Leon: The Professional (1994) Director: Luc Besson Editor: Sylvie Landra

從這個鏡頭到下一個鏡頭的位置

Death Proof (2007) Director: Quentin Tarantino Editor: Sally Menke

改變觀點

Snatch (2000) Director: Guy Ritchie Editor: Jon Harris

推進故事

Pirates of the Caribbean: The Curse of the Black Pearl (2003) Director: Gore Verbinski Editors: Stephen E. Rivkin, Arthur Schmidt, Craig Wood

透過一些經典電影示範的剪接工作

Lord of the Rings: The Fellowship of the Ring (2001 Director: Peter Jackson Editor: John Gilbert

幫助大家了解剪接時接點的類型

Lawrence of Arabia (1962) Director: David Lean Editor: Anne V. Coates

這些剪接點類型大多很常見

Easy Rider (1969) Director: Dennis Hopper Editor: Donn Cambern

觀眾感覺很流暢 ，甚至不會注意到

Mission Impossible: Ghost Protocol (2011) Director: Brad Bird Editor: Paul Hirsch

哇靠.. 那裡在幹嘛？

The Good The Bad and The Ugly (1966) Director: Sergio Leone Editors: Eugenio Alabiso, Nino Baragli

沒關係 你想做什麼就做什麼

Raiders of the Lost Ark (1982) Director: Steven Spielberg Editor: Michael Kahn, George Lucas

你想修改剪接點 減少幾格來避免 不妥感覺

The Matrix (1999) Director: The Wachowskis Editor: Zach Staenberg

剪接是從改變接點開始

Jaws (1977) Director: Steven Spielberg Editor: Verna Fields

所有的剪接工作都要會用的技巧

Point Break (1991) Director: Kathryn Bigelow Editor: Howard E. Smith

接點在動作上

Dawn of the Dead (2004) Director: Zack Snyder Editor: Niven Howie

剪接就是找出從一個鏡頭切換到另個鏡頭的位置

Skyfall (2013) Director: Sam Mendes Editor: Stuart Baird

演員在動作上時剪接換鏡頭

Back to the Future (1985) Director: Robert Zemeckis Editors: Harry Keramidas, Arthur Schmidt

演員在動作上時剪接換鏡頭

It's a Wonderful Life (1946) Director: Frank Capra Editor: William Hornbeck

他們未必是一直在拳打腳踢...

An American Werewolf in London (1981) Director: John Landis Editor: Malcolm Campbell

可能是一個簡單的轉身動作

Se7en (1995) Director: David Fincher Editor: Richard Francis-Bruce

可能是丟東西...

Vanilla Sky (2001) Director: Cameron Crowe Editors: Joe Hutshing, Mark Livolsi

或演員走進門...

Spiderman (2002) Director: Sam Raimi Editors: Arthur Coburn, Bob Murawski

或走進另一扇門....

The Departed (2006) Director: Martin Scorsese Editor: Thelma Schoonmaker

或另一扇門....

Misery (1990) Director: Rob Reiner Editor: Robert Leighton

我進來了

First Blood Director: Ted Kotcheff Editor: Joan E. Chapman

這就是跳離鏡頭

Robocop (1987) Director: Paul Verhoeven Editor: Frank J. Urioste

概念是剪或插入一個不在這場戲的鏡頭

Little Shop of Horrors (1986) Director: Frank Oz Editor: John Jympson

然後回來

Shanghai Noon (2000) Director: Tom Dey Editor: Richard Chew

插入與演員相同的空間的鏡頭.. .

The Royal Tenenbaums (2001) Director: Wes Anderson Editor: Dylan Tichenor

你想要月亮？

Eternal Sunshine of the Spotless Mind (2004) Director: Michel Gondry Editor: Valdis Oskarsdottir

像這樣

Kill Bill: Vol. 2 (2005) Director: Quentin Tarantino Editor: Sally Menke

只要說句話，我把它放在套索拉下來！

Mad Max: Fury Road (2015) Director: George Miller Editor: Margaret Sixel

這真是個好主意

The Departed (2006) Director: Martin Scorsese Editor: Thelma Schoonmaker

或者你可以用跳離鏡頭來建立角色的內心世界

A Bronx Tale (1993) Director: Robert De Niro Editors: R.Q. Lovett, David Ray

交叉剪接

The Natural (1984) Director: Barry Levinson Editor: Christopher Holmes, Stu Linder

