Nope.

不對

This band is an interactive hologram.

這個樂隊是一個互動的全息圖。

Please let me introduce to you my guitarist today This'll iss Central London.

請允許我向你們介紹我今天的吉他手 這將是倫敦市中心。

The band, however, is playing live from an entirely different location.

然而，樂隊卻在完全不同的地點進行現場演出。

A small studio in East London.

東倫敦的一個小工作室。

So I'm wondering if he's a hologram or his hair.

所以我在想，他是全息圖還是他的頭髮。

Mm.

嗯。

Riel, blood and flesh.

瑞爾，血肉之軀。

I'm just gonna check.

我只是要檢查。

Yeah, it feels really enough.

是啊，感覺真的夠了。

This means lead singer Dan Olson can perform in front, off on interact with his crowd in a safe, socially distanced manner.

這意味著主唱丹-奧爾森可以在前臺表演，與觀眾進行安全的、有社交距離的互動。

He's playing with me.

他在跟我玩。

We're in the same room, but we are the hologram on stage.

我們在同一個房間裡，但我們是舞臺上的全息圖。

But on my left side we have the pianist playing in real life.

但在我的左邊，我們有鋼琴家在現實生活中演奏。

So when you see all of us on stage, it looks like all three of them are on stage playing at the same time.

所以當你看到我們所有人都在舞臺上的時候，就像他們三個人同時在舞臺上演奏一樣。

But two of us are holograms, so you can mix it up like that and make it very interesting.

但我們兩個是全息圖，所以你可以這樣混在一起，讓它非常有趣。

Theo Technology, created by a company called Muse in three D, is called fan share.

西奧科技，是由一家叫慕思的公司在三D創建的，叫做粉絲分享。

It allows a performer to be anywhere in the world ideal in a time of rapidly changing social restrictions.

在社會限制急劇變化的時代，它讓表演者可以在世界任何地方理想。

As director Ian O Connell explains, You don't need glasses.

正如導演伊恩-奧康奈爾解釋的那樣，你不需要眼鏡。

You don't need a headset.

你不需要耳機。

You're sitting here is if you're watching a regular stage show, um on other than when the occasional clinch on the video makes, it reminds everybody that what we're watching is a video rather than a real person.

你坐在這裡是如果你在看一個常規的舞臺表演，嗯在其他的時候，偶爾夾在視頻上使，它提醒大家，我們正在看的是一個視頻，而不是一個真實的人。

Um, I think we got a pretty compelling image, I think is a great solution.

嗯，我認為我們得到了一個相當引人注目的形象，我認為是一個偉大的解決方案。

The timing couldn't be better to do this now, because people are looking like How can we play to an audience?

現在做這件事的時機再好不過了，因為大家都在想，我們怎麼才能玩到觀眾？

Because we can't.

因為我們不能。

We can't get musicians to travel and do tours on all of a sudden.

我們不能一下子讓音樂人去旅行和做巡演。

With this, you can do it anywhere in the world, and you could be anywhere in the world.

有了這個，你可以在世界任何地方做，你可以在世界任何地方做。

The technology is a modern twist on a Victorian technique known as Pepper's Ghost, involving a huge sheet of glass.

該技術是維多利亞時代的技術的現代扭曲，被稱為 "胡椒鬼"，涉及到一個巨大的玻璃片。

It was used in theaters as far back as the 18 sixties.

早在十八六十年代，影院就開始使用。

To create illusions, the image that hits the projection screen is actually a two D image.

為了製造幻覺，打在投影螢幕上的影像其實是二D影像。

But because it's being filmed against black with a lot of back light and sidelight, the image appears volumetric in the long run.

但因為是在黑色的背景下拍攝，有大量的逆光和側光，所以從長遠來看，畫面顯得體積感十足。

Um, Yuzhin wants to do with live music what Netflix did for television, creating a system for getting gigs to people's mobile phones.

嗯，Yuzhin想做音樂直播，就像Netflix做電視一樣，創建一個系統，把演出送到人們的手機上。

I think we now need to be pragmatic.

我認為我們現在需要務實。

What is an audience is an audience, somebody that has toe have physical presence in an age where today's younger generation are more comfortable creating community without the need for physical proximity.

什麼是聽眾，聽眾就是聽眾，有人有趾有形的存在，在這個時代，今天的年輕一代更喜歡創造社區，而不需要物理上的接近。

I say that because they do spend a lot of their time on social media on on the mobile phone, he said.

我之所以這麼說，是因為他們確實花了很多時間在手機上的社交媒體上，他說。