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  • MY FIRST GUEST TONIGHT IS A

  • TWO-TIME ACADEMY AWARD-WINNING

  • ACTRESS CURRENTLY MAKING HER.

  • BROADWAY DEBUT IN "THE PRESENT."

  • PLEASE WELCOME CATE BLANCHETT!

  • ♪ ♪ ♪

  • ( APPLAUSE )

  • >> A STANDING OVATION.

  • >> Stephen, OF COURSE!

  • >> DO YOU GET THAT ALL THE TIME?

  • >> Stephen: UMMM... YET.

  • I WAS ABOUT TO BE HUMBLE, BUT

  • I'M NOT GOING TO.

  • IT'S LOVELY TO SEE YOU.

  • LISTEN, I'VE GOT A CONFESSION TO

  • MAKE.

  • I DON'T--

  • >> PUBLICLY.

  • >> Stephen: I DON'T GET STAR

  • STRUCK BUT I DO GET A LITTLE

  • CATE BLANCHETT STRUCK BECAUSE

  • I'M SUCH A HUGE FAN OF YOURS.

  • ( CHEERS AND APPLAUSE )

  • YOU'RE SUCH A BRILLIANT ACTRESS,

  • AND I'M NOT GOING TO GO INTO THE

  • WHOLE GLADDIAL THING, BUT

  • EVERYTHING YOU'VE DONE.

  • AND YOU'RE AN INTELLIGENT,

  • LOVELY PERSON.

  • A FASHION ICON.

  • >> OH, BUT I CAN'T BUT

  • DISAPPOINT.

  • YOU DON'T SEE ME FIRST THING IN

  • THE MORNING.

  • BELIEVE IT OR NOT, I DON'T WAKE

  • UP LIKE THIS.

  • >> Stephen: OH, NO.

  • WHAT ARE YOU LIKE AT HOME?

  • >> IT'S PRETTY UGLY AT 6:00

  • A.M., I LOOK LIKE IA CROSS

  • BETWEEN PHYLLIS DILLER AND --

  • >> Stephen: A GLADDIAL.

  • >> YES.

  • I'M COVERED IN-- I'M IN MY

  • PAJAMAS, WHICH I'VE BEEN WEARING

  • FOR-- I WEAR MY PAJAMAS MOST OF

  • THE TIME.

  • >> Stephen: DO YOU HAVE KIDS?

  • >> I HAVE FOUR.

  • SO I'M COVERED IN PANCAKE MIX,

  • AND BANANAS AND VEGEMITE.

  • IT TAKES A TOLL.

  • >> Stephen: CAN YOU EXPLAIN

  • VEGEMITE TO ME?

  • I TASTED IT-- I'VE TASTED IT IN

  • NEW ZEALAND, AND IT WAS SHOCKING

  • TO ME.

  • >> THAT'S BECAUSE YOU, AS AN

  • AMERICAN, LIVE ON A DIET OF

  • SUGAR.

  • EVEN IF YOU DON'T LOOK-- DO WE

  • REALLY WANT TO GO HERE?

  • THERE'S SO MUCH-- THERE'S SO

  • MUCH TO LOVE ABOUT THIS

  • MAGNIFICENT COUNTRY.

  • >> Stephen: VEGEMITE?

  • IT TASTES TO ME LIKE SOMEONE

  • WENT, "I WONDER IF WE CAN FIND A

  • WAY TO MAKE SALT TASTE LIKE IT

  • WENT BAD AND IT'S BROWN."

  • >> THAT'S BECAUSE YOU SPREAD IT

  • ON LIKE PEANUT BUTTER.

  • AUSTRALIANS HAVE BEEN TRYING TO

  • EXPLAIN THIS PHENOMENON FOR

  • DECADES.

  • I CAN'T BELIEVE, BEING A JACKSON

  • FAN THAT YOU HAVEN'T KIND OF

  • CROSSED THAT BRIDGE.

  • >> Stephen: I TRIED IT.

  • I TRIED IT WHEN I WAS IN NEW

  • ZEALAND.

  • >> DID YOU PUT JAM ON IT.

  • >> Stephen: NO, AM I SUPPOSED

  • TO.

  • >> YOU PUT A TINY SCRAPE AND PUT

  • THE REST ON YOUR PAJAMAS.

