Name: 藝術史1/3--純美 (History of Art 1/3 - Pure Beauty)
Uploaded: 2021-01-14T05:26:47.000Z
Duration: 12 min 6 s
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the rhetoric body appears in the theatre of beauty.

Beauty has a bearing on everything that surrounds us,

both pure nature and that what is made by man.

Venus de Milo - Alexandros of Antioch, 130-100 BC

We often associate beauty with Greek art,

Initially, in Greek art the concept of beauty

Plastic artists were inspired by Egyptian art,

Lady of Auxerre, made in Crete? 650-625 BC

can be seen in the ‘kouroi’, or young men,

Division and stiffness of the bodies correspond

Charioteer, bronze, ca. 470 BC – sculptor unknown

the liberation from the corset of the Egyptian rules

promoted the development of a concept of beauty.

Beauty became connected to the rhythm in rhetoric,

and the accurate proportions in plastic arts.

one has tried to determine how in Greek times

makes the discus-thrower a body-in-movement.

Discus Thrower (Diskobolos) - Myron ca. 450 BC (Roman copy)

Hermes and the Infant Dionysos - Praxiteles ca. 340 BC (Roman copy)

Apollo Belvédère – after a bronze of Leochares 350-325 BC (Roman copy)

was the avoidance of an excess of details.

Laocoön and his Sons - Agesander, Athenedoros and Polydorus, 160-20 BC

Philosophers want to delimit the essence of beauty.

According to Socrates one can only speak of beauty

demonstrates itself in the outward appearance.

also through a so-called ‘ugly body’.

was perceptible in his outward appearance.

Warriors, from the sea off Riace, Italy ca. 460-450 BC, sculptor unknown

between a handsome body and a good spirit.

Athena of the Temple of Aphaia, ca. 500 BC

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藝術史1/3--純美 (History of Art 1/3 - Pure Beauty)

concept

order

human

perfect