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  • CHAPTER I. Mrs. Rachel Lynde is Surprised

  • Mrs. Rachel Lynde lived just where the Avonlea main road dipped down into a little

  • hollow, fringed with alders and ladies' eardrops and traversed by a brook that had

  • its source away back in the woods of the

  • old Cuthbert place; it was reputed to be an intricate, headlong brook in its earlier

  • course through those woods, with dark secrets of pool and cascade; but by the

  • time it reached Lynde's Hollow it was a

  • quiet, well-conducted little stream, for not even a brook could run past Mrs. Rachel

  • Lynde's door without due regard for decency and decorum; it probably was conscious that

  • Mrs. Rachel was sitting at her window,

  • keeping a sharp eye on everything that passed, from brooks and children up, and

  • that if she noticed anything odd or out of place she would never rest until she had

  • ferreted out the whys and wherefores thereof.

  • There are plenty of people in Avonlea and out of it, who can attend closely to their

  • neighbor's business by dint of neglecting their own; but Mrs. Rachel Lynde was one of

  • those capable creatures who can manage

  • their own concerns and those of other folks into the bargain.

  • She was a notable housewife; her work was always done and well done; she "ran" the

  • Sewing Circle, helped run the Sunday- school, and was the strongest prop of the

  • Church Aid Society and Foreign Missions Auxiliary.

  • Yet with all this Mrs. Rachel found abundant time to sit for hours at her

  • kitchen window, knitting "cotton warp" quilts--she had knitted sixteen of them, as

  • Avonlea housekeepers were wont to tell in

  • awed voices--and keeping a sharp eye on the main road that crossed the hollow and wound

  • up the steep red hill beyond.

  • Since Avonlea occupied a little triangular peninsula jutting out into the Gulf of St.

  • Lawrence with water on two sides of it, anybody who went out of it or into it had

  • to pass over that hill road and so run the

  • unseen gauntlet of Mrs. Rachel's all-seeing eye.

  • She was sitting there one afternoon in early June.

  • The sun was coming in at the window warm and bright; the orchard on the slope below

  • the house was in a bridal flush of pinky- white bloom, hummed over by a myriad of

  • bees.

  • Thomas Lynde--a meek little man whom Avonlea people called "Rachel Lynde's

  • husband"--was sowing his late turnip seed on the hill field beyond the barn; and

  • Matthew Cuthbert ought to have been sowing

  • his on the big red brook field away over by Green Gables.

  • Mrs. Rachel knew that he ought because she had heard him tell Peter Morrison the

  • evening before in William J.

  • Blair's store over at Carmody that he meant to sow his turnip seed the next afternoon.

  • Peter had asked him, of course, for Matthew Cuthbert had never been known to volunteer

  • information about anything in his whole life.

  • And yet here was Matthew Cuthbert, at half- past three on the afternoon of a busy day,

  • placidly driving over the hollow and up the hill; moreover, he wore a white collar and

  • his best suit of clothes, which was plain

  • proof that he was going out of Avonlea; and he had the buggy and the sorrel mare, which

  • betokened that he was going a considerable distance.

  • Now, where was Matthew Cuthbert going and why was he going there?

  • Had it been any other man in Avonlea, Mrs. Rachel, deftly putting this and that

  • together, might have given a pretty good guess as to both questions.

  • But Matthew so rarely went from home that it must be something pressing and unusual

  • which was taking him; he was the shyest man alive and hated to have to go among

  • strangers or to any place where he might have to talk.

  • Matthew, dressed up with a white collar and driving in a buggy, was something that

  • didn't happen often.

  • Mrs. Rachel, ponder as she might, could make nothing of it and her afternoon's

  • enjoyment was spoiled.

  • "I'll just step over to Green Gables after tea and find out from Marilla where he's

  • gone and why," the worthy woman finally concluded.

  • "He doesn't generally go to town this time of year and he NEVER visits; if he'd run

  • out of turnip seed he wouldn't dress up and take the buggy to go for more; he wasn't

  • driving fast enough to be going for a doctor.

  • Yet something must have happened since last night to start him off.

  • I'm clean puzzled, that's what, and I won't know a minute's peace of mind or conscience

  • until I know what has taken Matthew Cuthbert out of Avonlea today."

  • Accordingly after tea Mrs. Rachel set out; she had not far to go; the big, rambling,

  • orchard-embowered house where the Cuthberts lived was a scant quarter of a mile up the

  • road from Lynde's Hollow.

  • To be sure, the long lane made it a good deal further.

  • Matthew Cuthbert's father, as shy and silent as his son after him, had got as far

  • away as he possibly could from his fellow men without actually retreating into the

  • woods when he founded his homestead.

  • Green Gables was built at the furthest edge of his cleared land and there it was to

  • this day, barely visible from the main road along which all the other Avonlea houses

  • were so sociably situated.

  • Mrs. Rachel Lynde did not call living in such a place LIVING at all.

  • "It's just STAYING, that's what," she said as she stepped along the deep-rutted,

  • grassy lane bordered with wild rose bushes.

  • "It's no wonder Matthew and Marilla are both a little odd, living away back here by

  • themselves.

  • Trees aren't much company, though dear knows if they were there'd be enough of

  • them. I'd ruther look at people.

  • To be sure, they seem contented enough; but then, I suppose, they're used to it.

  • A body can get used to anything, even to being hanged, as the Irishman said."

  • With this Mrs. Rachel stepped out of the lane into the backyard of Green Gables.

  • Very green and neat and precise was that yard, set about on one side with great

  • patriarchal willows and the other with prim Lombardies.

  • Not a stray stick nor stone was to be seen, for Mrs. Rachel would have seen it if there

  • had been.

  • Privately she was of the opinion that Marilla Cuthbert swept that yard over as

  • often as she swept her house.

  • One could have eaten a meal off the ground without overbrimming the proverbial peck of

  • dirt. Mrs. Rachel rapped smartly at the kitchen

  • door and stepped in when bidden to do so.

  • The kitchen at Green Gables was a cheerful apartment--or would have been cheerful if

  • it had not been so painfully clean as to give it something of the appearance of an

  • unused parlor.

  • Its windows looked east and west; through the west one, looking out on the back yard,

  • came a flood of mellow June sunlight; but the east one, whence you got a glimpse of

  • the bloom white cherry-trees in the left

  • orchard and nodding, slender birches down in the hollow by the brook, was greened

  • over by a tangle of vines.

  • Here sat Marilla Cuthbert, when she sat at all, always slightly distrustful of

  • sunshine, which seemed to her too dancing and irresponsible a thing for a world which

  • was meant to be taken seriously; and here

  • she sat now, knitting, and the table behind her was laid for supper.

  • Mrs. Rachel, before she had fairly closed the door, had taken a mental note of

  • everything that was on that table.

  • There were three plates laid, so that Marilla must be expecting some one home

  • with Matthew to tea; but the dishes were everyday dishes and there was only crab-

  • apple preserves and one kind of cake, so

  • that the expected company could not be any particular company.

  • Yet what of Matthew's white collar and the sorrel mare?

  • Mrs. Rachel was getting fairly dizzy with this unusual mystery about quiet,

  • unmysterious Green Gables. "Good evening, Rachel," Marilla said

  • briskly.

  • "This is a real fine evening, isn't it? Won't you sit down?

  • How are all your folks?"

  • Something that for lack of any other name might be called friendship existed and

  • always had existed between Marilla Cuthbert and Mrs. Rachel, in spite of--or perhaps

  • because of--their dissimilarity.

  • Marilla was a tall, thin woman, with angles and without curves; her dark hair showed

  • some gray streaks and was always twisted up in a hard little knot behind with two wire

  • hairpins stuck aggressively through it.

  • She looked like a woman of narrow experience and rigid conscience, which she

  • was; but there was a saving something about her mouth which, if it had been ever so

  • slightly developed, might have been considered indicative of a sense of humor.

  • "We're all pretty well," said Mrs. Rachel. "I was kind of afraid YOU weren't, though,

  • when I saw Matthew starting off today.

  • I thought maybe he was going to the doctor's."

  • Marilla's lips twitched understandingly.

  • She had expected Mrs. Rachel up; she had known that the sight of Matthew jaunting

  • off so unaccountably would be too much for her neighbor's curiosity.

  • "Oh, no, I'm quite well although I had a bad headache yesterday," she said.

  • "Matthew went to Bright River.

  • We're getting a little boy from an orphan asylum in Nova Scotia and he's coming on

  • the train tonight."

  • If Marilla had said that Matthew had gone to Bright River to meet a kangaroo from

  • Australia Mrs. Rachel could not have been more astonished.

  • She was actually stricken dumb for five seconds.

  • It was unsupposable that Marilla was making fun of her, but Mrs. Rachel was almost

  • forced to suppose it.

  • "Are you in earnest, Marilla?" she demanded when voice returned to her.

  • "Yes, of course," said Marilla, as if getting boys from orphan asylums in Nova

  • Scotia were part of the usual spring work on any well-regulated Avonlea farm instead

  • of being an unheard of innovation.

  • Mrs. Rachel felt that she had received a severe mental jolt.

  • She thought in exclamation points. A boy!

  • Marilla and Matthew Cuthbert of all people adopting a boy!

  • From an orphan asylum! Well, the world was certainly turning

  • upside down!

  • She would be surprised at nothing after this!

  • Nothing! "What on earth put such a notion into your

  • head?" she demanded disapprovingly.

  • This had been done without her advice being asked, and must perforce be disapproved.

  • "Well, we've been thinking about it for some time--all winter in fact," returned

  • Marilla.

  • "Mrs. Alexander Spencer was up here one day before Christmas and she said she was going

  • to get a little girl from the asylum over in Hopeton in the spring.

  • Her cousin lives there and Mrs. Spencer has visited here and knows all about it.

  • So Matthew and I have talked it over off and on ever since.

  • We thought we'd get a boy.

  • Matthew is getting up in years, you know-- he's sixty--and he isn't so spry as he once

  • was. His heart troubles him a good deal.

  • And you know how desperate hard it's got to be to get hired help.

  • There's never anybody to be had but those stupid, half-grown little French boys; and

  • as soon as you do get one broke into your ways and taught something he's up and off

  • to the lobster canneries or the States.

  • At first Matthew suggested getting a Home boy.

  • But I said 'no' flat to that.

  • 'They may be all right--I'm not saying they're not--but no London street Arabs for

  • me,' I said. 'Give me a native born at least.

  • There'll be a risk, no matter who we get.

  • But I'll feel easier in my mind and sleep sounder at nights if we get a born

  • Canadian.'

  • So in the end we decided to ask Mrs. Spencer to pick us out one when she went

  • over to get her little girl.

  • We heard last week she was going, so we sent her word by Richard Spencer's folks at

  • Carmody to bring us a smart, likely boy of about ten or eleven.

  • We decided that would be the best age--old enough to be of some use in doing chores

  • right off and young enough to be trained up proper.

  • We mean to give him a good home and schooling.

  • We had a telegram from Mrs. Alexander Spencer today--the mail-man brought it from

  • the station--saying they were coming on the five-thirty train tonight.

  • So Matthew went to Bright River to meet him.

  • Mrs. Spencer will drop him off there. Of course she goes on to White Sands

  • station herself."

  • Mrs. Rachel prided herself on always speaking her mind; she proceeded to speak

  • it now, having adjusted her mental attitude to this amazing piece of news.

  • "Well, Marilla, I'll just tell you plain that I think you're doing a mighty foolish

  • thing--a risky thing, that's what. You don't know what you're getting.

  • You're bringing a strange child into your house and home and you don't know a single

  • thing about him nor what his disposition is like nor what sort of parents he had nor

  • how he's likely to turn out.

  • Why, it was only last week I read in the paper how a man and his wife up west of the

  • Island took a boy out of an orphan asylum and he set fire to the house at night--set

  • it ON PURPOSE, Marilla--and nearly burnt them to a crisp in their beds.

  • And I know another case where an adopted boy used to suck the eggs--they couldn't

  • break him of it.

  • If you had asked my advice in the matter-- which you didn't do, Marilla--I'd have said

  • for mercy's sake not to think of such a thing, that's what."

  • This Job's comforting seemed neither to offend nor to alarm Marilla.

  • She knitted steadily on. "I don't deny there's something in what you

  • say, Rachel.

  • I've had some qualms myself. But Matthew was terrible set on it.

  • I could see that, so I gave in.

  • It's so seldom Matthew sets his mind on anything that when he does I always feel

  • it's my duty to give in.

  • And as for the risk, there's risks in pretty near everything a body does in this

  • world.

  • There's risks in people's having children of their own if it comes to that--they

  • don't always turn out well. And then Nova Scotia is right close to the

  • Island.

  • It isn't as if we were getting him from England or the States.

  • He can't be much different from ourselves."

  • "Well, I hope it will turn out all right," said Mrs. Rachel in a tone that plainly

  • indicated her painful doubts.

  • "Only don't say I didn't warn you if he burns Green Gables down or puts strychnine

  • in the well--I heard of a case over in New Brunswick where an orphan asylum child did

  • that and the whole family died in fearful agonies.

  • Only, it was a girl in that instance."

  • "Well, we're not getting a girl," said Marilla, as if poisoning wells were a

  • purely feminine accomplishment and not to be dreaded in the case of a boy.

  • "I'd never dream of taking a girl to bring up.

  • I wonder at Mrs. Alexander Spencer for doing it.

  • But there, SHE wouldn't shrink from adopting a whole orphan asylum if she took

  • it into her head." Mrs. Rachel would have liked to stay until

  • Matthew came home with his imported orphan.

  • But reflecting that it would be a good two hours at least before his arrival she

  • concluded to go up the road to Robert Bell's and tell the news.

  • It would certainly make a sensation second to none, and Mrs. Rachel dearly loved to

  • make a sensation.

  • So she took herself away, somewhat to Marilla's relief, for the latter felt her

  • doubts and fears reviving under the influence of Mrs. Rachel's pessimism.

  • "Well, of all things that ever were or will be!" ejaculated Mrs. Rachel when she was

  • safely out in the lane. "It does really seem as if I must be

  • dreaming.

  • Well, I'm sorry for that poor young one and no mistake.

  • Matthew and Marilla don't know anything about children and they'll expect him to be

  • wiser and steadier that his own grandfather, if so be's he ever had a

  • grandfather, which is doubtful.

  • It seems uncanny to think of a child at Green Gables somehow; there's never been

  • one there, for Matthew and Marilla were grown up when the new house was built--if

  • they ever WERE children, which is hard to believe when one looks at them.

  • I wouldn't be in that orphan's shoes for anything.

  • My, but I pity him, that's what."

  • So said Mrs. Rachel to the wild rose bushes out of the fulness of her heart; but if she

  • could have seen the child who was waiting patiently at the Bright River station at

  • that very moment her pity would have been still deeper and more profound.

  • >

  • CHAPTER II. Matthew Cuthbert is surprised

  • Matthew Cuthbert and the sorrel mare jogged comfortably over the eight miles to Bright

  • River.

  • It was a pretty road, running along between snug farmsteads, with now and again a bit

  • of balsamy fir wood to drive through or a hollow where wild plums hung out their

  • filmy bloom.

  • The air was sweet with the breath of many apple orchards and the meadows sloped away

  • in the distance to horizon mists of pearl and purple; while

  • "The little birds sang as if it were The one day of summer in all the year."

  • Matthew enjoyed the drive after his own fashion, except during the moments when he

  • met women and had to nod to them--for in Prince Edward island you are supposed to

  • nod to all and sundry you meet on the road whether you know them or not.

  • Matthew dreaded all women except Marilla and Mrs. Rachel; he had an uncomfortable

  • feeling that the mysterious creatures were secretly laughing at him.

  • He may have been quite right in thinking so, for he was an odd-looking personage,

  • with an ungainly figure and long iron-gray hair that touched his stooping shoulders,

  • and a full, soft brown beard which he had worn ever since he was twenty.

  • In fact, he had looked at twenty very much as he looked at sixty, lacking a little of

  • the grayness.

  • When he reached Bright River there was no sign of any train; he thought he was too

  • early, so he tied his horse in the yard of the small Bright River hotel and went over

  • to the station house.

  • The long platform was almost deserted; the only living creature in sight being a girl

  • who was sitting on a pile of shingles at the extreme end.

  • Matthew, barely noting that it WAS a girl, sidled past her as quickly as possible

  • without looking at her.

  • Had he looked he could hardly have failed to notice the tense rigidity and

  • expectation of her attitude and expression.