  • >> Stephen: I DID HAVE A TINY

  • LITTLE SCRAPE THERE AND I CAN

  • STILL TASTE IT 10 YEARS LATER,

  • 10 YEARS LATER.

  • MY SON, "MY YOUNGEST SON,

  • THOUGHT IT WAS A JAM AND TOOK A

  • GIANT BITE OF IT.

  • >> THAT WILL DO IT FOR YOU.

  • >> Stephen: IT WAS ONE OF THE

  • SADDEST FACES I HAVE SEEN IN MY

  • ENTIRE LIFE.

  • YOU WON TWO OSCARS.

  • NOMINATE FORWARD SEVEN.

  • >> THANK YOU FOR REMINDING

  • ( APPLAUSE ).

  • >> Stephen: WHY NOT?

  • WHY NOT?

  • THE REASON I ASK IS THAT, YOU

  • KNOW, THERE WAS A HUGE

  • HULLABALOO AT THE OSCARS THIS

  • PART SUNDAY NIGHT.

  • >> OH, IT WASN'T THAT BAD!

  • >> Stephen: I'VE NEVER BEEN

  • BACKSTAGE.

  • CAN YOU IMAGINE WHAT IT MUST

  • HAVE BEEN LIKE FOR EVERYONE UP

  • THERE, ABSOLUTELY SO SHOCKING.

  • >> AWFUL.

  • IT'S LIKE SORT OF BEING MARRIED

  • TO THE WRONG PERSON.

  • IT'S-- BUT, YOU KNOW, AT FIRST

  • FOR ME WHAT WAS MOST UPSETTING

  • IS-- IN AUSTRALIA, THERE'S A--

  • WE HAVE A WONDERFUL, WONDERFUL

  • SORT OF CULTURAL INDUSTRIES, BUT

  • OFTEN SUCCESS IS NOT REWARD.

  • BUT HERE IN THIS COUNTRY, THE

  • WONDERFUL THING ABOUT AMERICA IS

  • SUCCESS IS REWARDED.

  • AND BUTT NOW I THINK IN THE

  • LAST-- SINCE THE INAUGURATION,

  • THIS NOTION OF THE CULTURAL

  • ELITE HAS REALLY KIND OF GOT

  • GOING.

  • SO ANYONE WHO HAS GOT A VOICE

  • AND SUCCESS IN THE CULTURAL

  • INDUSTRIES IS SUDDENLY

  • MARGINALIZED OR CONSIDERED, YOU

  • KNOW, THEIR VOICE ISN'T

  • SIGNIFICANT OR WORTH BEING

  • PARENT OF THE, YOU KNOW, POPULAR

  • PARLANCE.

  • AND THEY KIND OF HANDED IT TO

  • THE ADMINISTRATION ON SUNDAY

  • NIGHT, THAT THEY'RE A BUNCH OF

  • DUFFERS.

  • >> Stephen: BECAUSE THEY

  • LOOKED LIKE IDIOTS.

  • >> BUT THEY'RE NOT.

  • >> Stephen: AND HE GETS TO

  • POINT AND GO, "HOLLYWOOD, SAD."

  • >> YSAD, WHICH IS SUCH A

  • PROFOUNDLY INTERESTING THING TO

  • SAY.

  • >> Stephen: YEAH.

  • >> HOLLYWOOD SAD.

  • >> Stephen: HOLLYWOOD SAD.

  • MAKE ME HAPPY, NOT SAD.

  • >> YEAH.

  • >> Stephen: WELL, WHAT'S THE

  • SECRET TO WINNING AN OSCAR?

  • AS SOON AS THEY GIVE IT TO YOU,

  • RUN OFF STAGE BEFORE THEY CAN

  • GIVE IT TO "MOONLIGHT."

  • >> YES.

  • AT LEAST TWO FILMS GOT TO WIN.

  • >> Stephen: IT'S NICE.

  • >> IT'S NICE, ISN'T IT?

  • IT'S REALLY NICE.

  • >> Stephen: IT'S TWICE THE

  • OSCARS.

  • >> THEY DON'T HAVE TO DO IT NEXT

  • YEAR.

  • >> Stephen: NOW, YOU ARE ON

  • BROADWAY DEBUT.

  • I'M SO SURPRISED THIS IS YOUR

  • BROADWAY DEBUT BECAUSE YOU'VE

  • DONE SO MUCH THEATER IN

  • AUSTRALIA.

