And I'm Winston Duke.

We are gonna take you through a scene

in Spenser Confidential.

Shot by shot.

Here we are, going to my favorite restaurant.

My character's just out of prison and he hasn't...

he took me to a, like a, health food restaurant

trying to get me to eat some soy shit.

And he was not with it at all.

Yeah, my character wasn't eating it,

so I'm gonna try to go for

some real good, ol’ Boston Mexican food,

even though I've never seen a Mexican restaurant in Boston.

This was in Quincy, Mass,

right on Furnace Brook Parkway.

I drove by that place many, many times

for years and years and years.

But I am very familiar with the people working here,

and slowly, but surely

we are going to realize that we're being followed

by some very dangerous individuals.

Yeah, you know what I need, four burritos.

Four burritos.

Carne asada,

- and a pollo. - Carne asada.

Puerco and you know what, chorizo.

Chorizo.

That guy right there, is an amazing stuntman.

I worked with him in Planet of the Apes.

I am very familiar with the stuntmen

who worked on this movie.

We’ve done multiple movies together

starting with Lone Survivor.

Oh, and there’s this guy listening to music.

Are you really listening to music,

- what are you doing? - I had nothing

- in my ear. - What kind of acting

- technique are you using? - They were actually telling

me to like just make up and do it slow, so they could add

- any kind of music. - Okay, here comes

the dangerous individual.

- Wife is good? - Yeah.

What about a, quesadilla?

Oh, if you want quesadilla,

just gotta wait on the tortilla.

Quesadilla.

Oh, my wife, Julia.

Oh, she's so great.

Wow, the tension is building.

Oh, I notice a weapon on his hip.

- And here comes one more guy. - What's that weapon?

Now look at the reflection, look at the reflection.

- Here comes the duck! - Machete.

Boom!

That was a real punch.

That one's a fake block.

He stabs his own guy.

Flip over the counter.

Oh, I’m about to stab this guy.

Oh yeah, take that in the leg.

Look at that! Rip him off. Snap.

I’m about to hit this guy with everything I can grab.

Food, cups, mugs.

- Take that! - Boom. Throw him through it.

And there's my partner, still listening to music.

Why does Winston

get to sit in the car

and I gotta do all this fighting?

Why don't I sit in the car?

Yeah, that was really my thing.

I would wonder, those were

- some of the thoughts - That wasn't a

- stunt double napping. - going through my head.

We didn't really rehearse this scene at all,

we kinda went in, it was pre-choreographed,

and then we were actually shooting in pieces.

So, we would kind of just show me

in the morning what the scene looked like,

and then we’d get all these guys,

and we’d go at it.

We shot this scene pretty much in a day

at the actual restaurant.

And then we had an interior built

on a soundstage where we picked up little pieces

and some inserts and stuff like that.

And where is my partner in crime?

- They've got me now. - And boom!

- Oh, finally, he shows up. - Here comes Hawk,

- busting through the window. - Oh, but

I tell you what, that's not good.

I did not drive the car through

You didn't?

the, I didn't do the driving through.

- Oh, boo. - That was a stunt double.

To make sure that everything was safe,

and then I got in the car and did the acting.

Yo, get in.

Now all I’m worried about, is the car.

Shit!

You're in big trouble.

For what?

You smashed the Riviera into a restaurant!

- Get the fuck in the car! - I’m telling Henry

you were driving the car.

Was that really your foot during that insert?

That was my foot.

That was my real foot.

That's when you know an actor is committed

when he is actually doing the foot

in inserts.

When I’m doing my own foot inserts,

that's how you know it's real.

But, the drive off and everything, was real.

I did all that driving, coming out.