  • She was sitting there waiting for something or somebody and, since sitting and waiting

  • was the only thing to do just then, she sat and waited with all her might and main.

  • Matthew encountered the stationmaster locking up the ticket office preparatory to

  • going home for supper, and asked him if the five-thirty train would soon be along.

  • "The five-thirty train has been in and gone half an hour ago," answered that brisk

  • official. "But there was a passenger dropped off for

  • you--a little girl.

  • She's sitting out there on the shingles. I asked her to go into the ladies' waiting

  • room, but she informed me gravely that she preferred to stay outside.

  • 'There was more scope for imagination,' she said.

  • She's a case, I should say." "I'm not expecting a girl," said Matthew

  • blankly.

  • "It's a boy I've come for. He should be here.

  • Mrs. Alexander Spencer was to bring him over from Nova Scotia for me."

  • The stationmaster whistled.

  • "Guess there's some mistake," he said. "Mrs. Spencer came off the train with that

  • girl and gave her into my charge.

  • Said you and your sister were adopting her from an orphan asylum and that you would be

  • along for her presently. That's all I know about it--and I haven't

  • got any more orphans concealed hereabouts."

  • "I don't understand," said Matthew helplessly, wishing that Marilla was at

  • hand to cope with the situation. "Well, you'd better question the girl,"

  • said the station-master carelessly.

  • "I dare say she'll be able to explain-- she's got a tongue of her own, that's

  • certain. Maybe they were out of boys of the brand

  • you wanted."

  • He walked jauntily away, being hungry, and the unfortunate Matthew was left to do that

  • which was harder for him than bearding a lion in its den--walk up to a girl--a

  • strange girl--an orphan girl--and demand of her why she wasn't a boy.

  • Matthew groaned in spirit as he turned about and shuffled gently down the platform

  • towards her.

  • She had been watching him ever since he had passed her and she had her eyes on him now.

  • Matthew was not looking at her and would not have seen what she was really like if

  • he had been, but an ordinary observer would have seen this: A child of about eleven,

  • garbed in a very short, very tight, very ugly dress of yellowish-gray wincey.

  • She wore a faded brown sailor hat and beneath the hat, extending down her back,

  • were two braids of very thick, decidedly red hair.

  • Her face was small, white and thin, also much freckled; her mouth was large and so

  • were her eyes, which looked green in some lights and moods and gray in others.

  • So far, the ordinary observer; an extraordinary observer might have seen that

  • the chin was very pointed and pronounced; that the big eyes were full of spirit and

  • vivacity; that the mouth was sweet-lipped

  • and expressive; that the forehead was broad and full; in short, our discerning

  • extraordinary observer might have concluded that no commonplace soul inhabited the body

  • of this stray woman-child of whom shy Matthew Cuthbert was so ludicrously afraid.

  • Matthew, however, was spared the ordeal of speaking first, for as soon as she

  • concluded that he was coming to her she stood up, grasping with one thin brown hand

  • the handle of a shabby, old-fashioned carpet-bag; the other she held out to him.

  • "I suppose you are Mr. Matthew Cuthbert of Green Gables?" she said in a peculiarly

  • clear, sweet voice.

  • "I'm very glad to see you. I was beginning to be afraid you weren't

  • coming for me and I was imagining all the things that might have happened to prevent

  • you.

  • I had made up my mind that if you didn't come for me to-night I'd go down the track

  • to that big wild cherry-tree at the bend, and climb up into it to stay all night.

  • I wouldn't be a bit afraid, and it would be lovely to sleep in a wild cherry-tree all

  • white with bloom in the moonshine, don't you think?

  • You could imagine you were dwelling in marble halls, couldn't you?

  • And I was quite sure you would come for me in the morning, if you didn't to-night."

  • Matthew had taken the scrawny little hand awkwardly in his; then and there he decided

  • what to do.

  • He could not tell this child with the glowing eyes that there had been a mistake;

  • he would take her home and let Marilla do that.

  • She couldn't be left at Bright River anyhow, no matter what mistake had been

  • made, so all questions and explanations might as well be deferred until he was

  • safely back at Green Gables.

  • "I'm sorry I was late," he said shyly. "Come along.

  • The horse is over in the yard. Give me your bag."

  • "Oh, I can carry it," the child responded cheerfully.

  • "It isn't heavy. I've got all my worldly goods in it, but it

  • isn't heavy.

  • And if it isn't carried in just a certain way the handle pulls out--so I'd better

  • keep it because I know the exact knack of it.

  • It's an extremely old carpet-bag.

  • Oh, I'm very glad you've come, even if it would have been nice to sleep in a wild

  • cherry-tree. We've got to drive a long piece, haven't

  • we?

  • Mrs. Spencer said it was eight miles. I'm glad because I love driving.

  • Oh, it seems so wonderful that I'm going to live with you and belong to you.

  • I've never belonged to anybody--not really.

  • But the asylum was the worst. I've only been in it four months, but that

  • was enough.

  • I don't suppose you ever were an orphan in an asylum, so you can't possibly understand

  • what it is like. It's worse than anything you could imagine.

  • Mrs. Spencer said it was wicked of me to talk like that, but I didn't mean to be

  • wicked. It's so easy to be wicked without knowing

  • it, isn't it?

  • They were good, you know--the asylum people.

  • But there is so little scope for the imagination in an asylum--only just in the

  • other orphans.

  • It was pretty interesting to imagine things about them--to imagine that perhaps the

  • girl who sat next to you was really the daughter of a belted earl, who had been

  • stolen away from her parents in her infancy

  • by a cruel nurse who died before she could confess.

  • I used to lie awake at nights and imagine things like that, because I didn't have

  • time in the day.

  • I guess that's why I'm so thin--I AM dreadful thin, ain't I?

  • There isn't a pick on my bones. I do love to imagine I'm nice and plump,

  • with dimples in my elbows."

  • With this Matthew's companion stopped talking, partly because she was out of

  • breath and partly because they had reached the buggy.

  • Not another word did she say until they had left the village and were driving down a

  • steep little hill, the road part of which had been cut so deeply into the soft soil,

  • that the banks, fringed with blooming wild

  • cherry-trees and slim white birches, were several feet above their heads.

  • The child put out her hand and broke off a branch of wild plum that brushed against

  • the side of the buggy.

  • "Isn't that beautiful? What did that tree, leaning out from the

  • bank, all white and lacy, make you think of?" she asked.

  • "Well now, I dunno," said Matthew.

  • "Why, a bride, of course--a bride all in white with a lovely misty veil.

  • I've never seen one, but I can imagine what she would look like.

  • I don't ever expect to be a bride myself.

  • I'm so homely nobody will ever want to marry me--unless it might be a foreign

  • missionary. I suppose a foreign missionary mightn't be

  • very particular.

  • But I do hope that some day I shall have a white dress.

  • That is my highest ideal of earthly bliss. I just love pretty clothes.

  • And I've never had a pretty dress in my life that I can remember--but of course

  • it's all the more to look forward to, isn't it?

  • And then I can imagine that I'm dressed gorgeously.

  • This morning when I left the asylum I felt so ashamed because I had to wear this

  • horrid old wincey dress.

  • All the orphans had to wear them, you know. A merchant in Hopeton last winter donated

  • three hundred yards of wincey to the asylum.

  • Some people said it was because he couldn't sell it, but I'd rather believe that it was

  • out of the kindness of his heart, wouldn't you?

  • When we got on the train I felt as if everybody must be looking at me and pitying

  • me.

  • But I just went to work and imagined that I had on the most beautiful pale blue silk

  • dress--because when you ARE imagining you might as well imagine something worth

  • while--and a big hat all flowers and

  • nodding plumes, and a gold watch, and kid gloves and boots.

  • I felt cheered up right away and I enjoyed my trip to the Island with all my might.

  • I wasn't a bit sick coming over in the boat.

  • Neither was Mrs. Spencer although she generally is.

  • She said she hadn't time to get sick, watching to see that I didn't fall

  • overboard. She said she never saw the beat of me for

  • prowling about.

  • But if it kept her from being seasick it's a mercy I did prowl, isn't it?

  • And I wanted to see everything that was to be seen on that boat, because I didn't know

  • whether I'd ever have another opportunity.

  • Oh, there are a lot more cherry-trees all in bloom!

  • This Island is the bloomiest place. I just love it already, and I'm so glad I'm

  • going to live here.

  • I've always heard that Prince Edward Island was the prettiest place in the world, and I

  • used to imagine I was living here, but I never really expected I would.

  • It's delightful when your imaginations come true, isn't it?

  • But those red roads are so funny.

  • When we got into the train at Charlottetown and the red roads began to flash past I

  • asked Mrs. Spencer what made them red and she said she didn't know and for pity's

  • sake not to ask her any more questions.

  • She said I must have asked her a thousand already.

  • I suppose I had, too, but how you going to find out about things if you don't ask

  • questions?

  • And what DOES make the roads red?" "Well now, I dunno," said Matthew.

  • "Well, that is one of the things to find out sometime.

  • Isn't it splendid to think of all the things there are to find out about?

  • It just makes me feel glad to be alive-- it's such an interesting world.

  • It wouldn't be half so interesting if we know all about everything, would it?

  • There'd be no scope for imagination then, would there?

  • But am I talking too much?

  • People are always telling me I do. Would you rather I didn't talk?

  • If you say so I'll stop. I can STOP when I make up my mind to it,

  • although it's difficult."

  • Matthew, much to his own surprise, was enjoying himself.

  • Like most quiet folks he liked talkative people when they were willing to do the

  • talking themselves and did not expect him to keep up his end of it.

  • But he had never expected to enjoy the society of a little girl.

  • Women were bad enough in all conscience, but little girls were worse.

  • He detested the way they had of sidling past him timidly, with sidewise glances, as

  • if they expected him to gobble them up at a mouthful if they ventured to say a word.

  • That was the Avonlea type of well-bred little girl.

  • But this freckled witch was very different, and although he found it rather difficult

  • for his slower intelligence to keep up with her brisk mental processes he thought that

  • he "kind of liked her chatter."

  • So he said as shyly as usual: "Oh, you can talk as much as you like.

  • I don't mind." "Oh, I'm so glad.

  • I know you and I are going to get along together fine.

  • It's such a relief to talk when one wants to and not be told that children should be

  • seen and not heard.

  • I've had that said to me a million times if I have once.

  • And people laugh at me because I use big words.

  • But if you have big ideas you have to use big words to express them, haven't you?"

  • "Well now, that seems reasonable," said Matthew.

  • "Mrs. Spencer said that my tongue must be hung in the middle.

  • But it isn't--it's firmly fastened at one end.

  • Mrs. Spencer said your place was named Green Gables.

  • I asked her all about it. And she said there were trees all around

  • it.

  • I was gladder than ever. I just love trees.

  • And there weren't any at all about the asylum, only a few poor weeny-teeny things

  • out in front with little whitewashed cagey things about them.

  • They just looked like orphans themselves, those trees did.

  • It used to make me want to cry to look at them.

  • I used to say to them, 'Oh, you POOR little things!

  • If you were out in a great big woods with other trees all around you and little

  • mosses and Junebells growing over your roots and a brook not far away and birds

  • singing in you branches, you could grow, couldn't you?

  • But you can't where you are. I know just exactly how you feel, little

  • trees.'

  • I felt sorry to leave them behind this morning.

  • You do get so attached to things like that, don't you?

  • Is there a brook anywhere near Green Gables?

  • I forgot to ask Mrs. Spencer that." "Well now, yes, there's one right below the

  • house."

  • "Fancy. It's always been one of my dreams to live

  • near a brook. I never expected I would, though.

  • Dreams don't often come true, do they?

  • Wouldn't it be nice if they did? But just now I feel pretty nearly perfectly

  • happy.

  • I can't feel exactly perfectly happy because--well, what color would you call

  • this?"

  • She twitched one of her long glossy braids over her thin shoulder and held it up

  • before Matthew's eyes.

  • Matthew was not used to deciding on the tints of ladies' tresses, but in this case

  • there couldn't be much doubt. "It's red, ain't it?" he said.

  • The girl let the braid drop back with a sigh that seemed to come from her very toes

  • and to exhale forth all the sorrows of the ages.

  • "Yes, it's red," she said resignedly.

  • "Now you see why I can't be perfectly happy.

  • Nobody could who has red hair.

  • I don't mind the other things so much--the freckles and the green eyes and my

  • skinniness. I can imagine them away.

  • I can imagine that I have a beautiful rose- leaf complexion and lovely starry violet

  • eyes. But I CANNOT imagine that red hair away.

  • I do my best.

  • I think to myself, 'Now my hair is a glorious black, black as the raven's wing.'

  • But all the time I KNOW it is just plain red and it breaks my heart.

  • It will be my lifelong sorrow.

  • I read of a girl once in a novel who had a lifelong sorrow but it wasn't red hair.

  • Her hair was pure gold rippling back from her alabaster brow.

  • What is an alabaster brow?

  • I never could find out. Can you tell me?"

  • "Well now, I'm afraid I can't," said Matthew, who was getting a little dizzy.

  • He felt as he had once felt in his rash youth when another boy had enticed him on

  • the merry-go-round at a picnic.

  • "Well, whatever it was it must have been something nice because she was divinely

  • beautiful. Have you ever imagined what it must feel

  • like to be divinely beautiful?"

  • "Well now, no, I haven't," confessed Matthew ingenuously.

  • "I have, often.

  • Which would you rather be if you had the choice--divinely beautiful or dazzlingly

  • clever or angelically good?" "Well now, I--I don't know exactly."

  • "Neither do I.

  • I can never decide. But it doesn't make much real difference

  • for it isn't likely I'll ever be either. It's certain I'll never be angelically

  • good.

  • Mrs. Spencer says--oh, Mr. Cuthbert! Oh, Mr. Cuthbert!!

  • Oh, Mr. Cuthbert!!!"

  • That was not what Mrs. Spencer had said; neither had the child tumbled out of the

  • buggy nor had Matthew done anything astonishing.

  • They had simply rounded a curve in the road and found themselves in the "Avenue."

  • The "Avenue," so called by the Newbridge people, was a stretch of road four or five

  • hundred yards long, completely arched over with huge, wide-spreading apple-trees,

  • planted years ago by an eccentric old farmer.

  • Overhead was one long canopy of snowy fragrant bloom.

  • Below the boughs the air was full of a purple twilight and far ahead a glimpse of

  • painted sunset sky shone like a great rose window at the end of a cathedral aisle.

  • Its beauty seemed to strike the child dumb.

  • She leaned back in the buggy, her thin hands clasped before her, her face lifted

  • rapturously to the white splendor above.

  • Even when they had passed out and were driving down the long slope to Newbridge

  • she never moved or spoke.

  • Still with rapt face she gazed afar into the sunset west, with eyes that saw visions

  • trooping splendidly across that glowing background.

  • Through Newbridge, a bustling little village where dogs barked at them and small

  • boys hooted and curious faces peered from the windows, they drove, still in silence.

  • When three more miles had dropped away behind them the child had not spoken.

  • She could keep silence, it was evident, as energetically as she could talk.

  • "I guess you're feeling pretty tired and hungry," Matthew ventured to say at last,

  • accounting for her long visitation of dumbness with the only reason he could

  • think of.

  • "But we haven't very far to go now--only another mile."

  • She came out of her reverie with a deep sigh and looked at him with the dreamy gaze

  • of a soul that had been wondering afar, star-led.

  • "Oh, Mr. Cuthbert," she whispered, "that place we came through--that white place--

  • what was it?"

  • "Well now, you must mean the Avenue," said Matthew after a few moments' profound

  • reflection. "It is a kind of pretty place."

  • "Pretty?

  • Oh, PRETTY doesn't seem the right word to use.

  • Nor beautiful, either. They don't go far enough.

  • Oh, it was wonderful--wonderful.

  • It's the first thing I ever saw that couldn't be improved upon by imagination.

  • It just satisfies me here"--she put one hand on her breast--"it made a queer funny

  • ache and yet it was a pleasant ache.

  • Did you ever have an ache like that, Mr. Cuthbert?"

  • "Well now, I just can't recollect that I ever had."

  • "I have it lots of time--whenever I see anything royally beautiful.

  • But they shouldn't call that lovely place the Avenue.

  • There is no meaning in a name like that.

  • They should call it--let me see--the White Way of Delight.

  • Isn't that a nice imaginative name?

  • When I don't like the name of a place or a person I always imagine a new one and

  • always think of them so.

