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  • Even before color film existed, filmmakers have been using color as a tool for

    甚至在彩色電影出現之前,電影人就已經將色彩作為一種工具,以達到以下目的

  • beauty and story telling and visual minded directors have created

    美和故事,以及具有視覺思維的導演創造了

  • color palettes almost as memorable as the films themselves.

    色彩調色板幾乎和電影本身一樣令人難忘。

  • So get out your paint samples and follow along, these are our picks for

    所以,拿出你的油漆樣品,跟著我們一起去看看,這些都是我們的選擇。

  • the top ten best colored films of all time.

    十大最佳彩色電影的所有時間。

  • (Music)

    (音樂)

  • Kicking us off at number ten, let's just get it out of the way and

    踢我們在十號,讓'我們只是得到它的方式和

  • go full balls to the wall, crazy colorama with our first slot.

    去充分的球到牆上, 瘋狂的Colorama與我們的第一個插槽。

  • We're talking movies that are somewhere between a Skittles Taste The Rainbow

    我們說的是介於 "嚐嚐彩虹 "之間的電影。

  • themed orgy, and a technicolor kaleidoscope acid trip.

    主題的狂歡,以及科技色彩的萬花筒酸之旅。

  • The hyper-colorful films that really make us go wow,

    超色彩的電影,真正讓我們驚歎。

  • are those like 'What Dreams May Come', 'Dick Tracy', 'The Cook, 'The Thief',

    是那些像'What Dreams May Come','Dick Tracy','The Cook,'The Thief'。

  • 'His Wife and Her Lover', 'The Holy Mountain', 'Gate of Hell', 'Life of Pi',

    '他的妻子和她的情人','聖山','地獄之門','皮的生命'。

  • and like everything "Bas Lerman's" ever directed.

    和像一切"巴斯-勒曼'的"曾經執導過。

  • But really, our pick's gotta be 'The Fall'.

    但實際上,我們的選擇'的得是'秋天'。

  • - The only way to stop a when it's very beautiful and interesting.

    - 只有當它非常美麗和有趣的時候,才能停止一個'的方式。

  • - "Tarsem Singh", 'The Fall's' madman director took four years to meticulously

    - "Tarsem Singh",'The Fall'的'瘋子導演花了4年時間,精心

  • create this multicolored wonderland across 24 different

    在24個不同的地方創造這個五彩繽紛的仙境。

  • countries to an effect that "David Fincher" described as what would have

    國家的影響,以"大衛-芬奇"形容為會有什麼。

  • happened if "Andrei Tarkovsky" had made the 'Wizard of Oz'.

    如果"安德烈-塔可夫斯基"拍了'綠野仙蹤&39;,就會發生。

  • He employs color in every possible way, from the space-like

    他用各種可能的方式來運用色彩,從空間一樣的色彩,再到色彩之間的關係。

  • orange dunes of the location to the sky-high, blood-red-soaked funeral banner

    橙色沙丘的位置,以高聳入雲,血紅色的葬禮旗幟。

  • of his set design to the primary color wheel costuming of his main cast.

    他的佈景設計到主要演員的主色輪服裝。

  • But the most important part is that he does it for

    但最重要的是,他這樣做是為了

  • good narrative reason, as a window into the vivid imagination of the little girl.

    好的敘事理由,作為小女孩生動想象的窗口。

  • The excess is explained, it is grounded, and it is so beautiful.

    過度的解釋,它是接地氣的,它是如此美麗。

  • Of course, more isn't always better, in fact, for the rest of our list,

    當然,更多並不總是更好,事實上,對於我們的其他列表。

  • we're looking at how filmmakers use less.

    我們'正在研究電影製作人如何減少使用。

  • Creating a distinctive color look of a film often comes down to

    打造一部影片獨特的色彩外觀,往往要歸結到以下幾個方面。

  • building a beautiful, evocative pallet.

    構建一個美麗的、令人回味的托盤。

  • And building a pallet involves selecting a limited range of colors from the vast

    而建立一個調色板需要從大量的顏色中選擇有限的顏色範圍。

  • assortment of all of those available, instead of just throwing them all at

    所有這些可用的品種,而不是僅僅把它們全部扔到。

  • the screen like a Home Depot paint aisle explosion.

