字幕列表 影片播放 列印英文字幕 [upbeat classical music] [footsteps smacking] [air whooshing] - Hi, I'm Hungry the local bug lady. Welcome to my charming Berlin life. [bouncy music] So this is the face that I'm going to be doing today. I'm very excited about this. It has this beautiful organic nose piece that you can just take out whenever needed and it just has a general very drowsy sleepy vibe, but with a bit of color to it. First I'm getting rid of my brows. Boop. Boop. So I'm just doing my foundation routine. I grew up in a very pretty part of Bavaria, I suppose, which is just, it was very shielded, very Catholic. Whenever I could I would just start dreaming of different things, different worlds. In early school the teachers would always just tell my parents that I'm a dreamer, not being too present when it came to actually learning about maths or things like that. When I was a kid, I didn't really experiment that much on me. It was mostly just drawing monsters I suppose and drawing creatures. It never occurred to me that I could just turn myself into anything I drew or anything I thought about. So right now, I'm just doing a light contouring and highlighting. My parents were very involved with the church in our town so at one point I was also an altar boy for a while. The whole ceremony of a mass was always very performative, very strong. The rich embroidery on the garments. All of these things, I always just found very fascinating. The Catholic church then definitely was one of the reasons I left Bavaria because the whole Catholicism and all the strict rules that come with it and all the discrimination that comes along with organized religion are just things I didn't want in my life anymore. Berlin was a good escape for me for that. I'm gonna start going in with the grease paints and the mapping out of the face. Where this is from what I picked up from in my studies, basically from my life drawing class to just kind of see the proportions of the thing you're working on. As I'm working on my face, I just try to use the paint brush to see where things line up, if they're on the same level, and just using that as a helper for symmetry. I do know my face more than I should. It doesn't help me knowing that it's not perfectly symmetrical. But it helps for my work. Doesn't help for my self imagery cause I know that it's not perfect and it could be perfect. Now I'm gonna go in with the black to really create the eye illusion. [upbeat peppy music] I always wanna see how it moves, how it would react if I pose, if I do different, if I squint. If the line would still make sense in an emotive way. Basically this is my full eye illusion at this point. I'm gonna add more details, like I would drag down my pupil, diagonally, and then just slant my eyes out more. So it's just a very wide eye and if I'm putting the lenses in, this is supposed to just be the blank space with the lashes and then this is all eye. So now that the eyes are roughly done, I'm gonna go in with grease paint to add color to it. Hungary really appeared out of a very impulsive idea to just try drag. And I was always very into the idea of being otherworldly and very bizarre looking. Over time, it became more organic and more animalistic, just delivering more of an insect vibe overall. Hungary definitely evolved along with me. So at the beginning, when I started, I was also kind of fresh to Berlin so it was very much the vibe I thought was right for Berlin. It was just right for me. As I became more aware of my actual interests that weren't necessarily linked to the city or the scene, I think that's when Hungary actually took a very different route. Pretty early on, gender wasn't really a topic for me anymore. Especially not in my drag. I didn't really want to have those strong boundaries on myself with a thing that I could be so free with. So in my drag, I always tried to stay away from everything being so binary because I felt it was just so much stronger if it was just this standalone character or object or creature. At one point, my work was just so far from what I had originally known as drag. I didn't find drag to be fitting anymore in that sense. I just thought it, describing it as distorted drag because it made more sense to me to drag your eye out and make it bigger or make it weird. It was just something that I created for myself. I never realized that anyone else would even relate to that term for what they do and where they take their drag or their work. Ooh, ah. [upbeat classy music] So the color is done and now I'm gonna go in with some gold paint to map out where the glitter's gonna go. Symmetry clearly is beautiful to me and it is just a very immediate way of expressing perfection. To have the skill to get things symmetrical, more or less symmetrical. They see the symmetry, so they see this is symmetrical, this has a very technical aspect to it so they appreciate it just for that first and then they try to question would they consider it beautiful in what they usually would see as beautiful, like what would the standards of beauty apply beyond what they know and that I always found quite interesting. In preparation for a fashion week gig, I went to Cantlook Market and hunted down the one store that still had Halloween lenses and I put them in and I just kept staring at myself because it was just such a face opening moment. I felt like I could do so much more with it. So I'm gonna add glitter, lashes, and that should be it. [upbeat electronica music] Back in school I briefly did some research on camera surveillance and how you could prevent it or how you could confuse the cameras and started working with the idea of hiding the nose. I noticed that the earliest when none of the face filters would work on my face when cameras didn't really see my face anymore. It has gotten better, which is a bit scary. Cameras do tend to track me now. It's not like I can hide looking like this, but it is actually claiming more attention than just being undercover. [upbeat classy music] These are just lashes I cut up just to frame my eye illusion to be a bit more understandable as an eye. I'm just gonna add the mouthpiece. And now that it's all completed, I'm going to work on my outfit and I'm gonna get ready to take myself out for dinner. This is it. I'm dressed as a successful 80s business woman with my statement shoulders, a bit of teased hair, and my sensible court shoes. And I'm gonna take myself out for a schnitzel. [upbeat classy music] One of the first words that I learned the meaning of in Berlin was just irrelevance. A lot of the reactions I get are just not relevant to my life, they're just not relevant to who I am, to what I do, and to my story. [patrons chattering] I kind of manage to just separate it from making an impact to people that I care about and then to not care what the irrelevant people necessarily say or how they react. It's always the community you need around you and I'm very lucky to have found mine here. [laughing]
B1 中級 餓了麼的極致美妝程序內幕|Vogue (Inside Hungry’s Extreme Beauty Routine | Vogue) 2 0 林宜悉 發佈於 2021 年 01 月 14 日 更多分享 分享 收藏 回報 影片單字