  • There was a girl at the asylum whose name was Hepzibah Jenkins, but I always imagined

  • her as Rosalia DeVere.

  • Other people may call that place the Avenue, but I shall always call it the

  • White Way of Delight. Have we really only another mile to go

  • before we get home?

  • I'm glad and I'm sorry. I'm sorry because this drive has been so

  • pleasant and I'm always sorry when pleasant things end.

  • Something still pleasanter may come after, but you can never be sure.

  • And it's so often the case that it isn't pleasanter.

  • That has been my experience anyhow.

  • But I'm glad to think of getting home. You see, I've never had a real home since I

  • can remember. It gives me that pleasant ache again just

  • to think of coming to a really truly home.

  • Oh, isn't that pretty!" They had driven over the crest of a hill.

  • Below them was a pond, looking almost like a river so long and winding was it.

  • A bridge spanned it midway and from there to its lower end, where an amber-hued belt

  • of sand-hills shut it in from the dark blue gulf beyond, the water was a glory of many

  • shifting hues--the most spiritual shadings

  • of crocus and rose and ethereal green, with other elusive tintings for which no name

  • has ever been found.

  • Above the bridge the pond ran up into fringing groves of fir and maple and lay

  • all darkly translucent in their wavering shadows.

  • Here and there a wild plum leaned out from the bank like a white-clad girl tip-toeing

  • to her own reflection.

  • From the marsh at the head of the pond came the clear, mournfully-sweet chorus of the

  • frogs.

  • There was a little gray house peering around a white apple orchard on a slope

  • beyond and, although it was not yet quite dark, a light was shining from one of its

  • windows.

  • "That's Barry's pond," said Matthew. "Oh, I don't like that name, either.

  • I shall call it--let me see--the Lake of Shining Waters.

  • Yes, that is the right name for it.

  • I know because of the thrill. When I hit on a name that suits exactly it

  • gives me a thrill. Do things ever give you a thrill?"

  • Matthew ruminated.

  • "Well now, yes. It always kind of gives me a thrill to see

  • them ugly white grubs that spade up in the cucumber beds.

  • I hate the look of them."

  • "Oh, I don't think that can be exactly the same kind of a thrill.

  • Do you think it can?

  • There doesn't seem to be much connection between grubs and lakes of shining waters,

  • does there? But why do other people call it Barry's

  • pond?"

  • "I reckon because Mr. Barry lives up there in that house.

  • Orchard Slope's the name of his place. If it wasn't for that big bush behind it

  • you could see Green Gables from here.

  • But we have to go over the bridge and round by the road, so it's near half a mile

  • further." "Has Mr. Barry any little girls?

  • Well, not so very little either--about my size."

  • "He's got one about eleven. Her name is Diana."

  • "Oh!" with a long indrawing of breath.

  • "What a perfectly lovely name!" "Well now, I dunno.

  • There's something dreadful heathenish about it, seems to me.

  • I'd ruther Jane or Mary or some sensible name like that.

  • But when Diana was born there was a schoolmaster boarding there and they gave

  • him the naming of her and he called her Diana."

  • "I wish there had been a schoolmaster like that around when I was born, then.

  • Oh, here we are at the bridge. I'm going to shut my eyes tight.

  • I'm always afraid going over bridges.

  • I can't help imagining that perhaps just as we get to the middle, they'll crumple up

  • like a jack-knife and nip us. So I shut my eyes.

  • But I always have to open them for all when I think we're getting near the middle.

  • Because, you see, if the bridge DID crumple up I'd want to SEE it crumple.

  • What a jolly rumble it makes!

  • I always like the rumble part of it. Isn't it splendid there are so many things

  • to like in this world? There we're over.

  • Now I'll look back.

  • Good night, dear Lake of Shining Waters. I always say good night to the things I

  • love, just as I would to people. I think they like it.

  • That water looks as if it was smiling at me."

  • When they had driven up the further hill and around a corner Matthew said:

  • "We're pretty near home now.

  • That's Green Gables over--" "Oh, don't tell me," she interrupted

  • breathlessly, catching at his partially raised arm and shutting her eyes that she

  • might not see his gesture.

  • "Let me guess. I'm sure I'll guess right."

  • She opened her eyes and looked about her. They were on the crest of a hill.

  • The sun had set some time since, but the landscape was still clear in the mellow

  • afterlight. To the west a dark church spire rose up

  • against a marigold sky.

  • Below was a little valley and beyond a long, gently-rising slope with snug

  • farmsteads scattered along it. From one to another the child's eyes

  • darted, eager and wistful.

  • At last they lingered on one away to the left, far back from the road, dimly white

  • with blossoming trees in the twilight of the surrounding woods.

  • Over it, in the stainless southwest sky, a great crystal-white star was shining like a

  • lamp of guidance and promise. "That's it, isn't it?" she said, pointing.

  • Matthew slapped the reins on the sorrel's back delightedly.

  • "Well now, you've guessed it! But I reckon Mrs. Spencer described it so's

  • you could tell."

  • "No, she didn't--really she didn't. All she said might just as well have been

  • about most of those other places. I hadn't any real idea what it looked like.

  • But just as soon as I saw it I felt it was home.

  • Oh, it seems as if I must be in a dream.

  • Do you know, my arm must be black and blue from the elbow up, for I've pinched myself

  • so many times today.

  • Every little while a horrible sickening feeling would come over me and I'd be so

  • afraid it was all a dream.

  • Then I'd pinch myself to see if it was real--until suddenly I remembered that even

  • supposing it was only a dream I'd better go on dreaming as long as I could; so I

  • stopped pinching.

  • But it IS real and we're nearly home." With a sigh of rapture she relapsed into

  • silence. Matthew stirred uneasily.

  • He felt glad that it would be Marilla and not he who would have to tell this waif of

  • the world that the home she longed for was not to be hers after all.

  • They drove over Lynde's Hollow, where it was already quite dark, but not so dark

  • that Mrs. Rachel could not see them from her window vantage, and up the hill and

  • into the long lane of Green Gables.

  • By the time they arrived at the house Matthew was shrinking from the approaching

  • revelation with an energy he did not understand.

  • It was not of Marilla or himself he was thinking of the trouble this mistake was

  • probably going to make for them, but of the child's disappointment.

  • When he thought of that rapt light being quenched in her eyes he had an

  • uncomfortable feeling that he was going to assist at murdering something--much the

  • same feeling that came over him when he had

  • to kill a lamb or calf or any other innocent little creature.

  • The yard was quite dark as they turned into it and the poplar leaves were rustling

  • silkily all round it.

  • "Listen to the trees talking in their sleep," she whispered, as he lifted her to

  • the ground. "What nice dreams they must have!"

  • Then, holding tightly to the carpet-bag which contained "all her worldly goods,"

  • she followed him into the house.

  • >

  • CHAPTER III. Marilla Cuthbert is Surprised

  • Marilla came briskly forward as Matthew opened the door.

  • But when her eyes fell of the odd little figure in the stiff, ugly dress, with the

  • long braids of red hair and the eager, luminous eyes, she stopped short in

  • amazement.

  • "Matthew Cuthbert, who's that?" she ejaculated.

  • "Where is the boy?" "There wasn't any boy," said Matthew

  • wretchedly.

  • "There was only HER." He nodded at the child, remembering that he

  • had never even asked her name. "No boy!

  • But there MUST have been a boy," insisted Marilla.

  • "We sent word to Mrs. Spencer to bring a boy."

  • "Well, she didn't.

  • She brought HER. I asked the station-master.

  • And I had to bring her home. She couldn't be left there, no matter where

  • the mistake had come in."

  • "Well, this is a pretty piece of business!" ejaculated Marilla.

  • During this dialogue the child had remained silent, her eyes roving from one to the

  • other, all the animation fading out of her face.

  • Suddenly she seemed to grasp the full meaning of what had been said.

  • Dropping her precious carpet-bag she sprang forward a step and clasped her hands.

  • "You don't want me!" she cried.

  • "You don't want me because I'm not a boy! I might have expected it.

  • Nobody ever did want me. I might have known it was all too beautiful

  • to last.

  • I might have known nobody really did want me.

  • Oh, what shall I do? I'm going to burst into tears!"

  • Burst into tears she did.

  • Sitting down on a chair by the table, flinging her arms out upon it, and burying

  • her face in them, she proceeded to cry stormily.

  • Marilla and Matthew looked at each other deprecatingly across the stove.

  • Neither of them knew what to say or do. Finally Marilla stepped lamely into the

  • breach.

  • "Well, well, there's no need to cry so about it."

  • "Yes, there IS need!"

  • The child raised her head quickly, revealing a tear-stained face and trembling

  • lips.

  • "YOU would cry, too, if you were an orphan and had come to a place you thought was

  • going to be home and found that they didn't want you because you weren't a boy.

  • Oh, this is the most TRAGICAL thing that ever happened to me!"

  • Something like a reluctant smile, rather rusty from long disuse, mellowed Marilla's

  • grim expression.

  • "Well, don't cry any more. We're not going to turn you out-of-doors

  • to-night. You'll have to stay here until we

  • investigate this affair.

  • What's your name?" The child hesitated for a moment.

  • "Will you please call me Cordelia?" she said eagerly.

  • "CALL you Cordelia?

  • Is that your name?" "No-o-o, it's not exactly my name, but I

  • would love to be called Cordelia. It's such a perfectly elegant name."

  • "I don't know what on earth you mean.

  • If Cordelia isn't your name, what is?" "Anne Shirley," reluctantly faltered forth

  • the owner of that name, "but, oh, please do call me Cordelia.

  • It can't matter much to you what you call me if I'm only going to be here a little

  • while, can it? And Anne is such an unromantic name."

  • "Unromantic fiddlesticks!" said the unsympathetic Marilla.

  • "Anne is a real good plain sensible name. You've no need to be ashamed of it."

  • "Oh, I'm not ashamed of it," explained Anne, "only I like Cordelia better.

  • I've always imagined that my name was Cordelia--at least, I always have of late

  • years.

  • When I was young I used to imagine it was Geraldine, but I like Cordelia better now.

  • But if you call me Anne please call me Anne spelled with an E."

  • "What difference does it make how it's spelled?" asked Marilla with another rusty

  • smile as she picked up the teapot. "Oh, it makes SUCH a difference.

  • It LOOKS so much nicer.

  • When you hear a name pronounced can't you always see it in your mind, just as if it

  • was printed out? I can; and A-n-n looks dreadful, but A-n-n-

  • e looks so much more distinguished.

  • If you'll only call me Anne spelled with an E I shall try to reconcile myself to not

  • being called Cordelia."

  • "Very well, then, Anne spelled with an E, can you tell us how this mistake came to be

  • made? We sent word to Mrs. Spencer to bring us a

  • boy.

  • Were there no boys at the asylum?" "Oh, yes, there was an abundance of them.

  • But Mrs. Spencer said DISTINCTLY that you wanted a girl about eleven years old.

  • And the matron said she thought I would do.

  • You don't know how delighted I was. I couldn't sleep all last night for joy.

  • Oh," she added reproachfully, turning to Matthew, "why didn't you tell me at the

  • station that you didn't want me and leave me there?

  • If I hadn't seen the White Way of Delight and the Lake of Shining Waters it wouldn't

  • be so hard." "What on earth does she mean?" demanded

  • Marilla, staring at Matthew.

  • "She--she's just referring to some conversation we had on the road," said

  • Matthew hastily. "I'm going out to put the mare in, Marilla.

  • Have tea ready when I come back."

  • "Did Mrs. Spencer bring anybody over besides you?" continued Marilla when

  • Matthew had gone out. "She brought Lily Jones for herself.

  • Lily is only five years old and she is very beautiful and had nut-brown hair.

  • If I was very beautiful and had nut-brown hair would you keep me?"

  • "No.

  • We want a boy to help Matthew on the farm. A girl would be of no use to us.

  • Take off your hat. I'll lay it and your bag on the hall

  • table."

  • Anne took off her hat meekly. Matthew came back presently and they sat

  • down to supper. But Anne could not eat.

  • In vain she nibbled at the bread and butter and pecked at the crab-apple preserve out

  • of the little scalloped glass dish by her plate.

  • She did not really make any headway at all.

  • "You're not eating anything," said Marilla sharply, eying her as if it were a serious

  • shortcoming. Anne sighed.

  • "I can't.

  • I'm in the depths of despair. Can you eat when you are in the depths of

  • despair?" "I've never been in the depths of despair,

  • so I can't say," responded Marilla.

  • "Weren't you? Well, did you ever try to IMAGINE you were

  • in the depths of despair?" "No, I didn't."

  • "Then I don't think you can understand what it's like.

  • It's very uncomfortable feeling indeed.

  • When you try to eat a lump comes right up in your throat and you can't swallow

  • anything, not even if it was a chocolate caramel.

  • I had one chocolate caramel once two years ago and it was simply delicious.

  • I've often dreamed since then that I had a lot of chocolate caramels, but I always

  • wake up just when I'm going to eat them.

  • I do hope you won't be offended because I can't eat.

  • Everything is extremely nice, but still I cannot eat."

  • "I guess she's tired," said Matthew, who hadn't spoken since his return from the

  • barn. "Best put her to bed, Marilla."

  • Marilla had been wondering where Anne should be put to bed.

  • She had prepared a couch in the kitchen chamber for the desired and expected boy.

  • But, although it was neat and clean, it did not seem quite the thing to put a girl

  • there somehow.

  • But the spare room was out of the question for such a stray waif, so there remained

  • only the east gable room.

  • Marilla lighted a candle and told Anne to follow her, which Anne spiritlessly did,

  • taking her hat and carpet-bag from the hall table as she passed.

  • The hall was fearsomely clean; the little gable chamber in which she presently found

  • herself seemed still cleaner.

  • Marilla set the candle on a three-legged, three-cornered table and turned down the

  • bedclothes. "I suppose you have a nightgown?" she

  • questioned.

  • Anne nodded. "Yes, I have two.

  • The matron of the asylum made them for me. They're fearfully skimpy.

  • There is never enough to go around in an asylum, so things are always skimpy--at

  • least in a poor asylum like ours. I hate skimpy night-dresses.

  • But one can dream just as well in them as in lovely trailing ones, with frills around

  • the neck, that's one consolation." "Well, undress as quick as you can and go

  • to bed.

  • I'll come back in a few minutes for the candle.

  • I daren't trust you to put it out yourself. You'd likely set the place on fire."

  • When Marilla had gone Anne looked around her wistfully.

  • The whitewashed walls were so painfully bare and staring that she thought they must

  • ache over their own bareness.

  • The floor was bare, too, except for a round braided mat in the middle such as Anne had

  • never seen before.

  • In one corner was the bed, a high, old- fashioned one, with four dark, low-turned

  • posts.

  • In the other corner was the aforesaid three-corner table adorned with a fat, red

  • velvet pin-cushion hard enough to turn the point of the most adventurous pin.

  • Above it hung a little six-by-eight mirror.

  • Midway between table and bed was the window, with an icy white muslin frill over

  • it, and opposite it was the wash-stand.

  • The whole apartment was of a rigidity not to be described in words, but which sent a

  • shiver to the very marrow of Anne's bones.

  • With a sob she hastily discarded her garments, put on the skimpy nightgown and

  • sprang into bed where she burrowed face downward into the pillow and pulled the

  • clothes over her head.

  • When Marilla came up for the light various skimpy articles of raiment scattered most

  • untidily over the floor and a certain tempestuous appearance of the bed were the

  • only indications of any presence save her own.

  • She deliberately picked up Anne's clothes, placed them neatly on a prim yellow chair,

  • and then, taking up the candle, went over to the bed.

  • "Good night," she said, a little awkwardly, but not unkindly.

  • Anne's white face and big eyes appeared over the bedclothes with a startling

  • suddenness.

  • "How can you call it a GOOD night when you know it must be the very worst night I've

  • ever had?" she said reproachfully. Then she dived down into invisibility

  • again.

  • Marilla went slowly down to the kitchen and proceeded to wash the supper dishes.

  • Matthew was smoking--a sure sign of perturbation of mind.

  • He seldom smoked, for Marilla set her face against it as a filthy habit; but at

  • certain times and seasons he felt driven to it and them Marilla winked at the practice,

  • realizing that a mere man must have some vent for his emotions.

  • "Well, this is a pretty kettle of fish," she said wrathfully.

  • "This is what comes of sending word instead of going ourselves.

  • Richard Spencer's folks have twisted that message somehow.

  • One of us will have to drive over and see Mrs. Spencer tomorrow, that's certain.

