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  • I've changed the premise of this video so many times while writing it, because this

  • movie is so jarring, i'll spend ages talking about the movie's obvious flaws then think

  • back to a certain scene and for a second, the movie seems to excuse itself of it's

  • own shortcomings.

  • I've seen Your Name a handful of times now and I can't deny the movie has captured

  • me.

  • Now, whether that's because of my fascination with the movie's critical reception or if

  • Your Name is really doing something special.

  • To me, it's not a movie that is clearly good or bad.

  • I have definite griped with certain parts of the film, but there are also scenes that

  • I really like.

  • And in writing this video i've kind of become fascinated with the spectacle of Your Name.

  • So I want to spend this video looking into the movie, I want to find out not only why

  • I was captured by it but also why the larger community has so universally praised it.

  • How has this Mokoto Shinkai movie captured the anime community.

  • I'm going to look firstly at the opening of the film to see how it initially grabs

  • our attention.

  • The first scene opens with our main character waking up in the morning before school.

  • What the movie does here is almost starts the movie slightly after the story starts.

  • The movie references events from a previous day that we havn't seen.

  • This is to put us in the same situation as our main character Mitsuha, but also to create

  • that initial spark of mystery in the story.

  • We're also told about an approaching commit.

  • The movie gives the commit supernatural connotations but does it in a very subtle way.

  • This and Mitsuha's reaction to her memory loss of yesterday is normalising the fantasy

  • elements of the film.

  • Rather than mitsuha reacting with traditional shock or awe, she reacts confused and brushes

  • these moments off as normal.

  • This is important for later in the film.

  • This is continued in the next scene where Mitsuha goes to school.

  • Literally, the first thing we see here, the teacher's board, is packed with information.

  • As the mystery of the day before continues, we get a shot of three phrases written on

  • the board.

  • The first isDusk”, thenThe witching hourand finallyTasokare”.

  • These are massive clues to the story, and if you catch them, work as brilliant foreshadowing.

  • The movie revolves around the idea of dreaming and magical happenings during the night.

  • The phraseDuskhere sets the time, thenThe witching houris another phrase

  • for the time Midnight, usually used in supernatural stories where the sun going down triggers

  • supernatural changes, like werewolves.

  • And finally Tasokare, which the teacher defines asWho's that in the gloom?”.

  • It's an old japanese phrase that was used long ago at dusk, it was used to ask who someone

  • was when it was too dark to see them.

  • We then get a full shot of the board where an old Japanese poem is written out:

  • Please don't ask me, “who's that in the gloom?”

  • I'm waiting here for my love, in the september dew

  • That's the english translation by the way, but it's a lovely poem and you can imagine

  • how it would sound in it's native language.

  • You can see how this all beautifully foreshadows that upcoming narrative, it's actually a

  • shame it wasn't given more of a focus.

  • This isn't delivered as a voice over by a old wise man or anything, it's just background

  • noise from a lesson in school, once again normalising fantasy.

  • There's a final nice bit of foreshadowing as the teacher calls on Mitsuha for not listening,

  • Mitsuha stands up and the teacher saysOh, so do you remember your name today?”.

  • This is a reminder of what happened yesterday and a hint towards the importance of remembering

  • names in Your Name.

  • It's a nice little moment.

  • We then have a conversation with the 3 friends outside, Tessie jokingly suggests that Mitsuha

  • is apart of a multiverse from the comic he's reading, a complicated theory about endless

  • dimension that could be relevent to the story but it's a bit far fetched for this video.

  • So far in the movie we've been subtly introduced to various mechanics of Your Name.

  • We know this is a supernatural show, there's a strong level of mystery already established

  • in the story before it even gets started.

  • The next few scenes of the movie finish the first segment of the story, but they're

  • one's im not too fond of.

  • They forget the subtle story telling of previous scenes and opt for a voice over explanation,

  • spelling out plot points to us about Mitsuha's father and their family tradition.

  • Plot points that become throw-away subplots later on in the film.

  • It's a shame because the film really wasted valuable time here.

  • Take a note of the pacing too, this is 17 minutes into the movie, which is only roughly

  • 100 minutes long, not including the credits, so this is almost a 5th of the movie's runtime

  • spent achieving very little progression.

