Name: Cuts & Transitions 101（Cuts & Transitions 101）
Uploaded: 2021-04-12T23:41:22.000Z
Duration: 11 min 41 s

Fight Club (1999)  Director: David Fincher Editor: James Haygood

剪接工作最基本的是找到對的接點

Leon: The Professional (1994)  Director: Luc Besson Editor: Sylvie Landra

從這個鏡頭到下一個鏡頭的位置

Death Proof (2007)  Director: Quentin Tarantino Editor: Sally Menke

Snatch (2000)  Director: Guy Ritchie Editor: Jon Harris

Pirates of the Caribbean: The Curse of the Black Pearl (2003)  Director: Gore Verbinski Editors: Stephen E. Rivkin, Arthur Schmidt, Craig Wood

透過一些經典電影示範的剪接工作

Lord of the Rings: The Fellowship of the Ring (2001 Director: Peter Jackson Editor: John Gilbert

幫助大家了解剪接時接點的類型

Lawrence of Arabia (1962)  Director: David Lean Editor: Anne V. Coates

Easy Rider (1969) Director: Dennis Hopper Editor: Donn Cambern

觀眾感覺很流暢 ，甚至不會注意到

Mission Impossible: Ghost Protocol (2011) Director: Brad Bird Editor: Paul Hirsch

The Good The Bad and The Ugly (1966) Director: Sergio Leone Editors: Eugenio Alabiso, Nino Baragli

Raiders of the Lost Ark (1982) Director: Steven Spielberg Editor: Michael Kahn, George Lucas

你想修改剪接點 減少幾格來避免 不妥感覺

The Matrix (1999) Director: The Wachowskis Editor: Zach Staenberg

Jaws (1977) Director: Steven Spielberg Editor: Verna Fields

所有的剪接工作都要會用的技巧

Point Break (1991) Director: Kathryn Bigelow Editor: Howard E. Smith

Dawn of the Dead (2004) Director: Zack Snyder Editor: Niven Howie

剪接就是找出從一個鏡頭切換到另個鏡頭的位置

Skyfall (2013) Director: Sam Mendes Editor: Stuart Baird

Back to the Future (1985) Director: Robert Zemeckis Editors: Harry Keramidas, Arthur Schmidt

It's a Wonderful Life (1946) Director: Frank Capra Editor: William Hornbeck

An American Werewolf in London (1981) Director: John Landis Editor: Malcolm Campbell

Se7en (1995) Director: David Fincher Editor: Richard Francis-Bruce

Vanilla Sky (2001) Director: Cameron Crowe Editors: Joe Hutshing, Mark Livolsi

Spiderman (2002) Director: Sam Raimi Editors: Arthur Coburn, Bob Murawski

The Departed (2006) Director: Martin Scorsese Editor: Thelma Schoonmaker

Misery (1990) Director: Rob Reiner Editor: Robert Leighton

First Blood Director: Ted Kotcheff Editor: Joan E. Chapman

Robocop (1987) Director: Paul Verhoeven Editor: Frank J. Urioste

概念是剪或插入一個不在這場戲的鏡頭

Little Shop of Horrors (1986) Director: Frank Oz Editor: John Jympson

Shanghai Noon (2000) Director: Tom Dey Editor: Richard Chew

插入與演員相同的空間的鏡頭.. .

The Royal Tenenbaums (2001) Director: Wes Anderson Editor: Dylan Tichenor

Eternal Sunshine of the Spotless Mind (2004) Director: Michel Gondry Editor: Valdis Oskarsdottir

Kill Bill: Vol. 2 (2005) Director: Quentin Tarantino Editor: Sally Menke

只要說句話，我把它放在套索拉下來！

Mad Max: Fury Road (2015) Director: George Miller Editor: Margaret Sixel

或者你可以用跳離鏡頭來建立角色的內心世界

A Bronx Tale (1993) Director: Robert De Niro Editors: R.Q. Lovett, David Ray

The Natural (1984) Director: Barry Levinson Editor: Christopher Holmes, Stu Linder

剪接不同場景鏡頭，頻繁來回切換來建立交互關係

Major League (1989) Director: David S. Ward Editor: Dennis M. Hill

例如大多數講手機的對話鏡頭通常是交叉

Grease (1978) Director: Randal Kleiser Editor: John F. Burnett

適當地交叉鏡頭節奏感必會增加劇情張力

2001: A Space Odyssey (1968) Director: Stanley Kubrick Editor: Ray Lovejoy

這種技巧也用來表現演員內心情感

The Frighteners (1996) Director: Peter Jackson Editor: Jamie Selkirk

在同個景框鏡頭剪接畫面叫做跳接

Lord of the Rings: The Two Towers (2002) Director: Peter Jackson Editor: Michael Horton

Pirates of the Caribbean: The Curse of the Black Pearl (2003) Director: Gore Verbinski Editors: Stephen E. Rivkin, Arthur Schmidt, Craig Wood

Forrest Gump (1994) Director: Robert Zemeckis Editor: Arthur Schmidt

下面幾部電影可以觀察蒙太奇剪接

West Side Story (1961) Directors: Jerome Robbins, Robert Wise Editor: Thomas Stanford