    螢幕上像家得寶油漆過道爆炸。

  • Think "Tim Burton" in his darker work, we notice the colors he likes to use so

    想想"蒂姆-伯頓"在他的暗色系作品中,我們注意到他喜歡使用的顏色,所以。

  • much because of all the other ones he avoids.

    多,因為其他的他都避之不及。

  • Or it can also create a gap, like in '500 Days of Summer', or 'American Beauty', or

    或者它也可以創造一個空白,就像在'夏日500天&39;,或者'美國美女&39;,或者。

  • the 'Red Shoes', where saving certain colors for moments and characters

    的'紅鞋&39;,在這裡,為時刻和人物保存某些顏色。

  • lends those colors far more power than they might have with less of a vacuum.

    賦予這些顏色更多的力量,而不是在真空度較低的情況下。

  • "Mishima", 'A Life in Four Chapters", limits its palette for different segments.

    "三島",'人生四章",為不同的段子限定了它的調色板。

  • 'The Aviator' limits it to mimic the two strip and

    '飛行者'限制它模仿兩個條和。

  • three strip color processes of the era.

    時代的三條色工藝。

  • And 'Do The Right Thing' painted everything, including its buildings,

    並'做正確的事情'塗抹一切,包括其建築物。

  • red and orange to contribute to the feeling of a heat wave.

    紅色和橙色來促成熱浪的感覺。

  • However, for our number nine pick we loved the look of O Brother,

    不過,對於我們九號的選擇,我們很喜歡O哥的樣子。

  • Where Art Thou?, and its milestone history to boot.

    你在哪裡,以及它的里程碑式的歷史。

  • - The color guard is colored.

    - 護色是彩色的。

  • - "Roger Deakins", 'O Brother's' cinematographer,

    - "Roger Deakins",'O Brother'的攝影師。

  • set out to create a dusty, vintage, storybook type of look for 'O Brother,

    著手為'O哥 "打造一個塵封的、復古的、故事書式的造型。

  • Where Art Thou?', and spent nearly three weeks in the film lab mucking about with

    並花了近三週的時間在電影實驗室裡搗鼓。

  • various photochemical processes to no avail.

    各種光化學過程都無濟於事。

  • You see, "Deakins'" palette was meant to specifically avoid green, but they'd shot

    你看,"迪肯斯'"調色板本來是要特別避免綠色的,但他們'拍了。

  • in Mississippi in mid-summer which looked, as he described it, greener than Ireland.

    在密西西比州的仲夏時節,正如他所描述的那樣,這裡看起來比愛爾蘭還要綠。

  • So he turned to digital color grading, a mainstay in modern features, but

    於是,他轉而採用了現代功能片中的主力軍--數字色彩分級,但。

  • a never before used technology at the time, and changed film color history and

    當時從未使用過的技術,並改變了電影色彩的歷史和。

  • the look is incredible.

    樣子是不可思議的。

  • All the lush greens and blues of the mid-summer south are transformed into

    南方仲夏鬱鬱蔥蔥的綠色和藍色都化作了

  • yellows and oranges and browns and burnt ochers,

    黃色、橙色、棕色和燒焦的赭石。

  • evoking a dusty autumn feel without just tinting everything sepia.

    喚起塵封的秋天的感覺,而不只是把一切都染成深褐色。

  • It's a more controlled refined look that comes from singling out and

    它是一種更有控制力的精緻外觀,來自於單挑和。

  • affecting some colors while leaving the others alone.

    影響一些顏色,而讓其他顏色單獨存在。

  • (Noise) Moving into more specific color palettes that come from limiting colors in

    噪聲)進入更具體的調色板,來自於限制顏色在

  • predictable ways, the first and

    可預見的方式,第一個和

  • most obvious is the selected saturation palette.

    最明顯的是選擇的飽和度調色板。

  • This is limited to the extreme, everything is in black and white except for

    這僅限於極致,一切都以黑白為主,除了

  • a focal object that gets the most vivid of color.

    一個焦點物體,得到最鮮豔的色彩。

  • This was actually one of the earliest forms of color on film back when colors

    這其實是膠片上最早的色彩形式之一,當時的色彩

  • were only achieved by stenciling on the stock, think the 'Great Train Robbery'.

    只有通過股票上的模板來實現,想想'火車大劫案&39;。

  • 'Pleasantville' makes this a part of its narrative while,

    '歡樂谷'使之成為其敘述的一部分,而。

  • while 'Schindler's List' uses it to heart-wrenching emotional effect.