  • This girl will have to be sent back to the asylum."

  • "Yes, I suppose so," said Matthew reluctantly.

  • "You SUPPOSE so! Don't you know it?"

  • "Well now, she's a real nice little thing, Marilla.

  • It's kind of a pity to send her back when she's so set on staying here."

  • "Matthew Cuthbert, you don't mean to say you think we ought to keep her!"

  • Marilla's astonishment could not have been greater if Matthew had expressed a

  • predilection for standing on his head.

  • "Well, now, no, I suppose not--not exactly," stammered Matthew, uncomfortably

  • driven into a corner for his precise meaning.

  • "I suppose--we could hardly be expected to keep her."

  • "I should say not. What good would she be to us?"

  • "We might be some good to her," said Matthew suddenly and unexpectedly.

  • "Matthew Cuthbert, I believe that child has bewitched you!

  • I can see as plain as plain that you want to keep her."

  • "Well now, she's a real interesting little thing," persisted Matthew.

  • "You should have heard her talk coming from the station."

  • "Oh, she can talk fast enough. I saw that at once.

  • It's nothing in her favour, either.

  • I don't like children who have so much to say.

  • I don't want an orphan girl and if I did she isn't the style I'd pick out.

  • There's something I don't understand about her.

  • No, she's got to be despatched straight-way back to where she came from."

  • "I could hire a French boy to help me," said Matthew, "and she'd be company for

  • you." "I'm not suffering for company," said

  • Marilla shortly.

  • "And I'm not going to keep her." "Well now, it's just as you say, of course,

  • Marilla," said Matthew rising and putting his pipe away.

  • "I'm going to bed."

  • To bed went Matthew. And to bed, when she had put her dishes

  • away, went Marilla, frowning most resolutely.

  • And up-stairs, in the east gable, a lonely, heart-hungry, friendless child cried

  • herself to sleep.

  • >

  • CHAPTER IV. Morning at Green Gables

  • It was broad daylight when Anne awoke and sat up in bed, staring confusedly at the

  • window through which a flood of cheery sunshine was pouring and outside of which

  • something white and feathery waved across glimpses of blue sky.

  • For a moment she could not remember where she was.

  • First came a delightful thrill, as something very pleasant; then a horrible

  • remembrance. This was Green Gables and they didn't want

  • her because she wasn't a boy!

  • But it was morning and, yes, it was a cherry-tree in full bloom outside of her

  • window. With a bound she was out of bed and across

  • the floor.

  • She pushed up the sash--it went up stiffly and creakily, as if it hadn't been opened

  • for a long time, which was the case; and it stuck so tight that nothing was needed to

  • hold it up.

  • Anne dropped on her knees and gazed out into the June morning, her eyes glistening

  • with delight. Oh, wasn't it beautiful?

  • Wasn't it a lovely place?

  • Suppose she wasn't really going to stay here!

  • She would imagine she was. There was scope for imagination here.

  • A huge cherry-tree grew outside, so close that its boughs tapped against the house,

  • and it was so thick-set with blossoms that hardly a leaf was to be seen.

  • On both sides of the house was a big orchard, one of apple-trees and one of

  • cherry-trees, also showered over with blossoms; and their grass was all sprinkled

  • with dandelions.

  • In the garden below were lilac-trees purple with flowers, and their dizzily sweet

  • fragrance drifted up to the window on the morning wind.

  • Below the garden a green field lush with clover sloped down to the hollow where the

  • brook ran and where scores of white birches grew, upspringing airily out of an

  • undergrowth suggestive of delightful

  • possibilities in ferns and mosses and woodsy things generally.

  • Beyond it was a hill, green and feathery with spruce and fir; there was a gap in it

  • where the gray gable end of the little house she had seen from the other side of

  • the Lake of Shining Waters was visible.

  • Off to the left were the big barns and beyond them, away down over green, low-

  • sloping fields, was a sparkling blue glimpse of sea.

  • Anne's beauty-loving eyes lingered on it all, taking everything greedily in.

  • She had looked on so many unlovely places in her life, poor child; but this was as

  • lovely as anything she had ever dreamed.

  • She knelt there, lost to everything but the loveliness around her, until she was

  • startled by a hand on her shoulder. Marilla had come in unheard by the small

  • dreamer.

  • "It's time you were dressed," she said curtly.

  • Marilla really did not know how to talk to the child, and her uncomfortable ignorance

  • made her crisp and curt when she did not mean to be.

  • Anne stood up and drew a long breath.

  • "Oh, isn't it wonderful?" she said, waving her hand comprehensively at the good world

  • outside.

  • "It's a big tree," said Marilla, "and it blooms great, but the fruit don't amount to

  • much never--small and wormy."

  • "Oh, I don't mean just the tree; of course it's lovely--yes, it's RADIANTLY lovely--it

  • blooms as if it meant it--but I meant everything, the garden and the orchard and

  • the brook and the woods, the whole big dear world.

  • Don't you feel as if you just loved the world on a morning like this?

  • And I can hear the brook laughing all the way up here.

  • Have you ever noticed what cheerful things brooks are?

  • They're always laughing.

  • Even in winter-time I've heard them under the ice.

  • I'm so glad there's a brook near Green Gables.

  • Perhaps you think it doesn't make any difference to me when you're not going to

  • keep me, but it does.

  • I shall always like to remember that there is a brook at Green Gables even if I never

  • see it again.

  • If there wasn't a brook I'd be HAUNTED by the uncomfortable feeling that there ought

  • to be one. I'm not in the depths of despair this

  • morning.

  • I never can be in the morning. Isn't it a splendid thing that there are

  • mornings? But I feel very sad.

  • I've just been imagining that it was really me you wanted after all and that I was to

  • stay here for ever and ever. It was a great comfort while it lasted.

  • But the worst of imagining things is that the time comes when you have to stop and

  • that hurts."

  • "You'd better get dressed and come down- stairs and never mind your imaginings,"

  • said Marilla as soon as she could get a word in edgewise.

  • "Breakfast is waiting.

  • Wash your face and comb your hair. Leave the window up and turn your

  • bedclothes back over the foot of the bed. Be as smart as you can."

  • Anne could evidently be smart to some purpose for she was down-stairs in ten

  • minutes' time, with her clothes neatly on, her hair brushed and braided, her face

  • washed, and a comfortable consciousness

  • pervading her soul that she had fulfilled all Marilla's requirements.

  • As a matter of fact, however, she had forgotten to turn back the bedclothes.

  • "I'm pretty hungry this morning," she announced as she slipped into the chair

  • Marilla placed for her. "The world doesn't seem such a howling

  • wilderness as it did last night.

  • I'm so glad it's a sunshiny morning. But I like rainy mornings real well, too.

  • All sorts of mornings are interesting, don't you think?

  • You don't know what's going to happen through the day, and there's so much scope

  • for imagination.

  • But I'm glad it's not rainy today because it's easier to be cheerful and bear up

  • under affliction on a sunshiny day. I feel that I have a good deal to bear up

  • under.

  • It's all very well to read about sorrows and imagine yourself living through them

  • heroically, but it's not so nice when you really come to have them, is it?"

  • "For pity's sake hold your tongue," said Marilla.

  • "You talk entirely too much for a little girl."

  • Thereupon Anne held her tongue so obediently and thoroughly that her

  • continued silence made Marilla rather nervous, as if in the presence of something

  • not exactly natural.

  • Matthew also held his tongue,--but this was natural,--so that the meal was a very

  • silent one.

  • As it progressed Anne became more and more abstracted, eating mechanically, with her

  • big eyes fixed unswervingly and unseeingly on the sky outside the window.

  • This made Marilla more nervous than ever; she had an uncomfortable feeling that while

  • this odd child's body might be there at the table her spirit was far away in some

  • remote airy cloudland, borne aloft on the wings of imagination.

  • Who would want such a child about the place?

  • Yet Matthew wished to keep her, of all unaccountable things!

  • Marilla felt that he wanted it just as much this morning as he had the night before,

  • and that he would go on wanting it.

  • That was Matthew's way--take a whim into his head and cling to it with the most

  • amazing silent persistency--a persistency ten times more potent and effectual in its

  • very silence than if he had talked it out.

  • When the meal was ended Anne came out of her reverie and offered to wash the dishes.

  • "Can you wash dishes right?" asked Marilla distrustfully.

  • "Pretty well.

  • I'm better at looking after children, though.

  • I've had so much experience at that. It's such a pity you haven't any here for

  • me to look after."

  • "I don't feel as if I wanted any more children to look after than I've got at

  • present. YOU'RE problem enough in all conscience.

  • What's to be done with you I don't know.

  • Matthew is a most ridiculous man." "I think he's lovely," said Anne

  • reproachfully. "He is so very sympathetic.

  • He didn't mind how much I talked--he seemed to like it.

  • I felt that he was a kindred spirit as soon as ever I saw him."

  • "You're both queer enough, if that's what you mean by kindred spirits," said Marilla

  • with a sniff. "Yes, you may wash the dishes.

  • Take plenty of hot water, and be sure you dry them well.

  • I've got enough to attend to this morning for I'll have to drive over to White Sands

  • in the afternoon and see Mrs. Spencer.

  • You'll come with me and we'll settle what's to be done with you.

  • After you've finished the dishes go up- stairs and make your bed."

  • Anne washed the dishes deftly enough, as Marilla who kept a sharp eye on the

  • process, discerned.

  • Later on she made her bed less successfully, for she had never learned the

  • art of wrestling with a feather tick.

  • But is was done somehow and smoothed down; and then Marilla, to get rid of her, told

  • her she might go out-of-doors and amuse herself until dinner time.

  • Anne flew to the door, face alight, eyes glowing.

  • On the very threshold she stopped short, wheeled about, came back and sat down by

  • the table, light and glow as effectually blotted out as if some one had clapped an

  • extinguisher on her.

  • "What's the matter now?" demanded Marilla. "I don't dare go out," said Anne, in the

  • tone of a martyr relinquishing all earthly joys.

  • "If I can't stay here there is no use in my loving Green Gables.

  • And if I go out there and get acquainted with all those trees and flowers and the

  • orchard and the brook I'll not be able to help loving it.

  • It's hard enough now, so I won't make it any harder.

  • I want to go out so much--everything seems to be calling to me, 'Anne, Anne, come out

  • to us.

  • Anne, Anne, we want a playmate'--but it's better not.

  • There is no use in loving things if you have to be torn from them, is there?

  • And it's so hard to keep from loving things, isn't it?

  • That was why I was so glad when I thought I was going to live here.

  • I thought I'd have so many things to love and nothing to hinder me.

  • But that brief dream is over.

  • I am resigned to my fate now, so I don't think I'll go out for fear I'll get

  • unresigned again. What is the name of that geranium on the

  • window-sill, please?"

  • "That's the apple-scented geranium." "Oh, I don't mean that sort of a name.

  • I mean just a name you gave it yourself. Didn't you give it a name?

  • May I give it one then?

  • May I call it--let me see--Bonny would do-- may I call it Bonny while I'm here?

  • Oh, do let me!" "Goodness, I don't care.

  • But where on earth is the sense of naming a geranium?"

  • "Oh, I like things to have handles even if they are only geraniums.

  • It makes them seem more like people.

  • How do you know but that it hurts a geranium's feelings just to be called a

  • geranium and nothing else? You wouldn't like to be called nothing but

  • a woman all the time.

  • Yes, I shall call it Bonny. I named that cherry-tree outside my bedroom

  • window this morning. I called it Snow Queen because it was so

  • white.

  • Of course, it won't always be in blossom, but one can imagine that it is, can't one?"

  • "I never in all my life saw or heard anything to equal her," muttered Marilla,

  • beating a retreat down to the cellar after potatoes.

  • "She is kind of interesting as Matthew says.

  • I can feel already that I'm wondering what on earth she'll say next.

  • She'll be casting a spell over me, too.

  • She's cast it over Matthew. That look he gave me when he went out said

  • everything he said or hinted last night over again.

  • I wish he was like other men and would talk things out.

  • A body could answer back then and argue him into reason.

  • But what's to be done with a man who just LOOKS?"

  • Anne had relapsed into reverie, with her chin in her hands and her eyes on the sky,

  • when Marilla returned from her cellar pilgrimage.

  • There Marilla left her until the early dinner was on the table.

  • "I suppose I can have the mare and buggy this afternoon, Matthew?" said Marilla.

  • Matthew nodded and looked wistfully at Anne.

  • Marilla intercepted the look and said grimly:

  • "I'm going to drive over to White Sands and settle this thing.

  • I'll take Anne with me and Mrs. Spencer will probably make arrangements to send her

  • back to Nova Scotia at once.

  • I'll set your tea out for you and I'll be home in time to milk the cows."

  • Still Matthew said nothing and Marilla had a sense of having wasted words and breath.

  • There is nothing more aggravating than a man who won't talk back--unless it is a

  • woman who won't. Matthew hitched the sorrel into the buggy

  • in due time and Marilla and Anne set off.

  • Matthew opened the yard gate for them and as they drove slowly through, he said, to

  • nobody in particular as it seemed:

  • "Little Jerry Buote from the Creek was here this morning, and I told him I guessed I'd

  • hire him for the summer."

  • Marilla made no reply, but she hit the unlucky sorrel such a vicious clip with the

  • whip that the fat mare, unused to such treatment, whizzed indignantly down the

  • lane at an alarming pace.

  • Marilla looked back once as the buggy bounced along and saw that aggravating

  • Matthew leaning over the gate, looking wistfully after them.

  • >

  • CHAPTER V. Anne's History

  • "Do you know," said Anne confidentially, "I've made up my mind to enjoy this drive.

  • It's been my experience that you can nearly always enjoy things if you make up your

  • mind firmly that you will.

  • Of course, you must make it up FIRMLY. I am not going to think about going back to

  • the asylum while we're having our drive. I'm just going to think about the drive.

  • Oh, look, there's one little early wild rose out!

  • Isn't it lovely? Don't you think it must be glad to be a

  • rose?

  • Wouldn't it be nice if roses could talk? I'm sure they could tell us such lovely

  • things. And isn't pink the most bewitching color in

  • the world?

  • I love it, but I can't wear it. Redheaded people can't wear pink, not even

  • in imagination.

  • Did you ever know of anybody whose hair was red when she was young, but got to be

  • another color when she grew up?"

  • "No, I don't know as I ever did," said Marilla mercilessly, "and I shouldn't think

  • it likely to happen in your case either." Anne sighed.

  • "Well, that is another hope gone.

  • 'My life is a perfect graveyard of buried hopes.'

  • That's a sentence I read in a book once, and I say it over to comfort myself

  • whenever I'm disappointed in anything."

  • "I don't see where the comforting comes in myself," said Marilla.

  • "Why, because it sounds so nice and romantic, just as if I were a heroine in a

  • book, you know.

  • I am so fond of romantic things, and a graveyard full of buried hopes is about as

  • romantic a thing as one can imagine isn't it?

  • I'm rather glad I have one.

  • Are we going across the Lake of Shining Waters today?"

  • "We're not going over Barry's pond, if that's what you mean by your Lake of

  • Shining Waters.

  • We're going by the shore road." "Shore road sounds nice," said Anne

  • dreamily. "Is it as nice as it sounds?

  • Just when you said 'shore road' I saw it in a picture in my mind, as quick as that!

  • And White Sands is a pretty name, too; but I don't like it as well as Avonlea.

  • Avonlea is a lovely name.

  • It just sounds like music. How far is it to White Sands?"

  • "It's five miles; and as you're evidently bent on talking you might as well talk to

  • some purpose by telling me what you know about yourself."

  • "Oh, what I KNOW about myself isn't really worth telling," said Anne eagerly.

  • "If you'll only let me tell you what I IMAGINE about myself you'll think it ever

  • so much more interesting."

  • "No, I don't want any of your imaginings. Just you stick to bald facts.

  • Begin at the beginning. Where were you born and how old are you?"

  • "I was eleven last March," said Anne, resigning herself to bald facts with a

  • little sigh. "And I was born in Bolingbroke, Nova

  • Scotia.

  • My father's name was Walter Shirley, and he was a teacher in the Bolingbroke High

  • School. My mother's name was Bertha Shirley.

  • Aren't Walter and Bertha lovely names?

  • I'm so glad my parents had nice names. It would be a real disgrace to have a

  • father named--well, say Jedediah, wouldn't it?"

  • "I guess it doesn't matter what a person's name is as long as he behaves himself,"

  • said Marilla, feeling herself called upon to inculcate a good and useful moral.

