Name: 有史以來最受歡迎的 30 首重金屬歌曲 (Top 30 Heavy Metal Songs of All Time)
Uploaded: 2025-05-23T05:12:12.000Z
Duration: 38 min 8 s

Welcome to WatchMojo, and today we're counting down our picks for the heaviest jams to ever make us raise our fists and yell.

歡迎來到《WatchMojo》，今天我們將為您盤點有史以來讓我們舉起拳頭大喊大叫的最重磅音樂。

情態助動詞 (推斷語氣)

See You In Hell – Grim Reaper The British band may have been the butt of some jokes back in the days of MTV's Beavis and Bunhead, but don't sleep on this new wave of British heavy metal institution.

See You In Hell - Grim Reaper 這支英國樂隊在 MTV 的《比維斯和包頭》（Beavis and Bunhead）時代可能曾是一些笑話的笑柄，但不要對這支英國新潮重金屬樂隊視而不見。

Grim Reaper combined deceptively simple arrangements with memorable riffs and caterwalling vocals to provide a perfect starting gate for neo-metalheads.

Grim Reaper 將簡單的編曲、令人難忘的旋律和震撼人心的歌聲結合在一起，為新金屬樂迷提供了一個完美的起點。

Nick Bocot leads the charge with a main riff that's catchier than the common cold, while vocalist Steve Grimmett howls at the moon with reckless abandon.

尼克-博科特（Nick Bocot）的主旋律比普通感冒更朗朗上口，主唱史蒂夫-格林梅特（Steve Grimmett）則肆無忌憚地對著月亮嚎叫。

See You In Hell doesn't pretend to be anything more than the sum of its parts – a great meat-and-potatoes metal song that flies high the flag of stainless steel.

地獄見》並不自命不凡--這是一首高舉不鏽鋼旗幟的優秀金屬歌曲。

Over The Wall – Testaments Much has been said about the big four of American thrash metal, but what about the groups that comprise the second tier?

Over The Wall - Testaments 關於美國驚險金屬四巨頭，人們已經說得很多了，但構成第二梯隊的那些團體呢？

Testament just has to sit among the very top of this genre's 1% – a technical masterclass of precision and skill.

考驗》在這一類型的 1%作品中堪稱佼佼者，是一部精準、嫻熟的技術鉅作。

Guitarist Alex Skolnick in particular is a generational talent, a man whose six-string wizardry allows songs like Over The Wall to sound both anthemic and combustive.

尤其是吉他手亞歷克斯-斯科爾尼克（Alex Skolnick），他是一代天才，他的六絃琴技藝讓《翻牆》等歌曲聽起來既雄壯又充滿激情。

The song races right out of the starting gate with Reckless Abandon, as Over The Wall becomes not only a centrepiece for Skolnick, but also lead vocalist Chuck Billy.

這首歌與《Reckless Abandon》一出道就迅速躥紅，《Over The Wall》不僅成為斯科爾尼克的核心曲目，也成為主唱查克-比利（Chuck Billy）的核心曲目。

The melodic mid-section in particular has become something of a sing-along set-piece for Testament, a live highlight that's become a favourite of the band's fans.

尤其是旋律優美的中段，已成為 "毀滅樂隊"（Testament）的經典唱段，也是現場的一大亮點，深受樂迷喜愛。

Elimination – Overkill The American thrash metal train rolls on, this time with New Jersey's finest, Overkill.

Elimination - Overkill 美國的驚險金屬列車繼續前進，這次帶來的是新澤西州最好的樂隊 Overkill。

These working-class heroes have become something of a metallic institution, thanks to a career that's endured over 40 years and counting.

這些工人階級英雄的職業生涯已經持續了 40 多年，並在不斷延續。

Elimination is taken from the group's fourth LP, and their first with producer Terry Date.

淘汰》選自該組合的第四張專輯，也是他們與製作人 Terry Date 合作的第一張專輯。

The latter's bone-dry production style allows the song's riffs to crunch like milkless cornflakes, while also allowing Dee Dee Verney's nasty bass tone to rattle fans' speakers.

後者乾澀的製作風格讓歌曲的旋律像無奶的玉米片一樣清脆，同時也讓 Dee Dee Verney 糟糕的貝斯音調震得樂迷的揚聲器嗡嗡作響。

Elimination wouldn't quite be the same without singer Bobby Blitz Elworth's captivating shriek however, and it's the man's charismatic presence that assists in elevating Overkill's global metal stock into elite company.