    而'辛德勒'名單'則將其運用到了令人心痛的情感效果中。

  • However, for our slot, we think that 'Sin City's' color is pretty hard to beat.

    然而,對於我們的檔期,我們認為,'罪惡之城'的'顏色是相當難打的。

  • 'Sin City' takes the color grading process of ' Brother Where Art Thou?' and

    '罪惡之城'採取的是'兄弟你在哪裡?'的色彩分級流程。

  • dials it up beyond 11.

    把它撥到11歲以上。

  • It uses color so sparingly, that they take on a massive emotional and

    它很少使用色彩,以至於它們承擔了巨大的情感和。

  • narrative significance.

    敘事意義。

  • The decision to include any one color is so clearly intentional,

    包含任何一種顏色的決定都是如此明顯的故意。

  • that the audience has no choice but to snap to attention.

    以至於觀眾別無選擇,只能加快腳步。

  • Inspired by the art style of "Frank Miller's" comic,

    靈感來自"弗蘭克-米勒'的"漫畫的藝術風格。

  • 'Sin City's' use of color is more akin to graphic design than photography, and

    '罪惡之城'的'色彩的運用更類似於平面設計而非攝影,而且。

  • it makes for one of the most extreme possible examples of a limited palette.

    它是有限調色板中最極端的例子之一。

  • Next up in color palettes,

    接下來是調色板。

  • slightly less limited than the selective saturation is the monochrome palette and

    比選擇性飽和度稍小的限制是單色調色板和單色調色板。

  • it's pretty simple, as far as colors go, you just get one.

    它'很簡單,至於顏色,你只要得到一個。

  • Sure, maybe you deviate in brightness or saturation a little bit, but

    當然,也許你在亮度或飽和度上會有一點偏差,但... ...

  • you pick a spot on the color wheel and stick with it.

    你在色輪上選擇一個點,並堅持下去。

  • It's used by design in 'Buried',

    它'的設計使用在'Buried'。

  • naturalistically in "Kieślowski's" 'Three Colours Trilogy', Intolerance used

    自然地在"基耶斯洛夫斯基'的"'三色三部曲&39;中,不忍心用。

  • revolutionary monochromatic tinting to separate out its timelines.

    革命性的單色調,以分離出其時間線。

  • While 'Hero' is probably the most iconic and

    雖然'英雄&39;可能是最具代表性和

  • readily accessible example of this over and over and in every different way.

    現成的例子,一遍又一遍,以各種不同的方式。

  • But we've picked it enough times on our list that we're gonna keep looking.

    但我們'在我們的名單上已經選了足夠多的次數,我們'要繼續尋找。

  • In its place, we're making room for a film we don't talk enough about 'Citizen Kane',

    在它的位置上,我們'正在為一部我們不'不夠談論的電影騰出空間'公民凱恩'。

  • no I'm just kidding, I couldn't even finish it.

    不我'開個玩笑,我甚至不能完成它。

  • Our number seven slot is actually going to 'Cries and Whispers'.

    我們的七號位其實是要'哭聲與私語&39;。

  • - (Foreign) - Now, our last few slots

    - (外國)--現在,我們的最後幾個時段。

  • have gone to films leveraging the digital intermediate technology of the 2000s, but

    已經去利用2000年的數字中間技術的電影,但。

  • good color has been around long before the turn of the millennium.

    好的顏色在千禧年之前就已經存在了。

  • You see, before colorists had digital trickery, production designers and

    你看,在調色師還沒有數字技巧之前,製作設計師和。

  • cinematographers controlled color the old fashioned way, through meticulous design.

    電影攝影師通過細緻的設計,用老式的方式控制色彩。

  • Films can follow just as strict a palette by carefully selecting and

    電影可以遵循同樣嚴格的調色板,通過精心選擇和處理。

  • coordinating the costuming, location choices, set design, makeup and

    統籌服裝、場地選擇、佈景設計、化妝和。

  • lighting and 'Cries and Whispers' does just that.

    照明和'哭聲與私語'就是這樣。

  • Beyond a few relieving scenes of green and yellow,

    除了一些緩解的青黃不接的場景。

  • everything in 'Cries and Whispers' takes place in a world that is blood red.

