Name: 【TED】馬丁-維倫紐夫:我是如何拍出一部不可能的電影（馬丁-維倫紐夫：我是如何拍出一部不可能的電影）。 (【TED】Martin Villeneuve: How I made an impossible film (Martin Villeneuve: How I made an impossible film))
Uploaded: 2021-01-14T07:29:07.000Z
Duration: 10 min 56 s

Translator: Joseph Geni Reviewer: Morton Bast

譯者: Yi-Ting Chung 審譯者: Ellen Tung

to 不定詞

I made a film that was impossible to make,

我製作了一部不可能做得出來的電影

過去簡單式

"Mars et Avril" is a science fiction film.

《三月與四月》(Mars et Avril) 是一部科幻電影

It's set in Montreal some 50 years in the future.

No one had done that kind of movie in Quebec before

以前在魁北克沒人拍過這種類型的電影

because it's expensive, it's set in the future,

因為預算太高，場景設定在未來的世界

Yet this is the kind of movie that I wanted to make

and dreaming about what the future might be.

they think that I had a big budget to do it,

But in fact I had 10 percent of that budget.

但事實上我只有那十分之一的預算

I did "Mars et Avril" for only 2.3 million.

我拍《三月與四月》只花了230萬

So you might wonder, what's the deal here?

所以你們可能會猜想，這是怎麼回事？

When you don't have money, you must take time,

沒錢的時候，我們就必須把握時間

and it took me seven years to do "Mars et Avril."

我花了七年來拍《三月與四月》

I got tons and tons of generosity from everyone involved.

每個參與製作的人都為我付出不少

And it seems like every department had nothing,

似乎就像是因為每組人馬都一無所有

所以他們必須依賴我們的創造力

and turn every problem into an opportunity.

And that brings me to the point of my talk, actually,

事實上，這就和我今天要談的重點有關

how constraints, big creative constraints, can boost creativity.

想像力受到極大限制時，如何激發創造力

In my early 20s, I did some graphic novels,

在我20歲出頭，我寫了一些繪本小說

but they weren't your usual graphic novels.

但不是一般你們看到的繪本小說

They were books telling a science fiction story

and most of the actors who are now starring

而現在大部分主演改編電影的演員

in the movie adaptation, they were already involved

into a sort of experimental, theatrical, simplistic way.

And one of these actors is the great stage director

而其中參與製作的，是一位了不起的舞台監製

I've been in love with this guy since I was a kid.

And I wanted this guy to be involved in my crazy project,

而我希望他也能參與我瘋狂的計畫

who is a cosmologist and artist who seeks relation

他是一位宇宙論者兼藝術家，他試著找出

in between time, space, love, music and women.

時間、空間、愛、音樂及女人之間的關係

and Robert is actually the one who gave me my first chance.

而事實上是 Robert 給了我第一次機會

and encouraged me to do an adaptation of my books

鼓勵我自己寫劇本、親自指導這齣戲

And Robert is actually the very first example

Because this guy is the busiest man on the planet.

因為他可以說是世界上最忙的人

我的意思是，他的行程都排到2042年去了

等他等到2042年，那時我的電影就不是

a futuristic film anymore, so I just couldn't do that. Right?

以未來為主題的電影了，我不能這麼做，對吧？

Well, I said as a joke in a production meeting --

I said, "Why don't we turn this guy into a hologram?

我說：「我們要不要乾脆把這傢伙變成一張全息圖？

因為，你們也知道，他無所不在

and nowhere on the planet at the same time,

同時又不存在於地球上某個特定的地方

and he's an illuminated being in my mind,

and he's in between reality and virtual reality,

but the joke was kind of a good solution,

但這個玩笑其實是不錯的解決方法

Here's how we did it. We shot Robert with six cameras.

這是製作的結果，我們以六台攝影機拍攝 Robert

Each camera was covering 60 degrees of his head,

幾乎每個我們需要的角度都有了

so that we could erase the green hood in postproduction

然後我們可以在後製時將綠色頭套去除

and replace it with Robert Lepage's head.

and here's what it looks like in the movie.

(Video) Robert Lepage: [As usual, Arthur's drawing

(影片) Robert Lepage：跟以往一樣，亞瑟的畫

didn't account for the technical challenges.

I welded the breech, but the valve is still gaping.

我焊接了底部的氣室 但是活塞的部分還是開開的

【TED】馬丁-維倫紐夫:我是如何拍出一部不可能的電影（馬丁-維倫紐夫：我是如何拍出一部不可能的電影）。 (【TED】Martin Villeneuve: How I made an impossible film (Martin Villeneuve: How I made an impossible film))

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【TED】馬丁-維倫紐夫:我是如何拍出一部不可能的電影（馬丁-維倫紐夫：我是如何拍出一部不可能的電影）。 (【TED】Martin Villeneuve: How I made an impossible film (Martin Villeneuve: How I made an impossible film))

eventually

boost

reality

admire