Push it into the adhesive. Now, it's like laying shingles, you start at the bottom and

you work your way up. When you use lace, your beard is always going to look the same. You

do take a chance when you're laying the beard. You have to make sure you have a good reference

material because you want to make the beard look the same each time, and that could be

something that could interfere with continuity. You're always concerned about continuity when

you're working on a film. I've got the first layer of human hair across

there and it's starting to see that there is a transition you can still make out the

darker hair underneath, but you're starting to see some variation now. It's not just one

color. A mustache is a good place to put a lace piece because they're easy to take off.

The person goes to lunch or something, you can whip it off and they can eat their lunch

without having the hair hanging down over it. When you lay a mustache, you have to get

in there with a curling iron like a small one I said and you have to curl and style it.

That thing is hot and you got that right next to the--they would feel the heat they

might move or something like that. It's a good place to use a lace piece if you're going

to use one. If you put a lace beard on, you almost inevitably

have to do this on the edges. Hand lay these edges like this because you want to disguise

that lace that's laying out there in the open. That's why you want to learn this technique

because putting the lace beard down isn't difficult.

It's making it believable and that edge is probably the most important part.

Go ahead and yawn.

Okay, now smile, big smile.