    在'哭聲與私語&39;中的一切都發生在一個血紅的世界裡。

  • "Bergman" famously said all of my films can be thought of in terms of black and

    伯格曼有句名言:"我所有的電影都可以用黑與白的方式來看待。

  • white except 'Cries and Whispers' and you can see why.

    白色除了'哭聲和私語',你可以看到為什麼。

  • The overwhelming pervasiveness of the crimson has such a moving effect like

    鋪天蓋地的深紅色有這樣一種動人的效果,就像

  • a sensory deprivation tank of color that you can't help but be emotionally moved.

    一缸感官剝奪的色彩,讓你不禁感慨萬千。

  • Adding one more color into the mix, next we get to the complementary color scheme.

    再加上一種顏色,接下來我們就來看看補色方案。

  • You take one color and combine it with its opposite, and

    你把一種顏色和它的相反顏色結合起來,然後...

  • boom, you've got yourself a scheme that's automatically compelling.

    轟,你'了自己的計劃,'的自動引人注目。

  • It's the source of the ever popular, every frustrating orange-teal

    它'是永遠流行的源頭,每一個令人沮喪的橙黃色。

  • Hollywood blockbuster look, which look we get it, it's fun to complain about and

    好萊塢大片的樣子,哪種樣子我們都懂,這很好玩,抱怨和。

  • it can definitely get stale if used to the exclusion of all else.

    如果不顧一切地使用,肯定會變味。

  • But filmmakers use it for

    但電影人用它來

  • a reason, it's color contrast that best emphasizes the look of human skin.

    一個原因,它'的顏色對比,最能強調人類皮膚的外觀。

  • 'Mad Max Fury Road' is maybe our favorite example of this contrast, but

    '瘋狂的麥克斯憤怒之路'也許是我們最喜歡的這種對比的例子,但。

  • you can also spin the color wheel further and get to less common contrasts.

    你還可以進一步旋轉色輪,得到不太常見的對比。

  • Yellow and purple, as in 'The Curse of the Golden Flower' and the very difficult,

    黃色和紫色,如'金花的詛咒&39;和非常困難。

  • red-green, most notable in "Amelie", 'The City of Lost Children' and our pick for

    紅綠相間,最引人注目的是"Amelie"、'失落的孩子之城&39;和我們選擇的"Amelie"。

  • number six, 'Vertigo'.

    六號,'迷魂記&39;。

  • - The color of your hair.

    - 你頭髮的顏色。

  • - No!

    - 不!

  • - There's hardly a film that used technicolor so

    - 幾乎沒有一部電影使用技術色彩如此。

  • brilliantly as 'Vertigo' and there's perhaps no other film that evokes

    也許沒有任何一部電影能讓人想起《迷魂記》。

  • such a strong impression of a color palette as does its red and green.

    如同它的紅色和綠色一樣,給人留下了強烈的印象。

  • Red for caution and green for envy.

    紅色代表謹慎,綠色代表羨慕。

  • Red for Scottie and green for Madeleine and

    紅色代表Scottie,綠色代表Madeleine和

  • the color scheme is felt even in scenes of its absence.

    的場景中也能感受到它的色彩搭配。

  • The lack of these powerful colors feels like a lack of powerful emotion.

    缺少這些強大的色彩,感覺就像缺少強大的情感。

  • It's a color scheme so memorable, we actually feel it when it's gone,

    它'的配色讓人記憶深刻,當它消失的時候,我們其實是有感覺的。

  • which makes it a must include on this list.

    這使得它必須列入這個名單。

  • (Music)

    (音樂)

  • Adding in even more colors, we wind up in triadic and tetradic color schemes and

    再加上更多的顏色,我們就會出現三元和四元的配色方案,以及。

  • in their most extremes lands you somewhere between a "Pete Mondrian" painting and

    在他們最極端的土地你之間的"皮特-蒙德里安"繪畫和。

  • a game of 'Twister'.

    一場'扭蛋器&39;的遊戲。

  • But they can make for effective color schemes, ones that tend to seem fun and

    但它們可以使有效的配色方案,那些往往看起來有趣和

  • carefree and stereotypically colorful.

    無憂無慮,色彩刻板。

  • Films like 'A Clockwork Orange',

    像'發條橙&39;這樣的電影。

  • 'Women on the Verge of a Nervous Breakdown', 'The Last Emperor',

    '神經瀕臨崩潰的女人','末代皇帝'。

  • 'Kurasawa's Dreams' and 'The Umberellas of Cherbourg' all live within this world.

