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字幕列表 影片播放

  • Fight Club (1999) Director: David Fincher Editor: James Haygood

    剪接工作最基本的是找到對的接點

  • Leon: The Professional (1994) Director: Luc Besson Editor: Sylvie Landra

    從這個鏡頭到下一個鏡頭的位置

  • Death Proof (2007) Director: Quentin Tarantino Editor: Sally Menke

    改變觀點

  • Snatch (2000) Director: Guy Ritchie Editor: Jon Harris

    推進故事

  • Pirates of the Caribbean: The Curse of the Black Pearl (2003) Director: Gore Verbinski Editors: Stephen E. Rivkin, Arthur Schmidt, Craig Wood

    透過一些經典電影示範的剪接工作

  • Lord of the Rings: The Fellowship of the Ring (2001 Director: Peter Jackson Editor: John Gilbert

    幫助大家了解剪接時接點的類型

  • Lawrence of Arabia (1962) Director: David Lean Editor: Anne V. Coates

    這些剪接點類型大多很常見

  • Easy Rider (1969) Director: Dennis Hopper Editor: Donn Cambern

    觀眾感覺很流暢 ,甚至不會注意到

  • Mission Impossible: Ghost Protocol (2011) Director: Brad Bird Editor: Paul Hirsch

    哇靠.. 那裡在幹嘛?

  • The Good The Bad and The Ugly (1966) Director: Sergio Leone Editors: Eugenio Alabiso, Nino Baragli

    沒關係 你想做什麼就做什麼

  • Raiders of the Lost Ark (1982) Director: Steven Spielberg Editor: Michael Kahn, George Lucas

    你想修改剪接點 減少幾格來避免 不妥感覺

  • The Matrix (1999) Director: The Wachowskis Editor: Zach Staenberg

    剪接是從改變接點開始

  • Jaws (1977) Director: Steven Spielberg Editor: Verna Fields

    所有的剪接工作都要會用的技巧

  • Point Break (1991) Director: Kathryn Bigelow Editor: Howard E. Smith

    接點在動作上

  • Dawn of the Dead (2004) Director: Zack Snyder Editor: Niven Howie

    剪接就是找出從一個鏡頭切換到另個鏡頭的位置

  • Skyfall (2013) Director: Sam Mendes Editor: Stuart Baird

    演員在動作上時剪接換鏡頭

  • Back to the Future (1985) Director: Robert Zemeckis Editors: Harry Keramidas, Arthur Schmidt

    演員在動作上時剪接換鏡頭

  • It's a Wonderful Life (1946) Director: Frank Capra Editor: William Hornbeck

    他們未必是一直在拳打腳踢...

  • An American Werewolf in London (1981) Director: John Landis Editor: Malcolm Campbell

    可能是一個簡單的轉身動作

  • Se7en (1995) Director: David Fincher Editor: Richard Francis-Bruce

    可能是丟東西...

  • Vanilla Sky (2001) Director: Cameron Crowe Editors: Joe Hutshing, Mark Livolsi

    或演員走進門...

  • Spiderman (2002) Director: Sam Raimi Editors: Arthur Coburn, Bob Murawski

    或走進另一扇門....

  • The Departed (2006) Director: Martin Scorsese Editor: Thelma Schoonmaker

    或另一扇門....

  • Misery (1990) Director: Rob Reiner Editor: Robert Leighton

    我進來了

  • First Blood Director: Ted Kotcheff Editor: Joan E. Chapman

    這就是跳離鏡頭

  • Robocop (1987) Director: Paul Verhoeven Editor: Frank J. Urioste

    概念是剪或插入一個不在這場戲的鏡頭

  • Little Shop of Horrors (1986) Director: Frank Oz Editor: John Jympson

    然後回來

  • Shanghai Noon (2000) Director: Tom Dey Editor: Richard Chew

    插入與演員相同的空間的鏡頭.. .

  • The Royal Tenenbaums (2001) Director: Wes Anderson Editor: Dylan Tichenor

    你想要月亮?

  • Eternal Sunshine of the Spotless Mind (2004) Director: Michel Gondry Editor: Valdis Oskarsdottir

    像這樣

  • Kill Bill: Vol. 2 (2005) Director: Quentin Tarantino Editor: Sally Menke

    只要說句話,我把它放在套索拉下來!

