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  • I was in a kitchen at a table. I had a little speaker setup in this kitchen at the table.

  • My guy Script standing in the doorway of the little screen door

  • and he had gave me this Justin Timberlake sample.

  • And he was like, "Bro, you should sample this.”

  • And I knew I was just gonna take that part and go off with it.

  • I did make it for SZA intentionally.

  • I was trying to make her, just give her this alley-oop in the form of a beat.

  • And she caught that shit and did a slick windmill on it.

  • It's a crazy concept, I would have never thought it would have went that way.

  • She really just did her thing on there.

  • Really came with a concept that's controversial on some levels.

  • It's cool because at least it's starting a conversation, and it's getting people's attention.

  • It's like nothing more satisfying than finding just that right set of chords.

  • That right progression, what was gonna be the right chord progression for it.

  • And that's when I started, I played these chords right here.

  • I couldn't figure out what chord to put right there under the vocals.

  • I just made this part right here.

  • And that's my favorite part of it.

  • And at that point I just needed, almost like a glittery layer.

  • Just to make it sparkle a little bit.

  • This is what it was at first.

  • I just started just experimenting with it.

  • This bass.

  • You know it's that classic R&B, R&B bass type.

  • I don't know I found this one sound and I just started going crazy.

  • I didn't even know what it was gonna end up being.

  • I was like, “That sound pretty hard.”

  • That's when I started playing a little melody with the keys.

  • So now it's like, I went and grabbed a vocal from the sample and added it into this part.

  • It just became the intro of the song, just randomly.

  • I just threw it at the beginning.

  • I started working on the drums and started structuring everything.

  • The snaps with the reverb, it immediately sets that R&B mood.

  • I started working on the hi-hat.

  • Like I knew where the kicks should be in and I just started feeling around,

  • trying to find the right spots for those, and I just came up with these.

  • So then after that I just added the snare on the second half of that,

  • just to give it more impact and just give it like some building up.

  • It just hits right there.

  • It's like, “Bow, we lit.”

  • When I first heard what SZA did to the song I knew it was finna go off,

  • just because of the concept and how it made me feel right off the bat.

  • Plus the texture of her voice, over this beat.

  • Everything about it just feels reminiscent.

  • It just feels like a R&B hit, just off the bat.

  • I didn't know how far it would go, and it's still moving right now.

  • I'm just appreciative that the people appreciate the music.

I was in a kitchen at a table. I had a little speaker setup in this kitchen at the table.

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SZA與ThankGod4Cody合作的 "The Weekend "的製作過程|解讀 (The Making Of SZA's "The Weekend" With ThankGod4Cody | Deconstructed)

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    林宜悉 發佈於 2021 年 01 月 14 日
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