These were sensitively created for the local environments, for the public, for the people, no brands, no logos, just symbols on Bcom statements after communism fell in the early 19 nineties, authorities dismantled the neon lights as highlighted in Eric Bednarski is film Neon.
這些都是為當地的環境,為公眾,為人民敏感地創造的,沒有品牌,沒有標誌,只是Bcom聲明上的符號,在19世紀90年代初共產主義倒臺後,當局拆除了霓虹燈,正如埃裡克-貝德納爾斯基在電影《霓虹》中所強調的那樣。