Name: 是什麼讓Lady Gaga成為 "同志偶像"？ (What Makes Lady Gaga A "Gay Icon"?)
Uploaded: 2020-10-24T00:57:07.000Z
Duration: 7 min 47 s

- [Woman] Talented, brilliant, incredible, amazing,

- 才華橫溢，才華橫溢，不可思議，令人驚異。

showstopping, spectacular, never the same, totally unique,

驚豔，壯觀，永不相同，完全獨一無二。

shit on it, vomit on it, eat it, and give birth to it.

在上面拉屎，在上面嘔吐，在上面吃，在上面生。

That's Stefani Joanne Angelina Germanotta in a nutshell.

這就是斯蒂芬妮-喬安妮-安吉麗娜-傑曼諾塔，一言以蔽之。

The singer, artist, performer, actor, writer, activist,

歌手、藝術家、表演者、演員、作家、活動家。

pop queen, and queer icon is beloved by many

流行音樂女王，同志偶像被許多人所喜愛。

But Gaga's found a particularly large fan base

但Gaga找到了一個特別龐大的粉絲群

To understand the community's obsession with Lady Gaga

we need to travel back down a long rainbow timeline.

我們需要穿越回長長的彩虹時間線。

Some of Lady Gaga's critics have said her homages

一些Lady Gaga的評論家說她的致敬。

對流行文化史來說，是毫無創意的

and have even accused her of ripping off other artists.

甚至指責她剽竊其他藝術家的作品。

Madonna, herself, once called Lady Gaga's work reductive.

麥當娜本人，曾稱Lady Gaga的作品為還原。

Gaga's not a con artist but a drag queen in her own right.

Gaga不是一個金光黨，而是一個變裝皇后。

Drag has long been a part of the queer and trans community,

長期以來，拖拽一直是同志和跨性別社區的一部分。

In the late 1800s, William Dorsey Swann, a former slave,

在19世紀末，威廉-多西-斯旺，一個前奴隸。

was the first self-proclaimed queen of drag.

Swann hosted drag balls and took political action.

斯萬舉辦變裝舞會，採取政治行動。

"Drag today is about borrowing cultural references

"今天的拖拽是借用文化的參照物

O'Flynn states, "She borrowed tropes to construct

奧弗林說："她借用了一些典故來構建

"figuratively lip syncing along to legacies of Cher,

"象徵性地用脣語同步於雪兒的遺產。

"She invented Gaga in the same way that drag queens

"她發明了Gaga，就像變裝皇后一樣

Gaga is not the first pop star to utilize dag fundamentals

Gaga不是第一個利用dag基本原理的流行明星

to cultivate and reinvigorate her career.

For instance, take Cher or Janet Jackson or even Madonna.

比如雪兒或珍妮特-傑克遜甚至麥當娜。

These women have constantly reinvented themselves

Additionally, performances that would exaggerate

effemininity, like those of Cher and Gaga,

娘娘腔，就像那些雪兒和Gaga一樣。

according to the professor Dr. Katrin Horn.

根據教授Katrin Horn博士的說法。

Let's not forget Gaga's overt drag performance

In her performance as Jo, lasting the entire evening,

在她飾演的喬，持續了整個晚上。

Gaga makes many statements on masculinity.

Gaga發表了許多關於男性氣質的言論。

She began her performance with a monologue

in which Jo laments his relationship with Gaga, stating,

在其中，趙國棟感慨自己與Gaga的關係，表示。

"I want her to be real but she says, 'Jo, I'm not real.

"我希望她是真實的，但她說：'喬，我不是真實的。

confusion amongst the journalists can be heard

while Jo continues spewing hyper masculine answers.

而喬繼續吐槽超男性化的答案。

In this performance, Gaga critiques not only on masculinity,

在這場演出中，Gaga不僅對男性氣質進行了批判。

including the sexualization and objectification of herself,

Gaga's been open about her appreciation of drag

and the way that she utilizes it in her life.

以及她在生活中利用它的方式。

在2018年的電影《一個明星的誕生》中。

Gaga's character Ally first performs as a part of dragnet

Gaga的角色Ally首次作為拖網的一部分進行表演。

amongst real life drag queens, of which at least one,

在現實生活中的變裝皇后中，其中至少有一。

Shangela, was specifically requested by Gaga.

He use of drag has a profound impact on her audience.

他使用的變裝對她的觀眾有著深刻的影響。

"to do a sort of drag in their daily lives.

"在他們的日常生活中做一種拖累。

"She taught a new generation of young queer people

"她教會了新一代的年輕同性戀者

"how to drag up and identity out of a barrenness

"around them, by looking to history and pop culture."

"在他們周圍，通過尋找歷史和流行文化。"

The drag queens have often been compared to the divas

變裝皇后經常被比作天后級的人物

of the opera and at the heart of the connection is camp,

from the queer community and into the mainstream,

And as pointed out by Lena Waithe's outfit at the Gala,

而正如莉娜-韋特在晚會上的服裝所指出的。

But defining the word camp remains easier said than done.

但是，對陣營這個詞的定義仍然是說起來容易做起來難。

One option is, "A style or mode of personal

一個選項是，"個人的一種風格或模式。

"or creative expression that is absurdly exaggerated

"and often fuses elements of high and popular culture."

"並常常融合了高尚文化和流行文化的元素"。

Gaga comes from a long line of divas beloved

Gaga出身於一脈相承的天后之家。

One of the earliest gay icons in the modern era