    '倉澤'的夢'和'瑟堡的翁貝勒'都生活在這個世界裡。

  • However, if there's a film that does it best, we think it's "Godard's" 'Contempt'.

    然而,如果有一部'的電影做得最好,我們認為它'的"戈達爾'的"'蔑視;。

  • - (Sound) That's what I think of that stuff up there.

    - (聲音)這就是我對上面那東西的看法。

  • - "Godard" has always had a love affair with colors.

    - "戈達爾"一直對色彩情有獨鍾。

  • And in 'Contempt', they find their expression in the triadic colored red,

    而在'嗟來之食&39;中,它們在三合彩紅中找到了自己的表達方式。

  • blue, yellow that establishes itself early on and

    藍色、黃色,早早建立了自己和

  • then saturates the screen to greater or lesser extents.

    然後使螢幕或多或少地飽和。

  • But they are never overbearing or garish, instead they are beautiful and striking

    但它們從不張揚,也不華麗,相反,它們很美,很引人注目

  • and thoughtful and memorable, orchestrated by a master to masterful effect.

    和思想,令人難忘,由大師精心編排,達到精湛的效果。

  • (Music)

    (音樂)

  • Of course, color palettes don't always come from limiting hues.

    當然,調色板並不總是來自於限制性的色調。

  • Sometimes focusing on some specific lightnesses or

    有時專注於一些特定的輕度或

  • saturations can produce a stunning cinematic effect as well.

    飽和度也可以產生驚人的電影效果。

  • For our number four, we wanna look at a more recent trend,

    對於我們的第四條,我們想看看最近的一個趨勢。

  • that of the neon palette.

    的霓虹燈調色板。

  • Keep your colors bright and ultra saturated, and you might wind up with

    保持你的色彩明亮和超飽和度,你可能會出現以下情況

  • the in your face Tokyo shop front aesthetic of 'Springbreakers',

    春風破浪》的東京店面美學。

  • 'Enter The Void', 'Suspiria', or our number four pick, 'Only God Forgives'.

    '進入虛空','Suspiria',或者我們的第四號選擇,'Only God Forgives'。

  • (Music)

    (音樂)

  • - Take it off!

    - 脫掉它!

  • - There's very little middle ground in "Nicolas Winding Refn's" odd and

    - 在"Nicolas Winding Refn'的"奇特的和"中,很少有中間地帶。

  • challenging followup to 'Drive', the screen is either black or

    具有挑戰性的後續'驅動器',螢幕要麼是黑色的,要麼是。

  • bathed in a neon glow.

    沐浴在霓虹燈下。

  • Reds, blues, lime greens, teals, yellows, pinks, purples, and

    紅色,藍色,青綠色,茶色,黃色,粉色,紫色,和。

  • brilliant oranges all find their place in mostly monochromatic compositions.

    豔麗的橙子都能在大部分單色的構圖中找到自己的位置。

  • But what's consistent across the film is that there is no subtle, gentle color,

    但全片一致的是,沒有細膩溫柔的色彩。

  • it is harsh and unnatural, violent and uncaring, like much of the plot.

    它是殘酷的,不自然的,暴力的,無情的,就像很多情節一樣。

  • But it's certainly striking and definitely one of the best incarnations of what seems

    但是,它肯定是引人注目的,絕對是最好的化身之一,似乎是

  • to be a popular contemporary aesthetic in our 21st century digital world.

    成為21世紀數字世界中流行的當代美學。

  • Of course, if you dial the colors way back and stay away from the extreme of

    當然,如果你把顏色往後撥,並遠離極端的顏色,那麼你就會發現,你的顏色就會變得很糟糕。

  • lightness and darkness, you end up with the pastel aesthetic.

    明暗相間,你最終會得到粉彩的美感。

  • They're neutral, milky a little washed out with a relaxed feeling and

    它們是中性的,乳白色的有點被沖淡了,有一種輕鬆的感覺,而且。

  • a storybook quality.

    一個故事書的品質。

  • There's a notable pastel look to 'Floating Weeds', 'The Danish Girl' and

    有'浮動的野草&39;、'丹麥女孩&39;的顯著粉色外觀。

  • 'The Shining', but "Wes Anderson" is really the master here.