  • Mad Max: Fury Road (2015) Director: George Miller Editor: Margaret Sixel

    這真是個好主意

  • The Departed (2006) Director: Martin Scorsese Editor: Thelma Schoonmaker

    或者你可以用跳離鏡頭來建立角色的內心世界

  • A Bronx Tale (1993) Director: Robert De Niro Editors: R.Q. Lovett, David Ray

    交叉剪接

  • The Natural (1984) Director: Barry Levinson Editor: Christopher Holmes, Stu Linder

    剪接不同場景鏡頭,頻繁來回切換來建立交互關係

  • Major League (1989) Director: David S. Ward Editor: Dennis M. Hill

    例如大多數講手機的對話鏡頭通常是交叉

  • Grease (1978) Director: Randal Kleiser Editor: John F. Burnett

    適當地交叉鏡頭節奏感必會增加劇情張力

  • 2001: A Space Odyssey (1968) Director: Stanley Kubrick Editor: Ray Lovejoy

    並產生懸念

  • Little Shop of Horrors (1986) Director: Frank Oz Editor: John Jympson

    這種技巧也用來表現演員內心情感

  • The Frighteners (1996) Director: Peter Jackson Editor: Jamie Selkirk

    在同個景框鏡頭剪接畫面叫做跳接

  • Lord of the Rings: The Two Towers (2002) Director: Peter Jackson Editor: Michael Horton

    通常用在刻意表現時間流逝

  • Pirates of the Caribbean: The Curse of the Black Pearl (2003) Director: Gore Verbinski Editors: Stephen E. Rivkin, Arthur Schmidt, Craig Wood

    像這樣

  • Forrest Gump (1994) Director: Robert Zemeckis Editor: Arthur Schmidt

    下面幾部電影可以觀察蒙太奇剪接

  • West Side Story (1961) Directors: Jerome Robbins, Robert Wise Editor: Thomas Stanford

    跳接也用於提升危急迫切感

  • Baraka (1992) Director: Ron Fricke Editors: David Aubrey, Ron Fricke, Mark Magidson

    有一堆跳接鏡頭用於拍攝棒球

  • Austin Powers: The Spy Who Shagged Me (1999) Director: Jay Roach Editors: Debra Neil-Fisher, Jon Poll

    現在我們談連戲剪接

  • Psycho (1960) Director: Alfred Hitchcock Editor: George Tomasini

    連戲剪接是這樣的

  • The Shawshank Redemption (1994) Director: Frank Darabont Editor: Richard Francis-Bruce

    連戲剪接通常被錯誤地認為與跳接剪接相對

  • The Hustler (1961) Director: Robert Rossen Editor: Dede Allen

    二種有些不同

  • The Godfather (1972) Director: Francis Ford Coppola Editors: William Reynolds, Peter Zinner

    連戲剪接是鏡頭接在動作點上切到同場鏡頭

  • Apocalypse Now (1979) Director: Francis Ford Coppola Editors: Lisa Fruchtman, Gerald B. Greenberg, Walter Murch

    ..或同個鏡頭是特效設計過的

  • Election (1999) Director: Alexander Payne Editor: Kevin Tent

    連戲剪接經常用作轉場,因為影像有跳躍動感...

  • Nosferatu (1922) Director: F.W. Murnau

    從一個地方跳到另一個地方

  • Star Wars: Episode VI - Return of the Jedi (1983) Director: Richard Marquand Editors: Sean Barton, Duwayne Dunham, Marcia Lucas

    可能這是混淆連戲剪接與跳接亂的原因

  • Abbott and Costello Meet Frankenstein (1948) Director: Charles T. Barton Editor: Frank Gross

    連戲剪接未必是視覺的

  • Field of Dreams (1989) Director: Phil Alden Robinson Editor: Ian Crafford

    還有一種靠旁白聲音來搭配接點的技巧

  • The Big Lebowski (1998) Directors: Joel Coen, Ethan Coen Editors: Roderick Jaynes, Tricia Cooke

    像這樣

  • Total Recall (1990) Director: Paul Verhoeven Editors: Carlos Puente, Frank J. Urioste

    這看來像一個巨大的...

  • Pulp Fiction (1994) Director: Quentin Tarantino Editor: Sally Menke

    王! 注意!

  • The Shining (1980) Director: Stanley Kubrick Editor: Ray Lovejoy

    我分心是...那個飛行的巨大

  • Shaun of the Dead (2004) Director: Edgar Wright Editor: Chris Dickens

    威利! 是什麼?

  • Reservoir Dogs (1992) Director: Quentin Tarantino Editor: Sally Menke

    它看起來像一個巨人

  • Saving Mr. Banks (2013) Director: John Lee Hancock Editor: Mark Livolsi

    約翰遜!

  • Nosferatu (1922) Director: F.W. Murnau

    是,長官!

