字幕列表 影片播放 由 AI 自動生成 列印所有字幕 列印翻譯字幕 列印英文字幕 - [Deke] All right, now we're going to take a look - [Deke]好了,現在我們要看一下 at all three of the auto commands 在所有三個自動指令中 that reside here in the Image menu, 駐紮在這裡的影像菜單中。 Auto Tone, Auto Contrast, and then Auto Color. 自動色調,自動對比度,然後是自動顏色。 All three of which look at the luminance data 這三種方法都是研究亮度數據的 on a channel-by-channel basis 在逐個管道的基礎上 and make changes automatically 並自動進行修改 without even bringing up a dialogue box. 甚至沒有出現一個對話框。 Now even though they sometimes work, 現在,即使他們有時會工作。 I am by no means suggesting 我決不是在建議 that they are the best ways 它們是最好的方法 to adjust luminance data inside Photoshop, 來調整Photoshop內的亮度數據。 but they might be the most popular. 但它們可能是最受歡迎的。 Based on Adobe's analytics data, 基於Adobe的分析數據。 they're click data from people who buy into the program. 他們是來自購買該計劃的人的點擊數據。 Auto Tone, Auto Contrast, and Auto Color 自動色調、自動對比度和自動顏色 together rank among the top 10 most commonly 一起躋身最常見的前10名 used features in the software 軟件中使用的功能 in which case I want you to know how they work. 在這種情況下,我想讓你知道它們是如何工作的。 So here we are looking at some old school $100 bills. 是以,我們在這裡看到的是一些老式的百元大鈔。 And if you've seen my course before, 而如果你以前看過我的課程。 then you've seen this sample file. 那麼你已經看到了這個樣本文件。 It just happens to be the best demonstration 它恰好是最好的示範 I've come up with. 我想出了一個辦法。 And so we've got this top left bill, 於是我們就有了這個左上角的法案。 which is our control image. 這就是我們的控制影像。 That is to say the one that we're not going to change. 就是說我們不打算改變的那個。 And then we've got one layer each 然後我們有一個層,每個層 for Auto Tone, Auto Contrast, and Auto Color. 自動色調、自動對比度和自動顏色。 I'm going to zoom in on the Auto Tone layer 我將放大自動調色層 by Alt or Option clicking on its thumbnail. 通過點擊其縮略圖的Alt或Option鍵,就可以實現。 And then I'll just zoom out ever so slightly 然後我就稍微放大一下 by pressing Ctrl + minus or Command + minus. 按Ctrl +減號或Command +減號。 And then with that layer selected, 然後選擇該層。 I'll go up to the Image menu 我將進入影像菜單 and choose the Auto Tone command. 並選擇自動色調命令。 Now what this command does is it finds the darkest pixel 現在這個命令的作用是找到最暗的像素點 on a channel-by-channel basis 在逐個管道的基礎上 and changes it to black 並將其改為黑色 and then it finds the brightest channel 然後它找到最亮的通道 on a channel-by-channel and changes it to white. 在逐個通道上,將其改為白色。 So in other words, it makes different modifications 是以,換句話說,它做出了不同的修改 for each of the red, green, and blue channels. 為每個紅、綠、藍通道。 And as a result, not only do we increase the contrast. 結果是,我們不僅增加了對比度。 So this is before and this is after. 所以這是之前,這是之後。 But we also get rid of that green color cast 但我們也擺脫了那種綠色的色差。 that is by nature associated 自然而然地聯繫在一起的 with an old school $100 bill 用老式的百元大鈔 and we create a kind of reddish color cast in the shadows. 而我們在陰影中創造了一種偏紅的顏色。 So Auto Tone can be really useful 是以,自動音調可能真的很有用 if you're trying to get rid of a color cast. 如果你想擺脫偏色的問題。 But if you like the coloring of an image, 但如果你喜歡一個影像的著色。 it's going to very likely mess it up. 它很可能會把它弄亂。 All right, let's compare that to Auto Contrast. 好吧,讓我們把它與自動對比度進行比較。 I'll go ahead and Alt or Option click on that layer 我將繼續前進,並在該層上點擊Alt或Option。 and scoot it down just a little bit here. 並在這裡把它往下移一點兒。 Make sure the layer is selected. 確保該層被選中。 And then I'll go up to the Image menu 然後我將進入影像菜單 and choose Auto Contrast. 並選擇自動對比度。 