    '閃靈',但"韋斯-安德森"才是這裡的真正主人。

  • He's been developing the highly curated pastel look ever since 'Rushmore' but

    自'拉什莫爾&39以來,他一直在開發高度策劃的粉色外觀;但是,他一直在發展。

  • come on, has he ever done it better than 'The Grand Budapest Hotel'?

    來吧,他有沒有比'布達佩斯大飯店&39;做得更好?

  • - You're looking so well darling, you really are.

    - 你看起來很好,親愛的,你真的是。

  • They've done a marvelous job, I don't know what sort of cream they've put on

    他們做了一項了不起的工作,我不知道他們把什麼樣的霜的

  • you down at the morgue, but I want some.

    你在停屍房,但我想要一些。

  • The 'Grand Budapest Hotel' is pretty much the opposite of 'Only God Forgives',

    '布達佩斯大飯店'與'唯有上帝才會原諒'幾乎相反。

  • soft, gentle, forgiving colors.

    柔和、溫和、寬容的色彩。

  • Never neon, rarely primary, often peculiar, and difficult to name.

    絕不是霓虹燈,很少是原生的,往往是奇特的,難以命名。

  • "Anderson" doesn't use yellow so much as mustard, not pink so much as rose,

    "安德森"不用黃色那麼多的芥末,不用粉色那麼多的玫瑰。

  • not red so much as burnt amber.

    不是紅色,而是燒焦的琥珀。

  • There's a sophistication to his color choices that is, and

    他的色彩選擇有一種複雜性,是,和。

  • we name this lovingly, a little bit hipster.

    我們給這個愛稱,有點潮。

  • But his odd color tastes tend to both connect his work into a greater oeuvre and

    但是,他奇特的色彩品味往往既將他的作品連接成一個更大的作品,又將他的作品連接成一個更大的作品。

  • find unique expression in each individual piece.

    在每件作品中找到獨特的表達方式。

  • But they're so lovingly chosen and

    但他們是如此的愛的選擇和

  • precisely expressed in every detail that you absolutely have to

    準確地表達了你絕對要的每一個細節。

  • appreciate them even as we make fun of them at every possible turn.

    欣賞他們,即使我們儘可能地取笑他們。

  • Depressing the palette even more, lowering the saturation

    更加壓低調色板,降低飽和度。

  • even further while hovering just above grey, going murkier and darker and

    更進一步,同時在灰色上方徘徊,越走越暗,越走越黑,越走越遠。

  • staying away from red, you end up with the muted palate.

    遠離紅色,你最終會得到柔和的口感。

  • This can look like a simple desaturation as in 'The Road', or

    這可能看起來像一個簡單的去飽和,如'道路',或。

  • a whole computer look when tinted green as in 'The Matrix'.

    整臺電腦的樣子,當被染成綠色,如'黑客帝國'。

  • It's the favorite of post-apocalyptic films, but

    它'是末世電影的最愛,但。

  • it has its place in society as well as in our number two pick,

    它在社會上有它的地位,也在我們的二號人物身上。

  • "Roy Andersson's" mad genius 'The Living Trilogy'.

    "羅伊-安德森'的"瘋狂的天才'生活三部曲'。

  • (Sound)

    (聲音)

  • - (Foreign)

    - (外國)

  • - Micke Larsson.

    - Micke Larsson.

  • - No.

    - 不知道

  • - "Andersson's" color is so subtle yet

    - "Andersson'的"顏色是如此的微妙,但又是如此的。

  • so meticulously controlled that we can't help but admire it.

    如此細緻的控制,讓我們不得不佩服。

  • Starting with 'Songs >From The Second Floor', moving on to 'You,

    從'歌曲>從二樓開始&39;,到'你。

  • The Living', and culminating in 'A Pigeon Sat on a Branch Reflecting on Existence',

    活著的人',並以'一隻鴿子坐在樹枝上思考存在的問題'為高潮。

  • "Roy Andersson" has created a world of the beautiful mundane with such

    "羅伊-安德森"用這樣的方式創造了一個美麗的平凡世界。

  • elaboration and vision that is wholly unique and immediately recognizable.