Baraka (1992) Director: Ron Fricke Editors: David Aubrey, Ron Fricke, Mark Magidson

Austin Powers: The Spy Who Shagged Me (1999) Director: Jay Roach Editors: Debra Neil-Fisher, Jon Poll

Psycho (1960) Director: Alfred Hitchcock Editor: George Tomasini

The Shawshank Redemption (1994) Director: Frank Darabont Editor: Richard Francis-Bruce

連戲剪接通常被錯誤地認為與跳接剪接相對

The Hustler (1961) Director: Robert Rossen Editor: Dede Allen

The Godfather (1972) Director: Francis Ford Coppola Editors: William Reynolds, Peter Zinner

連戲剪接是鏡頭接在動作點上切到同場鏡頭

Apocalypse Now (1979) Director: Francis Ford Coppola Editors: Lisa Fruchtman, Gerald B. Greenberg, Walter Murch

Election (1999) Director: Alexander Payne Editor: Kevin Tent

連戲剪接經常用作轉場，因為影像有跳躍動感...

Star Wars: Episode VI - Return of the Jedi (1983) Director: Richard Marquand Editors: Sean Barton, Duwayne Dunham, Marcia Lucas

可能這是混淆連戲剪接與跳接亂的原因

Abbott and Costello Meet Frankenstein (1948) Director: Charles T. Barton Editor: Frank Gross

Field of Dreams (1989) Director: Phil Alden Robinson Editor: Ian Crafford

還有一種靠旁白聲音來搭配接點的技巧

The Big Lebowski (1998) Directors: Joel Coen, Ethan Coen Editors: Roderick Jaynes, Tricia Cooke

Total Recall (1990) Director: Paul Verhoeven Editors: Carlos Puente, Frank J. Urioste

Pulp Fiction (1994) Director: Quentin Tarantino Editor: Sally Menke

The Shining (1980) Director: Stanley Kubrick Editor: Ray Lovejoy

Shaun of the Dead (2004) Director: Edgar Wright Editor: Chris Dickens

Reservoir Dogs (1992) Director: Quentin Tarantino Editor: Sally Menke

Saving Mr. Banks (2013) Director: John Lee Hancock Editor: Mark Livolsi

Birth of a Nation (1915) Director: D.W. Griffith Editors: D.W. Griffith, Joseph Henabery, James Smith, Rose Smith, Raoul Walsh

A Christmas Story (1983) Director: Bob Clark Editor: Stan Cole

Boogie Nights (1997) Director: Paul Thomas Anderson Editor: Dylan Tichenor

溶接到黑畫面色或從黑畫面出來到畫面

Star Wars: Episode IV - A New Hope (1977) Director: George Lucas Editors: Richard Chew, Paul Hirsch, Marcia Lucas

溶接鏡頭是將一鏡頭融到另個鏡頭

The Rocky Horror Picture Show (1975) Director: Jim Sharman Editor: Graeme Clifford

Rope (1948) Director: Alfred Hitchcock Editor: William H. Ziegler

這些溶接很具蒙太奇意象，也可表現時間流逝

Evil Dead 2: Dead by Dawn (1987) Director: Sam Raimi Editor: Kaye Davis

現在剪接軟體可以很容易溶接同樣鏡頭

Birdman (2014) Director: Alejandro G. Iñárritu Editors: Douglas Crise, Stephen Mirrione

Magnolia (1999) Director: Paul Thomas Anderson Editor: Dylan Tichenor

震撼剪接是突然且打破前場情緒的轉場

最明顯的案例子是從噩夢中驚醒

The Sting (1973) Director: George Roy Hill Editor: William Reynolds

Man on the Moon (1999) Director: Milos Forman Editors: Adam Boome, Lynzee Klingman, Christopher Tellefsen

Predator (1987) Director: John McTiernan Editors: Mark Helfrich, John F. Link

光圈過場類似相機光圈形狀的效果

Full Metal Jacket (1987) Director: Stanley Kubrick Editor: Martin Hunter

可以手動漸漸從黑色轉換到畫面像打開和關閉光圈

當今有很多不同光圈劃場風格選擇

Saving Private Ryan (1998) Director: Steven Spielberg Editor: Michael Kahn

Stand By Me (1986) Director: Rob Reiner Editor: Robert Leighton

Goodfellas (1990) Director: Martin Scorsese Editors: James Y. Kwei, Thelma Schoonmaker

Big (1988) Director: Penny Marshall Editor: Barry Malkin

The Graduate (1967) Director: Mike Nichols Editor: Sam O'Steen

Adaptation (2002) Director: Spike Jonze Editor: Eric Zumbrunnen

單個鏡頭變化卻讓觀眾不察覺剪接

Gladiator (2000) Director: Ridley Scott Editor: Pietro Scalia

The Green Mile (1999) Director: Frank Darabont Editor: Richard Francis-Bruce

剪接點隱形在劃過鏡頭的運動裡

隱形剪接點在攝影機運動的動態感中

字幕列表影片播放

Cuts & Transitions 101（Cuts & Transitions 101）

episode

field

private

curse