然而，如果沒有主唱鮑比-布利茨-埃爾沃思（Bobby Blitz Elworth）迷人的嘶吼，《淘汰》也就不完整了，正是他的魅力幫助 Overkill 在全球金屬樂界躋身精英行列。

Fighting The World – Manowar New York's Manowar cares little about whether or not doubters question their over-the-top theatrics and macho posturing.

Fighting The World - Manowar 紐約的 Manowar 不在乎質疑者是否質疑他們誇張的表演和大男子主義的姿態。

All this band cares about is pleasing their legions of fans around the world that crave some seriously muscular metal.

這支樂隊所關心的，只是取悅全世界那些渴求肌肉感十足的金屬樂的樂迷。

Fighting The World is taken from an album of the same name and signified something of a commercial breakthrough for Manowar.

Fighting The World》選自同名專輯，標誌著 Manowar 在商業上的突破。

Sure, the band's cult status was assured, but Fighting The World felt like a call-to-arms anthem that spoke to more than just the knowing faithful.

當然，樂隊的崇拜者地位已經得到了保證，但《Fighting The World》給人的感覺就像是一首振臂高呼的國歌，它所訴說的不僅僅是那些忠實的聽眾。

This was a measured, mid-paced hollaber to the face of false metal, leaning heavily upon singer Eric Adams' intense power and unconquerable passion.

這是對虛假金屬的一次有節制的、中速的咆哮，主要依靠主唱埃裡克-亞當斯（Eric Adams）強烈的力量和不可征服的激情。

I Want Out – Helloween Heavy metal possesses a myriad of sub-genres, with only die-hard fans being able to differentiate all of the subtle differences.

I Want Out - Helloween 重金屬擁有無數的子類型，只有鐵桿粉絲才能分辨出所有細微的差別。

Germany's Helloween strode the creative lines between speed, thrash and power metal, and their Keeper of the Seven Keys Part II LP helped formulate the band's lasting legacy.

德國的 Helloween 樂隊在速度、快節奏和力量金屬之間徘徊，他們的《七把鑰匙的守護者》第二部分唱片幫助樂隊建立了永恆的傳奇。

The title track was an epic, to be sure, but it's the immediacy of I Want Out that perhaps serves as Helloween's defining metal moment.

當然，主打歌是一首史詩，但《我要退出》的直接性或許才是 Helloween 的決定性金屬時刻。

This is a song where riffs, vocal melodies and an all-time classic chorus create layers like a German chocolate cake, alternating the sweet and the savoury in a manner that feels impossible to deny.

在這首歌中，旋律、人聲旋律和經典副歌層層遞進，就像德國巧克力蛋糕一樣，甜味和鹹味交替出現，讓人無法拒絕。

Stargazer – Rainbow Historians often differ as to whether or not

觀星者 - 彩虹 歷史學家們對於是否

Black Sabbath, Deep Purple, Led Zeppelin or Rainbow were the first heavy metal band.

黑色安息日（Black Sabbath）、深紫（Deep Purple）、齊柏林飛艇（Led Zeppelin）或彩虹（Rainbow）是最早的重金屬樂隊。

One thing for sure, however, Stargazer helped codify many of the genre's most powerful and glorious trappings.

但可以肯定的是，《追星族》幫助編纂了這一流派中許多最強大、最輝煌的特徵。

There's an aura of mysticism associated with this song, as the guitar of former Deep

這首歌充滿了神祕色彩，因為前 "深淵 "樂隊吉他手的吉他彈奏讓這首歌充滿了神祕色彩。

Purple leader Richie Blackmore weaves its magic spell.

紫色樂隊的領隊裡奇-布萊克莫爾（Richie Blackmore）編織了神奇的咒語。

Elsewhere Ronnie James Dio is Blackmore's partner in sorcery, a captivating presence on the mic that allows Stargazer to enter the hallowed halls of metal magic.