剪接不同場景鏡頭，頻繁來回切換來建立交互關係

Major League (1989) Director: David S. Ward Editor: Dennis M. Hill

例如大多數講手機的對話鏡頭通常是交叉

Grease (1978) Director: Randal Kleiser Editor: John F. Burnett

適當地交叉鏡頭節奏感必會增加劇情張力

2001: A Space Odyssey (1968) Director: Stanley Kubrick Editor: Ray Lovejoy

並產生懸念

Little Shop of Horrors (1986) Director: Frank Oz Editor: John Jympson

這種技巧也用來表現演員內心情感

The Frighteners (1996) Director: Peter Jackson Editor: Jamie Selkirk

在同個景框鏡頭剪接畫面叫做跳接

Lord of the Rings: The Two Towers (2002) Director: Peter Jackson Editor: Michael Horton

通常用在刻意表現時間流逝

Pirates of the Caribbean: The Curse of the Black Pearl (2003) Director: Gore Verbinski Editors: Stephen E. Rivkin, Arthur Schmidt, Craig Wood

像這樣

Forrest Gump (1994) Director: Robert Zemeckis Editor: Arthur Schmidt

下面幾部電影可以觀察蒙太奇剪接

West Side Story (1961) Directors: Jerome Robbins, Robert Wise Editor: Thomas Stanford

跳接也用於提升危急迫切感

Baraka (1992) Director: Ron Fricke Editors: David Aubrey, Ron Fricke, Mark Magidson

有一堆跳接鏡頭用於拍攝棒球

Austin Powers: The Spy Who Shagged Me (1999) Director: Jay Roach Editors: Debra Neil-Fisher, Jon Poll

現在我們談連戲剪接

Psycho (1960) Director: Alfred Hitchcock Editor: George Tomasini

連戲剪接是這樣的

The Shawshank Redemption (1994) Director: Frank Darabont Editor: Richard Francis-Bruce

連戲剪接通常被錯誤地認為與跳接剪接相對

The Hustler (1961) Director: Robert Rossen Editor: Dede Allen

二種有些不同

The Godfather (1972) Director: Francis Ford Coppola Editors: William Reynolds, Peter Zinner

連戲剪接是鏡頭接在動作點上切到同場鏡頭

Apocalypse Now (1979) Director: Francis Ford Coppola Editors: Lisa Fruchtman, Gerald B. Greenberg, Walter Murch

..或同個鏡頭是特效設計過的

Election (1999) Director: Alexander Payne Editor: Kevin Tent

連戲剪接經常用作轉場，因為影像有跳躍動感...

Nosferatu (1922) Director: F.W. Murnau

從一個地方跳到另一個地方

Star Wars: Episode VI - Return of the Jedi (1983) Director: Richard Marquand Editors: Sean Barton, Duwayne Dunham, Marcia Lucas

可能這是混淆連戲剪接與跳接亂的原因

Abbott and Costello Meet Frankenstein (1948) Director: Charles T. Barton Editor: Frank Gross

連戲剪接未必是視覺的

Field of Dreams (1989) Director: Phil Alden Robinson Editor: Ian Crafford

還有一種靠旁白聲音來搭配接點的技巧

The Big Lebowski (1998) Directors: Joel Coen, Ethan Coen Editors: Roderick Jaynes, Tricia Cooke

像這樣

Total Recall (1990) Director: Paul Verhoeven Editors: Carlos Puente, Frank J. Urioste

這看來像一個巨大的...

Pulp Fiction (1994) Director: Quentin Tarantino Editor: Sally Menke

王！ 注意！

The Shining (1980) Director: Stanley Kubrick Editor: Ray Lovejoy

我分心是...那個飛行的巨大

Shaun of the Dead (2004) Director: Edgar Wright Editor: Chris Dickens

威利！ 是什麼？

Reservoir Dogs (1992) Director: Quentin Tarantino Editor: Sally Menke

它看起來像一個巨人

Saving Mr. Banks (2013) Director: John Lee Hancock Editor: Mark Livolsi

約翰遜！

Nosferatu (1922) Director: F.W. Murnau

是，長官！

Birth of a Nation (1915) Director: D.W. Griffith Editors: D.W. Griffith, Joseph Henabery, James Smith, Rose Smith, Raoul Walsh