  • "Well, I don't know."

  • Anne looked thoughtful. "I read in a book once that a rose by any

  • other name would smell as sweet, but I've never been able to believe it.

  • I don't believe a rose WOULD be as nice if it was called a thistle or a skunk cabbage.

  • I suppose my father could have been a good man even if he had been called Jedediah;

  • but I'm sure it would have been a cross.

  • Well, my mother was a teacher in the High school, too, but when she married father

  • she gave up teaching, of course. A husband was enough responsibility.

  • Mrs. Thomas said that they were a pair of babies and as poor as church mice.

  • They went to live in a weeny-teeny little yellow house in Bolingbroke.

  • I've never seen that house, but I've imagined it thousands of times.

  • I think it must have had honeysuckle over the parlor window and lilacs in the front

  • yard and lilies of the valley just inside the gate.

  • Yes, and muslin curtains in all the windows.

  • Muslin curtains give a house such an air. I was born in that house.

  • Mrs. Thomas said I was the homeliest baby she ever saw, I was so scrawny and tiny and

  • nothing but eyes, but that mother thought I was perfectly beautiful.

  • I should think a mother would be a better judge than a poor woman who came in to

  • scrub, wouldn't you?

  • I'm glad she was satisfied with me anyhow, I would feel so sad if I thought I was a

  • disappointment to her--because she didn't live very long after that, you see.

  • She died of fever when I was just three months old.

  • I do wish she'd lived long enough for me to remember calling her mother.

  • I think it would be so sweet to say 'mother,' don't you?

  • And father died four days afterwards from fever too.

  • That left me an orphan and folks were at their wits' end, so Mrs. Thomas said, what

  • to do with me. You see, nobody wanted me even then.

  • It seems to be my fate.

  • Father and mother had both come from places far away and it was well known they hadn't

  • any relatives living.

  • Finally Mrs. Thomas said she'd take me, though she was poor and had a drunken

  • husband. She brought me up by hand.

  • Do you know if there is anything in being brought up by hand that ought to make

  • people who are brought up that way better than other people?

  • Because whenever I was naughty Mrs. Thomas would ask me how I could be such a bad girl

  • when she had brought me up by hand-- reproachful-like.

  • "Mr. and Mrs. Thomas moved away from Bolingbroke to Marysville, and I lived with

  • them until I was eight years old.

  • I helped look after the Thomas children-- there were four of them younger than me--

  • and I can tell you they took a lot of looking after.

  • Then Mr. Thomas was killed falling under a train and his mother offered to take Mrs.

  • Thomas and the children, but she didn't want me.

  • Mrs. Thomas was at HER wits' end, so she said, what to do with me.

  • Then Mrs. Hammond from up the river came down and said she'd take me, seeing I was

  • handy with children, and I went up the river to live with her in a little clearing

  • among the stumps.

  • It was a very lonesome place. I'm sure I could never have lived there if

  • I hadn't had an imagination. Mr. Hammond worked a little sawmill up

  • there, and Mrs. Hammond had eight children.

  • She had twins three times. I like babies in moderation, but twins

  • three times in succession is TOO MUCH. I told Mrs. Hammond so firmly, when the

  • last pair came.

  • I used to get so dreadfully tired carrying them about.

  • "I lived up river with Mrs. Hammond over two years, and then Mr. Hammond died and

  • Mrs. Hammond broke up housekeeping.

  • She divided her children among her relatives and went to the States.

  • I had to go to the asylum at Hopeton, because nobody would take me.

  • They didn't want me at the asylum, either; they said they were over-crowded as it was.

  • But they had to take me and I was there four months until Mrs. Spencer came."

  • Anne finished up with another sigh, of relief this time.

  • Evidently she did not like talking about her experiences in a world that had not

  • wanted her.

  • "Did you ever go to school?" demanded Marilla, turning the sorrel mare down the

  • shore road. "Not a great deal.

  • I went a little the last year I stayed with Mrs. Thomas.

  • When I went up river we were so far from a school that I couldn't walk it in winter

  • and there was a vacation in summer, so I could only go in the spring and fall.

  • But of course I went while I was at the asylum.

  • I can read pretty well and I know ever so many pieces of poetry off by heart--'The

  • Battle of Hohenlinden' and 'Edinburgh after Flodden,' and 'Bingen of the Rhine,' and

  • most of the 'Lady of the Lake' and most of 'The Seasons' by James Thompson.

  • Don't you just love poetry that gives you a crinkly feeling up and down your back?

  • There is a piece in the Fifth Reader--'The Downfall of Poland'--that is just full of

  • thrills.

  • Of course, I wasn't in the Fifth Reader--I was only in the Fourth--but the big girls

  • used to lend me theirs to read."

  • "Were those women--Mrs. Thomas and Mrs. Hammond--good to you?" asked Marilla,

  • looking at Anne out of the corner of her eye.

  • "O-o-o-h," faltered Anne.

  • Her sensitive little face suddenly flushed scarlet and embarrassment sat on her brow.

  • "Oh, they MEANT to be--I know they meant to be just as good and kind as possible.

  • And when people mean to be good to you, you don't mind very much when they're not

  • quite--always. They had a good deal to worry them, you

  • know.

  • It's very trying to have a drunken husband, you see; and it must be very trying to have

  • twins three times in succession, don't you think?

  • But I feel sure they meant to be good to me."

  • Marilla asked no more questions.

  • Anne gave herself up to a silent rapture over the shore road and Marilla guided the

  • sorrel abstractedly while she pondered deeply.

  • Pity was suddenly stirring in her heart for the child.

  • What a starved, unloved life she had had--a life of drudgery and poverty and neglect;

  • for Marilla was shrewd enough to read between the lines of Anne's history and

  • divine the truth.

  • No wonder she had been so delighted at the prospect of a real home.

  • It was a pity she had to be sent back.

  • What if she, Marilla, should indulge Matthew's unaccountable whim and let her

  • stay? He was set on it; and the child seemed a

  • nice, teachable little thing.

  • "She's got too much to say," thought Marilla, "but she might be trained out of

  • that. And there's nothing rude or slangy in what

  • she does say.

  • She's ladylike. It's likely her people were nice folks."

  • The shore road was "woodsy and wild and lonesome."

  • On the right hand, scrub firs, their spirits quite unbroken by long years of

  • tussle with the gulf winds, grew thickly.

  • On the left were the steep red sandstone cliffs, so near the track in places that a

  • mare of less steadiness than the sorrel might have tried the nerves of the people

  • behind her.

  • Down at the base of the cliffs were heaps of surf-worn rocks or little sandy coves

  • inlaid with pebbles as with ocean jewels; beyond lay the sea, shimmering and blue,

  • and over it soared the gulls, their pinions flashing silvery in the sunlight.

  • "Isn't the sea wonderful?" said Anne, rousing from a long, wide-eyed silence.

  • "Once, when I lived in Marysville, Mr. Thomas hired an express wagon and took us

  • all to spend the day at the shore ten miles away.

  • I enjoyed every moment of that day, even if I had to look after the children all the

  • time. I lived it over in happy dreams for years.

  • But this shore is nicer than the Marysville shore.

  • Aren't those gulls splendid? Would you like to be a gull?

  • I think I would--that is, if I couldn't be a human girl.

  • Don't you think it would be nice to wake up at sunrise and swoop down over the water

  • and away out over that lovely blue all day; and then at night to fly back to one's

  • nest?

  • Oh, I can just imagine myself doing it. What big house is that just ahead, please?"

  • "That's the White Sands Hotel. Mr. Kirke runs it, but the season hasn't

  • begun yet.

  • There are heaps of Americans come there for the summer.

  • They think this shore is just about right." "I was afraid it might be Mrs. Spencer's

  • place," said Anne mournfully.

  • "I don't want to get there. Somehow, it will seem like the end of

  • everything."

  • >

  • CHAPTER VI. Marilla Makes Up Her Mind

  • Get there they did, however, in due season. Mrs. Spencer lived in a big yellow house at

  • White Sands Cove, and she came to the door with surprise and welcome mingled on her

  • benevolent face.

  • "Dear, dear," she exclaimed, "you're the last folks I was looking for today, but I'm

  • real glad to see you. You'll put your horse in?

  • And how are you, Anne?"

  • "I'm as well as can be expected, thank you," said Anne smilelessly.

  • A blight seemed to have descended on her.

  • "I suppose we'll stay a little while to rest the mare," said Marilla, "but I

  • promised Matthew I'd be home early.

  • The fact is, Mrs. Spencer, there's been a queer mistake somewhere, and I've come over

  • to see where it is. We send word, Matthew and I, for you to

  • bring us a boy from the asylum.

  • We told your brother Robert to tell you we wanted a boy ten or eleven years old."

  • "Marilla Cuthbert, you don't say so!" said Mrs. Spencer in distress.

  • "Why, Robert sent word down by his daughter Nancy and she said you wanted a girl--

  • didn't she Flora Jane?" appealing to her daughter who had come out to the steps.

  • "She certainly did, Miss Cuthbert," corroborated Flora Jane earnestly.

  • "I'm dreadful sorry," said Mrs. Spencer. "It's too bad; but it certainly wasn't my

  • fault, you see, Miss Cuthbert.

  • I did the best I could and I thought I was following your instructions.

  • Nancy is a terrible flighty thing. I've often had to scold her well for her

  • heedlessness."

  • "It was our own fault," said Marilla resignedly.

  • "We should have come to you ourselves and not left an important message to be passed

  • along by word of mouth in that fashion.

  • Anyhow, the mistake has been made and the only thing to do is to set it right.

  • Can we send the child back to the asylum? I suppose they'll take her back, won't

  • they?"

  • "I suppose so," said Mrs. Spencer thoughtfully, "but I don't think it will be

  • necessary to send her back.

  • Mrs. Peter Blewett was up here yesterday, and she was saying to me how much she

  • wished she'd sent by me for a little girl to help her.

  • Mrs. Peter has a large family, you know, and she finds it hard to get help.

  • Anne will be the very girl for you. I call it positively providential."

  • Marilla did not look as if she thought Providence had much to do with the matter.

  • Here was an unexpectedly good chance to get this unwelcome orphan off her hands, and

  • she did not even feel grateful for it.

  • She knew Mrs. Peter Blewett only by sight as a small, shrewish-faced woman without an

  • ounce of superfluous flesh on her bones. But she had heard of her.

  • "A terrible worker and driver," Mrs. Peter was said to be; and discharged servant

  • girls told fearsome tales of her temper and stinginess, and her family of pert,

  • quarrelsome children.

  • Marilla felt a qualm of conscience at the thought of handing Anne over to her tender

  • mercies. "Well, I'll go in and we'll talk the matter

  • over," she said.

  • "And if there isn't Mrs. Peter coming up the lane this blessed minute!" exclaimed

  • Mrs. Spencer, bustling her guests through the hall into the parlor, where a deadly

  • chill struck on them as if the air had been

  • strained so long through dark green, closely drawn blinds that it had lost every

  • particle of warmth it had ever possessed. "That is real lucky, for we can settle the

  • matter right away.

  • Take the armchair, Miss Cuthbert. Anne, you sit here on the ottoman and don't

  • wiggle. Let me take your hats.

  • Flora Jane, go out and put the kettle on.

  • Good afternoon, Mrs. Blewett. We were just saying how fortunate it was

  • you happened along. Let me introduce you two ladies.

  • Mrs. Blewett, Miss Cuthbert.

  • Please excuse me for just a moment. I forgot to tell Flora Jane to take the

  • buns out of the oven." Mrs. Spencer whisked away, after pulling up

  • the blinds.

  • Anne sitting mutely on the ottoman, with her hands clasped tightly in her lap,

  • stared at Mrs Blewett as one fascinated. Was she to be given into the keeping of

  • this sharp-faced, sharp-eyed woman?

  • She felt a lump coming up in her throat and her eyes smarted painfully.

  • She was beginning to be afraid she couldn't keep the tears back when Mrs. Spencer

  • returned, flushed and beaming, quite capable of taking any and every difficulty,

  • physical, mental or spiritual, into consideration and settling it out of hand.

  • "It seems there's been a mistake about this little girl, Mrs. Blewett," she said.

  • "I was under the impression that Mr. and Miss Cuthbert wanted a little girl to

  • adopt. I was certainly told so.

  • But it seems it was a boy they wanted.

  • So if you're still of the same mind you were yesterday, I think she'll be just the

  • thing for you." Mrs. Blewett darted her eyes over Anne from

  • head to foot.

  • "How old are you and what's your name?" she demanded.

  • "Anne Shirley," faltered the shrinking child, not daring to make any stipulations

  • regarding the spelling thereof, "and I'm eleven years old."

  • "Humph!

  • You don't look as if there was much to you. But you're wiry.

  • I don't know but the wiry ones are the best after all.

  • Well, if I take you you'll have to be a good girl, you know--good and smart and

  • respectful. I'll expect you to earn your keep, and no

  • mistake about that.

  • Yes, I suppose I might as well take her off your hands, Miss Cuthbert.

  • The baby's awful fractious, and I'm clean worn out attending to him.

  • If you like I can take her right home now."

  • Marilla looked at Anne and softened at sight of the child's pale face with its

  • look of mute misery--the misery of a helpless little creature who finds itself

  • once more caught in the trap from which it had escaped.

  • Marilla felt an uncomfortable conviction that, if she denied the appeal of that

  • look, it would haunt her to her dying day.

  • More-over, she did not fancy Mrs. Blewett. To hand a sensitive, "highstrung" child

  • over to such a woman! No, she could not take the responsibility

  • of doing that!

  • "Well, I don't know," she said slowly. "I didn't say that Matthew and I had

  • absolutely decided that we wouldn't keep her.

  • In fact I may say that Matthew is disposed to keep her.

  • I just came over to find out how the mistake had occurred.

  • I think I'd better take her home again and talk it over with Matthew.

  • I feel that I oughtn't to decide on anything without consulting him.

  • If we make up our mind not to keep her we'll bring or send her over to you

  • tomorrow night. If we don't you may know that she is going

  • to stay with us.

  • Will that suit you, Mrs. Blewett?" "I suppose it'll have to," said Mrs.

  • Blewett ungraciously. During Marilla's speech a sunrise had been

  • dawning on Anne's face.

  • First the look of despair faded out; then came a faint flush of hope; here eyes grew

  • deep and bright as morning stars.

  • The child was quite transfigured; and, a moment later, when Mrs. Spencer and Mrs.

  • Blewett went out in quest of a recipe the latter had come to borrow she sprang up and

  • flew across the room to Marilla.

  • "Oh, Miss Cuthbert, did you really say that perhaps you would let me stay at Green

  • Gables?" she said, in a breathless whisper, as if speaking aloud might shatter the

  • glorious possibility.

  • "Did you really say it? Or did I only imagine that you did?"

  • "I think you'd better learn to control that imagination of yours, Anne, if you can't

  • distinguish between what is real and what isn't," said Marilla crossly.

  • "Yes, you did hear me say just that and no more.

  • It isn't decided yet and perhaps we will conclude to let Mrs. Blewett take you after

  • all.

  • She certainly needs you much more than I do."

  • "I'd rather go back to the asylum than go to live with her," said Anne passionately.

  • "She looks exactly like a--like a gimlet."

  • Marilla smothered a smile under the conviction that Anne must be reproved for

  • such a speech.

  • "A little girl like you should be ashamed of talking so about a lady and a stranger,"

  • she said severely. "Go back and sit down quietly and hold your

  • tongue and behave as a good girl should."

  • "I'll try to do and be anything you want me, if you'll only keep me," said Anne,

  • returning meekly to her ottoman. When they arrived back at Green Gables that

  • evening Matthew met them in the lane.

  • Marilla from afar had noted him prowling along it and guessed his motive.

  • She was prepared for the relief she read in his face when he saw that she had at least

  • brought back Anne back with her.

  • But she said nothing, to him, relative to the affair, until they were both out in the

  • yard behind the barn milking the cows.

  • Then she briefly told him Anne's history and the result of the interview with Mrs.

  • Spencer.

  • "I wouldn't give a dog I liked to that Blewett woman," said Matthew with unusual

  • vim.

  • "I don't fancy her style myself," admitted Marilla, "but it's that or keeping her

  • ourselves, Matthew. And since you seem to want her, I suppose

  • I'm willing--or have to be.

  • I've been thinking over the idea until I've got kind of used to it.

  • It seems a sort of duty.

  • I've never brought up a child, especially a girl, and I dare say I'll make a terrible

  • mess of it. But I'll do my best.