羅尼-詹姆斯-迪奧（Ronnie James Dio）則是布萊克摩爾的巫術夥伴，他在麥克風前的迷人風采讓《星際迷航》進入了金屬魔法的神聖殿堂。

Du hast – Rammstein The Neue Deutsche Herze discography of Rammstein contains a veritable laundry list of bangers, including Feuer Frei from the band's landmark

Du hast - 德國戰車樂隊 德國戰車樂隊（Rammstein）的《新德意志報》（Neue Deutsche Herze）專輯中收錄了大量膾炙人口的歌曲，其中包括樂隊里程碑式作品《自由之火》（Feuer Frei）。

However, fans could also point to the chart success of Du hast as a point where commercial radio really began paying attention to Rammstein.

不過，樂迷們也可以將《Du hast》在排行榜上的成功視為商業電臺真正開始關注 Rammstein 的契機。

This was no mean feat either, considering that the pop chart landscape of 1997 was largely unreceptive to heavy metal.

考慮到 1997 年的流行音樂榜單基本上不接受重金屬音樂，這也並非易事。

Du hast has endured, however, and found an audience that eagerly lapped up Rammstein's heavy riffs and martial rhythms, juxtaposed against an almost gothic atmosphere.

然而，Du hast 經受住了考驗，並找到了一批聽眾，他們熱衷於聆聽 Rammstein 的重金屬樂段和國術節奏，這些樂段與近乎哥特式的氛圍相映成趣。

This was an industrial revolution in heavy metal that helped keep the genre afloat during difficult weather.

這是重金屬領域的一次工業革命，它幫助該流派在困難的天氣中繼續生存。

Ten Thousand Fists – Disturbed Chicago's Disturbed is a modern metal band that just seemed to improve over time.

Ten Thousand Fists - Disturbed 芝加哥的 Disturbed 是一支現代金屬樂隊，似乎隨著時間的推移而不斷進步。

Ten Thousand Fists was the title track of Disturbed's third LP, and proved without a shadow of a doubt that the success of their debut album, The Sickness, wasn't a fluke.

萬拳》是忐忑樂隊第三張專輯的主打歌，毫無疑問地證明了他們首張專輯《The Sickness》的成功並非僥倖。

What's most remarkable about the song is how it represents Disturbed's progression as a band.

這首歌最難能可貴之處在於它代表了 Disturbed 樂隊的進步。

Gone are the gimmicky vocalizations of The Sickness, and in their place a soaring and commanding register from frontman David Draymond.

病痛樂隊（The Sickness）噱頭十足的聲音不見了，取而代之的是主唱大衛-德雷蒙德（David Draymond）高亢有力的聲音。

Elsewhere, the guitar playing has become significantly more dynamic and impressive, perhaps being influenced by European artists such as Sweden's Soilwork.

在其他方面，也許是受到瑞典 Soilwork 等歐洲藝術家的影響，該樂隊的吉他演奏明顯變得更加動感，令人印象深刻。

It all comes together in solid fashion on Ten Thousand Fists, and Disturbed would only improve further from this point.

在《萬拳》中，這一切都以堅實的方式呈現，《忐忑》在此基礎上只會更上一層樓。

The Toxic Waltz – Exodus The Bonded by Blood debut from Exodus is inarguably one of 80s thrash metal's finest moments.

毒藥華爾茲》（The Toxic Waltz）--《出埃及記》（Exodus） 《血債血償》（Bonded by Blood）是出埃及記的首張專輯，無可爭議地成為 80 年代驚險金屬樂最精彩的時刻之一。

But it was The Toxic Waltz from 1989 that helped increase the Bay Area band's international profile.

但 1989 年的《毒藥華爾茲》（Toxic Waltz）則讓這支灣區樂隊的國際知名度得到了提升。

Lead singer Steve Zetrosuza possesses a screech worthy of Cobra Commander, while the song's lyrics possess a knowing sense of irony and humor.

主唱史蒂夫-澤特羅蘇扎（Steve Zetrosuza）的尖嘯聲堪比眼鏡蛇指揮官，而歌詞則充滿了諷刺和幽默感。

The riffs, however, are no joke as the duo of Gary Holt and Rick Hunolt unleash licks that punish and please in equal measure.

加里-霍爾特（Gary Holt）和裡克-胡諾特（Rick Hunolt）的二人組合所演奏的樂曲可不是鬧著玩的，它們既有懲罰性的，也有愉悅性的。

The mosh part that occurs as The Toxic Waltz leaves its solo section is the stuff of legend, while Zetro, for his part, commands that Exodus' audience destroy each other with extreme prejudice.