Now this command also looks at the darkest pixel 現在這個命令也是看最暗的像素 and the brightest pixel in the image, 和影像中最亮的像素。 but it does so on a composite basis. 但它是在一個綜合的基礎上這樣做的。 So in other words, it doesn't go channel-by-channel. 是以,換句話說,它不會逐個管道進行。 So it just finds the darkest pixel makes it darker, 所以它只是找到最暗的像素,讓它變得更暗。 the brightest pixel and makes it brighter. 最亮的像素,並使其更亮。 And as a result, we maintain the green color cast. 是以,我們保持了綠色的色差。 So notice, this is the low contrast version of the bill 所以請注意,這是法案的低對比度版本 and this is a high contrast version. 而這是一個高對比度的版本。 We do have more contrast, 我們確實有更多的對比。 so darker shadows and brighter highlights 所以陰影更暗,亮點更亮 but we have the exact same greenish color cast 但我們有完全相同的偏綠的顏色 as we did in the past. 像我們過去那樣。 All right, compare this to the most complicated 好吧,把這與最複雜的 of the auto functions, which is Auto Color. 的自動功能,也就是自動色彩。 Go ahead and Alt or Option, 去吧,用Alt或Option。 click on that guy in order to zoom in on it. 點擊那個人,以便放大它。 Make sure it's selected as well. 請確保它也被選中。 And then go up to the Image menu and choose Auto Color. 然後進入影像菜單,選擇自動色彩。 Now before I choose it, let me explain how it works. 現在在我選擇它之前,讓我解釋一下它是如何工作的。 It's going to take the darkest pixel 它將採取最黑暗的像素 on a channel-by-channel basis 在逐個管道的基礎上 and make it black and neutralize it as well 並使之成為黑色,同時中和它。 so that it doesn't have a color cast. 這樣,它就不會有偏色。 It's going to do the same thing to the brightest pixel 它將對最亮的像素做同樣的事情 channel-by-channel and neutralize it. 逐個管道,中和它。 And then it's going to try to find an exact midtone 然後,它將試圖找到一個精確的中間色調 and make it neutral as well. 並使之成為中性。 And when I say neutral 而當我說中立時 I mean leach the color out of it, so that it's gray. 我的意思是把它的顏色浸出,使它變成灰色。 And so notice, as soon as I choose the command, 於是注意到,只要我選擇了這個命令。 I am seeing dark neutral shadows 我看到黑暗的中性陰影 as well as bright neutral highlights. 以及明亮的中性亮點。 And so the only colors that are surviving 是以,唯一存活的顏色是 even in the midtones are these very saturated greens. 甚至在中間色調是這些非常飽和的綠色。 And so if I were to zoom out 是以,如果我將其放大 by pressing Ctrl + zero or Command + zero on the Mac 按Ctrl+0或Mac上的Command+0鍵。 so that we can take in all of the bills, 這樣我們就可以接受所有的賬單。 you can see that Auto Contrast 你可以看到,自動對比度 is the one that's going to maintain the colors 是要保持顏色的人 inside of the image. 影像的內部。 Auto Tone is going to remove any color cast, 自動調色是為了消除任何偏色。 but very likely replace it with a different color cast 但很有可能用不同的顏色來代替它。 in the case of these red shadows. 在這些紅色影子的情況下。 And Auto Color is going to do its best 而Auto Color將盡其所能 to neutralize the shadows, highlights, 以中和陰影、高光。 and midtones inside your images. 在你的影像中,你可以用它來做一個 "中間色調"。 All right, so in the case of this $100 bill, 好吧,那麼在這張百元大鈔的情況下。 Auto Contrast probably does the best job. 自動對比度可能做得最好。 In the case of an actual photographic image, you never know. 在實際的攝影影像的情況下,你永遠不知道。 Now the first step in correcting the color cast 現在是糾正偏色的第一步 or if you prefer color bias of a photograph 或者如果你喜歡照片的顏色偏差 is to identify what that color cast or color bias is. 是要確定這種偏色或色彩偏差是什麼。 And so here we are looking at an underwater GoPro photo. 是以,我們在這裡看到的是一張水下GoPro照片。 No lights whatsoever. 沒有任何燈光。 Your photos don't have to be underwater. 你的照片不一定要在水下。 I just happen to have a lot of them. 我只是碰巧有很多這樣的人。 And so we can safely assume that this guy is too green. 