orientalist painters'

  • imaginations that dominated the arts scene in Europe

  • in the 18th and the 19th centuries.

  • - [Presenter] Let's learn about what

  • Princess Jasmine would've worn, from the undergarments up.

  • [whooshing]

  • [marker scratching]

  • [whooshing]

  • - While conventional women's underwear,

  • panties and bras, did not become

  • common practice until the late 19th century,

  • the corset was part of the imperial woman's

  • clothing in the Middle East.

  • - [Presenter] I know it seems quick,

  • but let's move on to the pants.

  • You'll find out why.

  • - Actually, her pants are mostly accurate.

  • We are just missing some other pieces.

  • The classical dressing for an elite woman

  • consisted of a pair of loose pants

  • layered with a one-piece elegant dress and a belt.

  • - [Presenter] So the pants are somewhat accurate.

  • Let's move onto what Jasmine's dress would've looked like.

  • - Depending on the social status of the woman,

  • as well as the season, these dresses were made of

  • fabrics ranging from cheap linen to pure silk and velvet.

  • Red and green were the most popular colors

  • for a high-end woman's clothing

  • due to the hardship of creating those colors

  • and also the fact that they were the imperial colors.

  • [whooshing]

  • - [Presenter] Let's move on to the accessories.

  • [whooshing]

  • - Also, in addition to the belt,

  • other pieces of jewelry, including necklaces,

  • bracelets, and tiaras were worn,

  • oftentimes to symbolize the power and prestige

  • of the family, lineage, and the dynasty,

  • particularly for the imperial woman.

  • [whooshing]

  • [marker scratching]

  • - [Presenter] Let's move on to headwear.

  • - You could say that Jasmine's tiara is a nod to accuracy.

  • A detailed shawl to cover most, not all, of the hair

  • was usually accompanied with additional layers

  • of embroidered tulle when these women were out in public.

  • Historical sources tell us that the women

  • did not cover their head when they were

  • in the confines of their homes without any strangers.

  • As you can see here, when Jasmine

  • goes into town, she's covering her hair.

  • When Jasmine was in her palace without any strangers,

  • she wouldn't have covered her hair, so that is accurate.

  • [marker scratching]

  • - [Presenter] And down to the shoes.

  • - Jasmine's shoes in the movie closely resemble

  • what was called pabouche or terlik

  • and these are what both men and women would have worn.

  • [marker scratching]

  • - [Presenter] Now for the makeup.

  • [whooshing]

  • - It is historically accurate that

  • different types of eyeliners were popular

  • in the Middle East, both for men and women.

  • [whooshing]

  • In many cases, these liners were made with Kohl dust.

  • [whooshing]

  • - [Presenter] So, here's what

  • Princess Jasmine's outfit would've looked like,

  • given our possible time period and setting.

  • [whooshing]

  • [marker scratching]

  • Let's move on to The Sultan.

  • [whooshing]

  • - Jasmine's father has the most realistic outfit

  • among the characters that I discussed so far,

  • with some lacking details.

  • - [Presenter] Why don't we draw

  • The Sultan's outfit from the undergarments up?

  • [whooshing]

  • Starting with the undergarments.

  • - I, oh my goodness, what's happening?

  • - [Ayse] The boxers are not accurate.

  • We do see Rajah take a bite out of

  • the back of the pants of a suitor for Princess Jasmine

  • and this is an imperial man.

  • - Good luck marrying--

  • - These boxers with the heart prints for the time?

  • [marker scratching]

  • Not accurate.

  • [whooshing]

  • - [Presenter] Next, the pants.

  • - [Ayse] These loose pants are mostly called salwars.

  • - [Presenter] Let's look at the next layer.

  • - These kaftans would be generally worn

  • on top of another layer, called entari.

  • While the entari was also intricately made,

  • the level of detail on an entari wouldn't be

  • as intricate as the kaftan itself.

  • These will be at least two,

  • possibly more, depending on the weather.

  • [whooshing]

  • [marker scratching]

  • - [Presenter] Moving on.

  • - The belt that The Sultan is wearing is accurate

  • but probably would have been more embellished.

  • [whooshing]

  • [marker scratching]

  • - [Presenter] And now, let's look at the next layer.

  • [whooshing]

  • - The Sultan will wear a long robe

  • but it is traditionally called a kaftan.

  • [whooshing]

  • However, unlike the one that Jasmine's father

  • is wearing in the movie, a Sultan's kaftan

  • will be embellished with details.

  • These details will mostly be

  • vibrant-colored embroidery or intricate jewelry.

  • [whooshing]

  • Sultan's kaftans will serve as

  • an indication of their power and authority

  • and for that reason, it was a meticulous job

  • to make them, carry them, wear them, and store them.

  • Many Sultans, therefore, had specific people

  • whose main duty was to make sure

  • the kaftans were well-stored,

  • well-picked for special occasions, and preserved.

  • In many cases, these kaftans were

  • exchanged as gifts between two ruling empires,

  • showing each side's commitment

  • to fostering a positive relationship.

  • [whooshing]

  • Recently in the West, the kaftan has

  • become a fashion statement for a woman.

  • The popularity of the kaftan increased significantly

  • after Jessica Simpson was photographed

  • wearing them during her pregnancy in 2011.

  • [whooshing]

  • [marker scratching]

  • - [Presenter] Now for the headwear.

  • [whooshing]

  • - Here you can see how The Sultan's turban from the movie

  • is showing some similarities with

  • the turbans of the most famous Ottoman Sultans,

  • [whooshing]

  • Mehmed the Conqueror

  • or Suleiman the Magnificent

  • or his father, Selim the Grim.

  • You can see the Sultans wore white-ish turbans.

  • Turbans usually were a long piece

  • of cloth wrapped in different ways,

  • rather than being one single piece.

  • [whooshing]

  • [marker scratching]

  • - [Presenter] Now down to the shoes.

  • [whooshing]

  • - The Sultan is also wearing shoes

  • that closely resemble what was called

  • pabouche or terlik and these are, again, accurate.

  • [whooshing]

  • - [Presenter] So here's what The Sultan's

  • outfit would have looked like,

  • given our possible time period and setting.

  • [whooshing]

  • - As we have seen, Disney's Aladdin follows a trend

  • that clumps together different,

  • and many times contradicting, details

  • about Islam as a religion and the Middle East as a region.

  • This could happen because of two possible reasons.

  • First, it could be a simple ignorance

  • of Hollywood about the two.

  • The second possible reason for

  • the difficulty in pinpointing a timeframe and a region

  • is that the creators of the movie Aladdin

  • did not want to single out one place, one culture,

  • one ethnicity, or one period of time

  • and intentionally kept things vague in hope of

  • making the movie more relatable to a broader audience.

  • For the 2019 remake of the movie Aladdin,

  • Disney hired a committee consisting of experts

  • and scholars of the Middle East and Islam as a religion.

  • I guess they are learning from their past mistakes.

  • [whooshing]

  • While there are some accurate depictions of the clothing

  • in the characters of the movie, such as The Sultan,

  • Jasmine's and Aladdin's clothing have many inaccuracies.

  • - [Presenter] So, here's what the characters in Aladdin

  • would have worn if they had lived in history

  • during the time period that we have analyzed this film.

  • ["Friend Like Me" by Robin Williams]

  • You ain't never had a friend like me

  • [buzzer repeating]

  • [Abu clapping]

  • [Abu ooking]

- [Presenter] This is Aladdin,

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阿拉丁的衣櫃》歷史學家實錄|《魅力》雜誌社 (Historian Fact Checks Aladdin's Wardrobe | Glamour)

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