現在談談轉場效果

A Christmas Story (1983) Director: Bob Clark Editor: Stan Cole

影片開始常用淡入鏡頭 淡出

The Departed (2006) Director: Martin Scorsese Editor: Thelma Schoonmaker

我們可能看過千次溶接畫面

Boogie Nights (1997) Director: Paul Thomas Anderson Editor: Dylan Tichenor

溶接到黑畫面色或從黑畫面出來到畫面

Star Wars: Episode IV - A New Hope (1977) Director: George Lucas Editors: Richard Chew, Paul Hirsch, Marcia Lucas

應該很容易理解

A Christmas Story (1983) Director: Bob Clark Editor: Stan Cole

溶接鏡頭是將一鏡頭融到另個鏡頭

The Rocky Horror Picture Show (1975) Director: Jim Sharman Editor: Graeme Clifford

看起來像這樣...

Rope (1948) Director: Alfred Hitchcock Editor: William H. Ziegler

這些溶接很具蒙太奇意象，也可表現時間流逝

Evil Dead 2: Dead by Dawn (1987) Director: Sam Raimi Editor: Kaye Davis

現在剪接軟體可以很容易溶接同樣鏡頭

Birdman (2014) Director: Alejandro G. Iñárritu Editors: Douglas Crise, Stephen Mirrione

它看起來像這樣

Boogie Nights (1997) Director: Paul Thomas Anderson Editor: Dylan Tichenor

震撼剪接！

Magnolia (1999) Director: Paul Thomas Anderson Editor: Dylan Tichenor

震撼剪接是突然且打破前場情緒的轉場

Shaun of the Dead (2004) Director: Edgar Wright Editor: Chris Dickens

最明顯的案例子是從噩夢中驚醒

The Sting (1973) Director: George Roy Hill Editor: William Reynolds

從一個激烈場面到安靜

Man on the Moon (1999) Director: Milos Forman Editors: Adam Boome, Lynzee Klingman, Christopher Tellefsen

或相反，由安靜到激烈轉換

Predator (1987) Director: John McTiernan Editors: Mark Helfrich, John F. Link

另一轉場是光圈劃過場

Jaws (1977) Director: Steven Spielberg Editor: Verna Fields

光圈過場類似相機光圈形狀的效果

Full Metal Jacket (1987) Director: Stanley Kubrick Editor: Martin Hunter

可以手動漸漸從黑色轉換到畫面像打開和關閉光圈

Eternal Sunshine of the Spotless Mind (2004) Director: Michel Gondry Editor: Valdis Oskarsdottir

當今有很多不同光圈劃場風格選擇

Saving Private Ryan (1998) Director: Steven Spielberg Editor: Michael Kahn

你可能經常在電影中看到

Stand By Me (1986) Director: Rob Reiner Editor: Robert Leighton

還有種常用轉場..劃接

Goodfellas (1990) Director: Martin Scorsese Editors: James Y. Kwei, Thelma Schoonmaker

劃接很像是擦拭過去

Big (1988) Director: Penny Marshall Editor: Barry Malkin

這就是劃接鏡頭

The Graduate (1967) Director: Mike Nichols Editor: Sam O'Steen

哦，看，還有另一個

Fight Club (1999) Director: David Fincher Editor: James Haygood

好的，繼續前進

Man on the Moon (1999) Director: Milos Forman Editors: Adam Boome, Lynzee Klingman, Christopher Tellefsen

還有更多的劃接方向

Fight Club (1999) Director: David Fincher Editor: James Haygood

很多類型的劃接形狀或方式

Mad Max: Fury Road (2015) Director: George Miller Editor: Margaret Sixel

再來談隱形剪接點

Adaptation (2002) Director: Spike Jonze Editor: Eric Zumbrunnen

單個鏡頭變化卻讓觀眾不察覺剪接

Gladiator (2000) Director: Ridley Scott Editor: Pietro Scalia

剪接點隱藏在黑色中

The Green Mile (1999) Director: Frank Darabont Editor: Richard Francis-Bruce

像希區考克的“奪魂索”

Field of Dreams (1989) Director: Phil Alden Robinson Editor: Ian Crafford

鬼玩人

The Green Mile (1999) Director: Frank Darabont Editor: Richard Francis-Bruce

最近的電影“鳥人”。

Saving Private Ryan (1998) Director: Steven Spielberg Editor: Michael Kahn

剪接點隱形在劃過鏡頭的運動裡

The Sting (1973) Director: George Roy Hill Editor: William Reynolds

隱形剪接點在攝影機運動的動態感中