Name: 若草物語》中蒂莫西-查拉梅特等演員描述了他們的特殊場景。| VOGUE JAPAN (ティモシー・シャラメら”若草物語”キャストによる、こだわりのシーン解説。| VOGUE JAPAN)
Uploaded: 2020-09-04T19:16:05.000Z
Duration: 13 min 39 s

嗨，我是說，我是說，我是說，我是說，我是說，我是說，我是說，我是說，我是說，我是說，我是說，我是說，我是說，我是說，我是說，我是說，我是說，我是說，我是說，我是說，我是說，我是說，我是說，我是說，我是說，我是說，我是說，我是說，我是說，我是說，我是說，我是說，我是說，我是說，我是說，我是說，我是說，我是說，我是說，我是說，我是說，我是說，我是說，我是說，我是說，我是說。

I'm search your own and a nine play Jo March.

我在搜索你自己的和一個九玩趙三月。

Hey, I'm Laura and I play Marmee, and I'm Greta.

嘿，我是勞拉，我扮演瑪米，我是葛麗泰。

And I wrote the screenplay and I directed this movie.

而我寫了劇本，也執導了這部電影。

So this is in theatre Lawrence Laurie Lawrence's house with his tutor, John Brooke.

所以這是在戲劇勞倫斯-勞裡-勞倫斯的家裡，還有他的導師約翰-布魯克。

Came up with this idea that he would be standing on a chair and it was a good idea.

想出了這個主意，他要站在椅子上，這是個好主意。

We wanted the Lawrence has to be very late, grand and masculine and not cozy.

我們希望勞倫斯有很年夜的，宏大年夜而陽剛，不溫馨。

But it was actually an interesting thing, because the way that we structure the movie, we start in adulthood.

但這其實是一件很有趣的事情，因為我們結構電影的方式，我們從成人期開始。

One I wanted childhood to have this golden glow.

一我希望童年能有這金色的光芒。

So we shot with a very specific filter, and it kind of worked against the coldness of the Lawrence house because it still had the golden glow of childhood.

所以我們用一種非常特殊的濾鏡拍攝，它有點兒牴觸勞倫斯家的冰冷，因為它仍然有童年的金色光芒。

But so we wanted to do was give it scale and density.

但是，所以我們想做的是賦予它規模和密度。

That would kind of impart that same coldness without actually having cold color, because we wanted to save that for the adult section.

那會有點傳授同樣的冷酷，而實際上沒有冷酷的顏色，因為我們想把這一點保存到成人部分。

I know you brought my sister back after the dance.

我知道你在舞會後把我妹妹帶回來了。

I would have never have sprained my ankle.

I have lovely small feet, the best in the family.

我有一雙可愛的小腳，是家裡最好的。

Gives I'm in such trouble, Mr Davis, and hit me.

我有麻煩了，戴維斯先生，打我。

Amy is fleeing because sure, she's been hit by her teacher and she knows she's gonna be in trouble.

艾米要逃，因為她被老師打了，她知道她會有麻煩。

So she's running over to this house because she doesn't want to go home.

所以她跑到這個房子裡來，因為她不想回家。

I was there when you shot that saying on and she did it like, 20 times, like one after the other.

我在那裡，當你拍攝的說法上 她做了20次，像一個接一個。

And she just, like, made it bigger and bigger every single time.

她只是，喜歡，使它 越來越大的每一個時間。

Yeah, I like I like in actors in general and Florence in particular.

是的，我喜歡我喜歡的演員，尤其是佛羅倫薩。

I like actors who can go who can go almost too big.

我喜歡能走的演員誰能走的差不多大。

Yeah, I find it really fun because I find then I always I want the thing either right before right after the one that's pushed too far.

是的，我覺得這真的很有趣，因為我發現我總是我想要的東西，要麼就在前面，要麼就在後面，被推得太遠。

But you kind of have to fling that way to get the thing.

但你得往那邊甩，才能拿到東西。

Tell servants I want this painting purchase for me immediately.

告訴僕人，我想馬上把這幅畫買給我。

My hand so much, Lawrence, you wanna be the happiest boy in the world?

我的手這麼多，勞倫斯，你想成為世界上最幸福的男孩嗎？

I did a drawing and that Mr Davis hit me.

我畫了一幅畫，戴維斯先生打了我。

This is one of those scenes where I have almost everyone in the room at once and here they all start to enter.

這是我幾乎讓所有人同時進入房間的場景之一，在這裡他們都開始進入。

And this is sounds like, really boring to say, because obviously I'm very proud of how this scene was blocked, actually really hard to block scenes with this many people and figure out all of the ways that they're moving.

而這聽起來像是，說起來真的很無聊，因為很明顯，我很自豪這個場景是如何擋住的，其實真的很難擋住這麼多人的場景，並找出他們所有的移動方式。

And I could only do because they memorized their lines.

而我能做到這一點，只是因為他們記住了他們的臺詞。

So precisely that it was like a It was one of those scenes that was like a hot potato handle.

所以，正是因為它就像一個 它是其中的一個場景，就像一個燙手的洋芋手柄。

We rehearsed all of these like overlapping sands.

我們把這些都排練得像重疊的沙子。

A lot in rehearsals, but then also with this one in particular.

在排練的時候，很多，但後來也特別與這個。

Remember, it was a new location for all of us when we were used to being in the March house, which was smaller, and we couldn't do our way around.

還記得，在三月的房子裡呆慣了，這對我們大家來說都是一個新的地點，那時的房子比較小，我們無法做到遊刃有餘。

So this was their first time shooting on this location, all of us together.

所以這是他們第一次在這個地方拍攝，我們大家一起。

That familiarity with the setting or unfamiliarity with the setting is important because we knew that March house so well by the second week of shooting.

這種對環境的熟悉或不熟悉都是很重要的，因為我們在拍攝的第二週就對三月的那棟房子非常熟悉。

Or before that when it felt as all steer, maybe that's not the right word.

或者之前感覺到的時候都是轉向，也許這個詞不對。

But, as you know, everything great was communicating before felt properly anonymous.

但是，你也知道，一切偉大的是交流之前覺得適當的匿名。

He looks stern, but my grandfather was much more handsome.

他看起來很嚴厲，但我的爺爺卻比他帥多了。

Joe, we do not compare Grandfather's Laura enters just there and has her line just there.

喬，我們不比較祖父的勞拉進入只是有，有她的線只是有。

I'm getting everyone to kind of be exactly where we needed them to be.

我讓每個人都成為我們需要他們的那種。

This was his favorite line, so we do not compare.

這是他最喜歡的一句話，所以我們不做比較。

No wonder she brought these two actors together.

難怪她會把這兩個演員湊在一起。

Was watching the two of you on screen together or watching you both act?

是看你們兩個人在螢幕上的合影還是看你們兩個人的表演？

It's like you're you just hurl every cell.

就像你... ...你只是把每個細胞都扔了。

You are not to attend that school anymore.

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若草物語》中蒂莫西-查拉梅特等演員描述了他們的特殊場景。| VOGUE JAPAN (ティモシー・シャラメら”若草物語”キャストによる、こだわりのシーン解説。| VOGUE JAPAN)

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