  • It's given us hints and set the tone, but it's taken a long time to do so.

  • It's up to you whether this slow pacing helps the effectiveness of faster paced sections

  • or wastes valuable time that was sorely needed towards the end of the film.

  • So this next part of the film, for the next 10 minutes or so is where Your Name really

  • establishes its premise.

  • We begin with our main character Mitsuha seemingly waking up in a boy's body, just after boldly

  • wishing she could leave her village.

  • This is all brushed off as a dream and Mitsuha doesn't take it seriously at all, once again

  • normalising fantasy.

  • She then lives out a day as this boy in Tokyo.

  • What I like about this section is how huge and busy Tokyo feels, I can assure you it

  • wouldn't have worked as well if we hadn't spent so much time in the country first.

  • Mitsuha's entrance to the bustling streets of Tokyo feel like, once again, a really nice

  • contrast.

  • This section is essential for fueling that initial sense of mystery, we now have something

  • to connect the dots with these supernatural undertones.

  • And then, almost 30 minutes into the movie, the premise is revealed.

  • Mitsuha is swapping bodies with a boy in Tokyo, Taki.

  • I think it could've come quicker, I don't think 30 minutes of build-up to a twist that

  • is pretty obvious was necessary, but time isn't something very wisely used in Your

  • Name.

  • Regardless, the story is flowing nicely now and there's a lot of pay-off.

  • The slow start makes this section of the movie feel fast and vibrant.

  • This is the end of the first act, and the movie, once again feels the need to have a

  • voice over explanation of what's happened.

  • I think these hurt the flow of the movie and don't really respect the viewers ability

  • to follow a story.

  • We then have a huge tone shift for the next segment, a part of the movie that's probably

  • one of my favourites.

  • While in Mitsuha's body, Taki is taken to a shire to make an offering by Mitsuha's

  • grandmother.

  • This is one of the first scenes were the movie's supernatural side is put in the forefront.

  • There's a lot of talk about intertwined timelines and different worlds.

  • Mystery shrouds the supernatural part of the movie, nothing is properly explained but we're

  • given a rough idea.

  • I'll leave it up to you to decide whether thats a good or bad thing.

  • There's no logical mechanics behind anything in your name, it all seems to be powered by

  • spirits and gods so leaving it vague might be the best idea.

  • And would explaining some complex system even benefit the movie?

  • I'm not too sure.

  • Shinkai and his team change up the movies visual style completely for this location.

  • What was before, lots of highly detailed, tight compositions is now one massive, open

  • location with very few fine details.

  • This is echoed into the change in composition design, before each shot was very square with

  • lines creating most of the structure, now everything is round, we have a great round

  • crater with a circular stream in the middle, even the lakes in the background are circular

  • I think this nicely reflects the movie's switch into a higher plane.

  • We're considering gods and multiple worlds here, the idea of time be endless and complex,

  • I think the change of visual style is jaunting but effective in forcing us into a new mindset.

  • The scene following this is one of my favourite moments in the film.

  • As they're returning to the village, Mitsuha's little sister mentions the phraseHalf

  • Light”, which immediately sends us back to the classroom poem scene from the beginning.

  • With these few shots, the movie brings to life the poem from earlier.

  • Both characters are waiting for their love, in the september dew, and it's one of the

  • movie's most subtle but brilliant moments.

  • Followed by an equally effective one.

  • The scene is cut drastically as Taki switches back to his own body, with tears streaming

  • down his face.

  • I love this scene because, just as the movie builds itself up, we're abruptly snatched

  • back to reality and we suddenly realise how far away they are from each other.

  • It creates such a great contrast in emotion, a brutally sharp but powerful moment.

  • This is where the movie starts to introduce conflict and steers away from the trajectory

  • of its happy ending.

  • The story is now out of the characters hands and Mitsuha and Taki are now helplessly moving

  • away from each other.

  • A number of really great shots echo this split.

  • And as the first plot twist still ripples through the world of Your Name, we're hit

  • with the 2nd plot twist.

  • An even more devastating one that completely turns the story on its head.

  • A complete change in tone takes place because of this.

  • From light-hearted romantic sub stories to a now seemingly impossible situation.

  • This fast paced right hook is what I think creates so much of the movies emotion.

