Name: "ファンタスティック・ビースト"、秀逸な視覚効果シーンを解説 | WIRED.jp (「ファンタスティック・ビースト」、秀逸な視覚効果シーンを解説 | WIRED.jp)
Uploaded: 2022-10-21T18:15:18.000Z
Duration: 4 min 42 s

first trip to America, you must get that fixed, anything edible in there.

第一次去美國，你一定要把它修好，裡面有什麼可以吃的。

Um, No, no, I am from FX guide dot com for Wyatt and welcome to our guide to rampant mating dancers.

嗯，不，不，我是來自FX guide dot com的懷特，歡迎來到我們的猖獗交配舞者指南。

副詞型分詞構句

The british maji zoologist arrives in new york after being expelled from Hogwarts in J.

英國馬基動物學家在J年被霍格沃茨開除後，來到了紐約。

Rowling's new world of fantastic beasts and where to find them.

羅琳的新奇幻獸世界以及在哪裡可以找到它們。

So you're the guy with the case full of monsters.

所以你就是那個拿著裝滿怪物的箱子的人。

It's on, why would I have to wear something like this because your skull is susceptible to breakage under immense force.

這是在，為什麼我要穿這樣的東西，因為你的頭骨在巨大的力量下很容易被打破。

One of the many creatures that you must deal with, there's a kind of magical horny rhino based on heat known as U rampant seen here in a shot that was actually added quite late in production with our heroes trying to capture the creature on ice.

在你必須對付的眾多生物中，有一種基於熱能的神奇角質犀牛，被稱為U rampant，在這裡看到的鏡頭實際上是在製作過程中很晚才添加的，我們的英雄試圖在冰上捕捉這種生物。

One of the highlights of the films came actually from just five words in J K's original script, which elegantly just stated.

這部電影的亮點之一實際上來自J-K的原始劇本中的五個字，它優雅地只是說。

The path from this to the screen involved an 18 ft fiberglass puppets, choreographers, animators and the lead star Eddie Redmayne actually acting out complex video selfies and then sending them to director David Yates.

從這一點到螢幕的路徑涉及一個18英尺的玻璃纖維木偶、編舞者、動畫師和主演埃迪-雷德梅恩實際表演複雜的視頻自拍，然後將它們發送給導演大衛-耶茨。

The actual effects work fell to tim burke and christian man's and the team at frame store.

實際的效果工作落在了Tim Burke和Christian Man's以及框架商店的團隊身上。

Now when many companies contributed from MPC method deny city site and others.

現在，當許多公司從MPC方法否認城市網站和其他公司的貢獻。

It was frame store and the brilliant legacy from creating Dobby in the original harry potter films that led to this outstanding character work in this particular film.

正是框架商店和在原版哈利-波特電影中創造多比的輝煌遺產，導致在這部特殊的電影中出現了這種傑出的角色工作。

Eddie was completely committed to working with the character team as early as possible.

埃迪完全致力於儘可能早地與角色團隊合作。

Actually filmed himself with some help from his choreographer, from the danish girl for his side of the mating ritual.

實際上，在他的編導的幫助下，他自己拍攝了丹麥女孩的交配儀式的一面。

And then sent that to director David Yates.

然後將其發送給導演大衛-耶茨。

The ramparts animation approach was actually typical of a different way.

城牆動畫的做法其實是典型的另一種方式。

They worked with characters in this film frame source animation supervisor Pablo Grillo was given quite a lot of time before principal photography, not just to have the team look at designs, but actually animations.

他們在這部電影中與角色合作的幀源動畫主管Pablo Grillo在主要拍攝前得到了相當多的時間，不僅僅是讓團隊看設計，實際上還有動畫。

Studies of all the creatures in the film and the team therefore managed to work out the europe.

對影片中所有生物的研究和團隊是以設法解決了歐洲的問題。

在實際拍攝開始之前就已經開始了。

This allowed the team behind the warhorse stage production puppet to build a 18 ft high, 20 ft long, four manual rampant rig out of fiberglass and learn all of Pablo's sexy moves.

這使得戰馬舞臺製作木偶背後的團隊能夠用玻璃纖維建造一個18英尺高、20英尺長、四個手動的猖獗裝置，並學習巴勃羅的所有性感動作。

Eddie would then rehearse with this giant puppet and in fact worked out with it on set.

然後，埃迪會用這個巨大的木偶進行排練，事實上在片場也用它進行鍛鍊。

Once the framing and timing was right, the team was then able to remove that and of course film a clean plate with just Eddie and then add in the character in post production with just this superb interaction with newt.

一旦取景和時機合適，團隊就能把這些東西去掉，當然是拍一個只有埃迪的乾淨盤子，然後在後期製作中加入這個角色，只是與紐特的這種精湛的互動。

This approach of using puppeteers was actually used on all of the cast of creatures in the film from the boat trouble to the young marmite.

這種使用木偶人的方法實際上是用在影片中所有的生物演員身上，從船的麻煩到年輕的瑪米特。

Now we often and I guess quite rightly focused on the creative skills of the animators.

現在，我們經常而且我想很正確地關注動畫師的創造性技能。

But increasingly it's these puppeteers on set lead in this case by Robin diver, who are producing this terrific interaction for the actors that allows such believable performances to be captured.

但越來越多的是由羅賓-迪弗上司的佈景木偶師，他們為演員產生了這種可怕的互動，從而使這種可信的表演被捕捉到。

That is I'm not well, don't forget, subscribe for more behind the scenes action.

那是我不舒服，別忘了，訂閱更多幕後行動。

Seymour for wired was that everything that came out of the case, time is running out.

西摩對於有線是，從箱子裡出來的一切，時間已經不多了。