  • >> MY HUSBAND AND I RAN THE

  • SYDNEY THEATRE, THIS IS THE LAST

  • PLAY HE PROGRAMMED.

  • >> Stephen: IT'S AT THE ETHEL

  • BARRYMORE THEATRE IN NEW YORK.

  • >> THAT'S ME.

  • >> Stephen: IT'S CALLED "THE

  • PRESENT."

  • IT'S A CHEKHOV PLAY.

  • I'M NOT FAMILIAR WITH "THE

  • PRESENT."

  • >> IT'S BECAUSE CHEKHOV WROTE IT

  • FOR AN ACTRESS WHO WAS REJECTED

  • IT --

  • >> Stephen: WASN'T GOOD ENOUGH

  • FOR THE WOMAN HE HAD A CRUTCH

  • ON?

  • >> NO, AND HE PUT IT, AS RICHARD

  • SAYS IN HIS SOCK DRAWER AND IT

  • WAS NEVER FOUND.

  • IT WAS A BROKEN FRAGMENT OF A

  • WORK, AND WHAT PEOPLE DON'T

  • REALIZE ABOUT CHEKHOV IS IT'S

  • FUN GLE IT'S A COMEDY.

  • >> "CHERRY ORCHARD" HIS MOST

  • WELL KNOWN PLAY SAY COMEDY IN

  • FOUR ACTS AND IT'S ALWAYS PLAYED

  • FOR THE MISERY.

  • BOOTS PEOPLE IN A MIDLIFE

  • CRISIS, AND NOTHING COULD BE

  • MORE HILARIOUS AND ABSURD AND

  • TRAGIC.

  • LET'S FACE IT.

  • YOU'RE NOT THERE YET.

  • >> Stephen: NO, NO, NO.

  • NO, I CAN'T WAIT TO GET TO MOI

  • 40s.

  • ( LAUGHTER )

  • ( APPLAUSE )

  • NOW, YOUR CHARACTER--

  • >> IS TURNING 40.

  • >> Stephen: IS TURNING 40, IS

  • TURNING 40.

  • >> YES.

  • >> Stephen: YOU SAID THE PLAY

  • REMINDS YOU OF THINGS THAT ARE

  • HAPPENING IN THE WORLD RIGHT

  • NOW.

  • HOW SO.

  • >> ANDREW HAS UPDATED IT TO THE

  • SORT OF 90 NECESSARY RUSSIA.

  • SO WHEN PIEWTEN IS COMING TO

  • POWER, WHICH SEEMS PARTICULARLY

  • RELEVANT TO THIS-- WHAT'S GOING

  • ON IN THE COUNTRY AT THE MOMENT.

  • AND WITH THE RISE OF THE

  • OLIGARCHS.

  • SO IT'S ALL ABOUT, AS YOU MOVE

  • FORWARD IN LIFE, WHAT'S YOUR

  • MORAL COMPASS?

  • WHAT DO YOU-- WHERE DOES

  • KINDNESS AND HUMANITY SIT IN A

  • REALLY BRUTAL WORLD.

  • >> Stephen: CATE BLANCHETT,

  • WHAT IS YOUR MORAL COMPASS?

  • WHERE DOES KINDNESS AND HUMANITY

  • SIT NAY BRUTAL WORLD?

  • THOSE ARE IMPORTANT QUESTIONS TO

  • ASK RIGHT NOW.

  • >> IT'S IN MY VAGINA.

  • ( CHEERS AND APPLAUSE )

  • OKAY, OKAY.

  • THANK YOU!

  • THANK YOU VERY MUCH!

  • >> Stephen: THAT TAKES-- THAT

  • TAKES CARE OF MY NEXT TWO

  • QUESTIONS.

  • ( LAUGHTER )

  • YOUR CHARACTER SAYS THAT IT'S

  • EASIER TO DO (BLEEP) THAT YOU

  • DON'T ACTUALLY CARE ABOUT.

  • WHAT DOES THAT MEAN?

  • >> NO, IT'S SO HARD TO DO WHAT

  • YOU REALLY, REALLY DESPERATELY

  • WANT IN LIFE.

  • IT'S SO EASY TO DO (BLEEP) YOU

  • DON'T CARE ABOUT EITHER WAY.

  • AIN'T THAT THE TRUTH?

