Name: Kendrick Lamar的 "LOVE. "的製作過程。與泰迪-沃爾頓｜解構的故事 (The Making of Kendrick Lamar's "LOVE." With Teddy Walton | Deconstructed)
Uploaded: 2021-01-14T07:15:57.000Z
Duration: 5 min 47 s
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過去簡單式

I linked up with Kendrick through Zacari.

As simple as it sounds, one day I was just like, "Yo, when you gonna let me play Kendrick

He was like, "Oh, you think it's that simple?"

"Yeah, if you put me in a room with Kendrick I'm gonna get something placed automatically."

Usually people expect you to go to studios, like huge studios.

I wake up in the morning, watch a movie, roll up, pray.

I'm not the guy that's like, "Oh, I'm finna make 30 beats today."

For example, all the songs that I have out right now I made at the crib.

I met Zacari basically I was working at Bryson's house.

He actually wasn't a singer. At least I didn't think he was a singer.

He had a saxophone in his hand and he's dope at every instrument.

I never really knew that he could really sing until we actually started working together on a

We made a lot of records, but when we made this we were like, "Oh, what is this?"

I first started off this beat by putting some filtered keys, just to give it the right build

If I was to explain the effects I have on here it would take all day, but I put layers

of effects on all my instruments to make it sound like a total different instrument.

If you was listening to my beats you would think that I'm really good at the piano, but

It's more of just me like...I mastered FL Studio.

I say the second thing I added on this beat is the sample that me and Zacari basically...we

made something original from a lot of content that he had.

Just to build on top of that, a simple kick.

After I did the kicks I did the hi-hats and the snare immediately.

I basically enhanced every instrument I heard in the original sample.

I do simple things so if you put it together it sounds complex.

I'm gonna play the kicks and the hi-hats and the bass together.

I treat it like a house, like I'm building a house or something.

I don't even think nobody know this is in the beat.

It's like a whole bunch of different stuff.

I hear a lot of beats and it sounds like a certain person made it, that's one of the

I want people to know a certain sound that I'm using that like, that's a Teddy beat.

Obviously like Kendrick caught the bounce of it.

His lyrics was actually responding to my vocal chop.

After I added the vocals, it was pretty much done to me.

But I wanted to make something pop out a little bit more.

So the last element that I added to this beat is these crazy snares that I got.

I basically just put like a regular snare there and put like a lot of distortion on it.

To be on some like, 'Watch The Throne' shit.

The funny part about this beat is that it's not that many instruments.

Everything's simple but once you put all the instruments together it sounds like a full song.

I think one of the reasons this song has been big is because for one I don't think nobody

ever heard Kendrick on this type of vibe.

The crazy thing about it is I wasn't even playing this for Kendrick.

It was Kendrick asking me, "Hey, play something you're working on."

It was just him being curious of what I'm listening to or what everybody else listening to.

I was just playing this lowkey just showing off what I got.

He didn't really react until the next day really, until I found out that he liked the

It was almost like it was made for him, honestly.