  • So far as I'm concerned, Matthew, she may stay."

  • Matthew's shy face was a glow of delight. "Well now, I reckoned you'd come to see it

  • in that light, Marilla," he said.

  • "She's such an interesting little thing." "It'd be more to the point if you could say

  • she was a useful little thing," retorted Marilla, "but I'll make it my business to

  • see she's trained to be that.

  • And mind, Matthew, you're not to go interfering with my methods.

  • Perhaps an old maid doesn't know much about bringing up a child, but I guess she knows

  • more than an old bachelor.

  • So you just leave me to manage her. When I fail it'll be time enough to put

  • your oar in." "There, there, Marilla, you can have your

  • own way," said Matthew reassuringly.

  • "Only be as good and kind to her as you can without spoiling her.

  • I kind of think she's one of the sort you can do anything with if you only get her to

  • love you."

  • Marilla sniffed, to express her contempt for Matthew's opinions concerning anything

  • feminine, and walked off to the dairy with the pails.

  • "I won't tell her tonight that she can stay," she reflected, as she strained the

  • milk into the creamers. "She'd be so excited that she wouldn't

  • sleep a wink.

  • Marilla Cuthbert, you're fairly in for it. Did you ever suppose you'd see the day when

  • you'd be adopting an orphan girl?

  • It's surprising enough; but not so surprising as that Matthew should be at the

  • bottom of it, him that always seemed to have such a mortal dread of little girls.

  • Anyhow, we've decided on the experiment and goodness only knows what will come of it."

  • >

  • CHAPTER VII. Anne Says Her Prayers

  • When Marilla took Anne up to bed that night she said stiffly:

  • "Now, Anne, I noticed last night that you threw your clothes all about the floor when

  • you took them off.

  • That is a very untidy habit, and I can't allow it at all.

  • As soon as you take off any article of clothing fold it neatly and place it on the

  • chair.

  • I haven't any use at all for little girls who aren't neat."

  • "I was so harrowed up in my mind last night that I didn't think about my clothes at

  • all," said Anne.

  • "I'll fold them nicely tonight. They always made us do that at the asylum.

  • Half the time, though, I'd forget, I'd be in such a hurry to get into bed nice and

  • quiet and imagine things."

  • "You'll have to remember a little better if you stay here," admonished Marilla.

  • "There, that looks something like. Say your prayers now and get into bed."

  • "I never say any prayers," announced Anne.

  • Marilla looked horrified astonishment. "Why, Anne, what do you mean?

  • Were you never taught to say your prayers? God always wants little girls to say their

  • prayers.

  • Don't you know who God is, Anne?" "'God is a spirit, infinite, eternal and

  • unchangeable, in His being, wisdom, power, holiness, justice, goodness, and truth,'"

  • responded Anne promptly and glibly.

  • Marilla looked rather relieved. "So you do know something then, thank

  • goodness! You're not quite a heathen.

  • Where did you learn that?"

  • "Oh, at the asylum Sunday-school. They made us learn the whole catechism.

  • I liked it pretty well. There's something splendid about some of

  • the words.

  • 'Infinite, eternal and unchangeable.' Isn't that grand?

  • It has such a roll to it--just like a big organ playing.

  • You couldn't quite call it poetry, I suppose, but it sounds a lot like it,

  • doesn't it?" "We're not talking about poetry, Anne--we

  • are talking about saying your prayers.

  • Don't you know it's a terrible wicked thing not to say your prayers every night?

  • I'm afraid you are a very bad little girl."

  • "You'd find it easier to be bad than good if you had red hair," said Anne

  • reproachfully. "People who haven't red hair don't know

  • what trouble is.

  • Mrs. Thomas told me that God made my hair red ON PURPOSE, and I've never cared about

  • Him since. And anyhow I'd always be too tired at night

  • to bother saying prayers.

  • People who have to look after twins can't be expected to say their prayers.

  • Now, do you honestly think they can?" Marilla decided that Anne's religious

  • training must be begun at once.

  • Plainly there was no time to be lost. "You must say your prayers while you are

  • under my roof, Anne." "Why, of course, if you want me to,"

  • assented Anne cheerfully.

  • "I'd do anything to oblige you. But you'll have to tell me what to say for

  • this once. After I get into bed I'll imagine out a

  • real nice prayer to say always.

  • I believe that it will be quite interesting, now that I come to think of

  • it." "You must kneel down," said Marilla in

  • embarrassment.

  • Anne knelt at Marilla's knee and looked up gravely.

  • "Why must people kneel down to pray? If I really wanted to pray I'll tell you

  • what I'd do.

  • I'd go out into a great big field all alone or into the deep, deep, woods, and I'd look

  • up into the sky--up--up--up--into that lovely blue sky that looks as if there was

  • no end to its blueness.

  • And then I'd just FEEL a prayer. Well, I'm ready.

  • What am I to say?" Marilla felt more embarrassed than ever.

  • She had intended to teach Anne the childish classic, "Now I lay me down to sleep."

  • But she had, as I have told you, the glimmerings of a sense of humor--which is

  • simply another name for a sense of fitness of things; and it suddenly occurred to her

  • that that simple little prayer, sacred to

  • white-robed childhood lisping at motherly knees, was entirely unsuited to this

  • freckled witch of a girl who knew and cared nothing bout God's love, since she had

  • never had it translated to her through the medium of human love.

  • "You're old enough to pray for yourself, Anne," she said finally.

  • "Just thank God for your blessings and ask Him humbly for the things you want."

  • "Well, I'll do my best," promised Anne, burying her face in Marilla's lap.

  • "Gracious heavenly Father--that's the way the ministers say it in church, so I

  • suppose it's all right in private prayer, isn't it?" she interjected, lifting her

  • head for a moment.

  • "Gracious heavenly Father, I thank Thee for the White Way of Delight and the Lake of

  • Shining Waters and Bonny and the Snow Queen.

  • I'm really extremely grateful for them.

  • And that's all the blessings I can think of just now to thank Thee for.

  • As for the things I want, they're so numerous that it would take a great deal of

  • time to name them all so I will only mention the two most important.

  • Please let me stay at Green Gables; and please let me be good-looking when I grow

  • up.

  • I remain, "Yours respectfully, Anne Shirley.

  • "There, did I do all right?" she asked eagerly, getting up.

  • "I could have made it much more flowery if I'd had a little more time to think it

  • over."

  • Poor Marilla was only preserved from complete collapse by remembering that it

  • was not irreverence, but simply spiritual ignorance on the part of Anne that was

  • responsible for this extraordinary petition.

  • She tucked the child up in bed, mentally vowing that she should be taught a prayer

  • the very next day, and was leaving the room with the light when Anne called her back.

  • "I've just thought of it now.

  • I should have said, 'Amen' in place of 'yours respectfully,' shouldn't I?--the way

  • the ministers do.

  • I'd forgotten it, but I felt a prayer should be finished off in some way, so I

  • put in the other. Do you suppose it will make any

  • difference?"

  • "I--I don't suppose it will," said Marilla. "Go to sleep now like a good child.

  • Good night."

  • "I can only say good night tonight with a clear conscience," said Anne, cuddling

  • luxuriously down among her pillows.

  • Marilla retreated to the kitchen, set the candle firmly on the table, and glared at

  • Matthew.

  • "Matthew Cuthbert, it's about time somebody adopted that child and taught her

  • something. She's next door to a perfect heathen.

  • Will you believe that she never said a prayer in her life till tonight?

  • I'll send her to the manse tomorrow and borrow the Peep of the Day series, that's

  • what I'll do.

  • And she shall go to Sunday-school just as soon as I can get some suitable clothes

  • made for her. I foresee that I shall have my hands full.

  • Well, well, we can't get through this world without our share of trouble.

  • I've had a pretty easy life of it so far, but my time has come at last and I suppose

  • I'll just have to make the best of it."

  • >

  • CHAPTER VIII. Anne's Bringing-up Is Begun

  • For reasons best known to herself, Marilla did not tell Anne that she was to stay at

  • Green Gables until the next afternoon.

  • During the forenoon she kept the child busy with various tasks and watched over her

  • with a keen eye while she did them.

  • By noon she had concluded that Anne was smart and obedient, willing to work and

  • quick to learn; her most serious shortcoming seemed to be a tendency to fall

  • into daydreams in the middle of a task and

  • forget all about it until such time as she was sharply recalled to earth by a

  • reprimand or a catastrophe.

  • When Anne had finished washing the dinner dishes she suddenly confronted Marilla with

  • the air and expression of one desperately determined to learn the worst.

  • Her thin little body trembled from head to foot; her face flushed and her eyes dilated

  • until they were almost black; she clasped her hands tightly and said in an imploring

  • voice:

  • "Oh, please, Miss Cuthbert, won't you tell me if you are going to send me away or not?

  • I've tried to be patient all the morning, but I really feel that I cannot bear not

  • knowing any longer.

  • It's a dreadful feeling. Please tell me."

  • "You haven't scalded the dishcloth in clean hot water as I told you to do," said

  • Marilla immovably.

  • "Just go and do it before you ask any more questions, Anne."

  • Anne went and attended to the dishcloth. Then she returned to Marilla and fastened

  • imploring eyes of the latter's face.

  • "Well," said Marilla, unable to find any excuse for deferring her explanation

  • longer, "I suppose I might as well tell you.

  • Matthew and I have decided to keep you-- that is, if you will try to be a good

  • little girl and show yourself grateful. Why, child, whatever is the matter?"

  • "I'm crying," said Anne in a tone of bewilderment.

  • "I can't think why. I'm glad as glad can be.

  • Oh, GLAD doesn't seem the right word at all.

  • I was glad about the White Way and the cherry blossoms--but this!

  • Oh, it's something more than glad.

  • I'm so happy. I'll try to be so good.

  • It will be uphill work, I expect, for Mrs. Thomas often told me I was desperately

  • wicked.

  • However, I'll do my very best. But can you tell me why I'm crying?"

  • "I suppose it's because you're all excited and worked up," said Marilla

  • disapprovingly.

  • "Sit down on that chair and try to calm yourself.

  • I'm afraid you both cry and laugh far too easily.

  • Yes, you can stay here and we will try to do right by you.

  • You must go to school; but it's only a fortnight till vacation so it isn't worth

  • while for you to start before it opens again in September."

  • "What am I to call you?" asked Anne.

  • "Shall I always say Miss Cuthbert? Can I call you Aunt Marilla?"

  • "No; you'll call me just plain Marilla. I'm not used to being called Miss Cuthbert

  • and it would make me nervous."

  • "It sounds awfully disrespectful to just say Marilla," protested Anne.

  • "I guess there'll be nothing disrespectful in it if you're careful to speak

  • respectfully.

  • Everybody, young and old, in Avonlea calls me Marilla except the minister.

  • He says Miss Cuthbert--when he thinks of it."

  • "I'd love to call you Aunt Marilla," said Anne wistfully.

  • "I've never had an aunt or any relation at all--not even a grandmother.

  • It would make me feel as if I really belonged to you.

  • Can't I call you Aunt Marilla?" "No.

  • I'm not your aunt and I don't believe in calling people names that don't belong to

  • them." "But we could imagine you were my aunt."

  • "I couldn't," said Marilla grimly.

  • "Do you never imagine things different from what they really are?" asked Anne wide-

  • eyed. "No."

  • "Oh!"

  • Anne drew a long breath. "Oh, Miss--Marilla, how much you miss!"

  • "I don't believe in imagining things different from what they really are,"

  • retorted Marilla.

  • "When the Lord puts us in certain circumstances He doesn't mean for us to

  • imagine them away. And that reminds me.

  • Go into the sitting room, Anne--be sure your feet are clean and don't let any flies

  • in--and bring me out the illustrated card that's on the mantelpiece.

  • The Lord's Prayer is on it and you'll devote your spare time this afternoon to

  • learning it off by heart. There's to be no more of such praying as I

  • heard last night."

  • "I suppose I was very awkward," said Anne apologetically, "but then, you see, I'd

  • never had any practice.

  • You couldn't really expect a person to pray very well the first time she tried, could

  • you?

  • I thought out a splendid prayer after I went to bed, just as I promised you I

  • would. It was nearly as long as a minister's and

  • so poetical.

  • But would you believe it? I couldn't remember one word when I woke up

  • this morning. And I'm afraid I'll never be able to think

  • out another one as good.

  • Somehow, things never are so good when they're thought out a second time.

  • Have you ever noticed that?" "Here is something for you to notice, Anne.

  • When I tell you to do a thing I want you to obey me at once and not stand stock-still

  • and discourse about it. Just you go and do as I bid you."

  • Anne promptly departed for the sitting-room across the hall; she failed to return;

  • after waiting ten minutes Marilla laid down her knitting and marched after her with a

  • grim expression.

  • She found Anne standing motionless before a picture hanging on the wall between the two

  • windows, with her eyes astar with dreams.

  • The white and green light strained through apple trees and clustering vines outside

  • fell over the rapt little figure with a half-unearthly radiance.

  • "Anne, whatever are you thinking of?" demanded Marilla sharply.

  • Anne came back to earth with a start.

  • "That," she said, pointing to the picture-- a rather vivid chromo entitled, "Christ

  • Blessing Little Children"--"and I was just imagining I was one of them--that I was the

  • little girl in the blue dress, standing off

  • by herself in the corner as if she didn't belong to anybody, like me.

  • She looks lonely and sad, don't you think? I guess she hadn't any father or mother of

  • her own.

  • But she wanted to be blessed, too, so she just crept shyly up on the outside of the

  • crowd, hoping nobody would notice her-- except Him.

  • I'm sure I know just how she felt.

  • Her heart must have beat and her hands must have got cold, like mine did when I asked

  • you if I could stay. She was afraid He mightn't notice her.

  • But it's likely He did, don't you think?

  • I've been trying to imagine it all out--her edging a little nearer all the time until

  • she was quite close to Him; and then He would look at her and put His hand on her

  • hair and oh, such a thrill of joy as would run over her!

  • But I wish the artist hadn't painted Him so sorrowful looking.

  • All His pictures are like that, if you've noticed.

  • But I don't believe He could really have looked so sad or the children would have

  • been afraid of Him."

  • "Anne," said Marilla, wondering why she had not broken into this speech long before,

  • "you shouldn't talk that way. It's irreverent--positively irreverent."

  • Anne's eyes marveled.

  • "Why, I felt just as reverent as could be. I'm sure I didn't mean to be irreverent."

  • "Well I don't suppose you did--but it doesn't sound right to talk so familiarly

  • about such things.

  • And another thing, Anne, when I send you after something you're to bring it at once

  • and not fall into mooning and imagining before pictures.

  • Remember that.

  • Take that card and come right to the kitchen.

  • Now, sit down in the corner and learn that prayer off by heart."

  • Anne set the card up against the jugful of apple blossoms she had brought in to

  • decorate the dinner-table--Marilla had eyed that decoration askance, but had said

  • nothing--propped her chin on her hands, and

  • fell to studying it intently for several silent minutes.

  • "I like this," she announced at length. "It's beautiful.

  • I've heard it before--I heard the superintendent of the asylum Sunday school

  • say it over once. But I didn't like it then.

  • He had such a cracked voice and he prayed it so mournfully.

  • I really felt sure he thought praying was a disagreeable duty.

  • This isn't poetry, but it makes me feel just the same way poetry does.

  • 'Our Father who art in heaven hallowed be Thy name.'

  • That is just like a line of music.

  • Oh, I'm so glad you thought of making me learn this, Miss--Marilla."

  • "Well, learn it and hold your tongue," said Marilla shortly.

  • Anne tipped the vase of apple blossoms near enough to bestow a soft kiss on a pink-

  • cupped bud, and then studied diligently for some moments longer.

  • "Marilla," she demanded presently, "do you think that I shall ever have a bosom friend

  • in Avonlea?" "A--a what kind of friend?"

  • "A bosom friend--an intimate friend, you know--a really kindred spirit to whom I can

  • confide my inmost soul. I've dreamed of meeting her all my life.

  • I never really supposed I would, but so many of my loveliest dreams have come true

  • all at once that perhaps this one will, too.

  • Do you think it's possible?"

  • "Diana Barry lives over at Orchard Slope and she's about your age.

  • She's a very nice little girl, and perhaps she will be a playmate for you when she

  • comes home.

  • She's visiting her aunt over at Carmody just now.

  • You'll have to be careful how you behave yourself, though.

  • Mrs. Barry is a very particular woman.

  • She won't let Diana play with any little girl who isn't nice and good."

