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[This talk contains graphic images Viewer discretion is advised]
I collect objects.
I collect branding irons that were used to mark slaves as property.
I collect shackles for adults
and restraints for adults
as well as children.
I collect lynching postcards.
Yes, they depict lynchings.
They also depict the massive crowds that attended these lynchings,
and they are postcards
that were also used for correspondence.
I collect proslavery books that portray black people as criminals
or as animals without souls.
I brought you something today.
This is a ship's branding iron.
It was used to mark slaves.
Well, they actually were not slaves when they were marked.
They were in Africa.
But they were marked with an "S"
to designate that they were going to be slaves
when they were brought to the US
and when they were brought to Europe.
Another object or image that captured my imagination when I was younger
was a Klan robe.
Growing up in South Carolina, I would see Ku Klux Klan rallies occasionally,
actually more than occasionally,
and the memories of those events never really left my mind.
And I didn't really do anything with that imagery until 25 years later.
A few years ago, I started researching the Klan,
the three distinct waves of the Klan,
the second one in particular.
The second wave of the Klan had more than five million active members,
which was five percent of the population at the time,
which was also the population of New York City at the time.
The Klan robe factory in the Buckhead neighborhood of Georgia was so busy
it became a 24-hour factory to keep up with orders.
They kept 20,000 robes on hand at all time to keep up with the demand.
As a collector of artifacts and as an artist,
I really wanted a Klan robe to be part of my collection,
because artifacts and objects tell stories,
but I really couldn't find one that was really good quality.
What is a black man to do in America
when he can't find the quality Klan robe that he's looking for?
So I had no other choice.
I decided I was going to make the best quality Klan robes in America.
These are not your traditional Klan robes you would see at any KKK rally.
I used kente cloth,
I used camouflage,
spandex, burlap, silks, satins and different patterns.
I make them for different age groups; I make them for young kids
as well as toddlers.
I even made one for an infant.
After making so many robes,
I realized that the policies the Klan had in place
or wanted to have in place a hundred years ago
are in place today.
We have segregated schools, neighborhoods, workplaces,
and it's not the people wearing hoods that are keeping these policies in place.
My work is about the long-term impact of slavery.
We're not just dealing with the residue of systemic racism.
It's the basis of every single thing we do.
Again we have intentionally segregated neighborhoods,
workplaces and schools.
We have voter suppression.
We have disproportionate representation of minorities incarcerated.
We have environmental racism. We have police brutality.
I brought you a few things today.
The stealth aspect of racism
is part of its power.
When you're discriminated against,
you can't always prove you're being discriminated against.
Racism has the power to hide,
and when it hides, it's kept safe
because it blends in.
I created this robe to illustrate that.
The basis of capitalism in America is slavery.
Slaves were the capital in capitalism.
The first Grand Wizard in 1868, Nathan Bedford Forrest,
was a Confederate soldier and a millionaire slave trader.
The wealth that was created from chattel slavery --
that's slaves as property -- would boggle the mind.
Cotton sales alone in 1860 equalled 200 million dollars.
That would equal five billion dollars today.
A lot of that wealth can be seen today through generational wealth.
Oh, I forgot the other crops as well.
You have indigo, rice and tobacco.
In 2015, I made one robe a week for the entire year.
After making 75 robes, I had an epiphany.
I have a realization that white supremacy is there,
but the biggest force of white supremacy is not the KKK,
it's the normalization of systemic racism.
There was something else I realized.
The robes had no more power over me at all.
But if we as a people collectively
look at these objects --
branding irons, shackles, robes --
and realize that they are part of our history,
we can find a way to where they have no more power over us.
If we look at systemic racism and acknowledge
that it's sown into the very fabric of who we are as a country,
then we can actually do something about the intentional segregation
in our schools, neighborhoods and workplaces.
But then and only then can we actually address
and confront this legacy of slavery
and dismantle this ugly legacy of slavery.
Thank you very much.


The symbols of systemic racism — and how to take away their power | Paul Rucker

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林宜悉 發佈於 2020 年 7 月 3 日
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