是以,我們可以有把握地認為,這傢伙太綠了。 After all, I'm about 30 to 40 feet deep 畢竟,我大約有30到40英尺的深度 and so I've lost a lot of the color spectrum. 是以,我失去了很多的色彩光譜。 You lose the reds first, then the oranges, then yellows 你首先失去了紅色,然後是橙色,然後是黃色 and after a while, you're left with greens and blues. 而過了一段時間,你就只剩下綠色和藍色了。 But we are seeing a little orange here and there. 但我們在這裡和那裡看到一點橙色。 And even if we're pretty confident this is a greenish cast, 而且即使我們很有信心這是一個綠色的演員。 there's no sense in not checking for sure. 沒有理由不檢查一下。 And you can check exactly what the color cast is 而且你可以準確地檢查出偏色是什麼 using the Eyedropper tool 使用 "滴管 "工具 which you can get by pressing the I key. 你可以通過按I鍵獲得。 And one I've done is I've created 我所做的一件事是我創建了 a bunch of copies of this layer 該層的一堆副本 for comparative purposes later on. 以便以後進行比較。 But I also up here at the top have this shape layer, 但我也在這裡的頂部有這個形狀層。 which is a circle, which is identifying the region 它是一個圓,它正在識別區域 that I think ought to be neutral. 我認為應該是中立的。 And when I see neutral, it should be a lightish gray. 而當我看到中性時,它應該是一種淺灰色。 Whereas if I were to click inside there 而如果我點擊裡面的 and notice when I click and hold, I am seeing a color ring 並注意到當我點擊並按住時,我看到一個色環 which is showing me the old foreground color on the bottom 這是在底部向我顯示舊的前景顏色 and the new foreground color at the top. 和頂部的新前景顏色。 We can plainly see that that is a kind of green. 我們可以清楚地看到,那是一種綠色。 All right, but to confirm for sure 好的,但要確認的是 what we need to do is make sure 我們需要做的是確保 the color panel is on screen. 色板在螢幕上。 And if it's not, you can go to the Window menu 如果不是的話,你可以去窗口菜單 and choose the Color command. 並選擇顏色命令。 Of course, do not choose the command 當然,不要選擇命令 if it has a check mark in front of it, 如果它前面有一個複選標記。 and then click on the flyout menu icon 然後點擊飛出的菜單圖標 in the top right corner 在右上角 and switch to HSB Sliders 並切換到HSB滑塊 is generally the easiest way to work. 通常是最簡單的工作方式。 And that way we can see our hue, saturation, 這樣我們就可以看到我們的色調,飽和度。 and brightness values. 和亮度值。 Now all the brightness value is doing is telling us 現在,亮度值所做的就是告訴我們 that this is a pretty bright color, 這是一個相當明亮的顏色。 so it's somewhere in the mid tone to highlight range. 所以它是在中調到高調範圍內的某個地方。 That's just fine. 這就好了。 It's not anything we need to worry about. 這不是我們需要擔心的事情。 The hue value is telling us the base color in degrees 色相值是告訴我們基礎顏色的度數。 and I'll show you what that looks like in just a moment. 稍後我將向你展示它的樣子。 And then the saturation value goes from gray at 0% 然後飽和度值從0%的灰色變成了0%。 all the way to the most highly saturated version 一直到最高度飽和的版本 of that specific color at 100%. 該特定顏色的100%。 Now if this were a neutral image, 現在,如果這是個中性的影像。 if it didn't have a color cast, 如果它沒有色差的話。 then this saturation value 那麼這個飽和度值 would be somewhere in the zero to 10% range. 將是在零到10%的範圍內。 Instead, it's extremely high at 37%. 相反,它是極高的37%。 That means we have a pronounced color cast. 這意味著我們有一個明顯的色差。 All right, let's take a look at the hue value, however. 好吧,讓我們來看看色調值,然而。 172 degrees is very close to cyan. 172度非常接近於青色。 And so I'll go ahead and switch over 是以,我將繼續並切換到 to this big color chart that I've created for you. 到我為你創建的這個大的顏色圖。 And by the way, it measures 32 by 22 inches 順便說一下,它的尺寸為32×22英寸 in case you decide you want to print it out. 以防你決定要把它打印出來。 