Because I don't feel part of it all the whole fame thing and celebrity thing.

I mean, I really don't.

When I started when I was looking enough to get me first American film, and then it all went mad so fast for me.

And I had a period of maybe five or six years off incredible fame and right being recognizability and all that.

It was madness on that since gone with a few films that didn't quite work the box office on.

I'm really God having films that are seen by audiences.

If they're good, they connect is a wonderful thing.

But I'm glad that period of madness is over for me in my life.

I don't feel part of of I don't feel part of what people could if they bothered to waste 30 seconds and think of my life.

They could imagine my life to be AII parties and red carpets in old.

Two or three times a year, I may stump on a red carpet and do some interviews or do this kind of thing.

I've never done this before, but but But outside of that social media I don't have, I feel very outside of a Do you live in London?

Her liver?

London.

Yes.

No, I'm in The same kind of boat is going to be left alone.

Then I watch.

Yeah, which is which is a really delightful.

Yeah.

Same.

But here's a Here's a penetrating question.

Yes.

Oh, I feel like I should cross my legs tighter.

Well, funny.

I was thinking when I watched you should, uh, someone tell me some links for this program Other peoples in this program and it's lots of actors talking to each other.

I'm talking about acting in a very deep in serious way.

Yeah, and do you think acting is a kind of golden itself on dhe?

Almost a quasi religious experience?

And it's like therapy, and it's trying to please your fellow actors.

Or do you think it's just a tool for entertaining?

People think all the above, I think I think it can be quite often different thing for the actor than it is for the audience.

But I think if there's an experiential symbiosis between what the actor is experiencing in their own lives and internally on what the audience is experiencing in purveying the work that the act of presents.

I think that sister Yeah, I agree about the State of Grace.

But if you had to script on your desk, yeah, one was almost certain to be a big smash hit because people would really be entertained by race.

But the part's kind of eight out of 10 right?

Then you have one where, you know, no one's gonna see this outside San Sebastian film first, but the part is 10 out of 10 right?

Which do you choose?

It depends honest to God being a being a dad of two boys on.

Do you know that I want to be able to support?

And it's tough and big complicated, which I won't get into, but, oh, the U should have made a more interest by saying six out of 10 the one that's gonna be seen by everyone.

Let's save six out of 10.

It's the part, maybe five out of 10.

There's a worldwide still do that I have a really healthy appreciation for the nature of commerce of the film business, and might my personal proclivity on dhe thereby intonation is to be drawn genuinely to smaller, more intimate stuff.

Things I've done like like on Dean or in Bruges are the lobster stuff that usually has a budget between five and 10 million.

But the characters, because they don't have to find such a big audience.

The characters have a greater sense of off of specificity to them and maybe a greater internal struggle that confined avenues off emotional or intellectual exploration that the $100,000,150 million films maybe don't afford.

Justin Heather crafted and you could go well, you should still bring the same level of attention you do, but total recall will not allow you to do the same level.

Or maybe I'm just not good enough the same level of our least attempt to find the same level of specificity and depth.

It doesn't want it of you.

It doesn't need it off you that kind of film.

But I think I have, ah, my own version of a healthy appreciation for both, and I love to in action films like I've done three or four dramas in a row now, and I kind of said to me Agent last week, I wouldn't mind finding something like John Wick.

You know, something that had a kind of an ecstatic beauty to it in a particular style but was more commercial and maybe more physical and stuff like that.

Um, yeah, What about you?

It's a well, I agree with almost nothing you've said, but I sometimes think we are in slight danger of disappearing up our own arses.

Actors on DDE that really we should be there to entertain people.

And we shouldn't forget that it's an entertainment business.

Yeah, and if you know entertaining people and you're only really pleasing your peers, you know, so that you get recognition and awards and things, then I I think it can become a fraction masturbatory That would bore the hell out of me if I would.

And I know there is a part of me that wants to be liked and there's a part of me.

The ones appears to think that I'm decent.

What a cool.

Absolutely.

But Thio kind of blindly pursue that are too.

Have that be the thing Thus conditions how I choose roles would be terrible.

He's so boring, very young for a man.

I was 25 mi six and I felt young in retrospect, and I'd only done a few films on Do I was feeling so like in the right place.