Name: 壞頭髮 - 製片人播放清單 (特寫) - 葫蘆原創作品 (Bad Hair - Filmmakers Playlist (Featurette) • A Hulu Original)
Uploaded: 2021-01-27T19:26:03.000Z
Duration: 4 min 50 s

She see trees covered in black moss and made us over with.

她看到樹上長滿了黑色的苔蘚，讓我們與。

基礎被動語態

Maybe the hair and the tree was enchanted.

Rosemary's Baby the Shining dressed to kill these air filmmakers who are following in the tradition of Alfred Hitchcock.

迷迭香的寶貝閃亮穿衣殺這些沿襲阿爾弗雷德-希區柯克傳統的空氣電影人。

Let's put all of our obsessions in this movie.

讓我們把所有的執念都放在這部電影裡。

Let's have blood spray burning out of the elevator at slow motion.

讓血霧以慢動作從電梯裡燃燒出來。

For reasons unknown, This'll is the genre where you could both be incredibly experimental as a filmmaker but also make a connection to popular culture.

不知道為什麼，This'll是這樣一種類型，你既可以作為一個電影人不可思議的實驗性，又可以和大眾文化產生聯繫。

They must be glued down or really good relaxing me, my shit Don't move like that.

他們一定是被粘住了，或者是很好的放鬆了我，我的屎不要這樣動。

So we've I think you find that these movies could slip in these pieces of social commentary that you just can't do in other films.

所以我們... ...我想你會發現，這些電影可以滑入這些社會評論的片段，這在其他電影中是做不到的。

You know, in a perfect world, a woman would be able to wear her hair the way she wants to.

你知道嗎，在一個完美的世界裡，一個女人可以按照自己的意願來梳理頭髮。

I can't fault you for doing whatever it takes to get where they keep trying to keep us from getting.

我不能責怪你為了達到他們一直想讓我們達到的目的而不擇手段。

Rosemary's Baby is a film that is literally about a woman who gives birth to Satan's love child.

羅斯瑪麗的寶貝》是一部電影，從字面上看，是一個女人生下撒旦的愛子的故事。

But when you see the movie think spirits of watching it is much more about the fragility of women and the way in which they're not protected in our society.

但當你看到這部電影時，覺得看電影的精神更多的是關於女性的脆弱和她們在我們的社會中沒有得到保護的方式。

It's actually like this very rich movie about the American experience, and I wanted to do something that was like that, but about the Black American experience, because I really believe that the Mawr specific black filmmakers and black story tellers can be about the black experience.

其實就像這部非常豐富的關於美國經驗的電影，我想做這樣的事情，但是關於美國黑人的經驗，因為我真的相信，毛爾特定的黑人電影人和黑人故事講述者可以關於黑人的經驗。

It makes the story even more universal, because the black experience really is the quintessential American experience.

這讓這個故事更具有普遍性，因為黑人的經歷確實是典型的美國經驗。

It's an A blood so coming at you with the hottest of the hot Thank you so much.

這是一個A型血，所以用最熱的熱度來對付你，非常感謝你。

We just need a little bit more rock then Urban E can't tell you how gratifying it was to discover that trying to make a black horror movie was not this profoundly new and ground breaking idea.

我們只需要多一點搖滾，那麼都市e族無法告訴你，發現想拍一部黑人恐怖電影並不是這種深刻的新想法和突破性的想法是多麼令人欣慰。

Black films and black filmmakers were just excluded from cinema history.

黑人電影和黑人電影人只是被排斥在電影史之外。

Maybe they talk about Oscar Micheaux, Spike Lee, John Singleton, Robert Townsend get mentioned.

也許他們談論奧斯卡-米歇爾，斯派克-李，約翰-辛格爾頓，羅伯特-湯森都會被提及。

But there are dozens, if not hundreds of other black filmmakers that were working every year through the same time period, so movies like ganja and Hess like a lot of black art and falls into the blind spots of cinema history.

但每年有幾十個甚至上百個黑人電影人在同一時期工作，所以像《甘賈》和《海斯》這樣的電影就像很多黑人藝術，屬於電影史的盲點。

If you went to any other floor in this tower for a job interview, you wouldn't get past reception.

如果你去這個塔的其他樓層面試，你不會通過接待處。

Bad hair was an outline and a rough draft, a dream and a prayer and a wish.

壞發是一個大綱和草稿，是一個夢想，也是一個祈禱和願望。

And then when get out happened, it was like, Oh, black horror.

然後，當脫身發生， 它就像，哦，黑色恐怖。

The industry kind of like woke up to that.

We were able to get our movie finances well, with bad hair.

我們能夠很好的拿到電影財務，發不好。

You're gonna feel a little bit of Brian De Palma in there.

你會感覺到一點布萊恩-德-帕爾瑪的影子。

I tried to have that stuff in my subconscious and work within the limitation that a movie being made in 1989 would have.

我試著在我的潛意識裡有這些東西，並在1989年拍攝的電影會有的限制內工作。

And so a lot of the hair effects or practical effects we utilize split screens.

所以很多的髮型效果或者是實際效果我們都會利用分屏。

We shot it on film Black Girls air showing up to this movie and showing up to movies like this potentially for the first time.

我們用電影拍的，黑妹子氣質出現在這部電影裡，出現在這樣的電影裡有可能是第一次。

How often does the black character get to even be a final girl?

黑人角色連最終的女孩都有多少次機會？

Not very often, I think about Jada Pinkett character in Demon Night.

不常想起《妖夜》中賈達-平克特的角色。

And what a surprise, that is, when that character actually triumphs and survives.

而當這個角色真的勝利並存活下來的時候，那是多麼的驚喜啊。

It doesn't really take into account the realities of being a woman in ways that were able to do with the movie like bad hair.

它並沒有真正考慮到作為一個女人的現實情況，在電影中能夠做到的方式，比如糟糕的頭髮。

Make her the center of the narrative, not just sort of an object for the audience that just kind of project a fantasy on every stage of the process of writing the script.

讓她成為敘事的中心，而不僅僅是觀眾的一種對象，只是在寫劇本的過程中的每一個階段都投射出一種幻想。

I needed the black women in my village to be there so that I could make sure that I was saying something truthful about their experience and that I wasn't leaving something out because I couldn't see it because it fell into my blind spot.

我需要我村裡的黑人婦女在那裡，這樣我才能確保我說的是關於她們的經歷的真實情況，我不會因為看不到而遺漏一些東西，因為它落入了我的盲點。

I'm not changing who I am just to appeal to some whiter.

我不會為了迎合一些白人而改變自己的身份。

No one's asking you to change who you are, just the way you look.

沒有人要求你改變你是誰，只是你的樣子。

You know how long it took me to get here?

你知道我花了多長時間才到這裡嗎？

It's very exciting to be a black storyteller.

做一個黑人講故事的人是非常令人興奮的。

And to be able to take the reins in that way, something bad has happened.

而能夠以這樣的方式接班，已經發生了不好的事情。