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I'm Andrew Graham Dickson and I'm an art historian.
I'm Giorgio Locatelli and I'm a chef.
We are both passionate about my homeland, Italy.
The smells, the colour, this is what food is all about for me.
The rich flavours and classic dishes of this land are in my culinary DNA.
And this country's rich layers of art
and history have captivated me since childhood.
It's enough to make you feel as if you are being whirled up to heaven.
We're stepping off the tourist track and exploring Italy's
Northern regions of Emilia-Romagna, Lombardy and Piedmont.
It's part of Italy that's often overlooked, but it drives
the whole country and I want to show off its classic dishes.
Not to mention its hidden legacy of artist, designers, intellectuals.
Wow, this is incredible.
This week we are in Lombardy, where I grew up.
I can't wait to introduce Andrew to the hearty Lombardy food of my youth.
We'll also enjoy the ingenious art and thrilling design that
reveal how this region really is the motor of Italy.
Lombardy may not be the most exotic region in Italy,
but, for me, it's special.
Bordering Switzerland, we are closer here to Zurich than Rome.
There is only one place to start our journey,
my home town of Corgeno, by Lake Maggiore.
I've cooked for Andrew many times at my restaurant,
but I'm taking him to where it all started, Casa Locatelli.
Mama, Papa.
Oh, ciao, Mama.
Small daddy, he's a small daddy.
He used to be bigger than me, but now he's...
Ferruccio. Pinuccia and Ferruccio.
No, I'll remember, I'll remember. I'm hungry.
'We're here for lunch and polenta's on the menu.'
You see, what happens here is, my mum runs the kitchen
and even when I come home, I'm not allowed to cook.
So she cooks all the time.
An exception is made for polenta. Polenta is a man thing.
So my dad, as you can see, he's ready with his apron.
So we're going to leave my mum here.
No. No, no, we do it on the fire on the garden.
So we're going to cook the polenta downstairs. Let's go.
SHE SPEAKS ITALIAN
It has to taste of smoke, otherwise, it's not good.
Even though she's the captain of the kitchen,
she's still telling you how to do the polenta.
She's got to prepare the mushroom and the thing
and we go and do the polenta.
'Polenta, made from ground maize, really is the pasta of the north.
'In fact, the southerners call us Lombards, Polentoni,
'because we eat so much of the stuff.'
OK, you see, it's the most simple thing. You know, you just need a fire
and a paiolo, which is this like cast iron, and then copper inside.
And so, I remember when I was little I used to see all the shepherds
going around with their flocks, and they had the donkey
and on the donkey they will have the paiolo on the back.
So that would actually make polenta in the field? That's right.
On the open fire? That's why you make it on the open fire.
During the war, that was the only thing that they had,
polenta and when the partisan, which were striving here,
you know it's like lost... The heroes? The heroes. That lived in the woods.
Yeah, you know they were living in the woods.
They'll camp, you're duty as a, somebody that
didn't like the Fascists, obviously, at that point
was to give half of your polenta to them.
A beautiful colour! It's like saffron or something.
Beautiful yellow. This is Roberto This is your... This is my brother.
This is your brother. You look exactly, nothing like you.
No, he's been training how to do polenta for the last 20 years.
Who's the older brother? He is.
And he's the one that's getting all the training.
I'm just been around just doing Michelin starred food.
You know, something not very important.
I'm hungry. Is this the moment of truth?
This is the most important moment.
The man job is done, now we've got to go upstairs
and see what the girls have managed to... Fantastic.
..Rustle up.
I like the way, I like the way it's all swaddled up like a baby.
While we were making the polenta, my mum was busy whipping up
a meaty brochette and some delicious porcini mushrooms.
Come, sit down.
'This is the kind of food that ignited my love affair with cooking.
'Hearty and simple, just the way I like it.'
Wow. Look at the lake.
Eh, and eat the polenta. Now you are full emersion.
You smell it? This woody smell. Mmm..
You see how the flavours are so settled, so...? Mellow, gentle.
Mellow, gentle.
Almost like it reflects the personality of the people.
Here, the people are a bit more mellow,
and the nature determine what the people eat, but it almost
looks like you almost determine the character of the people.
Having visited Giorgio's home, it's only reinforced my sense of how
strong an influence his earthy Lombard roots have had on him.
But there are still sides to this region he doesn't know.
Lombardy is a treasure trove of surprising little known
works of art, and near the town of Bergamo there's a fascinating
masterpiece Giorgio has never seen before.
Just a few miles from where you live, there's this chapel attached
to a grand house, and inside the chapel is one of the most
extraordinary weird fresco cycles of the whole Renaissance.
Right. By an artist called Lorenzo Lotto.
Right. It's absolutely bizarre.
He's like the Renaissance version of Magritte or Salvador Dali. OK.
The frescos he created here in 1524
were commissioned for the private chapel of the Suardi family,
one of the oldest and most influential in the region.
The chapel isn't usually opened to the public,
but the family have kindly agreed to let us in.
Same. The same family from the time, so from the time of Lorenzo Lotto,
500 years later, still the same family.
Oh, that's fantastic.
Originally, the Suardis didn't reserve the chapel
for their own exclusive use.
Ordinary people who lived locally were encouraged to worship here.
The works of art inside plunge you back to 16th-century Lombardy,
a world in the grip of the Reformation.
What do you think of this extraordinary weird image?
Yeah, it's like this fingers, isn't it?
It's very weird, surreal isn't it?
It's absolutely surreal. Christ in need of a manicure.
He's got these strange...it reminds me of that German story
Struwwelpeter, the boy who lets his nails grow for ever.
If you look, you see there's a little clue at the top
actually to what's going on.
Lorenzo Lotto is the only painter who took that line from the Bible.
Ego sum vitis vos palmites.
I am the vine and you are the branches.
And he turned it into this extraordinary image.
What are all these image up there?
You've got saints growing in the...the whirls
and the curls of this vine as it reaches up.
But although it's so striking as an image,
you mustn't think of it as a single scene, cos it's not.
It's actually like a comic book.
And what it tells is this very bloody story of Saint Barbara,
Santa Barbara, and she is the daughter of Dioscoro,
this evil pagan.
And he wants to marry her off, but he wants her to be a virgin,
so he locks her into this tower. as he goes off on his travels. OK.
What he doesn't know, is that when she's in the tower,
Christ visits her, gives her a vision,
she converts to Christianity.
There she is kneeling, praying outside the tower,
always accompanied by this lovely little white dog with her.
Yeah, the dog is there.
And now this is where the story gets bloody and turns nasty.
Dioscoro, her father, has come back and there he is saying,
"Now's the time for you to get married."
And she points up to heaven and says,
"No, I'm not going to marry any man, I have become a bride of Christ."
Now he has her tortured.
He got her. Look, he's carrying her...
He's got her hair there. He's dragging her by her hair.
Dragging her.
And it gets really nasty. I mean, it's X-rated, isn't it?
I mean, he doesn't pull his punches.
So they apply burning brands to her breasts and her genitals.
It's very physical, you know.
Lotto's living in this time that's extremely violent.
It really looks terrible, doesn't it?
And throughout this sort of bloody story,
sufferings are punctuated by little rays of hope.
And now an angel comes down from heaven
and gives her a white cloak to put around her body.
And as soon as she puts the cloak around her body, her whole
body is healed, and then her little dog is accompanying her all the way.