毒藥華爾茲》離開獨奏部分時出現的混亂場面堪稱傳奇，而 Zetro 則命令出埃及記的觀眾以極端的偏見互相摧殘。

To paraphrase the band, it's good, friendly, violent fun.

用樂隊的話說，這是一種美好、友好、暴力的樂趣。

I Wanna Be Somebody – Wasp The 1984 self-titled debut from Wasp was something unique and special from the Los Angeles explosive glam metal scene.

I Wanna Be Somebody - Wasp 1984 年黃蜂樂隊的同名首張專輯，是洛杉磯火爆的華麗金屬場景中獨一無二的珍品。

That record, particularly its lead single, I Wanna Be Somebody, combined shock rock excess with songwriting chops that were catchy, but also a little menacing.

這張唱片，尤其是主打單曲《我想成為某個人》（I Wanna Be Somebody），將震撼的搖滾風格與朗朗上口的歌曲創作技巧結合在一起，但也有些來勢洶洶。

This was a band that felt sleazy, while I Wanna Be Somebody also worked as something of a heavy metal anthem.

這是一支讓人感覺猥瑣的樂隊，而《我想成為某個人》（I Wanna Be Somebody）也是一首重金屬歌曲。

The arrangement is economical, but possesses a killer main riff, while frontman Blackie

編曲經濟實惠，但主旋律極具殺傷力。

Lawless hollers like a delirious deviant.

無法無天像個神志不清的怪人一樣大喊大叫。

Wasp weren't just a batch of sunset-stripped pretty boys, but instead came to play with an arsenal of tricks that made them very dangerous against their competition.

黃蜂並不只是一群被夕陽染紅的漂亮男孩，相反，他們帶著一整套技巧來比賽，這讓他們在與對手的競爭中非常危險。

All We Are – Warlock The landscape of mid-80s heavy metal wasn't exactly where one might expect to find one of the most dynamic female singers of her generation.

All We Are - Warlock 80 年代中期的重金屬音樂並不像人們想象的那樣，能找到她那一代最有活力的女歌手。

But then again, Doro Pesce was nobody's wallflower.

不過話又說回來，多羅-佩斯奇可不是什麼牆頭草。

Instead Doro pioneered heavy metal in her native Germany with the band Warlock before embarking upon a solo career that continues to this day.

相反，多羅在她的祖國德國與 "術士 "樂隊（Warlock）一起開創了重金屬音樂的先河，隨後開始了她的個人事業，並一直延續至今。

All We Are is a true heavy metal anthem, taken from Warlock's most commercially successful album, Triumph and Agony.

All We Are》是一首真正的重金屬歌曲，選自術士樂隊最成功的商業專輯《勝利與痛苦》。

Doro's vocals are immense and charismatic, while the song's arrangement balances the catchiness of hair metal with a riff attack that's burly enough to easily stand toe-to-toe with the boys.

多羅的歌聲巨大而富有魅力，而歌曲的編曲則兼顧了金屬發聲的朗朗上口和粗獷的旋律，足以與男孩們並肩作戰。

All We Are is a rallying call to arms that still gets us pumped.

我們都是"（All We Are）是一曲振奮人心的號角，至今仍讓我們心潮澎湃。

Balls to the Wall – Accept Speaking of German heavy metal, another formative act from that country was Accept, who laid plenty of groundwork for younger bands to follow in their wake.

Balls to the Wall - Accept 說起德國重金屬，Accept 是該國另一個具有影響力的樂隊，他們為後來的年輕樂隊奠定了堅實的基礎。

In fact, Accept's early speed and aggression heavily influenced the thrash metal scene, thanks to rippers like Fast as a Shark, Metal Hearts, and our personal pick, Balls to the

事實上，Accept 早期的速度和侵略性在很大程度上影響了激流金屬領域，這要歸功於《快如鯊魚》（Fast as a Shark）、《金屬之心》（Metal Hearts）以及我們的個人推薦《Balls to the

The track works in a mid-paced mold, driving home a main riff that frankly defies you to not headbang to its earworm-level catchiness.

