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  • - In this era I could hardly take a bad picture,

  • and all my clothes were fabulous and I loved them

  • and I've spent pretty much all my time naked.

  • [mellow music]

  • Hi Vogue.

  • We're going to look through my looks.

  • All right, I am ready.

  • I'm gonna start answering questions without someone asking.

  • Well, I don't remember exactly where we were

  • in this picture but this outfit that I have on,

  • it's red, white and blue and I made it to go to England.

  • So what stands out to me in this picture

  • is Sonny's willingness to let me do anything to him.

  • He would wear anything that I put him in

  • and he's wearing his bobcat.

  • I wanted it.

  • I thought it would fit me, it didn't, so Sonny got it.

  • But I thought he looked really handsome in it.

  • Well, this is a big jump isn't it.

  • The big jump was I designed these,

  • and Bob Mackie deigned that.

  • That's a big jump.

  • This was gold, I'm holding onto something.

  • Oh I remember, it was kind of like a dolman sleeve,

  • you know, it was a jacket but it was kind of dolman sleeves

  • and it was Bob obviously and this was a photo shoot

  • for the TV show.

  • - [Man] You were one of the first women to show your

  • belly button on TV?

  • - I was the first woman.

  • When you're married, you can kind of get, you know,

  • you can get away with stuff and also everyone thought

  • it was I Dream of Jeannie and I don't think the censors

  • were you know, digging that deep.

  • So, yeah.

  • It was me.

  • It reminds me of how fabulous my hipbones were.

  • This cover.

  • Richard Avedon once told me you're never gonna be

  • on the cover of Vogue.

  • The man who picked the covers was named Doc and he couldn't

  • find any covers so he went to me as a last resort

  • but I really don't look like me.

  • Okay.

  • Okay, this dress.

  • This dress was the cover of Time magazine

  • and it was also what I wore to the first Met Ball.

  • And there I am at the Met Ball with me,

  • Bob Mackie and my best friend Paulette.

  • This guy came up to me,

  • I don't know if he was a photographer,

  • I don't remember what he was and he said,

  • how do you feel being naked?

  • And I said, I feel just fine.

  • If you look at it, it looks like it's stuck to me

  • and that's because it is.

  • I think it was shocking for a lot of people,

  • because it was souffle, the dress was made out of souffle,

  • which was a material that was outlawed in America,

  • you could only get it in France and Marlene Dietrich

  • had her beaded dresses made on it,

  • so when you put it on, Bob sprayed it with like a little

  • hand sprayer and it just sticks to your skin

  • so it looks like your skin's beaded.

  • So I think people were a little taken back.

  • - [Man] When did you and Bob Mackie meet?

  • - Sonny and I were doing Carol Burnett,

  • Bob did everything for Carol Burnett and we met,

  • I think on La Brea or La Cienaga at one of the houses

  • that you go to be fitted and he walked in and he was so

  • handsome and he said he was very happy that I was little

  • because he thought I was huge.

  • You're kidding, right?

  • I don't like this dress, and I don't like the hairdo,

  • and I don't like anything about it.

  • This was me with my smirk.

  • First Bob just made the pant suit and then he put

  • the war bonnet on.

  • We were on the road, we went on the road,

  • but this outfit is great.

  • This was one of my favorite outfits.

  • This is a picture with Diane and Elton,

  • I was still with Sonny when I had it so it must have been

  • in the early '70s, and I'm in the same outfit

  • and Diana, this big thing is yellow, lots of yellow.

  • Ostrich feathers and Elton is just Elton.

  • Diana was pregnant and I was in that same outfit

  • only without anything.

  • I don't know were we were, but we used to hang out a lot.

  • Diane was so beautiful.

  • This was an unfortunate outfit.

  • I wore it on TV and I had a knife on that gold,

  • on that silver chain, well it was white gold,

  • and you couldn't tell that you could see through it,

  • but I was kind of ahead of my time so whatever.

  • This one, this flame dress was one of many.

  • This was the beginning, this one with all these pieces,

  • these little dangly pieces, this was for something

  • on the show, on The Cher Show and whatever,

  • it was all about flames and sex.

  • And this picture's all about Egypt and sex.

  • And this picture's all about spandex and sex.

  • I had these boots forever.

  • And I don't know, the pose is just what you do

  • when you run out of things.

