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  • Narrator: Have you ever been watching something on TV

  • and thought, "Hey, where'd that dead body come from?"

  • "How does it look so real?"

  • "And how did it fall off that tall building?"

  • We went to Dapper Cadaver in Los Angeles

  • to learn how they make fake bodies and body parts

  • for TV and movies.

  • Dapper Cadaver bills itself as a death-related prop house

  • and prop fabrication shop.

  • BJ: If it's dead or can die, we can make it.

  • Narrator: This is BJ and Eileen Winslow,

  • co-owners of the prop house.

  • Their work has appeared

  • in many different movies and TV shows.

  • They showed us how their fake bodies are made

  • and how they give them such realistic injuries.

  • We also put one of their creations to the ultimate test.

  • Joe: A loose testicle here, right?

  • BJ: That's an eyeball.

  • Joe: No, I think it's a testicle.

  • BJ: OK.

  • Joe: I'm just kidding.

  • Narrator: Most of their bodies are made in these

  • giant molds.

  • They pour the materials, usually poly foam, into a mold.

  • Hard to believe that this becomes this.

  • They have molds for just about any kind of project

  • that gets thrown their way.

  • Whichever mold they decide to use

  • depends on the project they're working on.

  • They even have a pig-shaped one in a butcher shop display.

  • They also specialize in organs,

  • which might appear in an autopsy scene.

  • Then, they just pop right out of the mold.

  • Soon, they'll be painted and detailed.

  • The heads are typically lifecast from actual people

  • but are often resculpted and given new features over time.

  • When working with clients,

  • sometimes they'll get a photo of an actor

  • or a sketch to help make the model.

  • But most of the time,

  • they have to work completely from scratch.

  • BJ: Once we start changing hair and beard and skin color,

  • those guys can really just completely transform

  • from looking like nobody in particular

  • to looking like two completely different people.

  • Eileen: And if you see an arm painted flesh tone

  • with no shading on it,

  • it looks like a rubber arm

  • that you would see in a Halloween shop.

  • Narrator: They have bodies of all shapes and sizes,

  • like a baby made out of silicone.

  • The material allows it to be more flexible

  • and more detailed.

  • Joe: This feels like a ba-, I mean it's not as warm,

  • but the weight of a baby.

  • Not all fake bodies are made in the same way.

  • BJ: This is our Lucy body.

  • She's what we call a half-anatomical,

  • which, that means she's lifecast from the waist up,

  • and then she is a posable dummy body from the waist down,

  • and that gives her a high degree

  • of both detail and flexibility.

  • Joe: Yeah, for real, it's a sharp shirt.

  • BJ: He's not like the silicone.

  • You're gonna want to move it to bend the wire.

  • Joe: Hey, hey, hey, hey.

  • Narrator: Besides dressing them, there's still a lot more

  • they have to do with these bodies

  • to make them look realistic.

  • You've got to be imaginative with your injuries.

  • This body was made to look like it succumbed to frostbite.

  • This one got impaled, and this one is just a head.

  • BJ: I refer to science books and anatomy books,

  • police photography, and just anything that can give me

  • a realistic understanding of anatomy

  • and the processes that we're working with.

  • Eileen: We both have an appreciation and love of science.

  • When BJ went to college, he started,

  • actually both of us started out as biology majors.

  • He started out in biology.

  • I started out in biophysics,

  • but it's funny because both of us then ended up

  • in writing degrees over our college time.

  • And so these days, we really get to marry our love

  • of both biology and storytelling.

  • Narrator: They're especially good

  • at making a body look burned.

  • Some of their charred bodies popped up in "The Revenant."

  • They demonstrated this technique for us using just an arm.

  • They add layers of paint and spray paint.

  • BJ: And what happens on top of the burn

  • is that your skin gets

  • crispy,

  • wrinkled, wrinkly.

  • It starts to deglove from the hand itself.

  • So to represent that, we're just using ordinary shrink wrap.

  • Narrator: Then they cover it in an ashy-looking burn mud.

  • After that, they use a heat gun to shrink the shrink wrap.

  • That's when the details really come out.

  • Joe: This looks incredible.

  • Look at the detail on this.

  • Narrator: We couldn't leave Dapper Cadaver

  • without seeing one of these bodies in action.

  • They were kind enough to throw a stunt body

  • off a 14-foot-tall roof for us.

  • Bodies used for these purposes are usually made

  • from a strong Dura-Rubber and filled with foam

  • or another kind of stuffing

  • and covered with a fabric material.

  • This makes the bodies both impact- and tear-resistant.

  • Eileen: This particular model is designed to have

  • some type of swinging arm motion.

  • Narrator: But could it survive the fall?

  • That was cool.

  • Let's try that again.

  • Joe: How's it look?

  • Eileen: Just the tiniest bit off the nose on impact.

  • Everything else is perfect.

Narrator: Have you ever been watching something on TV

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電影和電視劇中的假體是如何製作的 | 電影內幕 (How Fake Bodies Are Made For Movies & TV Shows | Movies Insider)

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    邱于嘉 發佈於 2021 年 01 月 14 日
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