  • Anne looked at Marilla through the apple blossoms, her eyes aglow with interest.

  • "What is Diana like?

  • Her hair isn't red, is it? Oh, I hope not.

  • It's bad enough to have red hair myself, but I positively couldn't endure it in a

  • bosom friend."

  • "Diana is a very pretty little girl. She has black eyes and hair and rosy

  • cheeks. And she is good and smart, which is better

  • than being pretty."

  • Marilla was as fond of morals as the Duchess in Wonderland, and was firmly

  • convinced that one should be tacked on to every remark made to a child who was being

  • brought up.

  • But Anne waved the moral inconsequently aside and seized only on the delightful

  • possibilities before it. "Oh, I'm so glad she's pretty.

  • Next to being beautiful oneself--and that's impossible in my case--it would be best to

  • have a beautiful bosom friend.

  • When I lived with Mrs. Thomas she had a bookcase in her sitting room with glass

  • doors.

  • There weren't any books in it; Mrs. Thomas kept her best china and her preserves

  • there--when she had any preserves to keep. One of the doors was broken.

  • Mr. Thomas smashed it one night when he was slightly intoxicated.

  • But the other was whole and I used to pretend that my reflection in it was

  • another little girl who lived in it.

  • I called her Katie Maurice, and we were very intimate.

  • I used to talk to her by the hour, especially on Sunday, and tell her

  • everything.

  • Katie was the comfort and consolation of my life.

  • We used to pretend that the bookcase was enchanted and that if I only knew the spell

  • I could open the door and step right into the room where Katie Maurice lived, instead

  • of into Mrs. Thomas' shelves of preserves and china.

  • And then Katie Maurice would have taken me by the hand and led me out into a wonderful

  • place, all flowers and sunshine and fairies, and we would have lived there

  • happy for ever after.

  • When I went to live with Mrs. Hammond it just broke my heart to leave Katie Maurice.

  • She felt it dreadfully, too, I know she did, for she was crying when she kissed me

  • good-bye through the bookcase door.

  • There was no bookcase at Mrs. Hammond's. But just up the river a little way from the

  • house there was a long green little valley, and the loveliest echo lived there.

  • It echoed back every word you said, even if you didn't talk a bit loud.

  • So I imagined that it was a little girl called Violetta and we were great friends

  • and I loved her almost as well as I loved Katie Maurice--not quite, but almost, you

  • know.

  • The night before I went to the asylum I said good-bye to Violetta, and oh, her

  • good-bye came back to me in such sad, sad tones.

  • I had become so attached to her that I hadn't the heart to imagine a bosom friend

  • at the asylum, even if there had been any scope for imagination there."

  • "I think it's just as well there wasn't," said Marilla drily.

  • "I don't approve of such goings-on. You seem to half believe your own

  • imaginations.

  • It will be well for you to have a real live friend to put such nonsense out of your

  • head.

  • But don't let Mrs. Barry hear you talking about your Katie Maurices and your

  • Violettas or she'll think you tell stories."

  • "Oh, I won't.

  • I couldn't talk of them to everybody--their memories are too sacred for that.

  • But I thought I'd like to have you know about them.

  • Oh, look, here's a big bee just tumbled out of an apple blossom.

  • Just think what a lovely place to live--in an apple blossom!

  • Fancy going to sleep in it when the wind was rocking it.

  • If I wasn't a human girl I think I'd like to be a bee and live among the flowers."

  • "Yesterday you wanted to be a sea gull," sniffed Marilla.

  • "I think you are very fickle minded. I told you to learn that prayer and not

  • talk.

  • But it seems impossible for you to stop talking if you've got anybody that will

  • listen to you. So go up to your room and learn it."

  • "Oh, I know it pretty nearly all now--all but just the last line."

  • "Well, never mind, do as I tell you.

  • Go to your room and finish learning it well, and stay there until I call you down

  • to help me get tea." "Can I take the apple blossoms with me for

  • company?" pleaded Anne.

  • "No; you don't want your room cluttered up with flowers.

  • You should have left them on the tree in the first place."

  • "I did feel a little that way, too," said Anne.

  • "I kind of felt I shouldn't shorten their lovely lives by picking them--I wouldn't

  • want to be picked if I were an apple blossom.

  • But the temptation was IRRESISTIBLE.

  • What do you do when you meet with an irresistible temptation?"

  • "Anne, did you hear me tell you to go to your room?"

  • Anne sighed, retreated to the east gable, and sat down in a chair by the window.

  • "There--I know this prayer. I learned that last sentence coming

  • upstairs.

  • Now I'm going to imagine things into this room so that they'll always stay imagined.

  • The floor is covered with a white velvet carpet with pink roses all over it and

  • there are pink silk curtains at the windows.

  • The walls are hung with gold and silver brocade tapestry.

  • The furniture is mahogany. I never saw any mahogany, but it does sound

  • SO luxurious.

  • This is a couch all heaped with gorgeous silken cushions, pink and blue and crimson

  • and gold, and I am reclining gracefully on it.

  • I can see my reflection in that splendid big mirror hanging on the wall.

  • I am tall and regal, clad in a gown of trailing white lace, with a pearl cross on

  • my breast and pearls in my hair.

  • My hair is of midnight darkness and my skin is a clear ivory pallor.

  • My name is the Lady Cordelia Fitzgerald. No, it isn't--I can't make THAT seem real."

  • She danced up to the little looking-glass and peered into it.

  • Her pointed freckled face and solemn gray eyes peered back at her.

  • "You're only Anne of Green Gables," she said earnestly, "and I see you, just as you

  • are looking now, whenever I try to imagine I'm the Lady Cordelia.

  • But it's a million times nicer to be Anne of Green Gables than Anne of nowhere in

  • particular, isn't it?"

  • She bent forward, kissed her reflection affectionately, and betook herself to the

  • open window. "Dear Snow Queen, good afternoon.

  • And good afternoon dear birches down in the hollow.

  • And good afternoon, dear gray house up on the hill.

  • I wonder if Diana is to be my bosom friend.

  • I hope she will, and I shall love her very much.

  • But I must never quite forget Katie Maurice and Violetta.

  • They would feel so hurt if I did and I'd hate to hurt anybody's feelings, even a

  • little bookcase girl's or a little echo girl's.

  • I must be careful to remember them and send them a kiss every day."

  • Anne blew a couple of airy kisses from her fingertips past the cherry blossoms and

  • then, with her chin in her hands, drifted luxuriously out on a sea of daydreams.

  • >

  • CHAPTER IX. Mrs. Rachel Lynde Is Properly Horrified

  • Anne had been a fortnight at Green Gables before Mrs. Lynde arrived to inspect her.

  • Mrs. Rachel, to do her justice, was not to blame for this.

  • A severe and unseasonable attack of grippe had confined that good lady to her house

  • ever since the occasion of her last visit to Green Gables.

  • Mrs. Rachel was not often sick and had a well-defined contempt for people who were;

  • but grippe, she asserted, was like no other illness on earth and could only be

  • interpreted as one of the special visitations of Providence.

  • As soon as her doctor allowed her to put her foot out-of-doors she hurried up to

  • Green Gables, bursting with curiosity to see Matthew and Marilla's orphan,

  • concerning whom all sorts of stories and suppositions had gone abroad in Avonlea.

  • Anne had made good use of every waking moment of that fortnight.

  • Already she was acquainted with every tree and shrub about the place.

  • She had discovered that a lane opened out below the apple orchard and ran up through

  • a belt of woodland; and she had explored it to its furthest end in all its delicious

  • vagaries of brook and bridge, fir coppice

  • and wild cherry arch, corners thick with fern, and branching byways of maple and

  • mountain ash.

  • She had made friends with the spring down in the hollow--that wonderful deep, clear

  • icy-cold spring; it was set about with smooth red sandstones and rimmed in by

  • great palm-like clumps of water fern; and beyond it was a log bridge over the brook.

  • That bridge led Anne's dancing feet up over a wooded hill beyond, where perpetual

  • twilight reigned under the straight, thick- growing firs and spruces; the only flowers

  • there were myriads of delicate "June

  • bells," those shyest and sweetest of woodland blooms, and a few pale, aerial

  • starflowers, like the spirits of last year's blossoms.

  • Gossamers glimmered like threads of silver among the trees and the fir boughs and

  • tassels seemed to utter friendly speech.

  • All these raptured voyages of exploration were made in the odd half hours which she

  • was allowed for play, and Anne talked Matthew and Marilla half-deaf over her

  • discoveries.

  • Not that Matthew complained, to be sure; he listened to it all with a wordless smile of

  • enjoyment on his face; Marilla permitted the "chatter" until she found herself

  • becoming too interested in it, whereupon

  • she always promptly quenched Anne by a curt command to hold her tongue.

  • Anne was out in the orchard when Mrs. Rachel came, wandering at her own sweet

  • will through the lush, tremulous grasses splashed with ruddy evening sunshine; so

  • that good lady had an excellent chance to

  • talk her illness fully over, describing every ache and pulse beat with such evident

  • enjoyment that Marilla thought even grippe must bring its compensations.

  • When details were exhausted Mrs. Rachel introduced the real reason of her call.

  • "I've been hearing some surprising things about you and Matthew."

  • "I don't suppose you are any more surprised than I am myself," said Marilla.

  • "I'm getting over my surprise now." "It was too bad there was such a mistake,"

  • said Mrs. Rachel sympathetically.

  • "Couldn't you have sent her back?" "I suppose we could, but we decided not to.

  • Matthew took a fancy to her. And I must say I like her myself--although

  • I admit she has her faults.

  • The house seems a different place already. She's a real bright little thing."

  • Marilla said more than she had intended to say when she began, for she read

  • disapproval in Mrs. Rachel's expression.

  • "It's a great responsibility you've taken on yourself," said that lady gloomily,

  • "especially when you've never had any experience with children.

  • You don't know much about her or her real disposition, I suppose, and there's no

  • guessing how a child like that will turn out.

  • But I don't want to discourage you I'm sure, Marilla."

  • "I'm not feeling discouraged," was Marilla's dry response, "when I make up my

  • mind to do a thing it stays made up.

  • I suppose you'd like to see Anne. I'll call her in."

  • Anne came running in presently, her face sparkling with the delight of her orchard

  • rovings; but, abashed at finding the delight herself in the unexpected presence

  • of a stranger, she halted confusedly inside the door.

  • She certainly was an odd-looking little creature in the short tight wincey dress

  • she had worn from the asylum, below which her thin legs seemed ungracefully long.

  • Her freckles were more numerous and obtrusive than ever; the wind had ruffled

  • her hatless hair into over-brilliant disorder; it had never looked redder than

  • at that moment.

  • "Well, they didn't pick you for your looks, that's sure and certain," was Mrs. Rachel

  • Lynde's emphatic comment.

  • Mrs. Rachel was one of those delightful and popular people who pride themselves on

  • speaking their mind without fear or favor. "She's terrible skinny and homely, Marilla.

  • Come here, child, and let me have a look at you.

  • Lawful heart, did any one ever see such freckles?

  • And hair as red as carrots!

  • Come here, child, I say." Anne "came there," but not exactly as Mrs.

  • Rachel expected.

  • With one bound she crossed the kitchen floor and stood before Mrs. Rachel, her

  • face scarlet with anger, her lips quivering, and her whole slender form

  • trembling from head to foot.

  • "I hate you," she cried in a choked voice, stamping her foot on the floor.

  • "I hate you--I hate you--I hate you--" a louder stamp with each assertion of hatred.

  • "How dare you call me skinny and ugly?

  • How dare you say I'm freckled and redheaded?

  • You are a rude, impolite, unfeeling woman!" "Anne!" exclaimed Marilla in consternation.

  • But Anne continued to face Mrs. Rachel undauntedly, head up, eyes blazing, hands

  • clenched, passionate indignation exhaling from her like an atmosphere.

  • "How dare you say such things about me?" she repeated vehemently.

  • "How would you like to have such things said about you?

  • How would you like to be told that you are fat and clumsy and probably hadn't a spark

  • of imagination in you? I don't care if I do hurt your feelings by

  • saying so!

  • I hope I hurt them. You have hurt mine worse than they were

  • ever hurt before even by Mrs. Thomas' intoxicated husband.

  • And I'll NEVER forgive you for it, never, never!"

  • Stamp! Stamp!

  • "Did anybody ever see such a temper!" exclaimed the horrified Mrs. Rachel.

  • "Anne go to your room and stay there until I come up," said Marilla, recovering her

  • powers of speech with difficulty.

  • Anne, bursting into tears, rushed to the hall door, slammed it until the tins on the

  • porch wall outside rattled in sympathy, and fled through the hall and up the stairs

  • like a whirlwind.

  • A subdued slam above told that the door of the east gable had been shut with equal

  • vehemence.

  • "Well, I don't envy you your job bringing THAT up, Marilla," said Mrs. Rachel with

  • unspeakable solemnity. Marilla opened her lips to say she knew not

  • what of apology or deprecation.

  • What she did say was a surprise to herself then and ever afterwards.

  • "You shouldn't have twitted her about her looks, Rachel."

  • "Marilla Cuthbert, you don't mean to say that you are upholding her in such a

  • terrible display of temper as we've just seen?" demanded Mrs. Rachel indignantly.

  • "No," said Marilla slowly, "I'm not trying to excuse her.

  • She's been very naughty and I'll have to give her a talking to about it.

  • But we must make allowances for her.

  • She's never been taught what is right. And you WERE too hard on her, Rachel."

  • Marilla could not help tacking on that last sentence, although she was again surprised

  • at herself for doing it.

  • Mrs. Rachel got up with an air of offended dignity.

  • "Well, I see that I'll have to be very careful what I say after this, Marilla,

  • since the fine feelings of orphans, brought from goodness knows where, have to be

  • considered before anything else.

  • Oh, no, I'm not vexed--don't worry yourself.

  • I'm too sorry for you to leave any room for anger in my mind.

  • You'll have your own troubles with that child.

  • But if you'll take my advice--which I suppose you won't do, although I've brought

  • up ten children and buried two--you'll do that 'talking to' you mention with a fair-

  • sized birch switch.

  • I should think THAT would be the most effective language for that kind of a

  • child. Her temper matches her hair I guess.

  • Well, good evening, Marilla.

  • I hope you'll come down to see me often as usual.

  • But you can't expect me to visit here again in a hurry, if I'm liable to be flown at

  • and insulted in such a fashion.

  • It's something new in MY experience."

  • Whereat Mrs. Rachel swept out and away--if a fat woman who always waddled COULD be

  • said to sweep away--and Marilla with a very solemn face betook herself to the east

  • gable.

  • On the way upstairs she pondered uneasily as to what she ought to do.

  • She felt no little dismay over the scene that had just been enacted.

  • How unfortunate that Anne should have displayed such temper before Mrs. Rachel

  • Lynde, of all people!

  • Then Marilla suddenly became aware of an uncomfortable and rebuking consciousness

  • that she felt more humiliation over this than sorrow over the discovery of such a

  • serious defect in Anne's disposition.

  • And how was she to punish her?

  • The amiable suggestion of the birch switch- -to the efficiency of which all of Mrs.

  • Rachel's own children could have borne smarting testimony--did not appeal to

  • Marilla.

  • She did not believe she could whip a child. No, some other method of punishment must be

  • found to bring Anne to a proper realization of the enormity of her offense.

  • Marilla found Anne face downward on her bed, crying bitterly, quite oblivious of

  • muddy boots on a clean counterpane. "Anne," she said not ungently.

  • No answer.

  • "Anne," with greater severity, "get off that bed this minute and listen to what I

  • have to say to you."

  • Anne squirmed off the bed and sat rigidly on a chair beside it, her face swollen and

  • tear-stained and her eyes fixed stubbornly on the floor.

  • "This is a nice way for you to behave.

  • Anne! Aren't you ashamed of yourself?"

  • "She hadn't any right to call me ugly and redheaded," retorted Anne, evasive and

  • defiant.

  • "You hadn't any right to fly into such a fury and talk the way you did to her, Anne.

  • I was ashamed of you--thoroughly ashamed of you.

  • I wanted you to behave nicely to Mrs. Lynde, and instead of that you have

  • disgraced me.

  • I'm sure I don't know why you should lose your temper like that just because Mrs.

  • Lynde said you were red-haired and homely. You say it yourself often enough."

  • "Oh, but there's such a difference between saying a thing yourself and hearing other

  • people say it," wailed Anne.

  • "You may know a thing is so, but you can't help hoping other people don't quite think

  • it is. I suppose you think I have an awful temper,

  • but I couldn't help it.