  • If this was stretched out and delivered equally throughout the story, I don't think it would

  • of been as effective.

  • After this, Taki's memories of Mitsuha then start to fade uncontrollably and he forgets

  • what he was looking for in the first place.

  • I don't know why the idea of forgetting each other was so moving, in a way, them forgetting

  • each other is worse than them being in different timelines.

  • I think this echo's the fleeting nature of time in life, that important things can

  • quickly fade away from you.

  • This aspect of the story really captured me and is definitely one of the main reasons

  • i found it so powerful.

  • So now I want to look at the final 3rd of the film, where Taki needs to go back in time

  • and save Itomori to save Mitsuha.

  • Obviously he needs to try and save the whole town aswell, for dramatic effect.

  • This scene is kind of odd, the pacing and narrative style feel different to the rest

  • of the film.

  • It kind of rushes through a quick scheme the kids make up to evacuate the town, with very

  • little reasoning behind anything.

  • It just seems to happen and before we're even shown everyone evacuating, the commit

  • just hits and the scene ends.

  • The whole scene clocking in at just 10 minutes.

  • After this scene, Your Name decides to skip 8 years into the future were Taki is working

  • in Tokyo.

  • Again, the film opts to explain things to us with a dialogue voice over.

  • We're told that the town evacuated with most people surviving unharmed.

  • And that's it.

  • A movie's worth of supernatural buildup concluded with a mere few minutes.

  • Narratives like Mitsuha's father were completely forgotten and left unresolved.

  • It's like the commit destroyed half of the plot too.

  • Both Taki and Mitsuha forget the body swapping ever happened and continue their lives with

  • only a vague sense that they've forgotten something.

  • Which gives this final section of the movie a melancholic undertone.

  • And finally, the massive pay-off point, the scene that every second of the movie is building

  • towards, Taki and Mitsuha finally meeting in real life.

  • Just, kind of happens.

  • The interaction is about 10 seconds long and the movie just ends.

  • Mokoto Shinkai has talked about the film since its release and has admitted that it was incomplete.

  • He blames bugdet and scheduling issues, saying that 2 years wasn't enough time to fully

  • realise Your Name.

  • And I agree, the final 3rd of the movie feelsmissing.

  • But would I say the lackluster ending completely ruined the movie?

  • No.

  • It didnt make the rest of the movie void, it just felt like I hadn't watched an ending,

  • a feeling of emptiness towards the movie's finale but the rest of my Your Name experience

  • felt somewhat intact.

  • And the ending didn't seem to faze everyone, I think Shinkai managed to scrape together

  • enough of a conclusion to please most fans.

  • So if not a theatrical ending, what was it about Your Name that captured the community?

  • I think it boils down to the sheer scale of the movie.

  • Even the smallest details of the world were brought to life with such elegance.

  • Shinkai refined every inch of this movie to make it feel huge.

  • The breathtaking landscape shots of Tokyo for example gave an extra layer of importance

  • and weight to the story.

  • It's hard to think what this film would be without the barrage of sublime imagery.

  • This idea of such a colossal production for what is at its core a simple love story is

  • a tremendous mixture.

  • It makes every moment of the story that little bit more important.

  • I think it's important to remember as well that Your Name has been mainly a theatrical

  • release.

  • It wasn't available to stream online or to buy on Blu Ray for months, going to the

  • theater was the only way to see it.

  • Adding to the spectacle.

  • And over here in the west, we've only really been having theatrical releases of anime films

  • outside of the giants like Ghibli for about a decade.

  • A decade or two ago, a movie like Your Name would get 1 or 2 showings at an indie cinema

  • but only if you were lucky.

  • Your Name's release is one of the first of its kind in the west, and I think fans

  • want to be a part of that.

  • You haven't just watched Your Name online, you've been apart of the release, you've

  • contributed to the record books, you're part of history.

  • I feel like on top of the movie's story, Your Name is one of the first anime theatrical

  • releases that western audiences can truly connect with.

  • And I think that is how Your Name captured the anime community.

I've changed the premise of this video so many times while writing it, because this

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你的名字是如何俘獲動漫界的 (How Your Name Captured The Anime Community)

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    二百五 發佈於 2021 年 01 月 14 日
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