  • >> Stephen: ARE THERE THINGS

  • YOU'RE TEMPTED TO DO, "OH, IT

  • LOOKS LIKE THAT WOULD BE FUN TO

  • DO AND I DON'T CARE ABOUT IT AND

  • I WOULD LIKE TO DO THAT"?

  • >> LIKE BUNGEE JUMPING OR

  • SOMETHING INSANE LIKE THAT.

  • >> Stephen: IF YOU WEREN'T

  • BEING AN ACTRESS, DO YOU HAVE

  • SOME OTHER DREAM.

  • >> I STUDIED ARCHITECTURE FOR A

  • WHILE AT UNIVERSITY AND THOUGHT

  • I WOULD GO INTO GALLERY

  • CURATION.

  • SOMEONE SAID TO ME IN HIGH

  • SCHOOL, "YOU SHOULD FIND WHAT

  • YOU'RE PASSIONATE ABOUT AND YOU

  • SHOULD SORT OF FIND A WAY TO

  • BRING THAT INTO A PROFESSION.

  • EXPIVMENT THOUGHT WHAT AM I

  • PASSIONATE ABOUT?

  • I THOUGHT I HAVE A PASSIONATE

  • HATRED FOR PLASTIC BAGS BUT I

  • COULDN'T QUITE BRIDGE HOW I

  • COULD MAKE A CAREER OUT OF THAT.

  • OTHER PEOPLE HAVE, HANDICRAFTS

  • --

  • >> Stephen: GUYS IN THE ORANGE

  • VESTS ON THE HIGHWAY WITH A

  • STICK AND A NAIL ON THE END.

  • >> I CAN ALWAYS GO THERE.

  • >> Stephen: COMMUNITY SERVICE.

  • IT'S WAITING FOR YOU OUT THERE.

  • YOUR CHARACTER HAS AN

  • EXISTENTIAL CRISIS TURNING 40.

  • HOW ARE THE 40s TREATING YOU,

  • YOUNG LADY?

  • >> I DON'T KNOW YET.

  • I'M NOT THERE.

  • I'M LIKING TACTUALLY.

  • I LOVED MY 30s SO MUCH AND I

  • THOUGHT MOVING INTO MY 40s WAS

  • GOING TO BE A CAR CRASH.

  • BUT NOW, IT'S BEEN GOOD.

  • IT'S BEEN QUITE CONFRONTING,

  • ACTUALLY, BECAUSE I'M STARTING

  • TO THINK ABOUT CHICKENS AND

  • THINKITHINKITHINKING ABOUT GARDE

  • AND I THOUGHT, HOLD ON.

  • THAT'S HOW MY GRANDMOTHER AND

  • MOTHER STARTED.

  • SO I'M MOVING INTO THAT ZONE,

  • GARDENING.

  • I'M THINKING ABOUT GARDENING.

  • >> Stephen: ARE YOU LIVING IN

  • NEW YORK RIGHT NOW?

  • >> .

  • >> IT'S VERY HARD TO START A

  • GARDEN IN NEW YORK.

  • >> IT IS.

  • >> Stephen: YOU'RE STARTING TO

  • DO "OCEANS EIGHT."

  • >> JUST FINISHED.

  • >> Stephen: JUST FINISHED IT.

  • "OCEANS 11" WAS THE FIRST OF THE

  • OCEAN SERIES.

  • WHY AN ALL-FEMALE CAST.

  • >> THERE ARE ONLY EIGHT WOMEN

  • WORKING IN HOLLYWOOD.

  • ( CHEERS AND APPLAUSE ).

  • >> Stephen: I'M GLAD YOU'RE

  • ONE OF THEM.

  • THANK YOU SO MUCH FOR BEING

  • HERE.

  • "THE PRESENT" IS ON BROADWAY AT

  • THE BARRYMORE THEATRE.

  • CATE BLANCHETT, EVERYBODY!

  • WE'LL BE RIGHT BACK WITH PAUL

  • RUST.

  • THANK YOU SO MUCH!

  • ♪ ♪ ♪

MY FIRST GUEST TONIGHT IS A

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B1 中級

凱特-布蘭切特解釋了她的道德指南針在哪裡。剖析。 (Cate Blanchett Explains Where Her Moral Compass Lies. Anatomically.)

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    Salmon 發佈於 2021 年 01 月 14 日
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