And I've gone ahead and mapped out 而且我已經提前繪製出了 all the hue values on a circle, 一個圓上的所有色相值。 starting at zero degrees for red 紅色從零度開始 and then going back all the way around to 360 degrees 然後再一路返回到360度 which would once again be red. 這將再次成為紅色。 And so the visible color spectrum, 是以,可見的彩色光譜。 at least where hue values are concerned, 至少在色相值方面是這樣。 ultimately forms a continuous circle. 最終形成一個連續的圓。 And so notice we have the industry standard colors of red 是以,注意到我們有紅色的工業標準顏色 at zero degrees, yellow at 60 degrees, 在零度時為黃色,在60度時為黃色。 green at 120 degrees, cyan at 180, 綠色為120度,青色為180度。 blue at 240, and magenta at 300 degrees. 藍色在240度,洋紅色在300度。 And again, these are industry standard colors 再說一遍,這些是行業標準的顏色 which is why I've set them in the largest type. 這就是為什麼我把它們設置為最大的類型。 In between, we have subjective colors. 在這兩者之間,我們有主觀的色彩。 Now I think we can all agree that 30 degrees is orange 現在我想我們都可以同意,30度是橙色的。 but I'm calling 90 degrees lime, 但我稱之為90度石灰。 150 degrees turquoise, and so forth. 150度的綠松石,以此類推。 Now around the outside, 現在在外面轉轉。 we're seeing the 100% saturated versions of the colors. 我們看到的是100%飽和的顏色版本。 Toward the inside, we're seeing 0% saturation. 朝裡走,我們看到的是0%的飽和度。 So everything ultimately goes to gray. 所以一切最終都歸於灰色。 Our color cast is 172 degrees 我們的色差是172度 which means we need to send it from this point over here. 這意味著我們需要從這一點上把它送過去。 Probably right about here actually. 實際上可能就在這裡。 I'll just go ahead and drag around. 我就繼續拖來拖去。 And you can see the hue values changing over there. 你可以看到那邊的色調值在變化。 So right about there is our color, 所以就在那裡是我們的顏色。 and so we need to take it 是以,我們需要把它 in absolutely the opposite direction. 在絕對相反的方向。 So we'll start by trying to correct 是以,我們將首先嚐試糾正 the color cast automatically 自動偏色 using two familiar commands, Auto Tone and Auto Color, 使用兩個熟悉的命令:自動色調和自動顏色。 both of which correct the image 兩者都能糾正影像 on a channel-by-channel basis. 在每個通道的基礎上。 And so notice if I switch over to the Channels panel, 所以請注意,如果我切換到通道面板。 we have a darkish red channel, 我們有一個暗紅色的通道。 we've got a bright cheerful green channel, 我們有一個明亮歡快的綠色通道。 and then we have a blue channel that's somewhere in between. 然後我們有一個介於兩者之間的藍色通道。 And so in other words, we have plenty for Auto Tone 是以,換句話說,我們有很多東西可以供Auto Tone使用 and Auto Color to work with. 和Auto Color來工作。 All right, I'll go ahead 好吧,我先走了 and switch back to the Layers panel. 並切換回圖層面板。 Now even though we've seen these commands before, 現在,儘管我們之前已經看到了這些命令。 they are a little bit hard to predict, as you'll see. 他們有點難以預測,你會看到。 And they'll help us to understand two other functions 而且它們將幫助我們理解另外兩個功能 that allow us to correct color cast inside Photoshop. 允許我們在Photoshop內糾正偏色。 All right, so for the sake of demonstration here 好吧,為了在這裡進行演示 I've got a control layer. 我有一個控制層。 I'm going to go ahead and turn on the auto tone layer 我將繼續前進並打開自動色調層 and click on it to select it 並點擊它來選擇它 and also make sure that neutral layer is turned on. 並確保中性層是打開的。 So I can click right there in the center of it 所以我可以在它的中心位置點擊一下 in order to lift what should be a neutral color. 以提升本應是中性的顏色。 And by the way, couple things to note here. 順便說一下,這裡有幾件事要注意。 You can move your cursor around on the fly if you like 如果你願意,你可以在飛行中移動你的遊標 and you'll see those HSB values changing 你會看到這些HSB值的變化 there in the Color panel 在顏色面板上有 in the upper right corner of the screen. 