  • Okay, this is me with a Charlie Tweddle hat on,

  • got in Aspen, and in my leotards and I as on my lunch break

  • and I was going to Maud Frizon and the paparazzi came

  • from nowhere and I just did that, and I'm holding some shoes

  • in my hand that we walked into this store

  • and the man said oh if they fit you,

  • you can have them for 25 bucks and they fit me.

  • This next one is naked but really.

  • Well this one was pretty much naked.

  • Okay, so this is my skunk hairdo and it was the one time

  • that I didn't wear a wig and I love these earrings.

  • I don't remember where I got them but I loved them

  • and I had that tee shirt studded.

  • This picture was for a friend of mine, Arlene,

  • and she had a jewelry line

  • and this was just showing her waist chains.

  • My fabulous body.

  • This is one of my favorite, favorite outfits.

  • I came to Bob with an idea and I said I wanna have a mohawk

  • and I want to do something that's not actually Indian

  • but I want it to be so over the top that it's next week.

  • He came back with this and the beautiful shawl

  • was the most fabulous cashmere and I loved that.

  • I loved the whole thing,

  • and my boyfriend, God bless him, Joshua Donen,

  • Joshua was so nervous 'cause I kept saying Joshy,

  • do you care what I'm wearing?

  • Can anything be too much, he was like, no, no,

  • I'm fine with it and I walked out at my bedroom

  • and he almost passed out.

  • I had the idea mostly because the Academy didn't really

  • like me, so I thought, they hated the way I dressed

  • and I had young boyfriends and they just thought

  • I wasn't serious so, I came out and said as you can see

  • I got my handbook on how to dress like a serious actress.

  • Okay, this is look, I won the Oscar.

  • I didn't really have a speech

  • because I could never imagine, first of all it was a comedy,

  • and it's hard to win for comedy and secondly I just thought

  • I'm never gonna get this and why would I?

  • I just thought this will be a beautiful dress.

  • And my favorite thing about it was the shawl.

  • I lost one of my earrings walking up the stairs

  • and said oh shit, and I think you can read it in my lips.

  • And the shoes were so killing me

  • that I had to take them off.

  • I was standing next to Michael Douglas

  • standing on my tip toes.

  • Whoa, well this is not Bob, this is,

  • oh I can't remember her name, but she was really nice.

  • The proportions were not exactly right,

  • but it was pretty good.

  • Pretty good.

  • I loved the idea of it, and I loved everything,

  • but right where it goes to the crotch it's just not right.

  • My style was pretty much what I was feeling at the moment,

  • no matter what anybody else was doing,

  • I just didn't pay too much attention.

  • And this is Believe era, and boy nothing goes.

  • It's kind of a mish mash, except the top little thing,

  • we were doing the video and I saw this boy sitting

  • on the stairs of the trailer and he was kind of weaving

  • this little mono filament things,

  • kind of plasticity things and he was weaving them

  • and he was weaving small ones and I looked out and I said

  • could you weave a big one and he said yeah,

  • and so I decided to put it on my head at the last minute.

  • But this whole other thing is a mess.

  • This is one of my boy did you get it wrong looks.

  • I loved this outfit, I hate that the top piece,

  • it's just too big for me.

  • King Kong should be wearing that hat.

  • This is what I wore to the Met gala,

  • and I had another outfit to wear,

  • but at the last minute I just thought,

  • what kind of words can you say on this show?

  • - [Man] Whatever words you want.

  • - I just thought fuck it.

  • I don't want to wear anything.

  • So this is what I came in, except I had a big,

  • fluffy, puffy coat that my friends at Chrome Hearts

  • made me and so.

  • I've had these jeans forever, they are patched over patches

  • and so I love them.

  • They're not particularly attractive,

  • but I don't really care.

  • That's it.

  • Okay.

  • I don't really wanna close it on that.

  • It was nice for the moment,

  • but I don't really wanna do that.

  • So I was told to close the book and I take direction well.

  • And that's all you get.

  • [mellow music]

- In this era I could hardly take a bad picture,

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雪兒剖析從1965年到現在的22個造型|生活中的造型|Vogue (Cher Breaks Down 22 Looks From 1965 to Now | Life in Looks | Vogue)

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    林宜悉 發佈於 2021 年 01 月 14 日
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