  • Birth of a Nation (1915) Director: D.W. Griffith Editors: D.W. Griffith, Joseph Henabery, James Smith, Rose Smith, Raoul Walsh

    現在談談轉場效果

  • A Christmas Story (1983) Director: Bob Clark Editor: Stan Cole

    影片開始常用淡入鏡頭 淡出

  • The Departed (2006) Director: Martin Scorsese Editor: Thelma Schoonmaker

    我們可能看過千次溶接畫面

  • Boogie Nights (1997) Director: Paul Thomas Anderson Editor: Dylan Tichenor

    溶接到黑畫面色或從黑畫面出來到畫面

  • Star Wars: Episode IV - A New Hope (1977) Director: George Lucas Editors: Richard Chew, Paul Hirsch, Marcia Lucas

    應該很容易理解

  • A Christmas Story (1983) Director: Bob Clark Editor: Stan Cole

    溶接鏡頭是將一鏡頭融到另個鏡頭

  • The Rocky Horror Picture Show (1975) Director: Jim Sharman Editor: Graeme Clifford

    看起來像這樣...

  • Rope (1948) Director: Alfred Hitchcock Editor: William H. Ziegler

    這些溶接很具蒙太奇意象,也可表現時間流逝

  • Evil Dead 2: Dead by Dawn (1987) Director: Sam Raimi Editor: Kaye Davis

    現在剪接軟體可以很容易溶接同樣鏡頭

  • Birdman (2014) Director: Alejandro G. Iñárritu Editors: Douglas Crise, Stephen Mirrione

    它看起來像這樣

  • Boogie Nights (1997) Director: Paul Thomas Anderson Editor: Dylan Tichenor

    震撼剪接!

  • Magnolia (1999) Director: Paul Thomas Anderson Editor: Dylan Tichenor

    震撼剪接是突然且打破前場情緒的轉場

  • Shaun of the Dead (2004) Director: Edgar Wright Editor: Chris Dickens

    最明顯的案例子是從噩夢中驚醒

  • The Sting (1973) Director: George Roy Hill Editor: William Reynolds

    從一個激烈場面到安靜

  • Man on the Moon (1999) Director: Milos Forman Editors: Adam Boome, Lynzee Klingman, Christopher Tellefsen

    或相反,由安靜到激烈轉換

  • Predator (1987) Director: John McTiernan Editors: Mark Helfrich, John F. Link

    另一轉場是光圈劃過場

  • Jaws (1977) Director: Steven Spielberg Editor: Verna Fields

    光圈過場類似相機光圈形狀的效果

  • Full Metal Jacket (1987) Director: Stanley Kubrick Editor: Martin Hunter

    可以手動漸漸從黑色轉換到畫面像打開和關閉光圈

  • Eternal Sunshine of the Spotless Mind (2004) Director: Michel Gondry Editor: Valdis Oskarsdottir

    當今有很多不同光圈劃場風格選擇

  • Saving Private Ryan (1998) Director: Steven Spielberg Editor: Michael Kahn

    你可能經常在電影中看到

  • Stand By Me (1986) Director: Rob Reiner Editor: Robert Leighton

    還有種常用轉場..劃接

  • Goodfellas (1990) Director: Martin Scorsese Editors: James Y. Kwei, Thelma Schoonmaker

    劃接很像是擦拭過去

  • Big (1988) Director: Penny Marshall Editor: Barry Malkin

    這就是劃接鏡頭

  • The Graduate (1967) Director: Mike Nichols Editor: Sam O'Steen

    哦,看,還有另一個

  • Fight Club (1999) Director: David Fincher Editor: James Haygood

    好的,繼續前進

  • Man on the Moon (1999) Director: Milos Forman Editors: Adam Boome, Lynzee Klingman, Christopher Tellefsen

    還有更多的劃接方向

  • Fight Club (1999) Director: David Fincher Editor: James Haygood

    很多類型的劃接形狀或方式

  • Mad Max: Fury Road (2015) Director: George Miller Editor: Margaret Sixel

    再來談隱形剪接點

  • Adaptation (2002) Director: Spike Jonze Editor: Eric Zumbrunnen

    單個鏡頭變化卻讓觀眾不察覺剪接

  • Gladiator (2000) Director: Ridley Scott Editor: Pietro Scalia

    剪接點隱藏在黑色中

  • The Green Mile (1999) Director: Frank Darabont Editor: Richard Francis-Bruce

    像希區考克的“奪魂索”

  • Field of Dreams (1989) Director: Phil Alden Robinson Editor: Ian Crafford

    鬼玩人

  • The Green Mile (1999) Director: Frank Darabont Editor: Richard Francis-Bruce

    最近的電影“鳥人”。

  • Saving Private Ryan (1998) Director: Steven Spielberg Editor: Michael Kahn

    剪接點隱形在劃過鏡頭的運動裡

  • The Sting (1973) Director: George Roy Hill Editor: William Reynolds

    隱形剪接點在攝影機運動的動態感中

Fight Club (1999) Director: David Fincher Editor: James Haygood

剪接工作最基本的是找到對的接點

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Cuts & Transitions 101(Cuts & Transitions 101)

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    Amy.Lin 發佈於 2021 年 04 月 12 日
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