在螢幕的右上角。 As things stand now, I'm sampling all layers. 就目前的情況而言,我正在對所有層進行採樣。 So the composite view of the image, 是以,影像的合成視圖。 which is going to work out just fine, 這將會是一個很好的結果。 and my sample size is set to Point Sample. 而我的樣本量被設定為點狀樣本。 In other words, I'm just lifting the point under my cursor. 換句話說,我只是抬起遊標下的點。 And again, if you want a more precise cursor, 再說一遍,如果你想要一個更精確的遊標。 you can press the Caps Lock key. 你可以按大寫鎖定鍵。 So in other words, 是以,換句話說。 you're lifting a single screen pixel of color. 你正在提升一個螢幕像素的顏色。 If you want your sample size to be bigger, 如果你希望你的樣本量更大。 then you can set it to something like 那麼你可以將其設置為類似於 11 by 11 Average if you want, 如果你想的話,11乘11的平均數。 which means 11 pixels wide by 11 pixels tall. 這意味著寬11像素,高11像素。 I wouldn't do that in this case 在這種情況下,我不會這樣做 because we're going to start encroaching 因為我們將開始侵佔 on the color of the ring right there. 戒指的顏色就在那裡。 So I'll go with five by five Average, 所以我就用五乘五的平均法。 and then I'll go ahead and click once again 然後我將繼續前進,再次點擊 in order to lift a color. 以此來提升一種顏色。 And so there it is. 於是就有了。 We've got a huge value of 170 degrees, in my case. 我們有一個170度的巨大數值,在我的案例中。 A high saturation value, 39%. 飽和度高,為39%。 We want it to be below 10%. 我們希望它低於10%。 And then the brightness value doesn't really matter. 然後,亮度值其實並不重要。 All right, so let's see what Photoshop's got. 好吧,讓我們看看Photoshop有什麼本事。 I'll go up to the Image menu and choose Auto Tone. 我將進入影像菜單,選擇自動色調。 It's pretty disappointing. 這是很令人失望的。 It's actually kind of hard to tell the difference. 實際上,這有點難以分辨。 This is the control image, 這就是控制影像。 it's a little bit greener. 它有一點兒綠色。 And this is the auto tone image. 而這是自動色調的影像。 And so now if I go ahead 所以現在如果我繼續 and click at that center point once again, 並再次點擊該中心點。 then notice that I do have a reduced saturation value. 然後注意到,我確實有一個減少的飽和度值。 It's down to 25%. 已經下降到25%。 It used to be more than 10% higher, 它曾經高出10%以上。 so that's a really good thing. 所以這是一個非常好的事情。 Problem is the image doesn't really look all that different. 問題是影像看起來並沒有什麼不同。 All right, so now let's try auto color. 好了,現在讓我們來試試自動顏色。 I'll go ahead and click on that layer 我將繼續並點擊該層 to select it and turn it on as well. 來選擇它,並把它也打開。 And then I'll go up to the Image menu 然後我將進入影像菜單 and choose the Auto Color command. 並選擇 "自動顏色 "命令。 And so notice now if I click in the center of that circle, 所以請注意,如果我點擊那個圓圈的中心。 I'm just trying to make sure I click 我只是想確保我點擊了 at that same point, 在同一點上。 that I have a totally different hue value. 我有一個完全不同的色調值。 This time around now. 現在的這個時候。 We're at 200 degrees. 我們的溫度是200度。 So if you take a look at the big color wheel, 是以,如果你看一下大色輪。 notice that we flip to the other side of cyan. 注意,我們翻到了青色的另一面。 We're on the bluish side of cyan 我們是在青色的偏藍一側 instead of the greenish side. 而不是偏綠的一面。 But more importantly, 但更重要的是。 we've taken that saturation value down to 20%, 我們已經把飽和度值降低到20%。 and the image looks a heck of a lot better as well. 而且影像看起來也要好得多。 And so just to review, here's the original unmodified image, 是以,只是為了回顧一下,這裡是未經修改的原始影像。 here is the auto tone adjustment, and here is auto color. 這裡是自動色調調整,這裡是自動顏色。 (light upbeat music) (輕快的音樂)
B1 中級 中文 自動 顏色 影像 像素 點擊 命令 Photoshop教程--修復影像中的色差 (Photoshop Tutorial - FIXING color casts in images) 12 0 Summer 發佈於 2023 年 01 月 25 日 更多分享 分享 收藏 回報 影片單字