    闡述和設想,是完全獨特的和立即可以識別的。

  • Much like "Wes" in his playful twee finding expression in his pastel palette,

    很像"Wes"在他的粉色調色板上找到表達的俏皮twee。

  • "Andersson" accomplishes the unimaginable,

    "安德森"完成了難以想象的事情。

  • expressing his tragic comic humor in his color-scape.

    在他的色彩畫面中表達了他的悲劇性幽默。

  • With obsessively crafted sets built over years, designed for as little contrast as

    經過多年的精心打造,設計出了對比度極小的套裝。

  • possible and lit with no shadows, that we do exactly what he was setting out for

    儘可能的、沒有陰影的照明,我們做的正是他所要做的。

  • us to do, peer into the details, look deeper and see more.

    我們要做的,是窺探細節,看得更深,看得更多。

  • Finally, for our last palette, the darker,

    最後,我們的最後一個調色板,深色的。

  • deeper, richer version of the pastel palette with spikes

    更深、更豐富的粉色調色板,帶有尖峰的色彩

  • of saturation around very specific colors, we have the jewel-toned look.

    圍繞著非常特定的顏色的飽和度,我們有了寶石色調的外觀。

  • 'This is Fanny' and Alexander' and 'Lola Montes' and 'Anna Karenina'.

    '這是範妮'和亞歷山大'和'羅拉-蒙特斯'和'安娜-卡列尼娜'。

  • It's hard to describe but it's rich and supple and gorgeous without looking

    很難形容,但它的豐富和柔軟,華麗而不顯得。

  • manufactured, it blends in as naturalistic even when it's catching the eye.

    製造的,即使在吸引眼球的時候,它也會像自然主義一樣融入其中。

  • For our favorite version of this,

    對於我們最喜歡的這個版本。

  • we have no qualms giving it to 'In the Mood for Love'.

    我們毫無顧忌地把它交給了'在愛的情緒下&39;。

  • - (Foreign) - What can we say about 'In the Mood for

    - (國外)--對於'的心情,我們能說什麼呢?

  • Love' that we haven't already?

    愛',我們還沒有'?

  • It is a beautiful film in every possible sense of the word, stylized yet tasteful,

    這是一部美輪美奐的電影,風格化而又有品位。

  • subtle yet bold.

    微妙而又大膽。

  • His colors are without over obvious symbolism or

    他的色彩沒有太明顯的象徵意義,也沒有

  • binary meaning, instead working for emotional effect.

    二元意義,而是在情感效果上下功夫。

  • They create a world, its characters, the feeling and the mood.

    他們創造了一個世界,它的人物,感覺和心情。

  • There is heartache in the redness of billowing curtains, longing in the magenta

    飄揚的窗簾紅裡有心痛,洋紅裡有渴望。

  • of a lipstick stained cigarette, irony in the vivid green of a dress.

    一支沾滿口紅的香菸,在鮮豔的綠色衣服中諷刺。

  • "Wong Kar-wai" and "Christopher Doyle" are visual color masters, and

    "王家衛"和"Christopher Doyle"是視覺色彩大師,以及"王家衛"和"Christopher Doyle"是視覺色彩大師,以及"王家衛"和"Christopher Doyle"是視覺色彩大師。

  • 'In the Mood' is their finest work, breathtaking and beautiful beyond measure,

    'In the Mood'是他們最優秀的作品,令人歎為觀止,美不勝收。

  • which is why it's our pick for the Best Colored Film of all Time.

    這就是為什麼它'是我們選擇的最佳彩色電影的所有時間。

  • (Music)

    (音樂)

  • What do you think?

    你覺得呢?

  • Do you disagree with any of our picks?

    你不同意我們的任何選擇嗎?

  • Did we leave out any of your favorite colored films?

    我們是不是漏掉了你最喜歡的彩色電影?

  • Don't say 'Gone With The Wind'.

    不要說'亂世佳人&39;。

  • We know we left out 'Gone With The Wind'.

    我們知道我們漏掉了'亂世佳人&39;。

  • But otherwise, let us know in the comments below, and be sure to subscribe for

    但除此之外,請在下面的評論中告訴我們,並且一定要訂閱。

  • more Cinefix movie lists.

    更多Cinefix電影列表。

  • (Music)

    (音樂)

Even before color film existed, filmmakers have been using color as a tool for

甚至在彩色電影出現之前,電影人就已經將色彩作為一種工具,以達到以下目的

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