Mhm.

嗯

Yeah.

是啊。

Hi, I'm Jeff Gibson, director of Myth of Frozen Tail.

嗨，我是傑夫-吉布森，《凍尾神話》的導演。

And I'm Britney leads the production designer, and we're going to break down a scene for you.

我是布蘭妮帶領的製作設計師，我們要為你分解一個場景。

So the scene we're gonna be watching is the water knock scene.

所以我們要看的場景是敲水的場景。

And this is the water horse from frozen to.

而這是水馬從冷凍到。

Basically, the film is about the balance of the elements.

基本上，這部電影是關於元素的平衡。

So we first start this scene, you'll see that there's flames and fire.

所以我們首先開始這個場景，你會看到有火焰和火。

So this is the fire spirit.

所以這就是火靈。

The salamander.

蠑螈。

The rain starts coming down, this waterfall appears.

雨開始下了，這個瀑布就出現了。

And then out of the waterfall emerges the water knock that basically balanced out the previous spirit for our knock.

然後從瀑布中出現了水敲，基本上為我們的敲擊平衡了之前的精神。

We really wanted to push the stylization because the knock in frozen two is so fantastic.

我們真的很想推崇風格化，因為冰凍二號的敲擊是如此美妙。

But we were representing sort of a storybook fairytale version of it.

但我們代表的是一種故事書的童話版本。

So we wanted to make that clear and do something that's a little bit different and more stylized.

所以我們想把這一點說清楚，做一些比較不同的，比較有風格的東西。

We thought it was great to combine two c G and two D effects to really have this sort of tactile, tangible quality to the film.

我們認為把兩個c G和兩個D的效果結合在一起，讓電影真正有這種觸感，有形的品質，是非常好的。

And you can see it here in the water effects.

而你可以在這裡看到它的水面效果。

This horse is scared.

這匹馬很害怕。

It dives into the water.

它潛入水中。

And then we see the power of water, the power of this flood that then comes down moving towards the viewer.

然後我們看到水的力量，這個洪水的力量，然後下來向觀眾移動。

And then we have the earth begins to balance out this spirit and form this down and turns into the day The rain dissipates and we really just tried to play off.

然後我們有大地開始平衡這個精神，形成這個下來，變成了天雨消散，我們真的只是想打掉。

Each one of the spirits is neither good nor bad.

每一個靈魂都沒有好壞之分。

They just kind of r and together they create this harmony where the world can dance kind of a duality between all of the elements in nature and that the sweet spot is in the balance.

它們一起創造了這種和諧，世界可以在自然界的所有元素之間跳一種雙重性的舞蹈，而甜蜜點就在平衡之中。

Jess and Brittney Thank you for being here.

Jess和Brittney 謝謝你們的到來。

And for all that insight into myth of frozen tale, tell us what inspired the story behind the short.

而對於《冰封的神話》的所有見解，告訴我們這個短片背後的故事靈感是什麼。

So the inspiration behind the story was my love of bedtime stories.

所以這個故事背後的靈感是我對睡前故事的喜愛。

I just love how they kind of made my imagination wander into these places.

我只是喜歡他們那種讓我的想象力遊走在這些地方。

And so I started thinking of what was a bedtime story that you might have been told if you grew up in or around Aaron Dale and kind of lead myself to this world of myth of frozen tale where the animal spirits are the main players So this project features both hand drawn and CG animation.

所以我開始思考，如果你在亞倫戴爾或周圍長大，你可能會被告知的睡前故事是什麼，並把自己引向了這個冰凍故事的神話世界，其中動物的精神是主要角色，所以這個項目的特點是手繪和CG動畫。

What made you want to combine those two elements and how that influenced the storytelling process?

是什麼原因讓你想把這兩個元素結合起來，又是如何影響到講故事的過程？

Yeah.

是啊。

I mean, I love the heritage of Disney animation, all those two D films, but in particular Fantasia.

我的意思是，我喜歡迪士尼動畫的遺產，所有這兩部D片，但特別是《幻想曲》。

That was just such a big inspiration.

這真是一個很大的啟發。

They tell stories through music and the hand drawn.

他們通過音樂和手繪講述故事。

And so I wanted to bring that similar vibe into VR.

所以我想把這種類似的氛圍帶到VR中去。

But also just how do we make a real time short that's flattened on a screen?

但也只是我們如何做出一個在螢幕上平鋪直敘的實時短片？

Having Britney on board and her kind of stylistic sensibilities was amazing, because I feel like we really achieve something cool.

有布蘭妮的加入和她的那種風格敏感度是驚人的，因為我覺得我們真的實現了一些很酷的東西。

I'm a huge fan of traditional animation, and we do a lot of work in CG.

我是傳統動畫的忠實粉絲，我們做了很多CG方面的工作。

But because Ms was going to be an even further stylized version of the frozen world, it seemed like a perfect opportunity to sort of introduce those little elements that we could play with in hand drawn animation and play into that fantasia aspect that Jeff was talking about.

但因為Ms將是一個更進一步的冰凍世界的風格化版本，這似乎是一個完美的機會，可以引入那些我們可以在手繪動畫中玩的小元素，併發揮Jeff所說的幻想曲方面。

The film was originally created in virtual reality, So can you tell us what it was like to use VR in the creation process?

這部電影最初是在虛擬現實中創作的，那麼你能告訴我們在創作過程中使用VR的感受嗎？

Britney and I were able to be in the VR headsets as we created these worlds, and we were able to see the world being created basically in real time.

布蘭妮和我在創造這些世界的時候，能夠在VR頭盔中，我們能夠看到這個世界基本上是實時創造的。

It was a really unique process for us at Disney animation.

這對我們迪士尼動畫來說是一個非常獨特的過程。

Yeah, I'm sure that we looked pretty ridiculous to those outside watching us do this.

是啊，我敢肯定，我們看起來很可笑 外面的人看著我們這樣做。

But for me, I had no experience with VR prior to this project was actually such a great learning experience.

但對於我來說，在這個項目之前，我沒有任何VR的經驗，其實是一個很好的學習經歷。

And being in the middle of the film that you're working on is like nothing else.

而身處在自己正在拍攝的電影中，是再好不過的了。

How does it feel to have been a frozen tail or Disney Plus?

做過冰凍尾巴或迪士尼加的感覺如何？

And what do you hope viewers take away from watching the short?

那你希望觀眾看了這個短片後有什麼收穫呢？

It's amazing to have it on a platform like Disney Plus where my family, all my friends at home, they can now watch that film, and I hope that it invokes that sense of heritage of Disney animation.

在迪士尼Plus這樣的平臺上，我的家人、家裡所有的朋友，他們現在都可以看這部電影，我希望它能喚起大家對迪士尼動畫的那種傳承感，這很神奇。

Where there's this richness of traditional animation mixed with CG and music, it's just so exciting feel so fortunate to have it on Disney Plus, yeah, I agree.

哪裡有這種豐富的傳統動畫與CG和音樂的混合，它只是如此令人興奮的感覺如此幸運地有它在迪斯尼加，是的，我同意。

We've been living with this for so long, and I've been working on it.

我們生活了這麼久，我一直在努力。

Been so excited about it but it's just so nice to now be able to share it with everyone.

一直很興奮，但現在能和大家一起分享，實在是太好了。

And hopefully people will enjoy it as much as we enjoy working on it.

希望大家能像我們享受工作一樣喜歡它。

Mhm.

嗯

Mhm, yeah.

嗯，是的。