OK.

So what is-- first of all, you're not driving, clearly.

No.

And so-- I mean, I'm really proud of John for that shot

because it was choreographed for two weeks.

That is not a CGI bus.

That is a real bus.

John Krasinski, her husband, wrote and directed this one.

Both the first one, and now this one.

Yes.

And then, there's a stunt driver on top of the car.

And so really, my life is in--

Wow.

--his hands.

So I said to him before, I looked up at him,

and I went, well, I hope you're good because my life is

in your hands.

And he just lent down and he went, I'm the best.

And he really was.

But it's sort of terrifying.

I've never done a stunt like that.

And I sort of questioned whether John might love me at all.

Had he changed the wheel recently or anything?

That's so interesting.

I'm gonna check on that.

I think he was sort of hoping for a slightly

closer confrontation with that bus, but.

So what can you tell us about this one.

What's happening?

So there's a great bus story.

Oh, OK.

We heard that.

What else?

I can tell you nothing.

Really?

Nothing.

I mean-- really?

I mean-- I mean, there's a bit of that going on, so.

Yeah.

Still quiet?

Yes.

You still got to be quiet, yeah.

There's a bit of that.

And then, there's a bit of that walking around.

And there's a baby now.

There's a baby now.

So good luck with the baby.

Where'd the baby come from?

The first one.

I had it in the bathtub.

[LAUGHTER]

It hasn't grown up?

[LAUGHS] No, it is a direct continuation.

Yeah, I see.

OK.

You see.

All right.

I was told that you've brought me something.

Missed your birthday.

Sorry about that.

So I wanted to bring you something.

This is really elegant, isn't it?

As I sort of just turn around to-- yeah.

[LAUGHTER]

Well-placed, lads.

This is for you.

Happy birthday.

So this is our creature.

Hasn't actually come out yet.

So you get the first one.

Wow.

I know.

Thank you.

[APPLAUSE]

Terrifying.

Yes.

That's for you.

And this I'm quite excited about.

This is from the first movie.

Do you remember the child on the bridge who got wiped out?

I sure do.

At the beginning of the film?

Yes.

This is the actual space rocket that he was holding.

So-- I know.

Poor kid.

It was over for him as soon as he turned that on.

So you can have a bit of fun with just the lights.

But then if you really want to run the gauntlet

and potentially die--

[ROCKET SOUNDS]

Right?

Wow.

Remember this?

Yes.

Yes.

That's for you, from me and John.

It has a little basket to sleep in.

It has a little sleepy basket.

A sleeping basket.

But I really thank you because you've

been so amazing about the movie and the movies

and so supportive.

And we love you and thank you.

Well, first of all, my pleasure.

And y'all are both so talented individually.

And then, I love that you're doing this movie--

Thank you.

I love scary movies, anyway.

I know.

I was sure you were gonna scare me today.

So I was slightly on edge.

Mmm.

Don't say it.

Please don't.

Is there someone in here?

No.

No.

I mean, how does somebody even fit in these things?

Yeah, well.

Oh-oh-oh.

Well, they're gonna ruin your present if they leap out.

They're gonna-- no.

Come on.

Don't.

Come on.

No.

All right.

I'm gonna give you--

we have a little idea.

So I'm gonna give you a chance to redeem yourself

with Chris Martin.

Yeah.

OK?

Yeah.

I just feel particularly bad because I really actually love

Chris Martin's music so much.

I'm obsessed with Coldplay.

So I feel like there's just sort of a way I can make it up

to him.

All right.

All right.

After the break?

At some point after the break.

After the break--

Yeah.

--you're gonna make it up to him.

Big time.

Yes.

We'll be back.