  • When she said those things something just rose right up in me and choked me.

  • I HAD to fly out at her." "Well, you made a fine exhibition of

  • yourself I must say.

  • Mrs. Lynde will have a nice story to tell about you everywhere--and she'll tell it,

  • too. It was a dreadful thing for you to lose

  • your temper like that, Anne."

  • "Just imagine how you would feel if somebody told you to your face that you

  • were skinny and ugly," pleaded Anne tearfully.

  • An old remembrance suddenly rose up before Marilla.

  • She had been a very small child when she had heard one aunt say of her to another,

  • "What a pity she is such a dark, homely little thing."

  • Marilla was every day of fifty before the sting had gone out of that memory.

  • "I don't say that I think Mrs. Lynde was exactly right in saying what she did to

  • you, Anne," she admitted in a softer tone.

  • "Rachel is too outspoken. But that is no excuse for such behavior on

  • your part.

  • She was a stranger and an elderly person and my visitor--all three very good reasons

  • why you should have been respectful to her.

  • You were rude and saucy and"--Marilla had a saving inspiration of punishment--"you must

  • go to her and tell her you are very sorry for your bad temper and ask her to forgive

  • you."

  • "I can never do that," said Anne determinedly and darkly.

  • "You can punish me in any way you like, Marilla.

  • You can shut me up in a dark, damp dungeon inhabited by snakes and toads and feed me

  • only on bread and water and I shall not complain.

  • But I cannot ask Mrs. Lynde to forgive me."

  • "We're not in the habit of shutting people up in dark damp dungeons," said Marilla

  • drily, "especially as they're rather scarce in Avonlea.

  • But apologize to Mrs. Lynde you must and shall and you'll stay here in your room

  • until you can tell me you're willing to do it."

  • "I shall have to stay here forever then," said Anne mournfully, "because I can't tell

  • Mrs. Lynde I'm sorry I said those things to her.

  • How can I?

  • I'm NOT sorry. I'm sorry I've vexed you; but I'm GLAD I

  • told her just what I did. It was a great satisfaction.

  • I can't say I'm sorry when I'm not, can I?

  • I can't even IMAGINE I'm sorry." "Perhaps your imagination will be in better

  • working order by the morning," said Marilla, rising to depart.

  • "You'll have the night to think over your conduct in and come to a better frame of

  • mind.

  • You said you would try to be a very good girl if we kept you at Green Gables, but I

  • must say it hasn't seemed very much like it this evening."

  • Leaving this Parthian shaft to rankle in Anne's stormy bosom, Marilla descended to

  • the kitchen, grievously troubled in mind and vexed in soul.

  • She was as angry with herself as with Anne, because, whenever she recalled Mrs.

  • Rachel's dumbfounded countenance her lips twitched with amusement and she felt a most

  • reprehensible desire to laugh.

  • >

  • CHAPTER X. Anne's Apology

  • Marilla said nothing to Matthew about the affair that evening; but when Anne proved

  • still refractory the next morning an explanation had to be made to account for

  • her absence from the breakfast table.

  • Marilla told Matthew the whole story, taking pains to impress him with a due

  • sense of the enormity of Anne's behavior.

  • "It's a good thing Rachel Lynde got a calling down; she's a meddlesome old

  • gossip," was Matthew's consolatory rejoinder.

  • "Matthew Cuthbert, I'm astonished at you.

  • You know that Anne's behavior was dreadful, and yet you take her part!

  • I suppose you'll be saying next thing that she oughtn't to be punished at all!"

  • "Well now--no--not exactly," said Matthew uneasily.

  • "I reckon she ought to be punished a little.

  • But don't be too hard on her, Marilla.

  • Recollect she hasn't ever had anyone to teach her right.

  • You're--you're going to give her something to eat, aren't you?"

  • "When did you ever hear of me starving people into good behavior?" demanded

  • Marilla indignantly. "She'll have her meals regular, and I'll

  • carry them up to her myself.

  • But she'll stay up there until she's willing to apologize to Mrs. Lynde, and

  • that's final, Matthew."

  • Breakfast, dinner, and supper were very silent meals--for Anne still remained

  • obdurate.

  • After each meal Marilla carried a well- filled tray to the east gable and brought

  • it down later on not noticeably depleted. Matthew eyed its last descent with a

  • troubled eye.

  • Had Anne eaten anything at all?

  • When Marilla went out that evening to bring the cows from the back pasture, Matthew,

  • who had been hanging about the barns and watching, slipped into the house with the

  • air of a burglar and crept upstairs.

  • As a general thing Matthew gravitated between the kitchen and the little bedroom

  • off the hall where he slept; once in a while he ventured uncomfortably into the

  • parlor or sitting room when the minister came to tea.

  • But he had never been upstairs in his own house since the spring he helped Marilla

  • paper the spare bedroom, and that was four years ago.

  • He tiptoed along the hall and stood for several minutes outside the door of the

  • east gable before he summoned courage to tap on it with his fingers and then open

  • the door to peep in.

  • Anne was sitting on the yellow chair by the window gazing mournfully out into the

  • garden. Very small and unhappy she looked, and

  • Matthew's heart smote him.

  • He softly closed the door and tiptoed over to her.

  • "Anne," he whispered, as if afraid of being overheard, "how are you making it, Anne?"

  • Anne smiled wanly.

  • "Pretty well. I imagine a good deal, and that helps to

  • pass the time. Of course, it's rather lonesome.

  • But then, I may as well get used to that."

  • Anne smiled again, bravely facing the long years of solitary imprisonment before her.

  • Matthew recollected that he must say what he had come to say without loss of time,

  • lest Marilla return prematurely.

  • "Well now, Anne, don't you think you'd better do it and have it over with?" he

  • whispered.

  • "It'll have to be done sooner or later, you know, for Marilla's a dreadful deter-mined

  • woman--dreadful determined, Anne. Do it right off, I say, and have it over."

  • "Do you mean apologize to Mrs. Lynde?"

  • "Yes--apologize--that's the very word," said Matthew eagerly.

  • "Just smooth it over so to speak. That's what I was trying to get at."

  • "I suppose I could do it to oblige you," said Anne thoughtfully.

  • "It would be true enough to say I am sorry, because I AM sorry now.

  • I wasn't a bit sorry last night.

  • I was mad clear through, and I stayed mad all night.

  • I know I did because I woke up three times and I was just furious every time.

  • But this morning it was over.

  • I wasn't in a temper anymore--and it left a dreadful sort of goneness, too.

  • I felt so ashamed of myself. But I just couldn't think of going and

  • telling Mrs. Lynde so.

  • It would be so humiliating. I made up my mind I'd stay shut up here

  • forever rather than do that. But still--I'd do anything for you--if you

  • really want me to--"

  • "Well now, of course I do. It's terrible lonesome downstairs without

  • you. Just go and smooth things over--that's a

  • good girl."

  • "Very well," said Anne resignedly. "I'll tell Marilla as soon as she comes in

  • I've repented." "That's right--that's right, Anne.

  • But don't tell Marilla I said anything about it.

  • She might think I was putting my oar in and I promised not to do that."

  • "Wild horses won't drag the secret from me," promised Anne solemnly.

  • "How would wild horses drag a secret from a person anyhow?"

  • But Matthew was gone, scared at his own success.

  • He fled hastily to the remotest corner of the horse pasture lest Marilla should

  • suspect what he had been up to.

  • Marilla herself, upon her return to the house, was agreeably surprised to hear a

  • plaintive voice calling, "Marilla" over the banisters.

  • "Well?" she said, going into the hall.

  • "I'm sorry I lost my temper and said rude things, and I'm willing to go and tell Mrs.

  • Lynde so." "Very well."

  • Marilla's crispness gave no sign of her relief.

  • She had been wondering what under the canopy she should do if Anne did not give

  • in.

  • "I'll take you down after milking." Accordingly, after milking, behold Marilla

  • and Anne walking down the lane, the former erect and triumphant, the latter drooping

  • and dejected.

  • But halfway down Anne's dejection vanished as if by enchantment.

  • She lifted her head and stepped lightly along, her eyes fixed on the sunset sky and

  • an air of subdued exhilaration about her.

  • Marilla beheld the change disapprovingly. This was no meek penitent such as it

  • behooved her to take into the presence of the offended Mrs. Lynde.

  • "What are you thinking of, Anne?" she asked sharply.

  • "I'm imagining out what I must say to Mrs. Lynde," answered Anne dreamily.

  • This was satisfactory--or should have been so.

  • But Marilla could not rid herself of the notion that something in her scheme of

  • punishment was going askew.

  • Anne had no business to look so rapt and radiant.

  • Rapt and radiant Anne continued until they were in the very presence of Mrs. Lynde,

  • who was sitting knitting by her kitchen window.

  • Then the radiance vanished.

  • Mournful penitence appeared on every feature.

  • Before a word was spoken Anne suddenly went down on her knees before the astonished

  • Mrs. Rachel and held out her hands beseechingly.

  • "Oh, Mrs. Lynde, I am so extremely sorry," she said with a quiver in her voice.

  • "I could never express all my sorrow, no, not if I used up a whole dictionary.

  • You must just imagine it.

  • I behaved terribly to you--and I've disgraced the dear friends, Matthew and

  • Marilla, who have let me stay at Green Gables although I'm not a boy.

  • I'm a dreadfully wicked and ungrateful girl, and I deserve to be punished and cast

  • out by respectable people forever. It was very wicked of me to fly into a

  • temper because you told me the truth.

  • It WAS the truth; every word you said was true.

  • My hair is red and I'm freckled and skinny and ugly.

  • What I said to you was true, too, but I shouldn't have said it.

  • Oh, Mrs. Lynde, please, please, forgive me.

  • If you refuse it will be a lifelong sorrow on a poor little orphan girl, would you,

  • even if she had a dreadful temper? Oh, I am sure you wouldn't.

  • Please say you forgive me, Mrs. Lynde."

  • Anne clasped her hands together, bowed her head, and waited for the word of judgment.

  • There was no mistaking her sincerity--it breathed in every tone of her voice.

  • Both Marilla and Mrs. Lynde recognized its unmistakable ring.

  • But the former under-stood in dismay that Anne was actually enjoying her valley of

  • humiliation--was reveling in the thoroughness of her abasement.

  • Where was the wholesome punishment upon which she, Marilla, had plumed herself?

  • Anne had turned it into a species of positive pleasure.

  • Good Mrs. Lynde, not being overburdened with perception, did not see this.

  • She only perceived that Anne had made a very thorough apology and all resentment

  • vanished from her kindly, if somewhat officious, heart.

  • "There, there, get up, child," she said heartily.

  • "Of course I forgive you. I guess I was a little too hard on you,

  • anyway.

  • But I'm such an outspoken person. You just mustn't mind me, that's what.

  • It can't be denied your hair is terrible red; but I knew a girl once--went to school

  • with her, in fact--whose hair was every mite as red as yours when she was young,

  • but when she grew up it darkened to a real handsome auburn.

  • I wouldn't be a mite surprised if yours did, too--not a mite."

  • "Oh, Mrs. Lynde!"

  • Anne drew a long breath as she rose to her feet.

  • "You have given me a hope. I shall always feel that you are a

  • benefactor.

  • Oh, I could endure anything if I only thought my hair would be a handsome auburn

  • when I grew up.

  • It would be so much easier to be good if one's hair was a handsome auburn, don't you

  • think?

  • And now may I go out into your garden and sit on that bench under the apple-trees

  • while you and Marilla are talking? There is so much more scope for imagination

  • out there."

  • "Laws, yes, run along, child. And you can pick a bouquet of them white

  • June lilies over in the corner if you like."

  • As the door closed behind Anne Mrs. Lynde got briskly up to light a lamp.

  • "She's a real odd little thing.

  • Take this chair, Marilla; it's easier than the one you've got; I just keep that for

  • the hired boy to sit on.

  • Yes, she certainly is an odd child, but there is something kind of taking about her

  • after all.

  • I don't feel so surprised at you and Matthew keeping her as I did--nor so sorry

  • for you, either. She may turn out all right.

  • Of course, she has a queer way of expressing herself--a little too--well, too

  • kind of forcible, you know; but she'll likely get over that now that she's come to

  • live among civilized folks.

  • And then, her temper's pretty quick, I guess; but there's one comfort, a child

  • that has a quick temper, just blaze up and cool down, ain't never likely to be sly or

  • deceitful.

  • Preserve me from a sly child, that's what. On the whole, Marilla, I kind of like her."

  • When Marilla went home Anne came out of the fragrant twilight of the orchard with a

  • sheaf of white narcissi in her hands.

  • "I apologized pretty well, didn't I?" she said proudly as they went down the lane.

  • "I thought since I had to do it I might as well do it thoroughly."

  • "You did it thoroughly, all right enough," was Marilla's comment.

  • Marilla was dismayed at finding herself inclined to laugh over the recollection.

  • She had also an uneasy feeling that she ought to scold Anne for apologizing so

  • well; but then, that was ridiculous! She compromised with her conscience by

  • saying severely:

  • "I hope you won't have occasion to make many more such apologies.

  • I hope you'll try to control your temper now, Anne."

  • "That wouldn't be so hard if people wouldn't twit me about my looks," said Anne

  • with a sigh.

  • "I don't get cross about other things; but I'm SO tired of being twitted about my hair

  • and it just makes me boil right over. Do you suppose my hair will really be a

  • handsome auburn when I grow up?"

  • "You shouldn't think so much about your looks, Anne.

  • I'm afraid you are a very vain little girl."

  • "How can I be vain when I know I'm homely?" protested Anne.

  • "I love pretty things; and I hate to look in the glass and see something that isn't

  • pretty.

  • It makes me feel so sorrowful--just as I feel when I look at any ugly thing.

  • I pity it because it isn't beautiful." "Handsome is as handsome does," quoted

  • Marilla.

  • "I've had that said to me before, but I have my doubts about it," remarked

  • skeptical Anne, sniffing at her narcissi. "Oh, aren't these flowers sweet!

  • It was lovely of Mrs. Lynde to give them to me.

  • I have no hard feelings against Mrs. Lynde now.

  • It gives you a lovely, comfortable feeling to apologize and be forgiven, doesn't it?

  • Aren't the stars bright tonight? If you could live in a star, which one

  • would you pick?

  • I'd like that lovely clear big one away over there above that dark hill."

  • "Anne, do hold your tongue." said Marilla, thoroughly worn out trying to follow the

  • gyrations of Anne's thoughts.

  • Anne said no more until they turned into their own lane.

  • A little gypsy wind came down it to meet them, laden with the spicy perfume of young

  • dew-wet ferns.

  • Far up in the shadows a cheerful light gleamed out through the trees from the

  • kitchen at Green Gables.

  • Anne suddenly came close to Marilla and slipped her hand into the older woman's

  • hard palm. "It's lovely to be going home and know it's

  • home," she said.

  • "I love Green Gables already, and I never loved any place before.

  • No place ever seemed like home. Oh, Marilla, I'm so happy.

  • I could pray right now and not find it a bit hard."

  • Something warm and pleasant welled up in Marilla's heart at touch of that thin

  • little hand in her own--a throb of the maternity she had missed, perhaps.

  • Its very unaccustomedness and sweetness disturbed her.

  • She hastened to restore her sensations to their normal calm by inculcating a moral.

  • "If you'll be a good girl you'll always be happy, Anne.

  • And you should never find it hard to say your prayers."

  • "Saying one's prayers isn't exactly the same thing as praying," said Anne

  • meditatively.

  • "But I'm going to imagine that I'm the wind that is blowing up there in those tree

  • tops.

  • When I get tired of the trees I'll imagine I'm gently waving down here in the ferns--

  • and then I'll fly over to Mrs. Lynde's garden and set the flowers dancing--and

  • then I'll go with one great swoop over the

  • clover field--and then I'll blow over the Lake of Shining Waters and ripple it all up

  • into little sparkling waves. Oh, there's so much scope for imagination

  • in a wind!

  • So I'll not talk any more just now, Marilla."

  • "Thanks be to goodness for that," breathed Marilla in devout relief.

  • >

CHAPTER I. Mrs. Rachel Lynde is Surprised

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第1部--《綠山牆的安妮》有聲小說,作者:露西-莫德-蒙哥馬利(Chs 01-10)。 (Part 1 - Anne of Green Gables Audiobook by Lucy Maud Montgomery (Chs 01-10))

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    Anbe2623 發佈於 2021 年 01 月 14 日
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