這首曲子節奏適中，主旋律悅耳動聽，讓人不禁為之拍手叫好。

Meanwhile, the middle section features multiple breakdowns, chanting, and enough bass-led sing-alongs to satisfy any heavy metal maniac.

與此同時，中段的多重分解、吟唱和低音大合唱足以滿足任何重金屬狂人的需求。

He has a voice that can peel paint from the walls, which is always a plus in our book.

他的嗓音能把牆壁上的油漆剝落，這在我們看來總是加分項。

Burn in Hell – Twisted Sister Twisted Sister was always sort of an outlier within the world of 1980s hair metal, with the band's early material echoing their influences from 70s glam and glitter rock.

在地獄中燃燒 - Twisted Sister Twisted Sister 始終是 20 世紀 80 年代毛髮金屬世界中的異類，樂隊早期的音樂風格深受 70 年代華麗和閃亮搖滾的影響。

Their 1984 album Stay Hungry was a breakthrough success, combining that early aggression with streamlined and economic songwriting.

1984 年，他們的專輯《Stay Hungry》取得了突破性的成功，將早期的侵略性與精簡、經濟的歌曲創作相結合。

Burn in Hell also hit at the perfect time, when the perceived satanic content of heavy metal was frightening parents across the United States.

燃燒在地獄》的問世也恰逢其時，當時美國各地的家長都對重金屬中的撒旦成分感到恐懼。

Burn in Hell has its cake and eats it too, playing coy with cheeky lyrical content while also possessing inspired riffing.

在地獄中燃燒》既有蛋糕，也有蛋糕，在抒情內容上忸怩作態，同時也擁有靈感迸發的旋律。

Dee Schneider also proves underrated as a frontman and singer, absolutely belting it out from the first note to last.

迪-施耐德（Dee Schneider）作為主唱和主音也被低估了，他從第一個音符到最後一個音符，都絕對是聲情並茂。

If this is hell, then hell ain't a bad place to be.

如果這裡是地獄，那麼地獄也不失為一個好地方。

Abigail – King Diamond The legacy of Danish singer and songwriter

阿比蓋爾 - 鑽石王老五 丹麥歌手和作曲家的遺產

King Diamond was secure after the dissolution of his former band, Merciful Fate.

King Diamond 在其前身 Merciful Fate 樂隊解散後得到了保障。

More on them in a minute, with legions of fans flocking to the King's unique and idiosyncratic falsetto vocals.

關於他們的更多資訊，請稍後再看。歌迷們對國王獨特、特立獨行的假聲唱腔趨之若鶩。

The King Diamond solo band, however, would delve into even more theatrical and conceptual storytelling, with each studio effort working simultaneously as heavy metal arts and performance art.

然而，鑽石王個人樂隊將深入研究更戲劇化、更概念化的故事，每個工作室的作品都同時具有重金屬藝術和行為藝術的特點。

Abigail is perhaps the most actualized of these efforts, a fan-favorite LP whose title track is bombastic, melodic, and even melancholic.

阿比蓋爾》也許是這些作品中最有現實意義的一張，它是一張深受歌迷喜愛的唱片，其主打歌充滿激情、旋律優美，甚至有些憂鬱。

There's a profound sadness to the story told within the Abigail album's lyrics, while the song itself boasts perhaps one of guitarist Andy LaRock's most memorable riffs.

阿比蓋爾》專輯的歌詞蘊含著深沉的悲傷，而歌曲本身也許是吉他手安迪-拉洛克（Andy LaRock）最令人難忘的旋律之一。

Curse of the Pharaohs – Merciful Fate We just mentioned King Diamond's previous band, Merciful Fate, earning some real-deal fan recognition with their studio output.

法老的詛咒 - 仁慈的命運 我們剛剛提到過鑽石王老五的前一支樂隊--"仁慈的命運"（Merciful Fate），他們的錄音室作品贏得了歌迷的真正認可。

The heavy metal icons were profoundly influenced by Merciful Fate early on in their careers, and even covered this track, Curse of the Pharaohs, in medley form on their album, Garage

重金屬偶像在其職業生涯早期就深受 "慈悲命運 "的影響，甚至在其專輯《車庫》中以混合曲目的形式翻唱了這首歌曲《法老的詛咒》。

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有史以來最受歡迎的 30 首重金屬歌曲 (Top 30 Heavy Metal Songs of All Time)

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